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FASHION IS STILL MADONNA's PASSION Final 6.7.2012 1030Am
FASHION IS STILL MADONNA’S PASSION LOS ANGELES, CA (June 7, 2012) - Madonna’s MDNA Tour which opened in Tel Aviv on May 31 st includes over 700 costumes elements, six costume changes for the Material Girl and costume changes for the dancers with each song. The show is already being heralded as her most stunning and grandest extravaganza ever. Longtime Madonna stylist, Arianne Phillips, and her staff of 25 have put together an array of big name designers and emerging talent including Jean Paul Gaultier Couture, Brooks Brothers shirts and canes, Prada/MiuMiu shoes, club and street style innovators Jeremy Scott & Adidas, Dolce & Gabanna and several new creative partnerships, as well as her own Truth or Dare line encompassing lingerie and shoes that are scheduled to come out in the Fall. The Material Girl’s MDNA tour essentially runs the gamut from long time collaborators and new partners, fashion designers, retailers and artists along with dazzling elements of Swarovski crystals. “I see Madonna as one of the greatest performing artists and entertainers of our generation,” commented Phillips, a two time Oscar nominee, who has collaborated with Madonna for over l5 years and four tours. The wardrobe reflects new twists on familiar themes including spirituality, prophecy, light, super-vixen, Americana/sassy, majorette with a message, masculine, feminine, redemption and celebration. With styles including Truth or Dare lingerie with crosses, colorful metal mesh tee shirts, specially designed accessories including gargoyle and bunny masks, Brooks Brothers shirts and canes, swords, gun holsters, jeweled accessories, mirrored track suits, Lord of War tee shirts, Phillips designed Joan of Arc ensembles, a majorette costume with a l940’s inspired silhouette and Shaolin warrior costumes, fashionistas will easily find a wide range of styles and likely some new trends. -
Download The
The House of an Artist Recognized as one of the world’s most celebrated perfumers, Francis Kurkdjian has created over the past 20 years more than 40 world famous perfumes for fashion houses such as Dior, Kenzo, Burberry, Elie Saab, Armani, Narciso Rodriguez… Instead of settling comfortably into the beginnings of a brilliant career started with the creation of ”Le Mâle” for Jean Paul Gaultier in 1993, he opened the pathways to a new vision. He was the first in 2001 to open his bespoke fragrances atelier, going against the trend of perfume democratization. He has created gigantic olfactory installations in emblematic spaces, making people dream with his ephemeral and spectacular perfumed performances. All this, while continuing to create perfumes for world famous fashion brands and designers, as fresh as ever. Maison Francis Kurkdjian was a natural move in 2009, born from the encounter between Francis Kurkdjian and Marc Chaya, Co-founder and President of the fragrance house. Together, they fulfilled their desire for a sensual, generous and multi-facetted landscape of free expression, creating a new emblem of French know-how and lifestyle. A high-end fragrance house Maison Francis Kurkdjian’s unique personality is fostered by the creative power of a man who has a taste for precision. The Maison is guided by enchanting yet precise codes: purity, sophistication, timelessness and the boldness of a classicism reinvented. Designed in the tradition of luxury French perfumery, the Maison Francis Kurkdjian collection advocates nevertheless a contemporary vision of the art of creating and wearing perfume. Francis Kurkdjian creations were sketched like a fragrance wardrobe, with myriad facets of emotions. -
Protodiplomacy Across the Mediterranean: the Catalan Participation in the First Congresses of Byzantine Studies in South- Eastern Europe During the Interwar Period
Protodiplomacy Across the Mediterranean: The Catalan Participation in the First Congresses of Byzantine Studies in South- Eastern Europe During the Interwar Period LUCILA MALLART Universitat Pompeu Fabra In the interwar period, Catalan nationalists sought to participate actively in post-World War I political forums in order to inscribe Catalonia in discussions on national minorities. Figures like Lluís Nicolau d’Olwer (1888-1961) or Joan Estelrich (1896-1958) unsuccessfully fought to have their claims heard at organisations such as the League of Nations. This has been considered a form of protodiplomacy (Núñez-Seixas 2010). This paper will explore the ways in which Catalan politicians and intellectuals, such as the abovementioned Lluís Nicolau d’Olwer and Josep Puig i Cadafalch (1867-1956), engaged in forms of protodiplomacy in the same period, in the context of the Byzantine Studies Congresses that were organised in South-Eastern Europe in 1924 and 1927. This engagement