Media System of Spain Study on Co-Regulation Measures in The

Total Page:16

File Type:pdf, Size:1020Kb

Media System of Spain Study on Co-Regulation Measures in The Media System of Spain report by our correspondent Prof. Dr. Julian Rodriguez Pardo (University of Extramadura) for the Study on Co-Regulation Measures in the Media Sector Study commissioned by the European Commission, Directorate Information Society Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs DG EAC 03/04 This report is part of the research which has been done for the study on “Co-Regulation Meas- ures in the Media Sector”. The Study is commissioned by the European Commission, Direc- torate Information Society, Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs (Tender No. DG EAC 03/04). The above study aims at providing a complete picture of co-regulatory measures taken to date in the media sector in all 25 Member States and in three non-EU-countries, as well as of the research already done. The study will especially indicate the areas in which these measures mainly apply, their effects and their consistency with public interest objectives. In this con- text, the study will examine how best to ensure that the development of national co- and self- regulatory models does not disturb the functioning of the single market by re-fragmenting the markets. This study started at the end of December 2004, the final report will be compiled by the end of December 2005. More information on the study can be found at http://co-reg.hans-bredow-institut.de All rights reserved. The European Commission or its contracting entity, the HBI or the EMR are not liable for the contents of the report. In doubt viewpoints expressed in the report are purely personal and may not in any circumstances be regarded as stating as an official position of the European Commission, HBI, EMR or the organisation the correspondent works for. If you have any questions or comments feel free to contact the contractor of the study Hans-Bredow-Institute for media research (HBI) Heimhuder Str. 21 D- 20148 Hamburg [email protected] / http://www.hans-bredow-institut.de or the sub-contractor, who is responsible for coordinating and organizing the research in the EU Member States: Institute of European Media Law (EMR) Nell-Breuning-Allee 6 D-66115 Saarbrücken [email protected] / http://www.emr-sb.de Hamburg, 13 May 2005 Spain Introduction1 General overview Placed on southwest Europe, with a territory of 504.750 thousand km², at the end 2004 Spain had a population of 43.197.684 million people, from which 34.474.000 are over 16 years old; for 2002 the percentage of illiteracy was 3.1% of the population and 11.3% had no scholar education at all. Its Gross Domestic Product2 was 2.7% for 2004. The contribution of the telecommunications and advertising industries to the GDP has increased, in 2004, 6.8% and 4.9%, respectively.3 In respect of politics and administrative organization, The spanish Constitution of 19784 consolidated a democratic political system after 36 years of General Francisco Franco dictatorship. The Kingdom of Spain is a parliamentary monarchy, with a central government and central public administration, but is also divided in 17 regions, each with its own regional government, as well as in 49 provinces. Each city, town and medium size village has its own council. Since 1 January 1986 Spain belongs to the European Union and last 20 February 2005, by national referendum, the EU Constitution was approved. Overview of the market The three main subsectors of the media market are printing press, and analogical hertzian radio and television broadcasting: there are more than 200 daily general information newspapers; 1 national radio and television corporation; 9 public regional radio and television corporations; 3 national commercial television channels; more than 33 radio networks –either national, regional or local-; and more than 800 local television broadcasters.5 The daily newspapers increased 1% their market in 2004, with 4.07 million copies sold; generalist programming radio broadcasters achieved between February and November 2004, 11.466.000 million listeners/day, while thematic radio broadcasters got 10.187.000 million listeners/day; for 2004 the average time of television viewing achieved 239 minutes 1 All the national laws, regulatory provisions, names of institutions and professional bodies, and title of ethical codes have been translated into English; their original names and titles appear once in the footnotes in order to be easily reached through the Internet or any other mean. 2 Producto Interior Bruto, PIB. 3 Data from the National Statistics Institute –Instituto Nacional de Estadisticas- web page, Hhttp://www.ine.esH. 4 Constitucion Espanola 1978. 5 From the official governmental agenda of the media, Hhttp://www.la-moncloa.esH; however, there is not an official census of the spanish media, specially because of the undetermined number of local broadcasters. 