DOCSLIB.ORG

Händel – Festspiele

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Händel – Festspiele Stadt Karlsruhe Kulturamt | Stadtbibliothek HÄNDEL – FESTSPIELE Medienauswahl Eine Kooperation mit: Stadt Karlsruhe Kulturamt | Stadtbibliothek Liebe Festspielbesucherinnen, liebe Festspielbesucher, anlässlich der Händel-Festspiele in Karlsruhe möchten wir Sie einladen, die Händel-Sammlung in der Stadtbibliothek im Neuen Ständehaus zu entdecken und zu nutzen. Die – vielleicht zahlenmäßig klein erscheinende – Sammlung möchte alle Musikliebhaber für das Leben und Schaffen Händels begeistern - gerade auch solche, die die Werke Händels bisher wenig kennen. Die Sammlung wird stetig vergrößert durch den Kauf ausgewählter und in der Fachpresse gelobter Neueinspielungen und Geschenke der Händel- Gesellschaft Karlsruhe. Wir würden uns freuen, wenn auch Ihr Interesse an Händel geweckt ist und Sie den Weg zu uns finden. Gleichzeitig bedanken wir uns bei der Händel- Gesellschaft für ihre großzügige Unterstützung. Mit freundlichen Grüßen Ihre Stadtbibliothek im Neuen Ständehaus Öffnungszeiten Stadtbibliothek im Neuen Ständehaus Telefon: 0721/133-4249 / 4250 Montag geschlossen Dienstag 10 - 18:30 Uhr Mittwoch 10 - 18:30 Uhr Donnerstag 10 - 18:30 Uhr Freitag 10 - 18:30 Uhr Samstag 10 - 14:00 Uhr 2 Stadt Karlsruhe Kulturamt | Stadtbibliothek MUSIK - CDs CD.Sbq 3 / Haen HÄNDEL Händel, Georg Friedrich: Aci, Galatea e Polifemo : Serenata. Napoli, 1708 / Handel. Roberta Invernizzi ... La Risonanza. Fabio Bonizzoni. - San Lorenzo de El Escorial : note 1 music, 2013. - 2 CDs + Beih. Interpr.: Bonizzoni, Fabio [Dir.] ; Invernizzi, Roberta ; La Risonanza CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Alessandro : live recorded at Badisches Staatstheater Karlsruhe / G. F. Handel. Lawrence Zazzo ... Deutsche Händel- Solisten on period instruments. Michael Form. - [S.l.] : note 1 music, 2012. - 3 CDs + Beih. Interpr.: Form, Michael; Zazzo, Lawrence; Deutsche Händel-Solisten CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Alessandro / Handel. René Jacobs ... La Petite Bande. Sigiswald Kuijken. - [Berlin] : Sony Music Entertainment, 2011. - 3 CDs + Beih. (¬The¬ Sony opera house) Interpr.: Jacobs, René [Dir.]; Kuijken, Sigiswald; Petite Bande CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Alessandro Severo : HWV A13 / Händel. Mary-Ellen Nesi .... Don Crepuscolo / Niccolò Manzaro. - Detmold : Musikproduktion Dabringhaus u. Grimm, 2011. - 3 CDs + Beih. (100 S.). 3 Stadt Karlsruhe Kulturamt | Stadtbibliothek (MDG Scene) Enth.: Don Crepuscolo / Niccolò Manzaro Interpr.: Nesi, Mary-Ellen CD.Sbq 2 / Haen HÄNDEL Händel, Georg Friedrich: ¬L'¬Allegro, il penseroso ed il moderato / Georg Friedrich Händel. Keohane ... Kölner Kammerchor. Collegium Cartusianum. Peter Neumann. - Köln : Westdt. Rundfunk [u.a.], 2012. - 2 CD + Beih. Interpr.: Keohane, Maria ; Neumann, Peter [Dir.] ; Collegium Cartusianum <Köln> ; Kölner Kammerchor CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Arminio / Handel. Max Emanuel Cencic ... Armonia Atenea. George Petrou. - [S.l.] : Parnassus Arts Prod. [u.a.], 2016. - 2 CDs + Beih. (133 S.). Interpr.: Cencic, Max Emanuel ; Petrou, George ; Armonia Atenea CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Arminio / Handel. Vivica Genaux ; Geraldine McGreevy ... Il Complesso Barocco. Alan Curtis. - [Köln] : EMI Electrola [u.a.], 2001. – 2 CD + Beih. (75 S.) in Box (Virgin Veritas) Best.