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Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
The Evolution of the Concept of Public Service and the Transition in Spanish Television
Medij. istraž. (god. 15, br. 2) 2009. (49-70) IZVORNI ZNANSTVENI RAD UDK: 316.77(460):7.097 Primljeno: 30. listopada 2009. The Evolution of the Concept of Public Service and the Transition in Spanish Television Carmen Ciller Tenreiro* SUMMARY The paper examines the presence of the public interest in contemporary Span- ish television medium. For many years there was a solidly-held belief that there are important public assets (principally educational, cultural and de- mocratic) which could only be provided by public television. In recent years in Spain, after the Transition process, and with democracy having been consoli- dated, a new period of maturity in television, in which society itself demands and expects that television in general, both public and private, guarantees a series of values and public assets. In the first part, the author explains what are the origins of television in Spain: from what is the nature of public service and legislation that supports it (where are established the public interest criteria that must always prevail in the public television medium, and private television later) to the development and consolidation of the television system in Spain with the arrival of regional television, private television channels and pay television platforms. In the sec- ond part of the paper, the situation of the programme listings of general public and private television channels which operate in Spain is analyzed through the case study of the first week of March 2009. The study of prime time enables to know which are the most important genres of television programming in Spain and what television preserve the public interest. -
Development of Digital TV in Europe 2000 Report
Development of Digital TV in Europe 2000 Report Spain Prepared by IDATE Final version – December 2000 Development of digital TV in Spain Contents 1DIGITAL TV MARKET OVERVIEW ......................................... 3 1.1 Roll-out of digital services................................................... 3 1.2 Details of the services ....................................................... 8 1.3 Operators and market structure............................................ 13 1.4 Technical issues............................................................ 15 1.5 Conclusion................................................................. 18 2KEY FIGURES FOR THE SPANISH MARKET ................................19 2.1 Country fundamentals ..................................................... 19 2.2 Equipment................................................................. 19 2.3 Television market estimates ................................................ 20 2.4 Details of the subscription-TV market ...................................... 20 IDATE 2 Development of digital TV in Spain 1 Digital TV market overview 1.1 Roll-out of digital services 1.1.1 Satellite digital services Two satellite-based digital TV platforms were operating in the Spanish market in 2000: Canal Satélite Digital (launched February 1997; via Astra) and Distribuidora de Televisión Digital - Vía Digital (launched September 1997; via Hispasat). They continue to experience strong growth with a combined 1.500.000 subscribers by mid 2000. The satellite digital market has been boosted by -
Streamroot Chosen to Power Video Streaming for Spanish Public Television RTVE After Winning the First Public Tender for Peer-To-Peer Video Delivery
Streamroot chosen to power video streaming for Spanish public television RTVE after winning the first public tender for peer-to-peer video delivery Streamroot, the leading provider of distributed delivery for OTT video, announced today that it was selected by Spanish public broadcaster RTVE (Radiotelevisión Española) to power VoD and live video delivery for its online video platform. RTVE, the largest audiovisual group in Spain, offers a selection of news, entertainment, sports and children’s TV channels. These include La 1, La 2, 24h, Teledeporte and Clan, as well as international television channels TVE Internacional and Star TVE, serving the Spanish-speaking world. As the national public broadcaster, RTVE broadcasts high-profile live events such as the Eurovision song contest, national lottery draws and major sporting events. Committed to quality, innovation