DOCSLIB.ORG

Yokai Museum: the Art of Japanese Supernatural Beings from Yumoto Koichi Collection Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Yokai Museum: the Art of Japanese Supernatural Beings from Yumoto Koichi Collection Pdf, Epub, Ebook YOKAI MUSEUM: THE ART OF JAPANESE SUPERNATURAL BEINGS FROM YUMOTO KOICHI COLLECTION PDF, EPUB, EBOOK Pie Books | 304 pages | 23 Oct 2013 | PIE BOOKS | 9784756243379 | English | Tokyo, Japan Yokai Museum: The Art of Japanese Supernatural Beings from Yumoto Koichi Collection PDF Book Escape the Present with These 24 Historical Romances. Mihai Wilson rated it it was amazing Jan 24, Yokai are a class of supernatural monsters in Japanese folklore. This book is a visual collection of art works of Yokai in Japan since the Edo period - Yokai have attracted the artists and have been a common theme in art works until these days because of their unique forms and their mysterious behaviours. In that case, we can't By Ariane Colenbrander. Interesting and unusual sample of a different kind of traditional Japanese art: wonderful monsters and ghosts. Add to Wishlist. Undertitel Yumoto koichi collection. Welcome back. Franck rated it it was amazing Nov 16, Just a moment while we sign you in to your Goodreads account. Muy duradero en la piel y la ropa Yokai are a class of supernatural monsters in Japanese folklore. Captured on a rare day when. Product Details. Yokai Wonderland contains many art works of Japanese yokai from the Edo period to today and includes not only paintings but also woodblock prints, scrolls, ceramics, kimonos, wooden sculptures, magazines, toys for children, such as board games, and more. This is the first complete study and reappraisal of the remarkable collection of Japanese art RSS feed for comments on this post. Yokai Museum: The Art of Japanese Supernatural Beings from Yumoto Koichi Collection Writer In that case, we can't Related Searches. Fado Outlet. Donated in the s by the estate of diplomat and collector Larz Anderson and his wife, Isabel , the eagle recently Javascript is not enabled in your browser. Enlarge cover. The Yumoto Koichi collection includes the largest personal collection of Yokai art in Japan around 3, works from the Edo period to present. Fado VIP. All items that are featured in the book come from personal collections by Koichi Yumoto, who has the largest Yokai art collection in Japan. Kat Allen rated it it was amazing Sep 22, No Comments No comments yet. From the striking ceramics of the Jomon period to the serene ink landscapes of the The Life of Animals in Japanese Art. China, with its multifaceted production, today holds a place of exceptional importance in museum collections and art galleries worldwide; Japan, with a clear influence in the figurative arts, graphic arts and aesthetics of the West, which began in the 19th This book is a visual collection of art works of Yokai in Japan since the Edo period - You might also like Sponsored Have a question? Trivia About Yokai Museum: The Messenger Zalo. Lists with This Book. Japanese Sumi-e brush painting combines the techniques of calligraphy and ink painting to produce compositions of rare beauty. Add to Wishlist. Sort order. Only 6 left in stock - order soon. During the Edo period, yokai art consisted of woodblock prints, helping to spread Yokai culture. Other Editions 1. Atlantis: Insights from a Lost Civilization. You know the saying: There's no time like the present Pandora Hearts silver pendant with cubic zirconia and necklace. There are no discussion topics on this book yet. RSS feed for comments on this post. To see what your friends thought of this book, please sign up. Always read labels and directions before using a product. From the manufacturer No information loaded. This book is a visual collection of art works of Yokai in Japan since the Edo period - Yokai Museum: The Art of Japanese Supernatural Beings from Yumoto Koichi Collection Reviews To see what your friends thought of this book, please sign up. Donated in the s by the estate of diplomat and collector Larz Anderson and his wife, Isabel , the eagle recently In that case, we can't See how a store is chosen for you. Search for answers Have a question? The latest on our store health and safety plans. I feel the book is best appreciated simply by leafing through it rather than going from cover to cover. How to Look At Japanese Art. About this item. Showing From the striking ceramics of the Jomon period to the serene ink landscapes of the Muromachi era and beyond, this elegant book will elucidate and enhance your appreciation of