22 Designers and Fashion Brands Will Present Their Collections at the Next
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Press Release
Puig Revenues reached €1,790 Million with 9% Growth in 2016 ▪ Net Income was €155 Million, an increase of 23% versus 2015 ▪ The company is still on track to reach its objective of €2 Billion in revenues in 2017 Barcelona, April 24, 2017 Puig Net Revenues reached €1,790 Million in 2016, which represents a growth of 9% in reported net revenues and a 5% rise on a like-for-like and constant currency basis. Profit Before Tax represented 12% of Net Revenues. Net Income reached €155 million, or 9% of revenues. Evolution of Net Revenues and Profit (2015-2016) In millions of euros 2015 2016 A15/A16 (1) Net Revenues 1,645 1,790 9% 5% Profit Before Tax (PBT) 181 215 19% Corporate Tax -50 -56 Taxes/PBT -28% -26% Net Income 126 155 23% Despite the additional costs related to the integration of Jean Paul Gaultier in 2016, Puig improved profitability with respect to 2015 in line with its three-year strategic plan ending in 2017. Worldwide Presence 2016 % of revenues outside Spain 85% % of revenues in emerging markets (2) 44% (1) On a like-for-like and constant currency basis (2) Outside the European Union and North America Geographical Breakdown In 2016, 15% of revenues were generated in Spain and 85% in the rest of the world. Emerging markets 1 EXTERNAL CORPORATE COMMUNICATIONS outside the European Union and North America accounted for 44% of the company’s business. Puig had 4,430 employees in 2016, 40% of whom worked in Spain. All Puig fragrances were manufactured in the company’s production centers in France and Spain. -
Protodiplomacy Across the Mediterranean: the Catalan Participation in the First Congresses of Byzantine Studies in South- Eastern Europe During the Interwar Period
Protodiplomacy Across the Mediterranean: The Catalan Participation in the First Congresses of Byzantine Studies in South- Eastern Europe During the Interwar Period LUCILA MALLART Universitat Pompeu Fabra In the interwar period, Catalan nationalists sought to participate actively in post-World War I political forums in order to inscribe Catalonia in discussions on national minorities. Figures like Lluís Nicolau d’Olwer (1888-1961) or Joan Estelrich (1896-1958) unsuccessfully fought to have their claims heard at organisations such as the League of Nations. This has been considered a form of protodiplomacy (Núñez-Seixas 2010). This paper will explore the ways in which Catalan politicians and intellectuals, such as the abovementioned Lluís Nicolau d’Olwer and Josep Puig i Cadafalch (1867-1956), engaged in forms of protodiplomacy in the same period, in the context of the Byzantine Studies Congresses that were organised in South-Eastern Europe in 1924 and 1927. This engagement is significant for a number of reasons. Firstly, it shows that territorial entities with conflicting agendas (separatist, in the case of Catalonia; agglutinating, in the case of Romania) could build narratives that reciprocally reinforced each other’s nationalist objectives. Secondly, it alters the conventional narrative according to which Josep Puig i Cadafalch, former president of the Catalan Mancomunitat (1917-1923) retired from politics after General Primo de Rivera’s coup d’état, and devoted himself to merely academic practices (e.g. Balcells 2013). Instead, his participation in those Congresses should be framed in the both implicit and explicit political character of those meetings (Maufroy 2010). Finally, the approach of this paper highlights the eminently transnational character of the spaces in which those nationalist narratives and claims where discussed and negotiated (Alcalde 2018). -
Warm up 2019 Features 75+ Artists Including Freddie
WARM UP 2019 FEATURES 75+ ARTISTS INCLUDING FREDDIE GIBBS & MADLIB, SHO MADJOZI, MARTINEZ BROTHERS, SMINO, ANNIE MAC, MALL GRAB, THE MARÍAS, FUEGO, SANTI, AND MANY MORE EVERY SATURDAY IN JULY AND AUGUST LONG ISLAND CITY, New York, June 27, 2019—MoMA PS1’s pioneering outdoor music series Warm Up returns on July 6, presenting the best in live and electronic music every Saturday in July and August. Known for its innovative and ambitious program, Warm Up celebrates a wide range of artists across genres: both emerging and established, local and global. This year’s program welcomes more than 75 artists, including Fuego, Sho Madjozi, The Marías, Kelly Lee Owens, Smino, Eris Drew, The Martinez Brothers, Michael