Tahitian Fau – Unveiling an Enigma1
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Endeavour Anniversary
Episode 10 Teacher Resource 28th April 2020 Endeavour Anniversary Students will investigate Captain Endeavour History Cook’s voyage to Australia on 1. When did the Endeavour set sail from England? board the HMB Endeavour. Students will explore the impact 2. Who led the voyage of discovery on the Endeavour? that British colonisation had on 3. Describe James Cook’s background. the lives of Aboriginal and Torres 4. What did Cook study that would help him to become a ship’s Strait Islander Peoples. captain? 5. Fill in the missing words: By the 18th Century, _________________ had been mapping the globe for centuries, claiming HASS – Year 4 ______________ and resources as their own. (Europeans and land) The journey(s) of AT LEAST ONE 6. Who was Joseph Banks? world navigator, explorer or trader 7. Why did Banks want to travel on the Endeavour? up to the late eighteenth century, including their contacts with other 8. The main aim of the voyage was to travel to… societies and any impacts. 9. What rare event was the Endeavour crew aiming to observe? 10. What was their secret mission? The nature of contact between 11. Who was Tupaia? Aboriginal and Torres Strait Islander Peoples and others, for 12. After leaving Tahiti, where did the Endeavour go? example, the Macassans and the 13. What happen in April 1770? Europeans, and the effects of 14. Complete the following sentence. Australia was known to Europeans these interactions on, for at the time as New___________________. (Holland) example, people and environments. 15. Describe the first contact with Indigenous people. -
Sacred Kingship: Cases from Polynesia
Sacred Kingship: Cases from Polynesia Henri J. M. Claessen Leiden University ABSTRACT This article aims at a description and analysis of sacred kingship in Poly- nesia. To this aim two cases – or rather island cultures – are compared. The first one is the island of Tahiti, where several complex polities were found. The most important of which were Papara, Te Porionuu, and Tautira. Their type of rulership was identical, so they will be discussed as one. In these kingdoms a great role was played by the god Oro, whose image and the belonging feather girdles were competed fiercely. The oth- er case is found on the Tonga Islands, far to the west. Here the sacred Tui Tonga ruled, who was allegedly a son of the god Tangaloa and a woman from Tonga. Because of this descent he was highly sacred. In the course of time a new powerful line, the Tui Haa Takalaua developed, and the Tui Tonga lost his political power. In his turn the Takalaua family was over- ruled by the Tui Kanokupolu. The tensions between the three lines led to a fierce civil war, in which the Kanokupolu line was victorious. The king from this line was, however, not sacred, being a Christian. 1. INTRODUCTION Polynesia comprises the islands situated in the Pacific Ocean within the triangle formed by the Hawaiian Islands, Easter Island and New Zealand. The islanders share a common Polynesian culture. This cultural unity was established already in the eighteenth century, by James Cook, who ob- served during his visit of Easter Island in 1774: In Colour, Features, and Languages they [the Easter Islanders] bear such an affinity to the People of the more Western isles that no one will doubt that they have the same Origin (Cook 1969 [1775]: 279, 354–355). -
Kamay Botany Bay National Park Planning Considerations
NSW NATIONAL PARKS & WILDLIFE SERVICE Kamay Botany Bay National Park Planning Considerations environment.nsw.gov.au © 2020 State of NSW and Department of Planning, Industry and Environment With the exception of photographs, the State of NSW and Department of Planning, Industry and Environment are pleased to allow this material to be reproduced in whole or in part for educational and non-commercial use, provided the meaning is unchanged and its source, publisher and authorship are acknowledged. Specific permission is required for the reproduction of photographs. The Department of Planning, Industry and Environment (DPIE) has compiled this report in good faith, exercising all due care and attention. No representation is made about the accuracy, completeness or suitability of the information in this publication for any particular purpose. DPIE shall not be liable for any damage which may occur to any person or organisation taking action or not on the basis of this publication. Readers should seek appropriate advice when applying the information to their specific needs. All content in this publication is owned by DPIE and is protected by Crown Copyright, unless credited otherwise. It is licensed under the Creative Commons Attribution 4.0 International (CC BY 4.0), subject to the exemptions contained in the licence. The legal code for the licence is available at Creative Commons. DPIE asserts the right to be attributed as author of the original material in the following manner: © State of New South Wales and Department of Planning, Industry -
