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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Download Zip Albums Freeorrent Marques Houston, MH ##TOP## Full Album Zip
download zip albums freeorrent Marques Houston, MH ##TOP## Full Album Zip. marques houston, marques houston wife, marques houston net worth, marques houston age, marques houston wife age, marques houston songs, marques houston movies, marques houston and omarion, marques houston brother, marques houston height, marques houston group. DOWNLOAD. Действия. Singer, songwriter, and actor who started out in Immature/IMx but later topped the R&B charts with his solo work. Read Full Biography. Artist Information . Jump to Studio albums — Mr. Houston. Released: September 29, 2009; Label: MusicWorks, Fontana; Formats: CD, digital download. 62, 12. Mattress Music.. Marques Houston, MH Full Album Zip. Listen to Marques Houston in full in the Spotify app.Naked (Explicit Version) By Marques Houston.. 7 Th ng 4 Download Marques Houston Mh Album Free. marques houston mh . houston veteran zip, marques houston mattress music album download zip. Download Full Album, Download Marques Houston - . Marques Houston - Mattress Music Free Torrent, . veteran.zip mediafire 41.28 mb . Free download Marques Houston Mp3. We have about 30 mp3 files ready to play and download. To start this . Full discography of Marques Houston. Marques . Marques Houston Mr Houston Download Zip - issuu.com.. MH's BEST album, period! This is one of those timeless albums that you just have to have if your a R&B fan (specially 90's BORN). Marques Houston is Really 1 . Veteran | Marques Houston to stream in hi-fi, or to download in True CD Quality . of the songwriting and production work is greater than that of Naked and MH.. Houston, Marques : Veteran CD. $5.00 . Marques Houston : Naked (Clean Version) [us Import] CD (2005). -
DJ – Titres Incontournables
DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon -
Warm up 2019 Features 75+ Artists Including Freddie
WARM UP 2019 FEATURES 75+ ARTISTS INCLUDING FREDDIE GIBBS & MADLIB, SHO MADJOZI, MARTINEZ BROTHERS, SMINO, ANNIE MAC, MALL GRAB, THE MARÍAS, FUEGO, SANTI, AND MANY MORE EVERY SATURDAY IN JULY AND AUGUST LONG ISLAND CITY, New York, June 27, 2019—MoMA PS1’s pioneering outdoor music series Warm Up returns on July 6, presenting the best in live and electronic music every Saturday in July and August. Known for its innovative and ambitious program, Warm Up celebrates a wide range of artists across genres: both emerging and established, local and global. This year’s program welcomes more than 75 artists, including Fuego, Sho Madjozi, The Marías, Kelly Lee Owens, Smino, Eris Drew, The Martinez Brothers, Michael Brun, FLOORPLAN, and Mall Grab, as well as an opening day headlining set by collaborators Freddie Gibbs and Madlib, the first U.S. performance by Nigerian artist Santi, and a rare U.S. appearance by legendary BBC DJ Annie Mac. The current lineup follows below, and additional artists will be added throughout the summer. Advance tickets are now available for all dates. Now in its 22nd season, Warm Up is one of the longest running music programs housed within a museum. As an integral part of MoMA PS1’s curatorial program, Warm Up seeks to elevate innovative, underrepresented voices and connect fans with music’s most important artists. The program’s alumni include contemporary creators Solange, Black Dice, Cardi B, Jamie XX, Lizzo, Skepta, Thom Yorke, Four Tet, and A- Trak as well as legendary DJs including Derrick May, DJ Premier, and Ritchie Hawtin. -
Publicación: Castro, Ernesto (2019). El Trap. Filosofía Millennial Para La Crisis En España