and public service, RTVE is known for harnessing groundbreaking technology to continuously improve its audiences’ experience. To implement innovative formats and tools that redefine storytelling, including multi-screen viewing and Ultra HD, VR and interactive content, RTVE has been adopting new techniques for generating content and for modernizing its production and distribution workflows. In order to provide these bandwidth-consuming formats to growing audiences across devices and geographies, RTVE TM implemented Streamroot’s distributed network architecture - Streamroot DNA - throughout its digital offerings including its live and on-demand video services. Streamroot was selected after winning the first-ever public tender for distributed delivery. “As an organization fully committed to innovation and quality public service, we carefully select the most advanced technologies in order to optimize our viewers’ quality of experience,” explains Luis Suárez, Web Supervisor at RTVE. -
Digital Basico (73 Canales)
Digital Basico (75 canales) 1 - La 1 2 - LA 2 3 - Antena 3 4 - Cuatro 5 - TeleCinco 6 - La Sexta 7 - 7RM 8 - Telecaravaca 9 - TeleMadrid 10 - Castilla la Mancha 11 - Canal Sur 14 - Hollywood 15 - Amc 16 - Xtreme 17 - Tcm 25 - Fox Life 31 - Discovery Max 32 - Canal Historia 33 - Odisea 34 - National Geo Wild 35 - Blaze 39 - Nickelodeon 41 - Disney Channel 42 - Baby Tv 43 - Clan 44 - Boing 45 - Neox 46 - NubeNoticias 47 - 24H 48 - Nick JR 51 - Intereconomia 55 - Gol 56 - Teledeporte 57 - Nova 58 - Real Madrid 60 - Eurosport Deutschland 61 - Mega 67 - Sol 68 - Dkiss 70 - TV3 72 - Extremadura 75 - FDF 76 - Energy 77 - La Otra 80 - Popular TV 82 - Tve Internacional 85 - BOM 86 - Paramount Channel 87 - 13 TV 88 - TEN 89 - Divinity 90 - Be Mad 92 - A3 Series 103 - TVM 107 - BBC 109 - ZDF 111 - Tele5 114 - Tv5 Monde 122 - RTL 124 - TV GALICIA SD 301 - La 1 HD 303 - Antena3 HD 304 - Cuatro HD 305 - TeleCinco HD 306 - laSexta HD 307 - 7RM HD 314 - Teledeporte HD 315 - La 2 HD 324 - Real Madrid TV HD 328 - Clan HD 330 - A3Series HD 331 - Be Mad HD 349 - 24h HD 350 - TV GALICIA HD 510 - Onda Regional Digital Visio (98 canales) 12 - Syfy 13 - Somos 18 - Tnt 19 - Fox 20 - Comedy Central 21 - Cosmopolitan 22 - Galavision 23 - Telenovelas 24 - Calle 13 26 - Iberalia 27 - Viajar 28 - Cocina 29 - DeCasa 30 - National Geo 36 - MTV 37 - Discovery 38 - Torole 40 - Nube Dibujos 49 - Disney Junior 50 - Inter Comarcal 52 - Nube Deportes 53 - Panda 54 - Dark 59 - Eurosport 62 - Aragon TV 63 - Telecalasparra 64 - Telebullas 65 - Ritmoson 66 - Nube Motor 69 - Nube -
General Ordinary Meeting of Shareholders 28Th Of
GENERAL ORDINARY MEETING OF SHAREHOLDERS 28TH OF MARCH 2012 CEO´S SPEECH – MR. PAOLO VASILE. Once upon a time there was Gestevisión Telecinco, with its channel and its shareholders. Today you are shareholders of MEDIASET ESPAÑA, the first audiovisual communication group in the country, formed by Telecinco, Cuatro, Divinity, Factoría de Ficción, La Siete, Boing and Energy; and by a powerful platform where television has met Internet, and where the new portal MiTele has been added, offering series and films Online, without advertising and in high quality. The name has changed, times change, the number of channels change, but the one thing that does not change is the determination of those who work and live to accompany our spectators and satisfy our shareholders. In little more than a year, since the incorporation of Cuatro, we have built and consolidated the only global television in Spain and one of the first three audiovisual European groups. Television quality for every single one of our spectators, to whom we say more than ever: whoever you are, wherever you are, we want you to be happy. A complete television offer where any of our advertisers can find the precise target that they need to communicate with their clients. We manage, produce and program a television which does not exclude anyone, it does not discriminate. With the wish and promise to accompany the public, to keep them informed, entertained, exited, but above all active, eager and awake. Together we have lived and are still living very important moments with our spectators, we have grown, we have made them laugh, dream and enjoy intensively. -
Rtve Y La Lengua Y La Cultura Españolas En El Mundo