Hawkesworth's Voyages and the Literary Influence on Erasmus
Hawkesworth’s Voyages and the Literary Influence on Erasmus Darwin’s The Loves of the Plants Ayako WADA* Erasmus Darwin (1731-1802), famously known as a grandfather of Charles Darwin (1809-82), was a talented man of multiple disciplines as Desmond King-Hele breaks down his achievements into four spheres ‘as a doctor, an inventor and technologist, a man of science and a writer’.1 While he was a physician by profession, he was also a founder of the Lunar Society of Birmingham, the human network of which, including such pioneering engineers as Matthew Boulton (1728-1809) and James Watt (1736-1819), accelerated the Industrial Revolution. Also, Darwin was a believer in biological evolution, the rudimentary idea of which was made explicit in Zoonomia (1794-96). 2 As for Darwin’s literary achievements, in spite of its short-lived success, The Botanic Garden (1791) made him most popular during the 1790s and saw ‘four English editions along with separate Irish and American printings by 1799 … translated into French, Portuguese, Italian, and German’ as Alan Bewell summarised.3 Although King-Hele indicates how English Romantic poets were indebted to Darwin,4 they are also known to have been both attracted and repulsed by his poetics, as revealed in their writings.5 The purpose of this article is to illuminate the still imperfectly understood aspect of Darwin’s most influential work entitled The Loves of the Plants (1789)—first published as the second part of The Botanic Garden (1791)—in terms of its link to An Account of the Voyages (1773), edited by his immediate predecessor, John Hawkesworth (1720-73). -
Captain Cook's Voyages
National Library of Ireland Prints and Drawings Collection List Captain Cook Voyages Plate Collection Collection comprised of plates showing the Voyages of Captain Cook, which form part of the Joly Collection held by the Department of Prints and Drawings. The collection also contains prints from a number of different publications relating to Cook’s voyages. Compiled by Prints and Drawings Department 2008 Joly Collection – Captain Cook’s Voyages Introduction This list details the plates showing the Voyages of Captain Cook, which form part of the Joly Collection held by the Department of Prints and Drawings. The collection contains prints from a number of different publications relating to Cook’s voyages. The plates have been divided by the volume they relate to, and then arranged, where possible, in the order they are found in the printed work. The plates in this collection cover the three voyages of Captain Cook; 1768-71, 1772-5 and 1776-9. On each voyage Cook was accompanied by a different artist, and it is on their drawings that the plates are based. On the first voyage Captain Cook was accompanied by Sydney Parkinson, who died shortly before the end of the voyage. William Hodges replaced Parkinson on the second voyage and the third voyage was covered by John Webber. Sydney Parkinson’s Illustrations, 1773 These plates come from A Journal of a Voyage to the South Seas, in his Majesty’s Ship, the Endeavour faithfully transcribed from the papers of the late Sydney Parkinson published in London in 1773. It covers the first voyage of Captain Cook, the set is complete except for Plate XXV Map of the Coast of New Zealand discovered in the Years 1769 and 1770 . -
'Classification' of the Late Eighteenth Century Pacific
Empirical Power, Imperial Science: Science, Empire, and the ‘Classification’ of the Late Eighteenth Century Pacific A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Arts in History University of Saskatchewan Saskatoon By Justin Wyatt Voogel Ó Copyright Justin Wyatt Voogel, September 2017 All Rights Reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of History Arts and Science Admin Commons Room 522, Arts Building University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada i Abstract The Pacific of the mid eighteenth century was far removed from what it would become by the first decade of the nineteenth. -
Artistic Endeavour – Room Brochure
