Sung by the Jets: Riff, Snowboy, Ice)
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Leonard Bernstein
Leonard Bernstein: The Power of Music is the “first large-scale museum exhibition to illustrate Bernstein’s life, Jewish identity, and social activism,” according to the National Museum of American Jewish History in Philadelphia, where you can catch it until Sept. 2. (A national tour will follow.) There are artifacts ranging from Bernstein’s piano (a Baldwin, though he used to invoke another manufacturer to tell people how to pronounce his name: “No one ever called a Steinway a STEEN-way!”), an annotated copy of Romeo and Juliet in which he formulated ideas for West Side Story, the mezuzah from his studio, the ketubah from his marriage to Costa Rican actress Felicia Cohn Montealegre, and his family Haggadah … which, unsurprisingly, contains additional sheet music. There are dozens of photos, hand-drawn set designs, snippets of costume fabric, personal letters, album covers, and illustrations. There’s the earliest known photograph of teen Lenny conducting; his trademark impressive swoop-y matinee-idol hair is already evident as he theatrically leads a Jewish summer-camp orchestra of seven nebbish-y boys with triangles and tiny cymbals. (The photo is grandiloquently labeled “Onota Rhythm Band and Leonard Bernstein, 1937.”) Celebrations of Bernstein’s 100th birthday are taking place all around the world, including performances of his greatest work: West Side Story in South Africa, Candide in San Francisco and Los Angeles; Fancy Free in Tuscaloosa; and six different operas and theatrical works this summer at Tanglewood, where Bernstein began his career. There’s also a traveling exhibit by the Grammy Museum and, of course, a hashtag campaign (#BernsteinAt100). -
SHAMELESS Sunday I SHOWTIME PLAN QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power. -
Chicago Phil Brass” Brass Quintet
2020-2021 SEASON: TOGETHER Chicago Phil Chamber presents "Chicago Phil Brass” Brass Quintet Sunday, October 11 2020, 4:00pm North Shore Center, Skokie William Denton trumpet Mike Brozick trumpet Fritz Foss horn Jeremy Moeller trombone Matthew Gaunt tuba SCHERZO . JOHN CHEETHAM (b. 1939) AIR POUR LES TROMPETTES . JOHANN SEBASTIAN BACH (1685-1750) (arr. Irving Rosenthal) ‘LITTLE’ FUGUE IN G MINOR . JOHANN SEBASTIAN BACH (1685-1750) (arr. Ronald Romm) BRASS QUINTET No. 1 . .VICTOR EWALD (1860-1935) I. Moderato - Più mosso II. Adagio non troppo lento III. Allegro moderato ENGLISH FOLK SONG SUITE . RALPH VAUGHAN WILLIAMS (1872-1958) (arr. Jari Villanueva) I. March: "Seventeen Come Sunday" II. Intermezzo: "My Bonny Boy" III. March: "Folk Songs from Somerset" SELECTIONS FROM WEST SIDE STORY . LEONARD BERNSTEIN (1918-1990) (arr. Jack Gale) “Maria" “Tonight" “I Feel Pretty” 1 2020-2021 SEASON: TOGETHER “SUMMERTIME” . GEORGE GERSHWIN (1898-1937) (arr. John Glenesk Mortimer) “OUR LOVE IS HERE TO STAY” . GEORGE GERSHWIN (1898-1937) (arr. Bill Holcombe) “A NIGHTINGALE SANG IN BERKELEY SQUARE” . MANNING SHERWIN (1902-1974) (arr. Jack Gale) “THAT’S A-PLENTY” . LEW POLLACK (1895-1946) (arr. Jack Gale) “JUST A CLOSER WALK WITH THEE” . TRADITIONAL (arr. Don Gillis) TRITSCH - TRATSCH POLKA . JOHANN STRAUSS II (1825-1899) (arr. B. A. Kretz) The program begins with one of the all-time classic brass compositions of the 20th century, John Cheetham’s Scherzo. A classic in brass quintet repertoire, Scherzo was an immediate success when it was written. Air Pour Les Trompettes, Irving Rosenthal’s arrangement of Bach's Suite in A, originally for solo harpsichord, showcases the trumpet. -
West Side Story” (Original Cast Recording) (1957) Added to the National Registry: 2008 Essay by Robert L