Publicación: Castro, Ernesto (2019). El trap. Filosofía millennial para la crisis en España. Madrid: Errata Naturae Fragmento: Ser o no ser feminista / El retorno de lo real (pp. 165-218) y (pp. 358-380) ISBN: 978-84-17800-11-6 6. SER O NO SER FEMINISTA Me suda la polla lo que tú me digas. 1 No me hables, me das SIDA. 1 Vece a la mierda y que Dios te bendiga. 1 Esto es trap shit, pero no soy trapera, 1 lo juro por tos mis muertos, que Dios no los quiera. 1 Estoy pensando en billetes, en llenar la nevera. 1 [... ) Estoy ha blando con Dios, pero nadie se entera. 1 Mi futuro está envuelto en el papel de mi cartera. ALBA NY t,. J. Sad and emo girls lln diciembre de 2017, Pimp Flaco hizo unas desafortunadas declaraciones en Los 40 Principales sobre las mujeres de la es n:na urbana española. Cuando el presentador de esa emisora de radio le preguntó su opinión acerca de Bad Gyal, el trapero de lbdalona respondió lo siguiente: «Bueno, a ver, es como cuando t• n tu clase hay dos niñas que están buenas, pues ... pues son esas dos. Aquí, en España, está una y la otra. Pues, si no petan esas dos, no peta nadie, hermano. Pues, cuando salgan quince ni iias más dentro de tres o cuatro años, adiós. Así es la vida, 165 1 ht•r·mono>>• Lo más desafortunado de esas declaracion~:s de ser problemática, ya que, por mucho que las mujeres digan acreedoras del mayor de los facepalms- no fue la comparn que ellas no se hipersexualizan para los hombres, sino para sí ción con las niñas que están buenas en el colegio, como sugi rnismas, al patriarcado le dan igual tus intenciones: el caso es riendo micromachistamente que las traperas españolas son que la mayoría de las artistas urbanas ofrece en sus vídeos justo unas ingenuas e infantiles colegialas que han tenido éxito den lo que los babosos y los pajilleros compulsivos demandan de tro de la industria del espectáculo gracias a su físico antes que a l• llas (mujeres ligeras de ropa moviendo las tetas y el culo). -
Music Video Aesthetics, Militarised Fashion, and the Embodied Politics of Stardom in Rihanna’S ‘Hard’1
Politik Nummer 1 | Årgang 23 | 2020 ‘Couture military’ and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s ‘Hard’1 Catherine Baker, Senior Lecturer in 20th Century History, Department of History, Uni- versity of Hull Music video is an underappreciated type of audiovisual artefact in studies of the aesthet- ics of world politics, which typically privilege linear narrative storytelling and struggle to communicate how sonic and embodied practices also constitute world politics as sen- sory experiences through which individuals make sense of the world. Yet the ways in which music video invites spectators’ senses to work together, and to filter meaning through their knowledge of stars’ own ‘meta-narratives’, expose an intimate and affective continuum between the politics of stardom and attachments to collective projects such as militarism. This paper explores that continuum through a study of Rihanna’s video ‘Hard’ and the aesthetic strategies it used to visualise her performance of a ‘female military masculinity’ in a fantasised space employing signifiers of US desert war. In December 2009, at the end of a year in which Rihanna had been forced into a struggle to control and redefine her public persona after being assaulted by her then partner, the second single from her image-redefining album Rated R appeared with a video proclaim- ing her resilience and invulnerability, placing her in a succession of haute-couture-styled military-themed outfits in the middle of a fantastic version of a desert war. ‘Hard’, re- leased while fans and journalists were still debating the meanings of the BDSM imagery around Rated R’s lead single ‘Russian Roulette’, asserted Rihanna’s triumphs in the mu- sic industry and the luxury they had earned her result with a defiant message to her online haters and the repeated declaration in the chorus ‘I’m so hard’. -
Music We for Everyone in the Business of Music Mcgee and Branson
music we For Everyone in the Business of Music JULY 261997 £3.35 Mercury faces THIS WEEK McGee and Branson: name change 4 Strong importspoundsees rise 5Music Mercury Pnze: 'We'llfiglit for music' by Martin Talbot He says the création of the commit- A spokesman for Branson says he STelstar Prodigy's The Fat Ôf The Land o^aboutdrugspofdrugs music. and wh^they^oorto whenBecause they IVe look had to Twi: M ! ïétÂWmk . j^DMXgoesoff airand into liquidation o runs DMX Inc in the US, is the liquidation means the THE RIVERDANCE EXYRAVAGANZA HAS FINALLY RETURNED TO T "r Y A 71 r i ;r LWI n M, > Jm MUSIC I ROM Tlli; SHOW » * * "l-*' • * :-0 jtî- ^ ?