Contemporary botanical artists’ response to the legacy of Banks, Solander and Parkinson Front cover: Anne Hayes, Banksia serrata, old man banksia, gabiirr (Guugu Yimithirr), 2017, watercolour on paper, 63 x 45 cm Pages 2–3: Penny Watson, Goodenia rotundifolia, round leaved goodenia, 2018, watercolour on paper, 26 x 43 cm Pages 5 and 9: Ann Schinkel, Bauera capitata, dog rose, (details), 2019, watercolour on paper, 26 x 15 cm Page 7: Florence Joly, Melaleuca viminalis, weeping bottlebrush, garra (group name, Yuggara), (detail), 2019, graphite, colour pencil on paper, 33 x 66 cm Pages 10–11: Minjung Oh, Pleiogynium timorense, Burdekin plum, (detail), 2018, watercolour on paper, 59 x 46 cm © The artists and authors For information on the exhibition tour, go to the M&G QLD website http://www.magsq.com.au/cms/page.asp?ID=10568 BASQ website www.botanicalartqld.com.au Artistic Endeavour is an initiative of the Botanical Artists’ Society of Queensland in partnership with Museums & Galleries Queensland. This project has been assisted by the Australian Government’s Visions of Australia program; the Queensland Government through the Visual Arts and Craft Strategy, an initiative of the Australian, state and territory governments; and the Regional Arts Development Fund, a partnership between the Queensland Government and Moreton Bay Regional Council to support local arts and culture in regional Queensland. Proudly supported by Moreton Bay Regional Council and sponsored by IAS Fine Art Logistics and Winsor & Newton. Artists Artistic Endeavour Gillian Alfredson Artistic Endeavour: Contemporary botanical artists’ response Catherin Bull to the legacy of Banks, Solander and Parkinson marks the 250th Edwin Butler anniversary of the HMB Endeavour voyage along the east coast of Australia. -
Oceanic Encounters
Chapter 4 A Reconsideration of the Role of Polynesian Women in Early Encounters with Europeans: Supplement to Marshall Sahlins’ Voyage around the Islands of History Serge Tcherkézoff Europeans have been losing their way in the Pacific from the beginning when early explorers made up for navigational errors by claiming inhabited islands as new discoveries. Never mind that the islanders had simultaneously discovered the explorers, no doubt with a fair bit of despair and surprise, but since it took years for islanders to learn the tiny scratches that the visitors called writing, the European claims had a head start in the history books. (Aiavao 1994) Je n'ai jamais pu concevoir comment et de quel droit une nation policée pouvait s'emparer d'une terre habitée sans consentement de ses habitants. (Marchand 1961, 253) Ethnohistorical work on first and subsequent early encounters between Polynesians and Europeans remained focused on particular archipelagoes, which has meant that comparative hypotheses spanning the entire Polynesian region have not emerged. Moreover, it has been conducted mainly in eastern Polynesia (including Aotearoa), thus leaving aside the western part of the region.1 In this chapter I examine early encounters in Samoa, from western Polynesia, and also reconsider the Tahitian case, from eastern Polynesia, thus building a comparison of the nature of these early encounters across the region. The focus of the chapter is the apparent sexual offers that women made to the newcomers. If we go back to a number of journals written during the early voyages which have still not been studied in as much detail as they deserve, namely La Pérouse's journal and, for Bougainville's expedition, those of Nassau and Fesche,2 we can see that a crucial aspect of these apparent sexual offers ± 113 Oceanic Encounters the ªgirls' very youngº age and their ªweepingº ± has been overlooked. -
Uhm Ma 3030 R.Pdf
.r--.. 'J/... c·"- ·.rl... .. .. "VERSITY OF HAWNI LIBRARY E NA HALAU HULA, NANA KAKOU IA LAKA (LOOK TO THE SOURCE): FINDING BALANCE BETWEEN THE PRACTICE OF HULA FOREST GATHERING AND THE ECOLOGICAL REALITIES OF HAWAH'S NATIVE FORESTS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN GEOGRAPHY DECEMBER 2002 By Shirley Naomi Kanani Garcia Thesis committee: Brian Murton, Chairperson Deborah Woodcock Les Sponsel ABSTRACf This thesis contends that the impact halau hula are having on Hawaii's native forests is born from many different social, cultural, and ecological factors. This thesis goes on to argue that it is hula's intimate link to the forests ofHawai'i, through Laka - the ancestor, that makes the problem ofdamaging gathering practices so antithetical and, also, so readily resolved. The thesis concludes by offering that the answer to regaining balance between cultural practice and modern ecological realities lies in the ancestor Laka. In the attributes and values ofLaka is where halau hula can look for inspiration and proper behavior while in her realm, the beautiful and mysterious forests of Hawai'i. TABLE OF CONTENTS Acknowledgements i List of Figures ii Photographs iii Chapter 1: Introduction 1 Forest Gathering by Halau Hula 1 Objectives 3 Methodology 5 Hula, Environmental Beliefs, and Values 7 Organization 17 Chapter 2: Significance of Plant Life to the Hawaiian Culture 18 Birth of the Hawaiian People 18 Birth of the Hula 22 Hula -
Costa 1951 R.Pdf