“West Side Story” (Original cast recording) (1957) Added to the National Registry: 2008 Essay by Robert L. McLaughlin (guest essay)* Original “West Side Story” cast members at recording session (from left: Elizabeth Taylor, Carmen Gutierrez, Marilyn Cooper, Carol Lawrence) “West Side Story” is among the best and most important of Broadway musicals. It was both a culmination of the Rodgers and Hammerstein integrated musical, bringing together music, dance, language and design in service of a powerful narrative, and an arrow pointing toward the future, creating new possibilities for what a musical can be and how it can work. Its cast recording preserves its score and the original performances. “West Side Story’s” journey to theater immortality was not easy. The show’s origins came in the late 1940s when director/choreographer Jerome Robbins, composer Leonard Bernstein, and playwright Arthur Laurents imagined an updated retelling of “Romeo and Juliet,” with the star- crossed lovers thwarted by their contentious Catholic and Jewish families. After some work, the men decided that such a musical would evoke “Abie’s Irish Rose” more than Shakespeare and so they set the project aside. A few years later, however, Bernstein and Laurents were struck by news reports of gang violence in New York and, with Robbins, reconceived the piece as a story of two lovers set against Caucasian and Puerto Rican gang warfare. The musical’s “Prologue” establishes the rivalry between the Jets, a gang of white teens, children mostly of immigrant parents and claimants of a block of turf on New York City’s west side, and the Sharks, a gang of Puerto Rican teens, recently come to the city and, as the play begins, finally numerous enough to challenge the Jets’ dominion. -
West Side Story
West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
1-Heart Beat of Walters 12.2020
Walters Memorial African Methodist Episcopal Zion Church 12 Gregory Street Bridgeport, Conn. The Heart Beat of Walters Local Lay Council Newsletter What’s Inside “JUST DO IT!” “Just do it” ADVENT 2 Mask Up GLOBALLY 4 COMMITTED WHY PEOPLE OF 8 Masking up is ministry to others and self! COLOR Adhering to warnings from Health Officials is essential! BUT GOD! 10 Saving lives is the business of the Church! LAY HONOREE 12 Keeping hands washed is vital to good health! Social distance is necessary! SHOUT OUTS! 13 Submitted by Pastor Clayton Page 2 The Heart Beat of Walters ADVENT SEASON 2020 “Let Every Heart Prepare Him Room” Advent begins the new liturgical year. This year it starts on Sunday, November 29th and ends on Christmas Eve, Thursday, December 24th. The word, “Advent” means “coming.” This season is a time of prayer and preparation, which not only honors the birth of the Christ Child, but also helps us to prepare our hearts to receive our King, Jesus Christ, for the second coming. (1 Thess. 4: 16-17) “For the Lord, Himself, will come down from Heaven, with a loud command… The season is represented by a display of the Advent wreath which symbolizes eternity, no be- ginning and no end, five candles; three purple, one pink, and one white in the center which rep- resent the themes of the Advent Season. HOPE – On the first Sunday of Advent we light a purple candle to represent HOPE: Hope comes first. Hope for the Peace and the Joy and the Love we cannot find on our own and never in real or lasting measure apart from Christ. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
West Side Story
The United States Air Force Academy Bluebards Theatre Troupe Credits Proudly Presents Officer in Charge Lt Col Michelle Ruehl Master Carpenter Jandy Viloria Audio Technician Stan Sakamoto WEST Stage Crew RATTEX Dramaturg Dr. Marc Napolitano SIDE Support Team Flute/piccolo Erica Drakes STORY Bassoon Micaela Cuneo Based on a Conception of Trombone Sam Voss JEROME ROBBINS Violin Jared Helm French Horn Claire Badger Trumpet Josiah Savoie Trombone Braxton Sesler Percussion Matt Fleckenstein Musicians Piano Megan Getlinger Music by Lyrics by Trumpet Sean Castillo Clarinet Rose Bruns Trumpet Tom McCurdy Violin Kat Kowar Violin Matt Meno Entire Original Production Violin Nishanth Kalavakolanu Book by Directed and Choreographed by Bluebards offers its thanks to DFENG, RATTEX, and the Falcon Theater Founda- tion; without their support, this production would not have been possible. The videotaping or other video or audio recording of this production12 is strictly prohibited. 1 Who’s Who in the Cast and Crew “WEST SIDE STORY” not sing or dance, he decided to try out for the spring musical! After Based on a Conception of JEROME ROBBINS taking a year off to search the moon for the secret to great singing and dancing, Kevin has returned to Bluebards (unfortunately, people on the moon dance differently than the people of Earth). He is an avid reader who enjoys nerding-out with fellow nerds about the nerdiest subjects. Book by ARTHUR LAURENTS Kevin would like to thank the cast/crew, with a special nod to Lt Col Music by LEONARD BERNSTEIN Ruehl for ensuring USAFA’s drama nerds have a home in Bluebards. -
