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Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
The Evolution of the Concept of Public Service and the Transition in Spanish Television
Medij. istraž. (god. 15, br. 2) 2009. (49-70) IZVORNI ZNANSTVENI RAD UDK: 316.77(460):7.097 Primljeno: 30. listopada 2009. The Evolution of the Concept of Public Service and the Transition in Spanish Television Carmen Ciller Tenreiro* SUMMARY The paper examines the presence of the public interest in contemporary Span- ish television medium. For many years there was a solidly-held belief that there are important public assets (principally educational, cultural and de- mocratic) which could only be provided by public television. In recent years in Spain, after the Transition process, and with democracy having been consoli- dated, a new period of maturity in television, in which society itself demands and expects that television in general, both public and private, guarantees a series of values and public assets. In the first part, the author explains what are the origins of television in Spain: from what is the nature of public service and legislation that supports it (where are established the public interest criteria that must always prevail in the public television medium, and private television later) to the development and consolidation of the television system in Spain with the arrival of regional television, private television channels and pay television platforms. In the sec- ond part of the paper, the situation of the programme listings of general public and private television channels which operate in Spain is analyzed through the case study of the first week of March 2009. The study of prime time enables to know which are the most important genres of television programming in Spain and what television preserve the public interest. -
Development of Digital TV in Europe 2000 Report
Development of Digital TV in Europe 2000 Report Spain Prepared by IDATE Final version – December 2000 Development of digital TV in Spain Contents 1DIGITAL TV MARKET OVERVIEW ......................................... 3 1.1 Roll-out of digital services................................................... 3 1.2 Details of the services ....................................................... 8 1.3 Operators and market structure............................................ 13 1.4 Technical issues............................................................ 15 1.5 Conclusion................................................................. 18 2KEY FIGURES FOR THE SPANISH MARKET ................................19 2.1 Country fundamentals ..................................................... 19 2.2 Equipment................................................................. 19 2.3 Television market estimates ................................................ 20 2.4 Details of the subscription-TV market ...................................... 20 IDATE 2 Development of digital TV in Spain 1 Digital TV market overview 1.1 Roll-out of digital services 1.1.1 Satellite digital services Two satellite-based digital TV platforms were operating in the Spanish market in 2000: Canal Satélite Digital (launched February 1997; via Astra) and Distribuidora de Televisión Digital - Vía Digital (launched September 1997; via Hispasat). They continue to experience strong growth with a combined 1.500.000 subscribers by mid 2000. The satellite digital market has been boosted by -
1 Exhibitors
1 EXHIBITORS TV SERIES TV MOVIES NON SCRIPTED FORMATS FEATURE FILMS DOCUMENTARIES ANIMATION SERIES TV SERIES NON SCRIPTED FORMATS DOCUMENTARIES ANIMATION SERIES TECHNOLOGY SERVICES EXHIBITORS TECHNOLOGY & SERVICES ÁNIMA KITCHENT 4 JUGOPLASTIKA 16 ATRESMEDIA 5 RED POINTS 17 BOOMERANG TV 6 SENTISIS ANALYTICS 17 COMERCIAL TV 7 SOCIOGRAPH NEUROMARKETING 18 FACTORÍA PLURAL 8 FILMAX INTERNATIONAL 9 OTHER COMPANIES ITSOK.CO 10 BRB INTERNATIONAL 20 MEDIASET ESPAÑA COMUNICACIÓN 11 IMAGINA INTERNATIONAL SALES 20 ONZA DISTRIBUTION 12 PHILEAS PRODUCTIONS 13 PUBLIC INSTITUTIONS & SECUOYA CONTENT DISTRIBUTION 14 PROFESSIONAL ASSOCIATIONS VERALIA CONTENIDOS 15 ICEX Spain Trade & Investments 22 AGADIC - Galician Agency for Cultural Industries 22 FAPAE - Confederation of Spanish Audiovisual Producers 23 2 EXHIBITORS EXHIBITORS 3 EXHIBITORS CLEO TELERIN CLEO TELERÍN W A R Animation Series - Children Youth - Family / 52 x 7’ / 2016 T E C IL Director: FERNANDO MORO H T RA Main cast: CLEO, CUQUIN Cleo will wake up every day eager to make her dream come true. A small conflict, a game or an activity will take her to realize it sometimes unintentionally. Other titles: PINY Animation Series - Dramedy - Family / 52 x 11’ / 2016 BUGSTED Animation Series - Action - Family / 13 x 2’ / 2013 Miguel Aldasoro Ánima Kitchent International Sales Manager PRODUCTION +34 91 631 50 84 ANIMATION SERIES +34 639 244 496 [email protected] Anima Kitchent is an animation producer company part of Anima Estudios. With more than 15 years of experience in transmedia content we create, develop and manage international entertainment brands. www.animakitchent.com [email protected] 4 EXHIBITORS INDEX FINDING TRUE NORTH BUSCANDO EL NORTE W A R TV Series - Comedy / 13 x 70’ / 2015 T E C IL Director: ANTONIO SÁNCHEZ, ORIOL FERRER, JAVIER F. -