1 person/day, and for the first time in history, a national commercial television channel –Tele 5- became leader of the year, with a share of 22.1%.6 A general view on the new technologies market shows that for 2004, 32.9% of the population surfs the Web, although only 25.2% of homes have a connection to Internet; 38% of Internet users declare to have security problems when navigating the Web.7 In respect of the advertising market, interactive media consolidated themselves in 2004 with an investment of 94.5 million euros, which meant a growth of 30.3%; while the general increase of the advertising sector was of an average of 6.9%, and still represent the 47.9% of the total market.8 An average of 13 million people/month went to the cinema in Spain during 2004, which left a taking of more than 690 million euros; in respect of the video/dvd market, the data refer to 2003 and show a general taking of more than 772 million euros, from which 567 belong to dvd renting and buying.9 Constitutional foundations Article 20 of the spanish Constitution of 1978 settles the main legal principles in respect of public mass media functioning, freedom of information and freedom of expression, as well as their limits:10 “1. The following rights are recognized and protected: a) the right to freely express and disseminate thoughts, ideas and opinions by word, in writing or by any other means of communication; b) the right to literary, artistic, scientific and technical production and creation; c) the right to academic freedom; d) the right to freely communicate or receive accurate information by any means of dissemination whatsoever. The law shall regulate the right to invoke personal conscience and professional secrecy in the exercise of these freedoms. 2. The exercise of these rights may not be restricted by any form of prior censorship. 3. The law shall regulate the organization and Parliamentary control of the social communications media under the control of the State or any public agency and shall guarantee access to such media to the main social and political groups, respecting the pluralism of society and of the various languages of Spain. 6 Data from the professional journal Noticias de la Comunicacion, january 2005, Hhttp://www.noticom.esH; and General Media Study –Estudio General de Medios-, january 2005, Hhttp://www.aimc.esH. 7 Data from Telecommunications and Information Society Observatory -Observatorio de las Telecomunicaciones y la Sociedad de la Información-, march 2005, Hhttp://www.red.esH. 8 Data from 2004 year reports of PriceWaterhouseCoopers-IAB Spain, and Infoadex, Hhttp://www.pwc.esH and Hhttp://www.infoadex.esH. 9 Data from the Ministery of Culture -Ministerio de Cultura- web page, march 2005, Hhttp://www.mcu.esH. 10 Art.10: “(…) 2. The principles relating to the fundamental rights and liberties recognized by the Constitution shall be interpreted in conformity with the Universal Declaration of Human Rights and the international treaties and agreements thereon ratified by Spain”. 2 4. These freedoms are limited by respect for the rights recognized in this Title, by the legal provisions implementing it, and especially by the right to honour, to privacy, to personal reputation and to the protection of youth and childhood. 5. The confiscation of publications and recordings and other information media may only be carried out by means of a court order”. Article 38 regulates the bases of the economical system: “Free enterprise is recognized within the framework of a market economy. The public authorities shall guarantee and protect its exercise and the safeguarding of productivity in accordance with the demands of the economy in general and, as the case may be, of its planning”. Finally, due to the political and administrative organization of the country, with a central government, regional governments and city councils, Art.149 must be considered, as it refers to the transfer of some jurisdiction competences to regional and local administrations, including commercial, intellectual property, and press, radio and television regulation. These competences, taken to the mass media sector, have mainly come to some regulation measures on: audiovisual independent authorities (co-regulation), establishment of regional public radio and television corporations, organization and control over local radio and television stations, as well as some measures on specifics of commercial communications. General media concentration and mergers rules Although some specific rules have been promoted for the audiovisual subsector, the general provision on the issue came in 1989 with the Competition Act 16/1989 of
Recommended publications
  • Organisational Structure, Programme Production and Audience
    OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights .........................................................................................
    [Show full text]
  • The Evolution of the Concept of Public Service and the Transition in Spanish Television
    Medij. istraž. (god. 15, br. 2) 2009. (49-70) IZVORNI ZNANSTVENI RAD UDK: 316.77(460):7.097 Primljeno: 30. listopada 2009. The Evolution of the Concept of Public Service and the Transition in Spanish Television Carmen Ciller Tenreiro* SUMMARY The paper examines the presence of the public interest in contemporary Span- ish television medium. For many years there was a solidly-held belief that there are important public assets (principally educational, cultural and de- mocratic) which could only be provided by public television. In recent years in Spain, after the Transition process, and with democracy having been consoli- dated, a new period of maturity in television, in which society itself demands and expects that television in general, both public and private, guarantees a series of values and public assets. In the first part, the author explains what are the origins of television in Spain: from what is the nature of public service and legislation that supports it (where are established the public interest criteria that must always prevail in the public television medium, and private television later) to the development and consolidation of the television system in Spain with the arrival of regional television, private television channels and pay television platforms. In the sec- ond part of the paper, the situation of the programme listings of general public and private television channels which operate in Spain is analyzed through the case study of the first week of March 2009. The study of prime time enables to know which are the most important genres of television programming in Spain and what television preserve the public interest.