every aspect of Japan's rich artistic culture. Return to Book Page. Yumoto's own commentary on the works and the history of yokai are also included. China, with its multifaceted production, today holds a place of exceptional importance in museum collections and art galleries worldwide; Japan, with a clear influence in the figurative arts, graphic arts and aesthetics of the West, which began in the 19th All items that are featured in the book come from personal collections by Koichi Yumoto, who has the largest Yokai art collection in Japan. In the Edo period , many artists, such as Hokusai Katsushika or Kuniyoshi Utagawa, created works featuring yokai that were inspired by folklore or their own imaginations. Leire rated it really liked it Mar 08, This book is a visual collection of art works of Yokai in Japan since the Edo period - Control your spending, save money, regain peace of mind, and make your life happier and No trivia or quizzes yet. There are no discussion topics on this book yet. Overview Yokai are a class of supernatural monsters in Japanese folklore. Preview — Yokai Museum by P. Eveline rated it it was amazing Dec 26, Jul 25, Natalie rated it it was amazing Shelves: japan , folklore , art , monsters. At the end of the trail, a stunning group of natur. Product Details. Just a moment while we sign you in to your Goodreads account. Yurei: The Japanese Ghost. Get A Copy. All of the works featured in this book are from the personal collection of Koichi Yumoto, who will be opening the Yokai Museum in Hiroshima in This book will certainly appeal to Japanese art lovers, fans of yokai and also to those who are new to these fascinating supernatural creatures. Yokai Wonderland contains many art works of Japanese yokai from the Edo period to today and includes not only paintings but also woodblock prints, scrolls, ceramics, kimonos, wooden sculptures, magazines, toys for children, such as board games, and more. During the Edo period, yokai art consisted of woodblock prints, helping to spread Yokai culture. Wayong rated it it was amazing Dec 29, Description Yokai are a class of supernatural monsters in Japanese folklore. Trivia About Yokai Museum: The T B rated it it was amazing Nov 03, Cal Hampton rated it liked it Apr 03, Christiana Tzanida rated it it was amazing Jan 26, Messenger Zalo. Jennifer rated it liked it Sep 09, Refresh and try again. Rating details. Beskrivning Yokai are a class of supernatural monsters in Japanese folklore. Escape the Present with These 24 Historical Romances. Nikki Mundekis rated it it was amazing Oct 15, Crave Cravak rated it really liked it Oct 09, Yokai Museum: The Art of Japanese Supernatural Beings from Yumoto Koichi Collection Read Online Davinder Mann rated it it was amazing Oct 17, To see what your friends thought of this book, please sign up. Messenger Zalo. Restrictions apply. Read more RSS feed for comments on this post. Christiana Tzanida rated it it was amazing Jan 26, Jennifer rated it liked it Sep 09, Friend Reviews. Captured on a rare day when. Giay the thao dunlop. It is also a valuable reference and source of inspiration for designers and illustrators. Konrand rated it liked it Mar 23, Always read labels and directions before using a product. Yokai are a class of supernatural monsters in Japanese folklore. Books by P. A beautiful collection of supernatural-related Japanese prints, paintings, scrolls, ephemera and more. Add Comment. More filters. This book is not yet featured on Listopia. About this item. Please check other sellers who may ship internationally. The works are not only paintings but also wood block prints, ceramics, kimonos, children's playthings such as board games, and more. Community Reviews. Jun 30, Mad rated it really liked it Shelves: japanese. Details if other :. Kat Allen rated it it was amazing Sep 22, Other Editions 1. Want to Read saving…. Beskrivning Yokai are a class of supernatural monsters in Japanese folklore. Members save with free shipping everyday! Overview Yokai are a class of supernatural monsters in Japanese folklore. Goodreads helps you keep track of books you want to read. See how a store is chosen for you. https://cdn.starwebserver.se/shops/nellienordinjo/files/doing-busy-better-enjoying-gods-gifts-of-work-and-rest-745.pdf https://files8.webydo.com/9585974/UploadedFiles/7C2A4653-3585-5D02-3C1F-0470F43AB126.pdf https://cdn.starwebserver.se/shops/carolindahleh/files/the-vintage-guide-to-love-and-romance-247.pdf https://img1.wsimg.com/blobby/go/12731a56-1310-4aa2-96ab-2fa8250c6a5e/french-exercises-on-rules-taken-from-the-marlb.pdf.