Media System of Spain Study on Co-Regulation Measures in The
Media System of Spain report by our correspondent Prof. Dr. Julian Rodriguez Pardo (University of Extramadura) for the Study on Co-Regulation Measures in the Media Sector Study commissioned by the European Commission, Directorate Information Society Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs DG EAC 03/04 This report is part of the research which has been done for the study on “Co-Regulation Meas- ures in the Media Sector”. The Study is commissioned by the European Commission, Direc- torate Information Society, Unit A1 Audiovisual and Media Policies, Digital Rights, Task Force on Coordination of Media Affairs (Tender No. DG EAC 03/04). The above study aims at providing a complete picture of co-regulatory measures taken to date in the media sector in all 25 Member States and in three non-EU-countries, as well as of the research already done. The study will especially indicate the areas in which these measures mainly apply, their effects and their consistency with public interest objectives. In this con- text, the study will examine how best to ensure that the development of national co- and self- regulatory models does not disturb the functioning of the single market by re-fragmenting the markets. This study started at the end of December 2004, the final report will be compiled by the end of December 2005. More information on the study can be found at http://co-reg.hans-bredow-institut.de All rights reserved. The European Commission or its contracting entity, the HBI or the EMR are not liable for the contents of the report. -
MAPPING DIGITAL MEDIA: SPAIN Mapping Digital Media: Spain
COUNTRY REPORT MAPPING DIGITAL MEDIA: SPAIN Mapping Digital Media: Spain A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Carles Llorens (lead reporter) Virginia Luzón, Helena P. Grau (reporters) EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 27 November 2012 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Indicators ................................................................................................................................ 14 Economic Indicators ......................................................................................................................... 16 1. -
The Evolution of the Pay TV Market and the Profile of the Subscribers”
RLCS, Revista Latina de Comunicación Social, 74 – Pages 1761 to 1780 [Research] [Funded] | DOI:10.4185/RLCS-2019-1409en |ISSN 1138-5820 | Year 2019 How to cite this article in bibliographies / References M Medina, M Herrero, I Portilla (2019): “The evolution of the pay TV market and the profile of the subscribers”. Revista Latina de Comunicación Social, pp. 1761 a 1780, http://www.revistalatinacs.org/074paper/1409/92en.html DOI: 10.4185/RLCS-2019-1409en The evolution of the pay TV market and the profile of the subscribers M Medina [CV] [ 0000-0003-1754-6811] [ GS] Profesora Titular. Universidad de Navarra (España) [email protected] M Herrero [CV] [ 0000-0002-3695-4143] [GS] Profesora Titular. Universidad de Navarra (España) [email protected] I Portilla [CV] [0000-0002-2504-868X] [ GS] Profesora. Universidad de Navarra, España [email protected] Abstract Introduction. The audiovisual landscape has extraordinarily transformed in recent years due to technological and market conditions. Digitalization has created new possibilities for new content providers and audiovisual consumption has changed. Based on theories of substitution goods and competition forces, our analysis will focus on the impact of those structural changes on the nature of subscription services for audiovisual content, and from there, on the socio-demographic profile of the subscriber. Methodology. Data comes from three different surveys made in 2008, 2012 and 2016 in Spain. Results. Findings show that consumer profiles of the new platforms are similar to those of the traditional television subscriber, but there are some changes in terms of age and education. Conclusions. Socio-demographic variables are still relevant for defining subscribers, although the big data defenders tend to highlight behavioural data or purchase data. -