    [Show full text]
  • Development of Digital TV in Europe 2000 Report
    Development of Digital TV in Europe 2000 Report Spain Prepared by IDATE Final version – December 2000 Development of digital TV in Spain Contents 1DIGITAL TV MARKET OVERVIEW ......................................... 3 1.1 Roll-out of digital services................................................... 3 1.2 Details of the services ....................................................... 8 1.3 Operators and market structure............................................ 13 1.4 Technical issues............................................................ 15 1.5 Conclusion................................................................. 18 2KEY FIGURES FOR THE SPANISH MARKET ................................19 2.1 Country fundamentals ..................................................... 19 2.2 Equipment................................................................. 19 2.3 Television market estimates ................................................ 20 2.4 Details of the subscription-TV market ...................................... 20 IDATE 2 Development of digital TV in Spain 1 Digital TV market overview 1.1 Roll-out of digital services 1.1.1 Satellite digital services Two satellite-based digital TV platforms were operating in the Spanish market in 2000: Canal Satélite Digital (launched February 1997; via Astra) and Distribuidora de Televisión Digital - Vía Digital (launched September 1997; via Hispasat). They continue to experience strong growth with a combined 1.500.000 subscribers by mid 2000. The satellite digital market has been boosted by
    [Show full text]
  • “Authentic” News: Voices, Forms, and Strategies in Presenting Television News
    International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation.
    [Show full text]
  • Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
    The original documents are located in Box 6, folder “3/25/76 - Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON March 19, 1976 MEMORANDUM TO: RED CAVANEY P~ER SORUM FROM: S AN PORTER . SUBJECT: Mrs; Ford Attendance at the Radio and TV Correspondent's Dinner (Fay Wells), Washington Hilton Hotel, March 26th Mrs. Ford will attend the Radio and TV Correspondent's Dinner as a guest of Fay Wells of Storer Broadcasting Company. Mrs. Ford has attended this dinner as Fay's guest for many years and has been very fond of Fay through the years . She will travel to the dinner with the President (the cocktail period is 6:30-8:00 in the Georgetown Suite). Mrs. Ford then will break from the President and will join Fay and her guests in the Jefferson Room for dinner (I understand the President will be eating in the Ballroom) .
    [Show full text]
  • El Servicio Público De La RTVA: Definición 156 5.2.1
    TESIS DOCTORAL ¿Haciendo nuestro el concepto? Adaptación del modelo de DOCTORAL servicio público europeo en la RTVA TESIS | Gloria Hoyos López López Hoyos Gloria Directores: Dr. Bernardo Díaz Nosty Dra. Montse Bonet Bagant Departamento de Periodismo 2017 Facultad de Ciencias de la Comunicación Málaga 2017 AUTOR: Gloria Hoyos López http://orcid.org/0000-0002-6701-842X EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es TESIS DOCTORAL ¿Haciendo nuestro el concepto? Adaptación del modelo de servicio público europeo en la RTVA Gloria Hoyos López Directores: Dr. Bernardo Díaz Nosty Dra. Montse Bonet Bagant Departamento de Periodismo Facultad de Ciencias de la Comunicación Málaga 2017 Málaga, 12 de enero de 2017. BERNARDO DÍAZ NOSTY, catedrático de la Facultad de Ciencias de la Comunicación de la Universidad de Málaga y MONTSE BONET BAGANT, profesora titular de la Facultat de Ciencies de la Comunicació de la Universitat Autònoma de Barcelona, directores de la tesis doctoral: ¿Haciendo nuestro el concepto? Adaptación del modelo de servicio público europeo en la RTVA realizada por GLORIA HOYOS LÓPEZ en el marco del programa de doctorado “Periodismo: Nuevos Escenarios” de la Facultad de Ciencias de la Comunicación de la Universidad de Málaga, DECLARAN Que el trabajo cumple perfectamente con los requisitos de la normativa vigente para su depósito y defensa.