-Nr.: 7243 5 45461 2 9 Interpr.: Curtis, Alan [Dir.]; Genaux, Vivica; MacGreevy, Geraldine; Complesso Barocco CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Ariodante / Handel. DiDonato ... Il Complesso Barocco. Alan Curtis. - [Hayes] : EMI, 2011. - 3 CD + Beih. (94 S.) in Box. 4 Stadt Karlsruhe Kulturamt | Stadtbibliothek Interpr.: DiDonato, Joyce; Curtis, Alan [Dir.]; Complesso Barocco CD.Sbq 2 / Haen HÄNDEL Händel, Georg Friedrich: Belshazzar / Handel. Les Arts Florissants. William Christie. [Allan Clayton ...]. - [S.l.] : Éd. Arts Florissants, 2013. - 3 CDs + 2 Beih. (103, 31 S.) in Box. Enth.: Jean Echenoz - In Babylon (31 S.) Interpr. : Clayton, Allan ; Christie, William [Dir.] ; Les Arts Florissants CD.Sbq / Haen HÄNDEL Händel, Georg Friedrich: Carmelite vespers 1709 / Handel ; Caldara. Roberta Invernizzi ... Academia Montis Regalis. Alessandro de Marchi. - [Berlin] : Sony Music Entertainment, 2012. - 2 CD + Beih. Interpr.: Caldara, Antonio; DeMarchi, Alessandro; Invernizzi, Roberta; Academia Montis Regalis CD.Sbo 2 / Haen HÄNDEL Händel, Georg Friedrich: Complete harpsichord music / Handel. Michael Borgstede. Roberto Loreggian. - [S.l.] : Brilliant Classics, 2016. - 8 CDs + Beih. in Box. Interpr.: Borgstede, Michael; Loreggian, Roberto CD.Sbo 4 / Haen HÄNDEL Händel, Georg Friedrich: ¬The¬ complete solo sonatas for wind instruments / G. F. Handel. Barthold Kuijken, traverse flute. Peter Van Heyghen, recorder. Marcel Ponseele, oboe. - [S.l.] : note 1, 2015. - 2 CDs + Beih. (Accent) Interpr.: Kuijken, Barthold; Van Heyghen, Peter; Ponseele, Marcel 5 Stadt Karlsruhe Kulturamt | Stadtbibliothek CD.Sbo 5 / Haen HÄNDEL Händel, Georg Friedrich: Concerti grossi op. 6 / Georg Friedrich Händel. Combattimento Consort Amsterdam. Jan Willem de Vriend. - [S.l.] : Challenge Classics, 2012. - 3 CDs + Beih. Interpr.: Combattimento Consort Amsterdam ; Vriend, Jan Willem de [Dir.] CD.Sbo 2 / Haen HÄNDEL Händel, Georg Friedrich: Concertos : Orgelkonzerte auf verschiedenen Instrumenten - Fortepiano, Grand Piano, Hammond / Georg Friedrich Händel. Ragna Schirmer. - [Hamburg] : edel Classics, 2013. - 3 CD + Beih. (Berlin Classics) Interpr.: Schirmer, Ragna CD.Sbq Haen / Händel Händel, Georg Friedrich: Dixit dominus HWV 232 / Handel. Dixit dominus RV 807. In furore iustissimae irae RV 626 / Vivaldi. - [S.l.] : harmonia mundi USA, 2012 Enth.: Vivaldi, Antonio: Dixit dominus RV 807. In furore iustissimae irae RV 626 Interpr.: Bates, David [Dir.] ; Crowe, Lucy ; La Nuova Musica CD.Sbp Haen / HÄNDEL Händel, Georg Friedrich: Duetti da Camera / G. F. Haendel. Roberta Invernizzi. Marina de Liso. La Risonanza. – San Lorenzo de El Escorial : note 1 music, 2017. Interpr.: Invernizzi, Roberta ; DeLiso, Marina ; Risonanza CD.Sbo 2 Haen / HÄNDEL 6 Stadt Karlsruhe Kulturamt | Stadtbibliothek Händel, Georg Friedrich: [Eight „great“ suites] : 8 „great“ suites : for keyboard, HWV 426 – 433 / G. F. Handel: Richard Egarr, harpsichord. – [S.l.] : harmonia mundi USA, 2013 . – 2 CDs + Beih. Interpr.: Egarr, Richard CD.Sbq 2 / Haen HÄNDEL Händel, Georg Friedrich: Esther : first reconstructable version (cannons), 1720 / George Frideric