Promotional Practices in News Programs: the Case of Spanish Public Television
International Journal of Communication 8 (2014), 810–829 1932–8036/20140005 Promotional Practices in News Programs: The Case of Spanish Public Television MARINA SANTÍN1 RAINER RUBIRA Universidad Rey Juan Carlos, Spain This article analyzes how promotional strategies impact the news programs on Spain’s public television channel. It shows how promotional activity is often disguised as news, thus compromising journalistic work, and outlines how self-promoting practices originating in the private sector have been transferred to the state-owned audiovisual corporation. Keywords: Spanish public television, news, journalism, promotional strategies Introduction In European countries, television came into being under state monopoly, a situation that remained generally unchanged until the 1980s. Striking a balance between sociocultural and economic interests was the defining aim of audiovisual policy-making in its early years in Europe. Today, neoliberal policies and technological advances have transformed the competitive environment, almost obliterating that original goal by leading European television toward a business model in which private operators coexist with state channels operating on ever-shrinking budgets in the face of declining viewer confidence.2In Spain, the state audiovisual model is undergoing a crisis that has compounded this hardship. Spanish Television (Televisión Española, TVE) was founded and developed during Franco’s dictatorship. Since its inception, near-systematic accusations of bias have undermined its reputation as a public news broadcasting service.3 Indeed, TVE’s own News Council (Consejo de Informativos4) has 1 We would like to thank the reviewers for their helpful comments, which have improved this article. 2 The European public channel BBC experienced the largest crisis in its history in 2012; consequently, the corporation’s management and even the very model of public television were called into question. -
Spain - Media Landscape
Spain - Media Landscape Author(s): Ramón Salaverría, Beatriz Gómez Baceiredo Copyright © European Journalism Centre (EJC) 2018 - MediaLandscapes.org Table of contents Introduction 1. Media 1.1 Print 1.2 Radio 1.3 Television 1.4 Digital Media 1.5 Social Networks 1.6 Opinion Makers 1.7 Sources 2. Organisations 2.1 Trade Unions 2.2 Journalist Associations 2.3 News Agencies 2.4 Audience measurement organisations 2.5 Sources 3. Policies 3.1 Media legislation 3.2 Accountability systems 3.3 Regulatory authorities 3.4 Sources 4. Education 4.1 Universities and schools 4.2 Professional development 4.3 Sources 5. Conclusions 5.1 Conclusion 5.2 References Overview Spain is the second largest country in the EU, with 504,645 km2, and the fifth most populated, with 46.4 million inhabitants in 2016. There are many aspects making the media sector very important. From an economic perspective, the media sector has a significant impact on the country’s economy, the 12th largest in the world. In 2014, the culture sector accounted for 2.5 percent of the Gross Domestic Product of the country (Ministry of Education, Culture and Sport - MECD, 2016). Of all cultural activities, the two with the greatest economic impact were book publishing and the press, followed by audiovisual and multimedia activities (including, among others, television, radio, film, video and recorded music). Publishing alone accounted for 34.1 percent of all cultural production; while audiovisual media and multimedia accounted for 27.5 percent. From the strictly cultural point of view, the media also play a strategic role. -
Spanish Audience Interest in Televised Politics: from Electoral Debates to Politainment
Natalia Quintas-Froufe Spanish Audience Interest in https://orcid.org/0000-0001-7597-6516 [email protected] Televised Politics: from electoral Universidade da Coruña debates to politainment Ana González-Neira https://orcid.org/0000-0002-6369-0323 Abstract [email protected] Universidade da Coruña Televised politics have become an essential focal point in the planning of the electoral campaigns of any political party. Television is the main source of information during electoral Erica Conde-Vázquez processes and politainment programs have become decisive https://orcid.org/0000-0002-4898-3689 [email protected] engagements for candidates. This paper carries out a diachronic Universidade de Vigo analysis of the evolution of the audience of Spanish televised debates in order to verify whether this format is worn out. The Submitted sample includes ten electoral debates between presidential September 4th, 2019 candidates held before April 2019. In addition, it focuses on the Approved integration of other platforms in the broadcasting and viewing of January 29th, 2020 the electoral debate, e.g. Twitter. The results of this research show the interest of the Spanish audience in this format, from the first © 2020 broadcast in 1993 up until today, turning them into real television Communication & Society ISSN 0214-0039 milestones. Likewise, the candidates have also increased their E ISSN 2386-7876 presence on television through other entertainment formats in doi: 10.15581/003.33.3.85-100 order to show furthermore human and emotional facets to the www.communication-society.com electorate. This recent media exposure of political leaders has also been followed by the Spanish citizens. -