• RIVERDANCE EYOKES THE CELTIC PASSION AND RICH EMOTION THAT HAS CAPTIVATED AUDIENCES OF ALL AGES THE SENSATIONAL ALBUM IS OUT ON CD AND CASSETTE IN STORES FROM 28TH JULY NEWSDESK: 0171-921 59S0 or o-mail n NEWSFILE James aimsto raise MPA's profile EM(EMI Group enjoys increased market ils global share market rise share by 1% last jobthink in araising lot of thcpeople profile, think but record I still labelers ii year to a total of 19%, group chairman Sir Colin when,companics in fact, do ail wc thc bave Creative a lot work of crentsays. nt for lie. Southgate told the company's agm on Friday. Southgate impact," hc says. ing of rights, „ deliveredsaid il had satisfactory been a difficult résulta year. while but EMI HMV Music outperformed had MPA'sJames membership. also wants "The to surveypast secrc- the licensing."James is standing down as chair- the market Southgate also suggested the S35m savings didn'l bave 'ell, but theythe tee;man bis of placethe pop is beingpublishers' taken commit- by MPA ariseexpected quicker to resuit than fromoriginally its US planned, restructuring as it had should closed , Music'snight ago, Andv replacing Heath. -
SXSW Music Full Artist Press Release
SXSW - A Destination for Unexpected Discovery SXSW Music Festival Announces Full Artist List, Notable Panels and Panelists Austin, Texas - March 8, 2018 - Every March the global music community journeys to the South by Southwest® Music Festival (SXSW®) in Austin, Texas for seven days and nights of music discovery, networking and the opportunity to share ideas. To help manage this endeavor, SXSW is pleased to release the full list of 1,982 artists scheduled to perform at the 32nd edition of the SXSW Music Festival taking place Monday, March 12 - Sunday, March 18, 2018. As well as the performing artists, numerous music industry professionals will be participating in the SXSW Conference. The SXSW Conference line-up is filled with notable artists, panelists and music-focused panels including: Music Keynote Lyor Cohen; Keynote Conversation with Linda Perry & Kerry Brown; A Conversation with Keith Urban; Music Business 101 - A Q&A with Legendary Music Icon Nile Rodgers; A Conversation with Kim Deal & Steve Albini; Featured Session: Superchunk; From Bronx To Billions: A Hip-Hop History Lesson; New Jack Swing: The Renaissance of Hip Hop and R&B; Changing the Game: Artists as Leaders w/ Ted Leo; Featured Session: Elvis Presley: The Searcher; From CBGB to the World: A Downtown Diaspora; Music Tech: A Gateway to Awaken America's Youth w/ Young Guru; How About A Little Fanfare? w/ Todd Rundgren, Matthew Caws, Matt Lowell & More; Raw: U-God's Journey into the Wu Tang; Teamwork, Innovation & Rock n' Roll with Kenny Aronoff; It's a Fan's World: The Life of Superfans; In Conversation: Ruben Blades; Featured Speaker Daniel Glass; Merlin at 10: Independent Labels are Streaming Ahead; Sexual Misconduct in the Music Industry; From Invisible to 8Bi Views: Kondzilla; Instagram for Music: Best Practices; Blockchain, Cryptocurrencies and Music; and Why Music Journalism Matters in the Streaming Era. -
Turmoil Second Wave of Confirmed Acts and Projects
PRESS RELEASE 29 NOVEMBER 2017 CTM FESTIVAL 2018 – TURMOIL SECOND WAVE OF CONFIRMED ACTS AND PROJECTS FESTIVAL FOR ADVENTUROUS MUSIC & ART, BERLIN 19th EDITION, 26 JANUARY – 4 FEBRUARY 2018 CTM 2018 will run 26 January – 4 February 2018 at Berlin venues HAU Hebbel am Ufer, Berghain, YAAM, Festsaal Kreuzberg, SchwuZ, and Kunstquartier Bethanien. We’re also very excited to enter new venue Club OST for the first time this year. The Turmoil theme explores the state of music and sound practice in the face of a confusing and critical present. In the face of nonstop crises, protests, call-outs, and so on, normalised exhaustion and disquiet permeate our daily on- and offline lives. Music has always been a remedy for the ruthlessness of this world, a tool for altering our own way of being and for creating community. CTM 2018 questions the continuity of such potential. Can music mitigate societal polarisation? Does answering the world’s turmoil with aesthetic turmoil help? Should we not, in the face of conflict’s escalating logic and capitalism’s voracious desire for intensification, instead explore aesthetics of placidness and disengagement? Which other sonic and musical responses could we conceive of as an antidote? Newly-confirmed CTM 2018 acts are: Boys Noize [DE] / George E. Lewis & Roscoe Mitchell [US] / Scott Kelly (Neurosis) w John Judkins (Rwake) [US] / Antwood [CA] / Bad Gyal [ES] / Batu [UK] / Champion with MC Serious [UK] / Cuntroaches [DE] / Errorsmith [DE] / / HAJ300 [SE] / Hanin Elias [DE] / HDmirror [DE] / Hyph11E [CN] / Jason Hou -