Handel. Dunedin Consort. John Butt. – Glasgow : Linn, 2012. – 2 CD + Beih. Interpr.: Butt, John ; Dunedin Consort CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Giulio Cesare / Handel. Marie-Nicole Lemieux ... Il Complesso Barocco. Alan Curtis. - [S.l.] : Naïve, 2011. - 3 CDs + Beih. (115 S.) in Box Interpr.: Lemieux, Marie-Nicole ; Curtis, Alan [Dir.] ; Il Complesso Barocco CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich : Händel - frühe italienische Werke 1707 - 1709 / Julia Lezhneva. Il Giardino Armonico. Giovanni Antonini. - London : Decca, 2015. Interpr.: Lezhneva, Julia ; Il Giardino Armonico ; Antonini, Giovanni CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Heroes from the shadows / Handel. Nathalie Stutzmann. Orfeo 55. - [S.l.] : Erato/Warner Classics, 2014. Interpr.: Stutzmann, Nathalie ; Orfeo 55 7 Stadt Karlsruhe Kulturamt | Stadtbibliothek CD.Sbq 2 / Haen HÄNDEL Händel, Georg Friedrich: Messiah : an oratorio / Handel. Emanuelle Haïm. Le Concert d'Astrée. Lucy Crowe .... - [S.l.] : Erato/Warner Classics, 2014. - 2 CD + Beih. (51 S.) in Box. Interpr.: Haïm, Emanuelle ; Le Concert d‘Astrée ; Crowe, Lucy CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Orlando / Handel. Bejun Mehta ... B'Rock Orchestra. René Jacobs. - Berlin : Dt. Grammophon, 2014. - 2 CD + Beih. (109 S.). (Archiv Produktion) Interpr.: Jacobs, René ; Mehta, Bejun ; B'Rock Orchestra CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: ¬Il¬ pastor fido : 1712 / George Frideric Handel. La Nuova Musica. Dir. David Bates. Lucy Crowe .... - Los Angeles : harmonia mundi USA, 2012. - 2 CD + Beih. (99 S.) in Box. Interpr.: Bates, David; Crowe, Lucy; Nuova Musica CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Partenope : opera in three acts / Handel. Gauvin ... Il Pomo d'Oro. Riccardo Minasi. - [S.l.] : Parlophone, 2015. - 3 CDs + Beih. (217 S.) in Box. (Warner Classics) Interpr.: Gauvin, Karina ; Jaroussky, Philippe ; Minasi, Riccardo [Dir.]; Il Pomo d’Oro CD.Sbq 2 / Haen HÄNDEL 8 Stadt Karlsruhe Kulturamt | Stadtbibliothek Händel, Georg Friedrich: Semele / George Frideric Handel. Kathleen Battle ... Ambrosian Opera Chorus. English Chamber Orchestra. John Nelson. - Hamburg : Dt. Grammophon, P 1993. – 3 CD + Beih. (120 S.) in Box Best.-Nr.: 435 782-2 Interpr.: Nelson, John [Dir.]; Battle, Kathleen; Ambrosian Opera Chorus <London>; English Chamber Orchestra CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Six operas / Handel. Alan Curtis. Il Complesso Barocco . - [Hayes] : EMI [u.a.], 2009. - 15 CDs, 1 CD-ROM (mit Libretti) + Beih. (35 S.) in Box. - (Handel 2009 - 250th anniversary) (Virgin Classics) Enth.: Rodrigo. Radamisto. Admeto. Fernando. Arminio. Deidamia Interpr.: Il Complesso Barocco ; Curtis, Alan [Dir.] CD.Sbo 4 Haen / HÄNDEL Händel, Georg Friedrich: Son d'amore : sonate per flauto dolce / G. F. Händel. Marco Scorticati, recorder. Davide Pozzi, harpsichord. Estro Cromatico. - [S.l.] : Stradivarius, 2014. Interpr.: Scorticati, Marco ; Pozzi, Davide ; Estro Cromatico CD.Sbs 2 / Haen HÄNDEL Händel, Georg Friedrich: Tamerlano : HWV 18, 1731 Version / Handel. Xavier Sabata ... Il Pomo D'Oro. Riccardo
Load more

Recommended publications
  • 56 0809Englisch.Pdf