UNIVERSITY OF HAWAII LIBRARY DANCE IN THE SOCIETY AND HAWAIIAN ISLANDS AS PRSSH5KED BY THE EARLY Y.RITUR3, 1767-1842 A THESIS SUBMITTED TO THS GRADUATE DIVISION C7 THE UNIVERSITY 07 HAVJAII IN PARTIAL FÜIFIILKENT 07 THS KEQPIHEIIENTS FOR THE DEGREE OF MASTER OF ARTS JUNE 1951 Mazeppa( Kinet'i Costa RULES ADOPTED BY THE BOARD OF REGENTS OF THE UNIVERSITY OF HAVA 11 RAY s i. 1948. VITH REGARD TO THE REPRODUCTION OF MASTERS THESES ■. - ^ 1* ■ • la) No person or corporation nay publish or reproduce in any manner, without the consent of the Board of Regents, a thesis which has been submitted to the University in partial fulfillment of the requirements for an advanced degree, (b 1 No individual or corporation or-other-organization may publish quotations or excerpts fron a graduate thesis without the consent of the author and ol the University. ~~—¿w :.*' Ä/<cvW (L b s fu ■ lil . A TABLE OF CONTENTS PREFACE...................................................................................................................................... i i LIST CF TABLES.................................................................................................................. iv LIST OF ILLUSTRATIONS................................................................................................... iv CHAPTER I . THE DANCE IN THE SOCIETY ISLANDS............................................. 1 1. General Observations end RemarKs ..................................... 1 2. Place of Dance ......................................... 5 3. Music and Instruments -
Bernard Smith
7 Constructing “Pacific” Peoples1 Bernard Smith It is generally agreed that Cook’s three voyages greatly enhanced the economic and political power of Europe in the Pacific. But before such power could be fully exercised, certain basic sciences and tech- nologies, the efficient maidservants of power, had themselves to be enhanced. Cook’s voyages advanced astronomy, navigation, and car- tography or, as he might have put it, geographical science. But there were other sciences of less direct concern to the Admiralty enhanced by his voyages, and these contributed also in their time to European domination in the Pacific—namely natural history, meteorology, and the emergent science of ethnography. Important advances were made in all these sciences continually throughout the three voyages, but there were differences in emphasis. The first voyage is the botanical voyage, par excellence, the second is the meteorological voyage, and the third is the ethnographic voyage. These changing emphases were owing largely, though not entirely, to contingent factors. On the Endeavour voyage, Banks, Solander, and Parkinson, with their interests centered on botany, made a powerful team. On the second voyage, Cook himself, his astronomers Wales and Bayly, the two Forsters, and William Hodges were all deeply inter- ested in the changing conditions of wind and weather, light, and atmo- sphere as they traversed vast sections of the southern oceans. By the third voyage Cook had come to realize that both scientific and popular A longer version of this chapter was published in Imagining the Pacific: In the Wake of the Cook Voyages, by Bernard Smith (New Haven: Yale University Press, 1992), 193–221. -
Cook and the Pacific EXHIBITION CHECKLIST
Cook and the Pacific 22 September 2018 – 10 February 2019, Exhibition Gallery, National Library of Australia EXHIBITION CHECKLIST Who is Cook? John Webber (1752–1793) Portrait of Captain James Cook RN 1782 oil on canvas; frame: 140.4 x 115.8 x 9.5 cm, support: 114.3 x 89.7 cm National Portrait Gallery, Canberra, Acc. No. 2000.25. Purchased in 2000 by the Commonwealth Government with the generous assistance of Robert Oatley AO and John Schaeffer AO Michael Cook (b. 1968) Undiscovered #4 2010 inkjet print; 102.4 x 100 cm National Library of Australia, Pictures Collection, nla.cat–vn7794191 Percy Trompf (1902–1964) The Landing of Captain Cook at Botany Bay 1770 1929–30 chromolithograph; 101.5 x 63.5 cm and 101.5 x 65.0 cm Melbourne: Australian National Travel Association National Library of Australia, Pictures Collection, nla.cat–vn2072778 Michel Tuffery (b. 1966) Cookie in Te Wai Pounamu Meets Cook Strait 2011 acrylic on canvas; 40.0 x 40.0 cm Courtesy of the artist and Andrew Baker Art Dealer, Brisbane Arthur Horner (1916–1997) ‘This is the place of a cottage’ 1980 pen and ink; 24.0 x 30.0 cm National Library of Australia, Arthur Horner archive of cartoons (Pictures), nla.cat–vn4942077 Tapuvae (Stilt), Marquesas Islands (French Polynesia) 1770s wood; 40.0 x 12.0 cm Australian Museum, Sydney, H000370 Cook’s Box of Instruments c. 1750 wood, engraved brass, glass, letterpress; 44.2 x 21.0 cm (closed) National Library of Australia, Rex Nan Kivell Collection (Pictures), nla.cat–vn2640976 Thomas Luny (1759–1837) The Bark, Earl of Pembroke, later Endeavour, Leaving Whitby harbour in 1768 c.