is significant for a number of reasons. Firstly, it shows that territorial entities with conflicting agendas (separatist, in the case of Catalonia; agglutinating, in the case of Romania) could build narratives that reciprocally reinforced each other’s nationalist objectives. Secondly, it alters the conventional narrative according to which Josep Puig i Cadafalch, former president of the Catalan Mancomunitat (1917-1923) retired from politics after General Primo de Rivera’s coup d’état, and devoted himself to merely academic practices (e.g. Balcells 2013). Instead, his participation in those Congresses should be framed in the both implicit and explicit political character of those meetings (Maufroy 2010). Finally, the approach of this paper highlights the eminently transnational character of the spaces in which those nationalist narratives and claims where discussed and negotiated (Alcalde 2018). -
The Fashion World of Jean Paul Gaultier: from the Sidewalk to the Catwalk, the First International Exhibition of This Celebrated French Couturier’S Work
It’s official! Only East Coast venue of this exhibition of innovative work by the celebrated French fashion designer. New creations presented for the first time. For the last four decades, Jean Paul Gaultier has shaped the look of contemporary fashion with his avant-garde creations and cutting-edge designs. The Brooklyn Museum will be the only East Coast venue for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, the first international exhibition of this celebrated French couturier’s work. This spectacular overview of Gaultier’s extensive oeuvre will include exclusive material not exhibited in previous venues of the tour, such as pieces from his recent haute couture and ready-to-wear collections and stage costumes worn by Beyoncé. Jean Paul Gaultier. © Rainer Torrado The French couturier says of the Brooklyn presentation: “I am proud and honored that this exhibition will be presented here, where the true spirit of New York lives on. I was always fascinated by Gaultier’s reputation for witty and daring designs New York, its energy, the skyscrapers of Manhattan, and a ceaseless interest in society, identity, and that special view of the sky between the tall beauty born of difference has earned him a place buildings…. On one of my first trips I decided to walk in fashion history. The Brooklyn presentation all the way uptown from the Village until Harlem. will include Gaultier costumes never before seen It took me the whole day, and I will never forget the in New York, such as items graciously lent by pleasure of discovering this great city. -
Body Beautiful: Diversity on the Catwalk Teacher and Adult Helper Notes
Body Beautiful: Diversity on the Catwalk Teacher and adult helper notes Contents Page 1 Visiting the exhibition 1 2 Exhibition content 2 3 Curriculum links 9 4 Suggested activities within the exhibition 9 5 Activities and resources to use in class 11 6 Questions or feedback? 11 1 Visiting the Exhibition Important information • Food and drink are not permitted. • There are three items you cannot take photographs of within the exhibition. These are clearly signposted. • The exhibition contains nudity. • You will enter and exit via the same door. Please be aware of other visitors who may be entering/exiting the gallery. • Timeslots for visiting the exhibition are 30 minutes, unless otherwise stated on your booking. Please adhere to your time slot. • Parts of the exhibition are quite dimly lit. Please remind your pupils to take their time when moving around the space. • The exhibition has a background music, sound, flashing lights, and moving images throughout. 1 2 Exhibition content The exhibition begins with a display outside the gallery space, followed by an introduction. It is then split into 5 sections: • Disability • Race • LGBTQIA+ • Size • Age Below, we have outlined the key messages and designers from each of these sections. Outside the exhibition We are showing four works from Edinburgh College of Art students. The Edinburgh College of Art Diversity Network was formed in collaboration with All Walks Beyond the Catwalk, an initiative challenging the fashion industry’s dependence on unhealthy body ideals. It strives to teach students – as future stakeholders of the fashion industry – the importance of celebrating diversity within their approach to design and image-making. -
While We Never Made It Our Sole Mission to Expose