Load more

Recommended publications
  • Iwasaka, Michiko and Barre Toelken. Ghosts and the Japanese: Cultural Experience in Japanese Death Legends
    BOOK REVIEWS 411 Iwasaka, Michiko and Barre Toelken. Ghosts and the Japanese: Cultural Experience in Japanese Death Legends. Logan, Utah: Utah State University Press, 1994. xx + 138 pages. Plates (color and b/w)，bibliogra­ phy, index. Paper US$22.95; ISBN 0-87421-179-4. This small book introduces the reader to an understanding of Japanese culture by focusing on customs related to death and the ghost legends of Japan. As David Bufford states in his forward to this book, the merit of this endeavor lies in its description of Japanese death cus­ toms, translation of various ghost legends, and introduction of many illustrations of ghosts in Japanese art. He goes on to say that in this way the road is opened to an understanding of Japanese culture in a cross-cultural approach because the important conception of death lying in the background of Japanese everyday life is brought to the surface. The approach taken by the authors, that of relating ghost legends to death customs and from there going on to offer an interpretation of contemporary Japanese and their culture, may be baffling for Europeans and Americans alike. It could be seen negatively as nothing more than the quaint introductions to Japanese culture presented during a bygone era. For Japanese, however, this point of view is proper and for the most part very persuasive. If the book were translated into Japanese, the majority of Japanese readers would not find anything surprising or out of the ordinary. Its pages contain motifs that are familiar to them, things they have grown accustomed to seeing and hearing from their childhood.
    [Show full text]
  • Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.
    [Show full text]
  • Types of Japanese Folktales
    Types of Japanese Folktales By K e ig o Se k i CONTENTS Preface ............................................................................ 2 Bibliography ................................... ................................ 8 I. Origin of Animals. No. 1-30 .....................................15 II. A nim al Tales. No. 31-74............................................... 24 III. Man and A n im a l............................................................ 45 A. Escape from Ogre. No. 75-88 ....................... 43 B. Stupid Animals. No. 87-118 ........................... 4& C. Grateful Animals. No. 119-132 ..................... 63 IV. Supernatural Wifes and Husbands ............................. 69 A. Supernatural Husbands. No. 133-140 .............. 69 B. Supernatural Wifes. No. 141-150 .................. 74 V. Supernatural Birth. No. 151-165 ............................. 80 VI. Man and Waterspirit. No. 166-170 ......................... 87 VII. Magic Objects. No. 171-182 ......................................... 90 V III. Tales of Fate. No. 183-188 ............................... :.… 95 IX. Human Marriage. No. 189-200 ................................. 100 X. Acquisition of Riches. No. 201-209 ........................ 105 X I. Conflicts ............................................................................I l l A. Parent and Child. No. 210-223 ..................... I l l B. Brothers (or Sisters). No. 224-233 ..............11? C. Neighbors. No. 234-253 .....................................123 X II. The Clever Man. No. 254-262
    [Show full text]
  • Transactions of the Asiatic Society of Japan, 1
    I/ TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN, 1 -- VOL. XXXVI : PART3. -- CONTENTS: I THE FOX AND BADGER IN JAPANESE FOLKLORE, 1 YOKOIIAMA,SHANCIIAI, IIONGKONC, SHINCAMRE : KELLY & WAISII,1.'~) 'I'UKYO: 2. P. MAKUYACo., L'I). i Lon;uo~:KEGAN I'AUI, TKUEUNEK& CU. L'u. I 1.r11zlc: 01-ro IIn~n~ssuwrrz. i 7 1908. - - - .-. PRINTEDAT Tar YuKura YHINTINUCU., LT~..No. nl. YAUAYIIITA-CHO.YOKOHAMA, JAPAN. THE FOX AND BADGER IN JAPANESE FOLKLORE, Dr. M. W.de VISSER. THE FOX AND THE BADGER IN JAPANESE FOLKLORE. 6 From olden titnes down to tKe present day the fox has played the most important part in Japanese animal-lore. This clever brute is considered to be more skillful than any other ai~imalin taking human shape and haunting and possessing men. Moreover, the fox is the messenger of Inari, the Rice goddess, which, as we shall see below, is only a later expression of the fact that Inari, the Spirit of the Rice, was believed to have a vulpine shape. It is clear that this belief gave the fox a double character in the eyes of the Japanese people: that of a beneficent god, representing the Rice, the greatest blessing of the country, and, on the other hnnd, that of a wicked demon, haunting and possessing men. Not so important and complicated is the badger, of whose three kinds, the arnl~ki(@-I, mr~/i'~za(a) and 7tznrtzr (m,the first is the principal in folklore and is very orten combined with the fox in the term Lori (a@), or " foxes and badgers."' I.