ANUARIO CERVANTES 12 4/8/06 08:55 Página 753 RTVE Y LA LENGUA Y LA CULTURA ESPAÑOLAS EN EL MUNDO Carmen Caffarel l siglo XXI se está caracterizando por la plena universalización de los procesos de información y comunicación. La Ealdea global ha dejado de ser una utopía de la ciencia ficción de los años cincuenta y sesenta del pasado siglo para ser una realidad presente en nuestra vida cotidiana. La televisión y la radio, Internet, las nuevas prestaciones de los teléfonos portátiles y, en general, el acceso de sectores cada vez más amplios de la ciudadanía a esos soportes tec- nológicos crean un universo comunicacional en el que la difusión de la lengua y de la cultura tiene ante sí posibilidades nunca antes conocidas. Es cierto que las nuevas conquistas tecnológicas pueden ser utilizadas para los fines más abyec- tos. También que su uso inadecuado puede deteriorar gravemente la salud de un idioma o someterlo a influencias y usos no deseados. Pero también lo es (y de manera mucho más relevante) que esas nuevas tecnologías pueden ser utilizadas para consolidar, extender y enriquecer un idioma, y para dar vitalidad y posibilidades de desarrollo y de expansión a una cultura. En la difusión y enseñanza del español y en la divulgación que añadir el extenso colectivo de ciudadanos que hablan de nuestra cultura, la radio y la televisión públicas han otras lenguas en multitud de países, pero que han hecho venido jugando, en el último cuarto de siglo, un papel del español una lengua de aprendizaje y de conocimiento esencial. -
Los Nuevos Canales De Televisión Digital Terrestre En España
Fonseca, Journal of Communication Los nuevos canales de Televisión Digital Terrestre en España. Reconfiguración de la oferta televisiva en abierto dos años después del encendido digital Videla Rodríguez, José Juan y Costa Sánchez, Carmen Los nuevos canales de Televisión Digital Terrestre en España… ISSN: 2172-9077 LOS NUEVOS CANALES DE TELEVISIÓN DIGITAL TERRESTRE EN ESPAÑA . RECONFIGURACIÓN DE LA OFERTA TELEVISIVA EN ABIERTO DOS AÑOS DESPUÉS DEL ENCENDIDO DIGITAL The new Digital Television channels in Spain. The changes of the free TV offer two years after the switch on José Juan VIDELA RODRÍGUEZ Profesor Contratado Doctor de la Facultade de Ciencias da Comunicación de la Universidade da Coruña (España) [email protected] Carmen COSTA SÁNCHEZ Profesora Ayudante Doctora de la Facultade de Ciencias da Comunicación de la Universidade da Coruña (España) [email protected] BIBLID [(2172-9077)5,2012,36-68] Fecha de recepción del artículo: 23/05/2012 Fecha de aceptación definitiva: 18/10/2012 RESUMEN La evolución del medio televisivo en nuestro país ha tenido como última etapa el apagón analógico y el consecuente nacimiento de múltiples programas que nutren la oferta de la Televisión Digital. En el presente artículo se analiza la reconfiguración de la oferta de Televisión Digital Terrestre (TDT) en España después de la aprobación del Real-Decreto 365/2010 para asignar los múltiples de la TDT una vez finalizadas las emisiones analógicas. Palabras clave: Televisión, Programación, Audiencias, TDT, España. ABSTRACT The evolution of television in our country has had like last stage the analogue switch off and the birth of multiple programs that nourish the offer of the Digital Television. -
Resolución Del Procedimiento Sancionador
RESOLUCIÓN DEL PROCEDIMIENTO SANCIONADOR INCOADO A LA CORPORACIÓN DE RADIO Y TELEVISIÓN ESPAÑOLA, S.A., POR EL INCUMPLIMIENTO DE LO DISPUESTO EN EL ARTÍCULO 43.2 DE LA LEY 7/2010, DE 31 DE MARZO, GENERAL DE LA COMUNICACIÓN AUDIOVISUAL SNC/DTSA/016/18/CRTVE SALA DE SUPERVISIÓN REGULATORIA Presidenta Dª. María Fernández Pérez Consejeros D. Benigno Valdés Díaz D. Mariano Bacigalupo Saggese D. Xabier Ormaetxea Garai Secretario de la Sala D. Miguel Sánchez Blanco, Vicesecretario del Consejo En Madrid, a 14 de junio de 2018 Vista la Propuesta de resolución, junto con las alegaciones presentadas y el resto de actuaciones practicadas en el expediente sancionador de referencia, la SALA DE SUPERVISIÓN REGULATORIA adopta resolución basada en los siguientes ANTECEDENTES DE HECHO PRIMERO.- Conocimiento de la emisión de comunicaciones comerciales por parte de la CRTVE En el ejercicio de las facultades de inspección y supervisión previstas en el artículo 9 de la Ley 3/2013, de Creación de la Comisión Nacional de los Mercados y la Competencia (CNMC), la Dirección de Telecomunicaciones y del Sector Audiovisual constató que la CORPORACIÓN DE RADIO Y TELEVISIÓN ESPAÑOLA, S. A., en sus canales de televisión LA 1, LA2, 24H y TELEDEPORTE, habría podido vulnerar lo dispuesto en el artículo 43.2 de la Ley 7/2010, de 31 de marzo, General de Comunicación Audiovisual (en adelante LGCA), al haber emitido nueve campañas de spots publicitarios (en total 319 spots), cuya difusión no encontraría amparada en ninguna de las excepciones establecidas en el artículo 7 de la Ley 8/2009, de 28 de agosto, de Financiación de la Corporación de Radio y Televisión Española (LFCRTVE), para que la Corporación RTVE pueda efectuar actividades publicitarias. -