de sig ners all those mystifying names behind staged a grand swan-song the labels, it’s the fashion designers retrospective of his work, I attended who’ve been the mainstays of YSL’s last full couture collection at While Fashion Television, and at the heart the Intercontinental Hotel in Paris. and soul of it all. And while some “I’m afraid Yves Saint Laurent is the may beg to differ, in our eyes, the last one to think about elegant cream of the crop were always true women,” Pierre Bergé, the designer’s artists. Their crystal-clear vision, long-time business partner and inspired aesthetic, passion for former lover, told me. “Now things perfection, desire to communicate are different… Life has changed. and downright tenacity all made Maybe in a way, it’s more modern, the world a more beautiful place, and easier… I don’t want to argue we never and provided fascinating fodder for with that. Everybody has a right to us to explore. design clothes the way they feel. But for Saint Laurent, who loves Sometimes, these designers would and respects women and their be unlikely characters. Who could bodies, it’s very difficult to have guessed, the first time we understand the feel of today.” met Marc Jacobs, in 1986 at a Toronto garment factory—an Bergé went on to explain that adorable, personable kid with hair creativity, not marketing, always made it down to his elbows, eager to show came first for Saint Laurent. And us his small collection of knitwear— because of that, he was at odds that this bright designer would be with the way the fashion world heralded by Vogue 14 years later now functioned. -
The Vulgar Fashion Redefined
The Vulgar Fashion Redefined Barbican Art Gallery, London, UK 13 October 2016 – 5 February 2017 Media View: Wednesday 12 October, 10am –1pm Supported by Agent Provocateur #thevulgar “Vulgarity exposes the scandal of good taste” – Adam Phillips Potent, provocative and sometimes shocking, the word vulgar conjures up strong images, ideas and feelings in us all. The Vulgar: Fashion Redefined is the first exhibition to consider this inherently challenging but utterly compelling territory of taste. It both questions notions of vulgarity in fashion while revelling in its excesses, inviting the visitor to think again about exactly what makes something vulgar and why it is such a sensitive and contested term. Drawn from major public and private collections worldwide, with contributions from leading modern and contemporary designers such as Walter Van Beirendonck, Manolo Blahnik, Christian Dior, Iris van Herpen, Pam Hogg, Marc Jacobs for Louis Vuitton, Stephen Jones, Christian Lacroix, Karl Lagerfeld for Chloé and CHANEL, Alexander McQueen for Givenchy, Prada, Jeremy Scott for Moschino, Philip Treacy, Viktor & Rolf and Vivienne Westwood. The Vulgar opens at Barbican Art Gallery on 13 October 2016. Conceived by exhibition-maker Judith Clark and psychoanalyst Adam Phillips, the exhibition takes fascinating literary definitions of ‘the vulgar’ as a starting point and includes a wealth of over 120 stunning exhibits from the Renaissance through to the 21st century. Weaving together historic dress, couture and ready-to-wear fashion, textile ornamentation, manuscripts, photography and film, this carefully crafted installation illustrates how taste is a mobile concept: what was once associated with vulgarity is reconjured by designers to become the height of fashion. -
Amfar Charity Poker Tournament All in for a Cure
Jon Hamm at amfAR Gala Los Angeles amfAR Charity Poker Tournament All in for a Cure January 24, 2018 Private Residence San Francisico, California Event produced by Josh Wood Productions amfAR Charity Poker Tournament amfAR will host its rst amfAR Charity Poker Tournament to reinforce the Foundation’s presence in Silicon Valley and engage the tech industry donor base with a new amfAR event format. Funds raised will benet amfAR’s research initiatives, including the amfAR Institute for HIV Cure Research, based at the University of California, San Francisco. About the Event A VIP poker tournament with 100-150 industry leaders, innovators, and philanthropists Featuring cocktails, a poker tournament, a live auction, and entertainment Entertainment will be available for non- players, such as mixology lessons, poker lessons, and performances by magicians Previous Guests of Events Produced by Josh Wood Productions Alessandra Ambrosio, Matt Bomer, Adrien Brody, Naomi Campbell, Dan Caten, Dean Caten, Andy Cohen, Coldplay’s Chris Martin and Jonny Buckland, Kenneth Cole, Anderson Cooper, Laverne Cox, Miley Cyrus, Larry David, Josh Duhamel, Estelle, Colin Farrell, Fergie, Lady Gaga, Jean Paul Gaultier, Cuba Gooding Jr., Brad Goreski, Grace Jones, Debbie Harry, Jennifer Hudson, Kate Hudson, Sarah Hyland, amfAR Ambassador Cheyenne Jackson, Joshua Jackson, Heidi Klum, Diane Kruger, Karolina Kurkova, Cyndi Lauper, Jennifer Lopez, Courtney Love, Ricky Martin, Rose McGowan, Lea Michele, Liza Minnelli, Kate Moss, Ryan Murphy, Sinéad O’Connor, Sarah Jessica -
Gaultier, Jean-Paul (B. 1952) by Shaun Cole