    A Wien Holding Company Intendant Roland Geyer General sponsors of the Theater an der Wien The Theater an der Wien recieves subsidies from the Cultural Department of the City of Vienna insNoten130x205_4c_E_TheaterRZ 04.06.2008 13:53 Uhr Seite 1 „WHOEVER HEARS BUTTERFLIES LAUGHING, KNOWS THE SCENT OF CLOUDS“ (Novalis) he butterfly is a wonderful symbol of transformation and freedom. And this is a requirement that art repeatedly demands, too. The mysterious Tmetamorphosis of the ugly caterpillar into the magnificent butterfly has sti- mulated man’s imagination from time immemorial. Everyone who watches Where does a butterfly is struck by its beauty, elegance and lightness. The ancient ability to think in images and symbols is inside each one of us – and in the world of opera, too. The opera is a treasure-house of the music call the tune? irrational. It unfolds “our imagination’s most beautiful alternative world.” Mozart himself confessed, “I need only to hear talk about opera, I need only to be in the theatre and hear voices – it suffices to transport me utterly.” The Theater an der Wien, the new opera house, is aiding a development in our city that no one can now fail to notice: more and more people with an interest in culture, and younger people too, are going to the opera! They are looking for a space where dreams and longings can unfold freely with great emotion and even pathos – and the opera provides a meeting place for them: everything appears bathed in “bright” light, and in this light one is drawn in by enchanting sounds.
    [Show full text]
  • Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
    Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources).
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XXXII, Number 1 Spring 2017 AMERICAN HANDEL FESTIVAL 2017 : CONFERENCE REPORT Carlo Lanfossi This year, Princeton University (Princeton, NJ) hosted the biennial American Handel Festival on April 6-9, 2017. From a rainstorm on Thursday to a shiny Sunday, the conference unfolded with the usual series of paper sessions, two concerts, and a keynote address. The assortment of events reflected the kaleidoscopic variety of Handel’s scholarship, embodied by a group of academics and performers that spans several generations and that looks promising for the future of Handel with the exploration by Fredric Fehleisen (The Juilliard School) studies. of the network of musical associations in Messiah, highlighting After the opening reception at the Woolworth Music musical-rhetorical patterns through Schenkerian reductions Center, the first day of the conference was marked by the Howard and a request for the audience to hum the accompanying Serwer Memorial Lecture given by John Butt (University of harmony of “I know that my Redeemer liveth.” Finally, Minji Glasgow) on the title “Handel and Messiah: Harmonizing the Kim (Andover, MA) reconstructed an instance of self-borrowing Bible for a Modern World?” Reminding the audience of the in the chorus “I will sing unto the Lord” from Israel in Egypt, need to interrogate the cultural values inherent to the creation tracing the musical lineage to the incipit of the English canon of Messiah, Butt structured his keynote address around various “Non nobis, Domine” through its use in the Cannons anthem topics and methodologies, including an analysis of Handel’s Let God Arise and the Utrecht Te Deum .