1 Exhibitors
1 EXHIBITORS TV SERIES TV MOVIES NON SCRIPTED FORMATS FEATURE FILMS DOCUMENTARIES ANIMATION SERIES TV SERIES NON SCRIPTED FORMATS DOCUMENTARIES ANIMATION SERIES TECHNOLOGY SERVICES EXHIBITORS TECHNOLOGY & SERVICES ÁNIMA KITCHENT 4 JUGOPLASTIKA 16 ATRESMEDIA 5 RED POINTS 17 BOOMERANG TV 6 SENTISIS ANALYTICS 17 COMERCIAL TV 7 SOCIOGRAPH NEUROMARKETING 18 FACTORÍA PLURAL 8 FILMAX INTERNATIONAL 9 OTHER COMPANIES ITSOK.CO 10 BRB INTERNATIONAL 20 MEDIASET ESPAÑA COMUNICACIÓN 11 IMAGINA INTERNATIONAL SALES 20 ONZA DISTRIBUTION 12 PHILEAS PRODUCTIONS 13 PUBLIC INSTITUTIONS & SECUOYA CONTENT DISTRIBUTION 14 PROFESSIONAL ASSOCIATIONS VERALIA CONTENIDOS 15 ICEX Spain Trade & Investments 22 AGADIC - Galician Agency for Cultural Industries 22 FAPAE - Confederation of Spanish Audiovisual Producers 23 2 EXHIBITORS EXHIBITORS 3 EXHIBITORS CLEO TELERIN CLEO TELERÍN W A R Animation Series - Children Youth - Family / 52 x 7’ / 2016 T E C IL Director: FERNANDO MORO H T RA Main cast: CLEO, CUQUIN Cleo will wake up every day eager to make her dream come true. A small conflict, a game or an activity will take her to realize it sometimes unintentionally. Other titles: PINY Animation Series - Dramedy - Family / 52 x 11’ / 2016 BUGSTED Animation Series - Action - Family / 13 x 2’ / 2013 Miguel Aldasoro Ánima Kitchent International Sales Manager PRODUCTION +34 91 631 50 84 ANIMATION SERIES +34 639 244 496 [email protected] Anima Kitchent is an animation producer company part of Anima Estudios. With more than 15 years of experience in transmedia content we create, develop and manage international entertainment brands. www.animakitchent.com [email protected] 4 EXHIBITORS INDEX FINDING TRUE NORTH BUSCANDO EL NORTE W A R TV Series - Comedy / 13 x 70’ / 2015 T E C IL Director: ANTONIO SÁNCHEZ, ORIOL FERRER, JAVIER F. -
Media System of Spain Study on Co-Regulation Measures in The
Media System of Spain report by our correspondent Prof. Dr. Julian Rodriguez Pardo (University of Extramadura) for the Study on Co-Regulation Measures in the Media Sector Study commissioned by the European Commission, Directorate Information Society Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs DG EAC 03/04 This report is part of the research which has been done for the study on “Co-Regulation Meas- ures in the Media Sector”. The Study is commissioned by the European Commission, Direc- torate Information Society, Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs (Tender No. DG EAC 03/04). The above study aims at providing a complete picture of co-regulatory measures taken to date in the media sector in all 25 Member States and in three non-EU-countries, as well as of the research already done. The study will especially indicate the areas in which these measures mainly apply, their effects and their consistency with public interest objectives. In this con- text, the study will examine how best to ensure that the development of national co- and self- regulatory models does not disturb the functioning of the single market by re-fragmenting the markets. This study started at the end of December 2004, the final report will be compiled by the end of December 2005. More information on the study can be found at http://co-reg.hans-bredow-institut.de All rights reserved. The European Commission or its contracting entity, the HBI or the EMR are not liable for the contents of the report. -
MAPPING DIGITAL MEDIA: SPAIN Mapping Digital Media: Spain
COUNTRY REPORT MAPPING DIGITAL MEDIA: SPAIN Mapping Digital Media: Spain A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Carles Llorens (lead reporter) Virginia Luzón, Helena P. Grau (reporters) EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 27 November 2012 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Indicators ................................................................................................................................ 14 Economic Indicators ......................................................................................................................... 16 1.