    [Show full text]
  • Mysterious Creatures of Japanese Folklore Michael Dylan Foster - Download Pdf Free Book
    [pdf] The Book Of Yokai: Mysterious Creatures Of Japanese Folklore Michael Dylan Foster - download pdf free book The Book of Yokai: Mysterious Creatures of Japanese Folklore Free PDF Online, Download The Book of Yokai: Mysterious Creatures of Japanese Folklore Online Free, The Book of Yokai: Mysterious Creatures of Japanese Folklore PDF read online, Read Online The Book of Yokai: Mysterious Creatures of Japanese Folklore E-Books, free online The Book of Yokai: Mysterious Creatures of Japanese Folklore, online free The Book of Yokai: Mysterious Creatures of Japanese Folklore, Read Online The Book of Yokai: Mysterious Creatures of Japanese Folklore Book, Read Online The Book of Yokai: Mysterious Creatures of Japanese Folklore Book, Read The Book of Yokai: Mysterious Creatures of Japanese Folklore Book Free, The Book of Yokai: Mysterious Creatures of Japanese Folklore Ebooks Free, The Book of Yokai: Mysterious Creatures of Japanese Folklore Ebooks, Read The Book of Yokai: Mysterious Creatures of Japanese Folklore Full Collection, The Book of Yokai: Mysterious Creatures of Japanese Folklore PDF, Free Download The Book of Yokai: Mysterious Creatures of Japanese Folklore Ebooks Michael Dylan Foster, Read The Book of Yokai: Mysterious Creatures of Japanese Folklore Ebook Download, PDF The Book of Yokai: Mysterious Creatures of Japanese Folklore Full Collection, online pdf The Book of Yokai: Mysterious Creatures of Japanese Folklore, The Book of Yokai: Mysterious Creatures of Japanese Folklore Ebooks, Free Download The Book of Yokai: Mysterious
    [Show full text]
  • Japanese Folk Tale
    The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai."­ T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1.
    [Show full text]
  • Odyssey of the Cultural Narrative: Japan's Cultural Representation In
    Global Media Journal-Indian Edition; Volume 13 Issue1; June 2021.ISSN:2249-5835 Odyssey of the cultural narrative: Japan’s cultural representation in Eiichiro Oda's One Piece Manish Prabhakar Singh Research Scholar, H.N.B. Garhwal University Uttarakhand Abstract One Piece is a Japanese Manga series drawn by Eiichiro Oda and published serially in Shueisha's Weekly Shonen Jump magazine since July 1997 and continuing with the same popularity. It portrays the adventures of Monkey D. Luffy, who dreams to become the Pirate King. He gained the properties of rubber after eating a Devil Fruit and is exploring the Grand Line along with his crewmates(The Straw Hat Pirates) in search of the eponymous legendary treasure 'One Piece' left by the former Pirate King Gol D. Roger. What makes this particular manga unique is Oda's representation of Japanese culture and tradition. He also uses some features similar to Ukiyo-e artworks, i.e., the woodblock art prints, which were targeted at the mass audience and also share thematic similarities. The influence of Ukiyo-e and Oda's love for Japanese art, along with its culture, folklore, and myths, is clearly seen in the ongoing Wano country arc. One Piece today has transcended the boundaries of manga, turning into a pop culture sensation in Japan. In the research paper, to apply the analytical and descriptive methods to the research, the original work, as well as the secondary sources available in the form of criticism, will be used. In my research, I will also try to apply the perspective of Cultural Studies.