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland.
    [Show full text]
  • Swr2 Programm Kw 41
    SWR2 PROGRAMM - Seite 1 - KW 41 / 09. - 15.10.2017 Domenico Gallo: 9.00 Nachrichten, Wetter Montag, 09. Oktober Sonate Nr. 4 G-Dur Parnassi musici 9.05 SWR2 Musikstunde 0.05 ARD-Nachtkonzert Wolfgang Amadeus Mozart: Gefangen, verschleppt, verkauft – Franz Seraph von Destouches: Sinfonie B-Dur KV 182 Wege der Sklaverei (1) Sinfonia D-Dur Philharmonia Orchestra London Musikalische Zeugnisse der Unfreiheit Staatskapelle Weimar Leitung: Riccardo Muti Mit Jan Ritterstaedt Leitung: Peter Gülke Antonín Dvorák: Richard Wagner: Polonaise A-Dur Wahrscheinlich gibt es die Sklaverei ”Das Liebesmahl der Apostel” WWV 69 Heinrich Schiff (Violoncello) schon so lange wie die Menschheit. Sächsischer Staatsopernchor Dresden Elisabeth Leonskaja (Klavier) Erste Belege für diese Praxis tauchen Sächsische Staatskapelle Dresden Camille Saint-Saëns: schon gut 2000 Jahre v. Chr. auf, Leitung: Christian Thielemann Morceau de Concert G-Dur op. 154 ausführlich dokumentiert ist sie dann Georg Friedrich Händel: Nicanor Zabaleta (Harfe) aber vor allem im antiken Griechenland Suite g-Moll HWV 432 Orchestre de l’ORTF und im Römischen Reich. Von da an Ragna Schirmer (Klavier) Leitung: Jean Martinon zieht sich der Handel mit Menschen Carl Nielsen: Vincent d’Indy: und deren Arbeitskraft wie ein roter Flötenkonzert D-Dur op. 119 Sérénade et Valse op. 28 Faden durch die Jahrhunderte. Die Aurèle Nicolet (Flöte) Isländisches Sinfonieorchester SWR2 Musikstunde nimmt sich in Gewandhausorchester Leipzig Leitung: Rumon Gamba dieser Woche diesem dunklen Kapitel Leitung: Kurt Masur der Menschheitsgeschichte an und Camille Saint-Saëns: 6.00 SWR2 am Morgen folgt dabei den Hauptrouten des ”Saltarelle” op. 74 darin bis 8.00 Uhr: Sklavenhandels. Es wird Musik aus ensemble amarcord u.
    [Show full text]
  • Georg Friedrich Händel (1685-1759)
    Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella
    [Show full text]
  • DMG · Leopold!
    LEOPOLD! 300 Jahre Leopold Mozart · Jubiläumsmagazin der Deutschen Mozart-Gesellschaft HEIMAT AUGSBURG DER NETZWERKER SEINE MUSIK DIE VIOLINSCHULE LEOPOLD DURCH DIE BRILLE DER NACHWELT MIT KONZERT-TIPPS: JubiLeo! Deutsches Mozartfest 11. — 26. Mai 2019 EDITORIAL Liebe Mitglieder der DMG, liebe Augsburgerinnen und Augsburger, Anlässlich des 300. Geburtstags von Leopold Mozart Vieles in den Geschichten rund um Leopold führt hat es sich die Deutsche Mozart-Gesellschaft mit die- uns auch immer wieder zurück zu seinen Augsburger sem Jubiläumsmagazin zur Aufgabe gemacht, die viel- Wurzeln – dahin, wo er die geistigen Grundlagen sei- seitige Persönlichkeit des Augsburger Bürgersohnes nes späteren Wirkens erhalten haben muss. Angesichts neu zu beleuchten. Wie bei einem Kaleidoskop fokus- der Bedeutung, die nicht nur musikgeschichtlich, son- sieren die Autoren dabei aus einem jeweils anderen dern auch kulturgeschichtlich dem Augsburger Leopold Blickwinkel heraus den Menschen, Musiker, Erzieher, Mozart beizumessen ist, kommt seiner Würdigung mehr Komponisten, Reisenden und Schrift steller und es ent- als nur eine lokale Dimension zu. Das JubiLeo! bietet die steht das facetten reiche Bild eines Mannes, ohne des- Möglichkeit, seine in der Memoria der Stadt fest ver- sen Wirken die Musikgeschichte ein Stück weit anders ankerte Persönlichkeit nicht nur mit diesem Magazin, verlaufen wäre. sondern auch mit einer Reihe von hochkarätigen Ver- anstaltungen – vom Deutschen Mozartfest bis hin zum Bislang ist Leopold Mozart eher nur im Kontext der Internationalen Violinwettbewerb – in das Rampenlicht Wunderkindgeschichte um Wolfgang Amadé wahr- einer breiteren Öffentlichkeit zu stellen und einer Neu- genommen worden. Folgt man aber seinen Lebens- bewertung zu unterziehen. stationen, entsteht doch das Bild eines selbstbewussten Selfmademan und Allrounders, der selbst über eine Eine erhellende Lektüre wünscht Ihnen Ihr hohe Begabung in allen Wissensgebieten seiner Zeit verfügt haben muss.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital.