Brun, FLOORPLAN, and Mall Grab, as well as an opening day headlining set by collaborators Freddie Gibbs and Madlib, the first U.S. performance by Nigerian artist Santi, and a rare U.S. appearance by legendary BBC DJ Annie Mac. The current lineup follows below, and additional artists will be added throughout the summer. Advance tickets are now available for all dates. Now in its 22nd season, Warm Up is one of the longest running music programs housed within a museum. As an integral part of MoMA PS1’s curatorial program, Warm Up seeks to elevate innovative, underrepresented voices and connect fans with music’s most important artists. The program’s alumni include contemporary creators Solange, Black Dice, Cardi B, Jamie XX, Lizzo, Skepta, Thom Yorke, Four Tet, and A- Trak as well as legendary DJs including Derrick May, DJ Premier, and Ritchie Hawtin. -
Publicación: Castro, Ernesto (2019). El Trap. Filosofía Millennial Para La Crisis En España
Publicación: Castro, Ernesto (2019). El trap. Filosofía millennial para la crisis en España. Madrid: Errata Naturae Fragmento: Ser o no ser feminista / El retorno de lo real (pp. 165-218) y (pp. 358-380) ISBN: 978-84-17800-11-6 6. SER O NO SER FEMINISTA Me suda la polla lo que tú me digas. 1 No me hables, me das SIDA. 1 Vece a la mierda y que Dios te bendiga. 1 Esto es trap shit, pero no soy trapera, 1 lo juro por tos mis muertos, que Dios no los quiera. 1 Estoy pensando en billetes, en llenar la nevera. 1 [... ) Estoy ha blando con Dios, pero nadie se entera. 1 Mi futuro está envuelto en el papel de mi cartera. ALBA NY t,. J. Sad and emo girls lln diciembre de 2017, Pimp Flaco hizo unas desafortunadas declaraciones en Los 40 Principales sobre las mujeres de la es n:na urbana española. Cuando el presentador de esa emisora de radio le preguntó su opinión acerca de Bad Gyal, el trapero de lbdalona respondió lo siguiente: «Bueno, a ver, es como cuando t• n tu clase hay dos niñas que están buenas, pues ... pues son esas dos. Aquí, en España, está una y la otra. Pues, si no petan esas dos, no peta nadie, hermano. Pues, cuando salgan quince ni iias más dentro de tres o cuatro años, adiós. Así es la vida, 165 1 ht•r·mono>>• Lo más desafortunado de esas declaracion~:s de ser problemática, ya que, por mucho que las mujeres digan acreedoras del mayor de los facepalms- no fue la comparn que ellas no se hipersexualizan para los hombres, sino para sí ción con las niñas que están buenas en el colegio, como sugi rnismas, al patriarcado le dan igual tus intenciones: el caso es riendo micromachistamente que las traperas españolas son que la mayoría de las artistas urbanas ofrece en sus vídeos justo unas ingenuas e infantiles colegialas que han tenido éxito den lo que los babosos y los pajilleros compulsivos demandan de tro de la industria del espectáculo gracias a su físico antes que a l• llas (mujeres ligeras de ropa moviendo las tetas y el culo). -
Music Video Aesthetics, Militarised Fashion, and the Embodied Politics of Stardom in Rihanna’S ‘Hard’1
Politik Nummer 1 | Årgang 23 | 2020 ‘Couture military’ and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s ‘Hard’1 Catherine Baker, Senior Lecturer in 20th Century History, Department of History, Uni- versity of Hull Music video is an underappreciated type of audiovisual artefact in studies of the aesthet- ics of world politics, which typically privilege linear narrative storytelling and struggle to communicate how sonic and embodied practices also constitute world politics as sen- sory experiences through which individuals make sense of the world. Yet the ways in which music video invites spectators’ senses to work together, and to filter meaning through their knowledge of stars’ own ‘meta-narratives’, expose an intimate and affective continuum between the politics of stardom and attachments to collective projects such as militarism. This paper explores that continuum through a study of Rihanna’s video ‘Hard’ and the aesthetic strategies it used to visualise her performance of a ‘female military masculinity’ in a fantasised space employing signifiers of US desert war. In December 2009, at the end of a year in which Rihanna had been forced into a struggle to control and redefine her public persona after being assaulted by her then partner, the second single from her image-redefining album Rated R appeared with a video proclaim- ing her resilience and invulnerability, placing her in a succession of haute-couture-styled military-themed outfits in the middle of a fantastic version of a desert war. ‘Hard’, re- leased while fans and journalists were still debating the meanings of the BDSM imagery around Rated R’s lead single ‘Russian Roulette’, asserted Rihanna’s triumphs in the mu- sic industry and the luxury they had earned her result with a defiant message to her online haters and the repeated declaration in the chorus ‘I’m so hard’. -