    [Show full text]
  • JPT 4502 Fall 2018 Japanese Folklore
    JPT 4502 Fall 2018 Japanese Folklore Section 009H 105 MAT Class No 18181 H, N T 4th period 10:40–11:30 am R 4th-5th periods, 10:40-11:30; 11:45-12:35 pm Website: http://elearning.ufl.edu Canvas Instructor: Ann Wehmeyer Office: 320 Pugh Office Hours: Monday 7th period (1:55-2:45); Tuesday 5th and 6th periods (11:45– 1:40), and by appointment Email: [email protected] Telephone: 352-273-2961 Course Description and Objectives: Japan has a rich tradition of myths, folktales and ghost stories. In this course, we will examine a wide selection of tales, including ancient myths, Buddhist-themed tales, and traditional folktales. We will also study the various manifestations of supernatural yōkai 妖怪 figures from folklore such as ghosts, shape-shifters, and demons in a variety of media, including woodblock prints, anime, and film. In addition, we will examine the ways in which social practice, spiritual beliefs, and political strategies have been linked to folklore in Japan. Upon successful completion of this course, you should be able to: Identify key figures from folklore, and their characteristic features and behaviors, and explain why nearly all supernatural creatures have complex natures; Explain the roles played by certain animals in Japanese culture, and the changing attributes people have ascribed to them; Interpret the folk motifs in visual media, such as Japanese prints and anime; Interpret folktales from the perspectives of religious beliefs, social practice, and political ideology; Recognize similarities and differences between Japanese and European folktales with similar themes; Explain the symbolic meaning of social practices related to the relationship between the dead and the living; Understand the ways in which folklore has been strategically adapted to new contexts such as environmentalism and tourism promotion in the process of folklorism and town revitalization.
    [Show full text]
  • Pandemonium and Parade
    Pandemonium and Parade Pandemonium and Parade Japanese Monsters and the Culture of YOkai Michael Dylan Foster UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. Frontispiece and title-page art: Details from Kawanabe KyOsai, HyakkiyagyO-zu: Biwa o ou otoko, c. 1879. Ink and color on paper. © Copyright the Trustees of The British Museum. Excerpt from Molloy, by Samuel Beckett, copyright © 1955 by Grove Press, Inc. Used by permission of Grove/Atlantic, Inc., and Faber and Faber Ltd., © The Estate of Samuel Beckett. An earlier version of chapter 3 appeared as Michael Dylan Foster, “Strange Games and Enchanted Science: The Mystery of Kokkuri,” Journal of Asian Studies 65, no. 2 (May 2006): 251–75, © 2006 by the Associ- ation for Asian Studies, Inc. Reprinted with permission. Some material from chapter 5 has appeared previously in Michael Dylan Foster, “The Question of the Slit-Mouthed Woman: Contemporary Legend, the Beauty Industry, and Women’s Weekly Magazines in Japan,” Signs: Journal of Women in Culture and Society 32, no. 3 (Spring 2007): 699–726, © 2007 by The University of Chicago. Parts of chapter 5 have also appeared in Michael Dylan Foster, “The Otherworlds of Mizuki Shigeru,” in Mechademia, vol. 3, Limits of the Human, ed. Frenchy Lunning (Minneapolis: University of Minnesota Press, 2008).
    [Show full text]
  • Semiotic Study of Mythological Creatures in Japanese Folklore Sosok Dan Makna Tengu
    available at http://ejournal.unp.ac.id/index.php/humanus/index PRINTED ISSN 1410-8062 ONLINE ISSN 2928-3936 Vol. 19 No. 2, 2020 Published by Pusat Kajian Humaniora (Center for Humanities Studies) FBS Universitas Negeri Padang, Indonesia Page 217-229 The Figures and Meanings of Tengu: Semiotic Study of Mythological Creatures in Japanese Folklore Sosok dan Makna Tengu: Kajian Semiotika Makhluk Mitologi dalam Narasi Cerita Rakyat Jepang Ida Ayu Laksmita Sari Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Udayana Jalan Pulau Nias No.13, 80114, Denpasar, Bali, Indonesia Email: [email protected] Submitted: 2020-10-01 Published: 2020-11-18 DOI: 10.24036/humanus.v19i2.109943 Accepted: 2020-11-17 URL: http://dx.doi.org/10.24036/humanus.v19i2.109943 Abstract Japan is famous as an advanced manufacturing industrial country as a result of the high rationality in their works, however in daily life, Japanese people still highly believe in the existence of Youkai, mythological creatures. This study examined the figures and meanings of a type of Youkai called tengu, a creature that described as a long nose and fully-red colored body. Library research method used in collecting data for this study which source is mainly the anthology book Nihon Mukashi Banashi 101 published in 2007. Qualitative data in the form of texts or quotations of texts and pictures were analysed by using Peirce's semiotic theory of icon, index, and symbol. This study revealed two figure types of tengu namely daitengu, a tengu with a long nose, and kotengu a tengu that has eagle-like wings.