    [Show full text]
  • SALZBURG FESTIVAL 20 July – 31 August 2019 Young Singers Project
    SALZBURG FESTIVAL 20 July – 31 August 2019 Press Release of the Salzburg Festival Young Singers Project 2019 Supported by the Kühne Foundation photo: SF/Anne Zeuner (SF, 2 July 2019) “The lucky hand – or rather, lucky ear – of Evamaria Wieser, the director of the Young Singers Project, is demonstrated by the fact that the participants in the Young Singers Project achieve excellent results at competitions all over the world and are engaged by the best opera houses,” says Festival President Helga Rabl-Stadler. “This year, a total of 13 participants of the Young Singers Project will appear on the programme of the Salzburg Festival. Furthermore, I am particularly pleased that Joel Prieto, a 2008 YSP participant, will sing the title role in Orphée aux enfers.” With the Young Singers Project, the Salzburg Festival has created a high-carat platform for the support of young vocalists, which looks back upon eleven years of successful history in 2019. Since 2008, 157 young vocalists from 41 countries have participated in the Young Singers Project. This year, 13 young singers from eleven nations will take part. They are from Canada, Spain, the UK, France, Russia, Poland, the USA, Ukraine, Ireland and, for the first time, from Mexico and New Zealand. 1 SALZBURG FESTIVAL 20 July – 31 August 2019 The singers are chosen at international auditions. As part of their fellowship, they have the opportunity to work with Festival artists. Tuition includes not only music lessons and repertoire expansion, but also stage rehearsals, language coaching and lied interpretation. Its master classes and strong practical orientation make YSP an international model for young artist programmes.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XXVII, Number 2 Summer 2012 FROM THE PRESIDENT’S DESK SUMMER 2012 I would like to thank all the members of the Society who have paid their membership dues for 2012, and especially those who paid to be members of the Georg-Friedrich-Händel Gesellschaft and/or friends of The Handel Institute before the beginning of June, as requested by the Secretary/Treasurer. For those of you who have not yet renewed your memberships, may I urge you to do so. Each year the end of spring brings with it the Handel Festivals in Halle and Göttingen, the latter now regularly scheduled around the moveable date of Pentecost, which is a three-day holiday in Germany. Elsewhere in this issue of the Newsletter you will find my necessarily selective Report from Halle. While there I heard excellent reports on the staging of Amadigi at Göttingen. Perhaps other members of the AHS would be willing to provide reports on the performances at Göttingen, and also those at Halle that I was unable to attend. If so, I am sure that the Newsletter Angelica Kauffmann, British, born in Switzerland, 1741-1807 Portrait of Sarah Editor would be happy to receive them. Harrop (Mrs. Bates) as a Muse ca. 1780-81 Oil on canvas 142 x 121 cm. (55 7/8 x 47 5/8 in.) Princeton University Art Museum. Museum purchase, Surdna Fund The opening of the festival in Halle coincided and Fowler McCormick, Class of 1921, Fund 2010-11 photo: Bruce M. White with the news of the death of the soprano Judith Nelson, who was a personal friend to many of us.