Graphic Content
BIG IN BEIJING DIANE VON FURSTENBERG FETED WITH EXHIBIT IN CHINA. STYLE, PAGE S2 WWDTUESDAY, APRIL 5, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 ZEROING IN Puig Said In Talks Over Gaultier Stake founded in 1982, and remain at the By MILES SOCHA creative helm. As reported, Hermès said Friday PARIS — As Parisian as the Eiffel it had initiated discussions to sell its Tower, Jean Paul Gaultier might soon shares in Gaultier, without identify- become a Spanish-controlled company. ing the potential buyers. The maker According to market sources, of Birkin bags and silk scarves de- Puig — the Barcelona-based parent clined all comment on Monday, as did of Carolina Herrera, Nina Ricci and a spokeswoman for Gaultier. Paco Rabanne — has entered into ex- Puig offi cials could not be reached clusive negotiations to acquire the 45 for comment. percent stake in Gaultier owned by A deal with Puig — a family-owned Hermès International. company that has recently been gain- It is understood Puig will also pur- ing traction with Ricci and expand- chase some shares from Gaultier him- ing Herrera and has a reputation for self, which would give the Spanish being respectful of creative talents beauty giant majority ownership of —would offer a new lease on life for a landmark French house — and in- Gaultier, a designer whose licensing- stantly make it a bigger player in the driven fashion house has struggled to fashion world. thrive in the shadow of fashion giants Gaultier, 58, is expected to retain like Chanel, Dior and Gucci. a signifi cant stake in the company he SEE PAGE 6 IN WWD TODAY Armani Eyes U.S. -
Francesc Marcé I Puig
1 The users centred approach / Designing the stress Francesc Marcé i Puig Keywords: Design. Communication. Interaction. Disarrangement. Disappoint Abstract In previous works, the author of the present paper has been devoted to expose his theoretical and empiric investigations on Design and his methods as a part of a social communication process, as well as to the study of the human communication in general terms. As a those reflections result, we seek in the present report to defend and to argue the following thesis: a good design find this departure point on a design process centred in the user. Then, after studying the conditions for the effectiveness of the Design objects, it is imposed, as an exercise of scientific and social understanding, the use of the same theoretical tools to analyse the consequences of Design products malfunction. 1. Introduction In previous works, we have exposed our theoretical and empiric investigations on Design and their methods, framing them in the context of a social communication process. This process justifies and it explains them. He have been also studying human communication in general terms. Now we must look for some more reach conclusions. All these works are based on three fundamental premises: First, any culture can be understood as a generation of behaviours and material objects, which production and use is function of certain social relationships structure. Their meaning emerge from a certain system of social “necessities”. The socio-cultural system is then a hyper-complex communicational system. Second, the above-mentioned implies that, material environment components, act as messages, taken place over the base of certain language and producing some influence in their receiver-users. -
SXSW Music Full Artist Press Release