    [Show full text]
  • Memorias RTVA (2001/2002/2003)
    rtva memoria Un compromiso con el futuro de Andalucía para contribuir a su vertebración s 2001{02} 03 ocial, desde el impulso económico y el desarrollo tecnológico rtva memoria 2001{02} 03 La RTVA se ha consolidado en estos años como uno de los pilares esenciales del desarrollo social, cultural, político y económico de Andalucía. Esta Memoria hace balance de las actividades realizadas y plantea los compromisos y los retos que tendremos que afrontar en el futuro. 7 10 24 42 Presentación del Director 1 La consolidación 2 La oferta de la Televisión General de la RTVA estructural de la Empresa y la Radio de Andalucía La RTVA, una empresa Pública RTVA 2.1 Hitos de un trienio. pública necesaria 1.1 El marco normativo Los servicios informativos 1.2 Los registros 2.2 La Televisión de Andalucía Introducción del Secretario 1.3 La implantación territorial 2.3 La Radio de Andalucía General de la RTVA 2.4 Las audiencias Una apuesta de futuro: 2.5 Canal Sur Web la era de lo digital El Consejo de Administración de la RTVA sumario Coordinación Diseño de la producción Impresión Secretaría General y realización Escandón Impresores. Sevilla de la RTVA SumaySigue Comunicación Depósito legal Edición Fotografía SE-666-2004 Dirección de Comunicación Miguel Ángel León e Imagen de la RTVA 8 RTVA MEMORIA 2001{02} 03 102 114 132 156 3 La Radio y la Televisión 4 Las áreas económica, 5 La implicación en la 6 LA RTVA como agente de Andalucía como comercial y de recursos sociedad civil dinamizador del sector servicio público humanos 5.1 Reconocimientos a cadenas audiovisual 3.1 El compromiso de la RTVA 4.1 Los presupuestos del y programas 6.1 El apoyo a la producción con la sociedad trienio 2001-03 5.2 El Premio RTVA a la audiovisual y al cine 3.2 El Defensor del Oyente 4.2 Estrategia comercial.
    [Show full text]
  • Meeting of Television Professionals to Promote Dialogue and to Encourage Cooperative Action on the Middle East
    MEETING OF TELEVISION PROFESSIONALS TO PROMOTE DIALOGUE AND TO ENCOURAGE COOPERATIVE ACTION ON THE MIDDLE EAST Report of a conference organized by Search for Common Ground with support from the Hollings Center in Istanbul, Turkey February 3-5, 2006 “We as journalists are part of this conflict. We try not to be…. We try for objectivity, but I don’t think we’ve been successful.” – Correspondent for Arab Satellite Station “The problem we have before us is not language or reporting; it is the problem of conflicting narratives… We don’t listen to each other; we don’t absorb each other’s story…. We have to meet somewhere on the road and strike a compromise.” – Israeli Anchor “This is a problem of a dialogue between two deaf people.” – Palestinian Independent TV Executive “It’s very important that tomorrow I will have friends from Palestinian TV and the Gulf. We are all doing the same news daily.” – Israeli Television Executive BACKGROUND The media's traditional approach to controversial and sensitive issues is to explore the extent and range of disagreement, but this rarely results in common understanding or provides a solution to a problem. In fact, the media often seems to exploit a contentious issue for its entertainment value, sometimes leaving readers and audiences with the impression that nothing positive can be achieved and that the extremes of opinion being presented are representative of the majority. In contrast, Common Ground methodologies encourage the exploration of possible areas of agreement between opposing sides of a discussion, try actively to subvert prejudices and stereotyping, to promote the dignity of all sides, and to encourage a positive vision.
    [Show full text]
  • Frontier Fiberoptic TV Florida Residential Channel Lineup and TV
    Frontier® FiberOptic TV Florida Channel Lineup Effective September 2021 Welcome to Frontier ® FiberOptic TV Got Questions? Get Answers. Whenever you have questions or need help with your Frontier TV service, we make it easy to get the answers you need. Here’s how: Online, go to Frontier.com/helpcenter to fi nd the Frontier User Guides to get help with your Internet and Voice services, as well as detailed instructions on how to make the most of your TV service. Make any night movie night. Choose from a selection of thousands of On Demand titles. Add to your plan with our great premium off erings including HBO, Showtime, Cinemax and Epix. Get in on the action. Sign up for NHL Center Ice, NBA League Pass and MLS Direct Kick. There is something for everyone. Check out our large selection of international off erings