Political Whiteness and White Woundedness in #Metoo and Public Feminisms Around Sexual Violence
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Cite as: Phipps, Alison. 2019. “Every Woman Knows a Weinstein’: Political Whiteness and White Woundedness in #MeToo and Public Feminisms Around Sexual Violence. Feminist Formations, volume and issue TBC. ‘Every Woman Knows a Weinstein’: Political Whiteness and White Woundedness in #MeToo and Public Feminisms Around Sexual Violence Alison Phipps, Sussex University Abstract This article explores how whiteness shapes public feminisms around sexual violence, using #MeToo as a case study. Building on the work of Daniel Martinez HoSang (2010), Gurminder Bhambra (2017) and others, I theorize political whiteness as an orientation to/mode of politics which employs both symbolic tropes of woundability and interpersonal performances of fragility (DiAngelo 2011), and invokes state and institutional power to redress personal injury. Furthermore, I argue that the ‘wounded attachments’ (Brown 1995) of public sexual violence feminisms are met by an equally wounded whiteness in the right-wing backlash: acknowledging the central role of race exposes continuities between both progressive and reactionary politics dominated by white people. Political whiteness stands in contrast to the alternative politics long articulated by women of color, and black women in particular. However, these alternatives may encounter different problematics, for instance intersecting with neoliberal notions of resilience which are also racialized. Challenging political whiteness is therefore not simply a case of including more diverse narratives: this must be done while examining how sexual violence is experienced and politicized in the nexus of patriarchy, capitalism and colonialism, in which gender, race and class intersect with categories such as victims and survivors, woundedness and resilience. -
Trabajo Fin De Grado
Trabajo Fin de Grado Presencia del trap en los medios españoles. Casos El País y MondoSonoro. Evolución: mayo 2018 versus mayo 2020 Trap presence in Spanish Media. El País and MondoSonoro’s cases. Evolution: May 2018 versus May 2020 Autora Alicia Cabello Condón Director Alberto Castán Chocarro Grado en Periodismo Facultad de Filosofía y Letras Curso 2019 / 2020 [0] Resumen: El trap es uno de los géneros musicales que se ha visto envuelto en una mayor controversia durante los últimos años: apropiación cultural, machismo y todo un movimiento social escondido detrás del Auto-Tune, los hi hats y sus ritmos lentos en las bases. A pesar de ello, no es uno de los géneros más apreciados por los medios de comunicación españoles. En este trabajo se pretende un análisis acerca de la repercusión y evolución que este género tiene en el periodismo digital español. Para ello se han seleccionado dos de los medios más representativos en sus respectivos campos: por un lado como medio generalista el diario El País, y por otro, como una de las revistas digitales especializadas en música MondoSonoro. Se estudiarán estas cabeceras en sus respectivas versiones digitales durante el marco temporal establecido en mayo de 2018 y mayo de 2020 y se extraerán conclusiones acerca de la forma y el contenido que definen al trap en los medios de comunicación españoles. Palabras clave: Trap, periodismo digital, repercusión, evolución, España Abstract: Trap music has been involved in a big dispute for a few years now: cultural appropriation, male chauvinism and a hole social movement are hidden under the Auto-Tune, the hi hats and the slow rhythms on its bases.