Gaultier, Jean-Paul (b. 1952) by Shaun Cole Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Jean-Paul Gaultier. Reprinted from http://www.glbtq.com This photograph by Flickr contributor Captain Jean-Paul Gaultier's clothes have both influenced fashions in the clubs and on the Catan appears under the Creative Commons streets and have also appropriated ideas from those sources. Since his early shows Attribution 3.0 Unported Gaultier has drawn upon street styles and club culture for his haute couture creations. license. A frequenter of gay clubs in London, he typically incorporates elements of gay style into his collections. His 1996 Pin Up Boys collection, for example, drew upon the sailor as a gay icon and presented figure-hugging pink and blue Tom of Finland style outfits. Born on April 24, 1952 in Arcueil, France, Gaultier was an only child who spent his youth struggling to escape the influence of his parents, who were both accountants and who hoped that their son would become a Spanish teacher. The future designer was greatly influenced by his grandmother, Marie Garrabe, a hypnotist and practitioner of alternative healing who encouraged him to pursue the unmanly pastimes of sketching and costume making. Gaultier first realized the impact of his sketches when he was punished by his school teacher for drawing Folies Bergère showgirls. He was made to walk around school with the drawing pinned to his back. The punishment, however, only made the young Gaultier aware of his potential for showmanship. Gaultier had no formal fashion training. Instead, he sent hundreds of his sketches to various couture houses. -
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Graphic Content
BIG IN BEIJING DIANE VON FURSTENBERG FETED WITH EXHIBIT IN CHINA. STYLE, PAGE S2 WWDTUESDAY, APRIL 5, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 ZEROING IN Puig Said In Talks Over Gaultier Stake founded in 1982, and remain at the By MILES SOCHA creative helm. As reported, Hermès said Friday PARIS — As Parisian as the Eiffel it had initiated discussions to sell its Tower, Jean Paul Gaultier might soon shares in Gaultier, without identify- become a Spanish-controlled company. ing the potential buyers. The maker According to market sources, of Birkin bags and silk scarves de- Puig — the Barcelona-based parent clined all comment on Monday, as did of Carolina Herrera, Nina Ricci and a spokeswoman for Gaultier. Paco Rabanne — has entered into ex- Puig offi cials could not be reached clusive negotiations to acquire the 45 for comment. percent stake in Gaultier owned by A deal with Puig — a family-owned Hermès International. company that has recently been gain- It is understood Puig will also pur- ing traction with Ricci and expand- chase some shares from Gaultier him- ing Herrera and has a reputation for self, which would give the Spanish being respectful of creative talents beauty giant majority ownership of —would offer a new lease on life for a landmark French house — and in- Gaultier, a designer whose licensing- stantly make it a bigger player in the driven fashion house has struggled to fashion world. thrive in the shadow of fashion giants Gaultier, 58, is expected to retain like Chanel, Dior and Gucci. a signifi cant stake in the company he SEE PAGE 6 IN WWD TODAY Armani Eyes U.S. -
Francesc Marcé I Puig
1 The users centred approach / Designing the stress Francesc Marcé i Puig Keywords: Design. Communication. Interaction. Disarrangement. Disappoint Abstract In previous works, the author of the present paper has been devoted to expose his theoretical and empiric investigations on Design and his methods as a part of a social communication process, as well as to the study of the human communication in general terms. As a those reflections result, we seek in the present report to defend and to argue the following thesis: a good design find this departure point on a design process centred in the user. Then, after studying the conditions for the effectiveness of the Design objects, it is imposed, as an exercise of scientific and social understanding, the use of the same theoretical tools to analyse the consequences of Design products malfunction. 1. Introduction In previous works, we have exposed our theoretical and empiric investigations on Design and their methods, framing them in the context of a social communication process. This process justifies and it explains them. He have been also studying human communication in general terms. Now we must look for some more reach conclusions. All these works are based on three fundamental premises: First, any culture can be understood as a generation of behaviours and material objects, which production and use is function of certain social relationships structure. Their meaning emerge from a certain system of social “necessities”. The socio-cultural system is then a hyper-complex communicational system. Second, the above-mentioned implies that, material environment components, act as messages, taken place over the base of certain language and producing some influence in their receiver-users.