    [Show full text]
  • 2019 Biography
    2019 Biography Recipient of Johann Adolf Hasse-Stiftung’s 2019 Hasse-Preis and the City of Halle’s 2017 Händel-Preis, mezzo-soprano Vivica Genaux hails from Fairbanks, Alaska. In the course of her two-decade career, her unforgettable voice has been heard in many of the world’s most important venues, including Beijing’s National Center for the Performing Arts, London’s Barbican Centre, New York’s Metropolitan Opera, Prague’s Rudolfinum, Madrid’s Teatro Real, Théâtre des Champs-Élysées in Paris, and Wiener Staatsoper. Vivica welcomes 2019 with a pair of Farinelli-themed concerts with Concerto de’ Cavalieri in Antwerp and Valletta, followed by a concert with La magnifica comunità in Verona. February 2019 will find her first in Poissy and Bilbao for performances with Les Musiciens du Louvre and then in Karlsruhe for Internationale Händel-Festspiele’s Händel-Gala, in which she will be joined by mezzo-soprano Ann Hallenberg in a performance of music by Vivaldi, Händel, Rossini, and Bellini. In April 2019, she returns to Washington, DC, for her rôle début as Emma in Rossini’s Zelmira with Washington Concert Opera. From there, she travels to Madrid to revisit music sung by Farinelli. A month later, in May 2019, Vivica takes a Vivaldi programme to Vienna’s Musikverein with Bach Consort Wien. Gender Stories, a presentation of music by Händel, Hasse, and Galuppi that unites her with countertenor Lawrence Zazzo and Lautten Compagney Berlin, will be heard in Dortmund and Halle. In June, she joins an ensemble of acclaimed colleagues for Farinelli & Friends, a gala concert at the Salzburger Pfingstfestspiele.
    [Show full text]
  • Private Musiksammlung Archiv CD/DVD
    Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Tagliaferri Tagliaferri Piscatore e Pusilleco - Luciano Pavarotti - - - - - - - - - n OS - 410015,1 Tagliaferri - - 01.01.1900 - W 0,046 - T- CD Tchaikowsky Der Kaufmann von - 2013 Bregenz Charles Workman - Magdalena Anna Erik Nielsen O - 18.07.2013 Oe 1 Hofmann - Christopher Ainslie - Jason 2208,01 André Tchaikowsky Venedig - Bridges - Kathryn Lewek - Juliusz (1935 - 1982) - Wiener Symphoniker 18.07.2013 - Kubiak - Verena Gunz - David Stout - Oper 1 - Keith Warner - Ashley Martin-Davis cda1311 T- M 4 3 CD Telemann Heilig, heilig ist Gott - 2004 Magdeburg Dorothee Fries - Martin Oro - Andreas Ulrich Stötzel Ch-O - 12.03.2004 DLR Berlin Post - Albrecht Pöhl - - - - - 407,01 Georg Philipp - Collegium vocale des Bach-Chores Telemann (1681 - - Hannoversche 24.03.2004 - Siegen - Hofkapelle TWV 2,06 - cda404 T- Dok 117 2 CD Telemann Unsterblicher - 2000 Magdeburg Sophie Daneman - Alison Hagley - Simon Preston O - 16.03.2000 DLR Berlin Rufus Müller - Paul Agnew - Roman 408,01 Georg Philipp Nachruhm Friedrich - Trekel - Colin Campbell - - - - Telemann (1681 - Augusts - verfaßt auf den Tod Augusts Orchestra of the Age 08.08.2000 - des Starken of Enlightenment TWV 4,07 - cda404 T- VHS-Audi 2 CD o Telemann Brockes-Passion - 2005 Paris Annette Dasch - Dietrich Henschel - René Jacobs O - 23.03.2005 Fr.
    [Show full text]