A Daily Prayer (In Sections) Added Names of God -Edit
The Daily Prayer Page 1 of 2 This extended version of the Daily Prayer is a compilation of several prayers brought together by Joshua Rupp, Worship Arts Director at Gaylord E-Free Church. These include excerpts from: the Prayer of St Patrick, the Jesus Prayer, the Trisagian Prayer, and the names of God whose meanings are written out as a prayer. However, the bulk of the Daily Prayer was constructed by Ransomed Heart Ministries with John Eldridge. Here is an explanation of the prayer from ransomedheart.com: Over the years we have grown in our understanding of prayer, and spiritual warfare, and of our need to be restored in the life of God each day. And so we have developed this prayer, which we call The Daily Prayer. It is entirely based on Scripture, almost like praying the Scriptures. May it be a source of life to you. Daily. Invocation: Jehovah-Elohim: transcendent Trinity and Creator of all, Jehova-Yahweh: the Self Existing “I Am” whose covenant with me is as endless as Your eternal existence, Jehovah-Jireh: the Lord my provider of all needs physical, emotional, spiritual and relational, Jehovah-Rophe: the Lord my Healer who aligns my body in health and wholeness and mends the broken wings of my soul through love, hope, faith and forgiveness, Jehovah-Nissi: the Lord my Banner and my 10 foot flag to rally and motivate my heart and all my valiant energies, Jehovah-M'Kaddesh: the Lord who Sanctifies me, sets me apart for holiness and consecrates me to a life of obedience, Jehovah-Shalom: the Lord my Peace when life doesn't makes sense, when -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
WEST SIDE STORY.Pages
2015-2016 SEASON 2015-2016 SEASON Teacher Resource Guide ! and Lesson Plan Activities Featuring general information about our production along with some creative activities Tickets: thalian.org! !to help you make connections to your classroom curriculum before and after the show. ! 910-251-1788 ! The production and accompanying activities ! address North Carolina Essential Standards in Theatre or! Arts, Goal A.1: Analyze literary texts & performances. ! CAC box office 910-341-7860 Look! for this symbol for other curriculum connections. West Side Story! ! Book by: Arthur Laurents Music by: Leonard Bernstein Lyrics by: Stephen Sondheim ! ! Based on Conception of: Jerome Robbins! Based on Shakespeare's Romeo and Juliet! October 9-11! and 16-18! ! 7:00 PM Thursday - Saturday! and 3:00PM Saturday & Sunday! Hannah Block Historic USO! / Community Arts Center! Second Street Stage 120 South 2nd Street (Corner of Orange) Resource! About this Teaching Resource! This Teaching Resource is designed to help build new partnerships that employ theatre and the Summery:! arts to address some of today’s pressing issues such as youth violence, bullying, gangs, ! interracial tensions, youth-police relations and cultural conflict. This guide provides a perfect ! ! opportunity to partner with law enforcement, schools, youth-based organizations, and community Page 2! groups to develop new approaches to gang prevention.! About the Creative Team, ! Summery of the Musical! About the Musical & Its Relevance for Today! ! Marking its 58th anniversary, West Side Story provides the backdrop to an exploration! Page 3! of youth gangs, youth-police relationships, prejudice and the romance of two young people caught Character & Story Parallels of in a violent cross-cultural struggle.The electrifying music of Leonard Bernstein and the prophetic West Side Story and lyrics of Stephen Sondheim hauntingly paint a picture as relevant today as it was more than 58 Romeo & Juliet ! years ago.