SXSW - A Destination for Unexpected Discovery SXSW Music Festival Announces Full Artist List, Notable Panels and Panelists Austin, Texas - March 8, 2018 - Every March the global music community journeys to the South by Southwest® Music Festival (SXSW®) in Austin, Texas for seven days and nights of music discovery, networking and the opportunity to share ideas. To help manage this endeavor, SXSW is pleased to release the full list of 1,982 artists scheduled to perform at the 32nd edition of the SXSW Music Festival taking place Monday, March 12 - Sunday, March 18, 2018. As well as the performing artists, numerous music industry professionals will be participating in the SXSW Conference. The SXSW Conference line-up is filled with notable artists, panelists and music-focused panels including: Music Keynote Lyor Cohen; Keynote Conversation with Linda Perry & Kerry Brown; A Conversation with Keith Urban; Music Business 101 - A Q&A with Legendary Music Icon Nile Rodgers; A Conversation with Kim Deal & Steve Albini; Featured Session: Superchunk; From Bronx To Billions: A Hip-Hop History Lesson; New Jack Swing: The Renaissance of Hip Hop and R&B; Changing the Game: Artists as Leaders w/ Ted Leo; Featured Session: Elvis Presley: The Searcher; From CBGB to the World: A Downtown Diaspora; Music Tech: A Gateway to Awaken America's Youth w/ Young Guru; How About A Little Fanfare? w/ Todd Rundgren, Matthew Caws, Matt Lowell & More; Raw: U-God's Journey into the Wu Tang; Teamwork, Innovation & Rock n' Roll with Kenny Aronoff; It's a Fan's World: The Life of Superfans; In Conversation: Ruben Blades; Featured Speaker Daniel Glass; Merlin at 10: Independent Labels are Streaming Ahead; Sexual Misconduct in the Music Industry; From Invisible to 8Bi Views: Kondzilla; Instagram for Music: Best Practices; Blockchain, Cryptocurrencies and Music; and Why Music Journalism Matters in the Streaming Era. -
Mariano Puig Planas Passes Away at Age 94
Mariano Puig Planas passes away at age 94 A founding member of the Family Business Institute in Spain, the former President of Puig was recognized early on for his leadership and business skills Puig sadly announces the death of Mariano Puig Planas, member of the second generation of the Puig family and former President of Puig. Born in Barcelona in 1927, he earned a doctorate degree in chemical engineering and was a 1964 graduate of IESE Business School. Married to María Guasch, he had four sons and one daughter. Beginning in his youth, Mariano Puig stood out for his leadership abilities and a sense for business growth, establishing important ties with the United States, the Caribbean and France. After closing a distribution agreement for the fragrance Agua Lavanda Puig in the United States at the end of the 1950s, Mariano Puig acquired representation of the brand Max Factor, distributing it in Spain for more than 15 years. His experience in the United States led him in 1968 to take the leap to Paris, where he signed a collaboration agreement with the designer Paco Rabanne for the creation of his fragrances. It was the beginning of the company’s international expansion. Years later, in 1987, he reached an agreement with the designer Carolina Herrera to produce her perfumes, also negotiating in 1995, the purchase of1 Copyright DutyFree Magazine. All rights reserved. her fashion division. In addition to being a founding member of the Family Business Institute in Spain, of which he was president from 1995 to 1997, Mariano Puig was: Member -
Turmoil Second Wave of Confirmed Acts and Projects
PRESS RELEASE 29 NOVEMBER 2017 CTM FESTIVAL 2018 – TURMOIL SECOND WAVE OF CONFIRMED ACTS AND PROJECTS FESTIVAL FOR ADVENTUROUS MUSIC & ART, BERLIN 19th EDITION, 26 JANUARY – 4 FEBRUARY 2018 CTM 2018 will run 26 January – 4 February 2018 at Berlin venues HAU Hebbel am Ufer, Berghain, YAAM, Festsaal Kreuzberg, SchwuZ, and Kunstquartier Bethanien. We’re also very excited to enter new venue Club OST for the first time this year. The Turmoil theme explores the state of music and sound practice in the face of a confusing and critical present. In the face of nonstop crises, protests, call-outs, and so on, normalised exhaustion and disquiet permeate our daily on- and offline lives. Music has always been a remedy for the ruthlessness of this world, a tool for altering our own way of being and for creating community. CTM 2018 questions the continuity of such potential. Can music mitigate societal polarisation? Does answering the world’s turmoil with aesthetic turmoil help? Should we not, in the face of conflict’s escalating logic and capitalism’s voracious desire for intensification, instead explore aesthetics of placidness and disengagement? Which other sonic and musical responses could we conceive of as an antidote? Newly-confirmed CTM 2018 acts are: Boys Noize [DE] / George E. Lewis & Roscoe Mitchell [US] / Scott Kelly (Neurosis) w John Judkins (Rwake) [US] / Antwood [CA] / Bad Gyal [ES] / Batu [UK] / Champion with MC Serious [UK] / Cuntroaches [DE] / Errorsmith [DE] / / HAJ300 [SE] / Hanin Elias [DE] / HDmirror [DE] / Hyph11E [CN] / Jason Hou