and specialty channels. Viewing Options: Look for this icon for channels that you can stream in the FrontierTV App or website, using your smart phone, tablet or laptop. The availability of streaming content depends on your Frontier package and content made available via various programmers. Certain channels are not available in all areas. Some live streaming channels are only available through the FrontierTV App and website when you are at home and connected to your Frontier equipment via Wi-Fi. Also, programmers like HBO, ESPN and many others have TV Everywhere products that Frontier TV subscribers can sign into and watch subscribed content. These partner products are available here: https://frontier.com/resources/tveverywhere 2
    [Show full text]
  • SPECTRUM HD CHANNEL LINEUP° Desert Cities | July 2017
    SPECTRUM HD CHANNEL LINEUP° Desert Cities | July 2017 TV PACKAGES 31 FOX Deportes 312 NHL Network 933 HITN 66 Travel Channel 371 ESPN GoalLn/Buzz.Bt 935 Mexicanal SPECTRUM BASIC 70 TCM 372 FCS Atlantic 936 El Garage TV 73 Golf Channel 373 FCS Central 937 Ultra Macho (Includes Digital Music channels 75 LMN 374 FCS Pacific 945 EWTN en Español and the following services) 85 CMT 376 PAC-12 Los Angeles 946 TBN Enlace USA 2 KESQ - CBS 86 Disney XD 377 PAC-12 Arizona 962 AyM Sports 3 KESQ - ABC 87 Disney Junior 378 PAC-12 Washington 971 Cinelatino 4 KNBC - NBC 93 FXX 379 PAC-12 Oregon 972 Cine Mexicano 5 KCWQ - The CW 119 MTV2 380 PAC-12 Mountain 979 De Película Clásico 7 KABC - ABC 120 MTV Classic 381 PAC-12 Bay Area 980 De Película 8 PBS SoCal 124 UP 382 BTN 982 ViendoMovies 9 KVCR - PBS 128 Reelz 388 BTN - Extra1 983 Ultra Mex 10 C-SPAN 130 Nat Geo Wild 389 BTN - Extra2 984 Ultra Cine 11 KDFX - FOX 131 Smithsonian Channel 408 Outdoor Channel 985 Ultra Clásico 12 KVER - Univisión 133 Viceland 413 TVG 13 KMIR - NBC 134 fyi, 417 BeIN SPORTS MI PLAN LATINO 14 KMIR - MeTV 145 El Rey Network 419 FOX Soccer Plus 15 KUNA - Telemundo 161 DIY Network 420-424 Sports Overflow (Includes Spectrum TV Basic, Latino 16 KCAL - IND 163 Cooking Channel 443 BeIN SPORTS Español View and the following services) 17 Government Access 169 Fuse 468 The Cowboy Channel 36 TNT 20 KPSE - MyTV 174 Lifetime Real Women 469 Jewish Life TV 37 USA Network 25 KEVC - UniMás 179 LOGO 620 MoviePlex 38 TBS 27 Government Access 180 Discovery Life Channel 621 IndiePlex 39 A&E 84 Charter Public Community 182 Centric 622 RetroPlex 40 Discovery Channel Access 184 TV One 623 FLIX - E 41 TLC 98 Community Bulletin Board 185 ASPiRE TV 634 NBC Universal 42 HISTORY 99 C-SPAN2 187 Ovation 640 HDNet Movies 43 Bravo 159 QVC 209 BBC World News 1554 Willow Plus Cricket 44 HGTV 255 Sprout 45 Food Network 176 HSN TMC 188 Jewelry TV 256 Baby First TV 47 AMC 194 EVINE 257 Nick Jr.
    [Show full text]
  • Barbara Cochran
    Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C.
    [Show full text]
  • General Ordinary Meeting of Shareholders 28Th Of
    GENERAL ORDINARY MEETING OF SHAREHOLDERS 28TH OF MARCH 2012 CEO´S SPEECH – MR. PAOLO VASILE. Once upon a time there was Gestevisión Telecinco, with its channel and its shareholders. Today you are shareholders of MEDIASET ESPAÑA, the first audiovisual communication group in the country, formed by Telecinco, Cuatro, Divinity, Factoría de Ficción, La Siete, Boing and Energy; and by a powerful platform where television has met Internet, and where the new portal MiTele has been added, offering series and films Online, without advertising and in high quality. The name has changed, times change, the number of channels change, but the one thing that does not change is the determination of those who work and live to accompany our spectators and satisfy our shareholders. In little more than a year, since the incorporation of Cuatro, we have built and consolidated the only global television in Spain and one of the first three audiovisual European groups. Television quality for every single one of our spectators, to whom we say more than ever: whoever you are, wherever you are, we want you to be happy. A complete television offer where any of our advertisers can find the precise target that they need to communicate with their clients. We manage, produce and program a television which does not exclude anyone, it does not discriminate. With the wish and promise to accompany the public, to keep them informed, entertained, exited, but above all active, eager and awake. Together we have lived and are still living very important moments with our spectators, we have grown, we have made them laugh, dream and enjoy intensively.
    [Show full text]