Telecinco Group Chairman and the Structure Chief Executive Officers
Annual Report | 2008 | Tele cinco Annual Report on Activities, Governance and Corporate Social Responsability Annual Report | 2008 Annual Report on Activities, Governance and Corporate Social Responsability FINANCIAL REPORT ‘08 PREVIOUS PAGE NEXT PAGE GLOSSARY ZOOM PRINT Annual Report | 2008 | Tele cinco Annual Report on Activities, Governance and Corporate Social Responsability 01. 02. 03. RELEVANT DATA LETTERS FROM THE TELECINCO GROUP CHAIRMAN AND THE STRUCTURE CHIEF EXECUTIVE OFFICERS 04. 05. 06. FINANCIAL SHAREHOLDER BUSINESS HIGHLIGHTS VALUE PERFORMANCE 07. 08. 09. CORPORATE CORPORATE SOCIAL ANNEXES GOVERNANCE RESPONSIBILITY http://www.telecinco.es 01. RELEVANT DATA Corporate Governance 005 Structure 007 Human Resources 008 Revenues 009 Audience 011 Telecinco Market Performance 013 History of Telecinco 016 FINANCIAL REPORT ‘08 INDEX NEXT CHAPTER PREVIOUS PAGE NEXT PAGE GLOSSARY ZOOM PRINT Page_5 Annual Report | 2008 | TeleCinco RELEVANT DATA Annual Report on Activities, Governance and Corporate Social Responsability CORPORATE GOVERNANCE List of Directors of Gestevisión Telecinco, S.A. Mr. ALEJANDRO ECHEVARRÍA, Chairman Mr. PAOLO VASILE, CEO Mr. GIUSEPPE TRINGALI, CEO Mr. PIER SILVIO BERLUSCONI, Member Mr. MARCO GIORDANI, Member Mr. ALFREDO MESSINA, Member Mr. GIULIANO ADREANI, Member Mr. FEDELE CONFALONIERI, Member Mr. MASSIMO MUSOLINO, Member Mr. MIGUEL IRABURU, Member Mr. ÁNGEL DURÁNDEZ, Member Mr. BORJA PRADO, Member Mr. JOSÉ RAMÓN ÁLVAREZ-RENDUELES, Member Composition of the Executive Committee Mr. ALEJANDRO ECHEVARRÍA , Chairman Mr. PAOLO VASILE , Member Mr. GIUSEPPE TRINGALI , Member Mr. FEDELE CONFALONIERI , Member Mr. GIULIANO ADREANI , Member Mr. BORJA PRADO , Member Mr. JOSÉ RAMÓN ÁLVAREZ-RENDUELES , Member FINANCIAL REPORT ‘08 INDEX NEXT CHAPTER PREVIOUS PAGE NEXT PAGE GLOSSARY ZOOM PRINT Page_6 Annual Report | 2008 | Tele cinco RELEVANT DATA Annual Report on Activities, Governance and Corporate Social Responsability CORPORATE GOVERNANCE Management Team GESTEVISIÓN TELECINCO Mr. -
Immigration and Cultural Audiovisual Products in the Spanish Market Inmigración Y Medios Audiovisuales En El Mercado Español
Immigration and cultural audiovisual products in the Spanish market Inmigración y medios audiovisuales en el mercado español Mónica Herrero, Marta Frago y Mercedes Medina1 Recibido el 14 de mayo – Aceptado el 22 de julio de 2011 ABSTRACT: Immigration has become a social phenomenon with increasing importance in Spain. For that reason, media has put special focus on this issue, not only in news, but also in fiction products for television and cinema. In 2000s immigration topic appears quite often in plots and characters of serials and films. Moreover, immigrants’ communities have become a new target for television programs and channels. In this paper, we will review the research that has been done about this topic and will make a catalogue of this kind of film and television works. The purpose is to find out the reasons that possibly explain this phenomenon. Those can be a mix of commercial interests, issues of the political agenda or the reflection of a social fact. Hence, we will identify the audiovisual works related to immigration, then we will classify them according to different criteria, and finally, we will raise some conclusions about the causes of this recent development. Key words: Spain, immigration, audiovisual works. RESUMEN: La inmigración ha cobrado de nuevo importancia a finales de los años noventa en España. Por este motivo, los medios de comunicación empezaron a poner atención en los inmigrantes, no solo en cuanto tema informativo, sino también como protagonistas de las obras de ficción o como público con unas necesidades específicas que hay que satisfacer. En la presente comunicación, revisaremos la investigación académica sobre los medios e inmigración y elaboraremos un catálogo de los medios sobre inmigración y para inmigrantes, de acuerdo a diferentes criterios, como financiación, promotores, idioma.