    [Show full text]
  • Two Tengu Tales Teachers Notes
    TEACHERS' NOTES FOR TWO TENGU TALES FROM JAPAN Retold by Duncan Ball, illustrated by David Allan Copyright Notice: These Teachers' Notes are available free of charge for use and study within schools but may not be reproduced (either in whole or in part) and offered for commercial sale. Copyright in these Notes remains with Christmas Press. Copyright in the author's and illustrator's quotes and photographs remains with them. Publication details: Published by Christmas Press, August 2015. ISBN: 9780992283865 Release date: August 14, 2015 Hardcover, 32 pages, illustrated in full colour and black and white RRP $19.99 Synopsis: Japanese folklore is full of stories about the tengu, magical beings who grant wishes to those who ask them. But watch out--wishes don't always turn out as you expected! In this lively, engaging retelling of two fantastic tengu tales, Duncan Ball introduces young readers to the folk world of old Japan, while David Allan's beautiful illustrations set an atmosphere inspired by classic Japanese art. About the author: Duncan Ball is the author of many books of children’s fiction including the multi-award-winning books about Selby---”the only talking dog in Australia and, perhaps, the world”--- and Emily Eyefinger---the adventures of the girl who was born with an eye on the end of her finger. He has also written various picture books, five novels, a book of plays and a collection of funny poetry, My Sister Has a Big Black Beard. His books have been translated into many languages including Japanese. Duncan lives in Sydney.
    [Show full text]
  • Reviews Marvels & Tales Editors
    Marvels & Tales Volume 27 Article 13 Issue 2 The Fairy Tale in Japan 10-24-2013 Reviews Marvels & Tales Editors Recommended Citation Editors, Marvels & Tales. "Reviews." Marvels & Tales 27.2 (2013). Web. <http://digitalcommons.wayne.edu/marvels/vol27/iss2/ 13>. REVIEWS Ambiguous Bodies: Reading the Grotesque in Japanese Setsuwa Tales. by Michelle Osterfield Li. Stanford, CA: Stanford University Press, 2009. Setsuwa are “short Japanese tales that depict extraordinary events, illustrate basic Buddhist principles or . other Asian religious and philo- sophical teachings, and transmit cultural and historical knowledge” (1). Dating from approximately the ninth through fourteenth centuries and gathered into a number of collections, with the most important being the multivolume Konjaku monogatari shū (A Collection of Tales of Times Now Past, ca. 1120), their sheer number means that they both defy easy categorization and offer an enormously valuable resource of linguistic and cultural material. Equally, their heterogeneous quality has meant that research, in English at least, has tended to focus on the lengthier, discrete texts of the Japanese late Classical to early medieval period, and so as a resource setsuwa remain still largely untapped. Given this, Li’s treatment can be nothing but welcome. The work consists of six chapters, bookended with an introduction and a conclusion. The first chapter, “Setsuwa and the Grotesque,” provides a discus- sion of and introduction to both setsuwa and theories of the grotesque, and each of the remaining five chapters provides readings of selections of tales with similar themes or on broadly related topics. Chapter 2, “Fantastic Detached Body Parts,” considers tales in which body parts act independently after death (a king’s head and that of his enemy biting each other in a cauldron), are ghostly apparitions (a child’s hand beckons to a nobleman from a knothole in a pillar), or are removed and returned by magi- cal means (a provincial governor uses sorcery to remove the penises of men who attempt to sleep with his wife).
    [Show full text]