Los Nuevos Canales De Televisión Digital Terrestre En España
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Seguimiento De Accesibilidad a La
SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los -
Análisis Televisivo 2013
ANÁLISIS TELEVISIVO 2013 Madrid, 3 de enero de 2014 Elaborado por Barlovento Comunicación según datos de Kantar Media 1 AÑOS ANTERIORES: •2010: ACELERADA TRANSFORMACIÓN DEL MODELO DE NEGOCIO DE LA INDUSTRIA TELEVISIVA–AUDIOVISUAL. PRIMER AÑO DE TELEVISIÓN DIGITAL. •2011: CONTINÚA LA PROFUNDA TRANSFORMACIÓN DEL MODELO DE NEGOCIO TELEVISIVO–AUDIOVISUAL. COMIENZA EL REAJUSTE DEL MERCADO. •2012: EL MERCADO TELEVISIVO SE CONCENTRA CON RÉCORD DE CONSUMOENUNCONTEXTODECRISISPUBLICITARIA ... 2013: LA INDUSTRIA TELEVISIVA‐AUDIOVISUAL, UN SECTOR CASTIGADO Y CON GRANDES INCERTIDUMBRES, DONDE SE CONSOLIDA LA CONCENTRACIÓN Elaborado por Barlovento Comunicación según datos de Kantar Media 2 2013: LA TELEVISIÓN, UN SECTOR CASTIGADO QUE SE POLARIZA TITULARES SOBRE LA INDUSTRIA TELEVISIVA‐AUDIOVISUAL 1. LA CRISIS ECONÓMICA Y PUBLICITARIA, ASÍ COMO REVESES POLÍTICOS Y JUDICIALES, MARCAN UN AÑO TELEVISIVO DONDE SE ACENTÚA EL DOMINIO DE LOS DOS GRANDES GRUPOS AUDIOVISUALES DE NUESTRO PAÍS. 2. TELE 5, CON EL 13.5% DE CUOTA DE PANTALLA, CADENA MÁS VISTA DEL 2013. POR GRUPOS EMPRESARIALES: MEDIASET ESPAÑA LIDERA EL MERCADO CON EL 29.0% DE CUOTA. 3. CRECE LA FRAGMENTACIÓN TELEVISIVA; LAS CADENAS CREADAS AL AMPARO DE LA TDT GANAN AUDIENCIA A LAS CADENAS TRADICIONALES. 4. DESCENSO EN LAS CIFRAS DE INVERSIÓN PUBLICITARIA EN TELEVISIÓN EN 2013: APROX. 1.650 MILLONES DE EUROS, CON UN RETROCESO EN TORNO AL 10% (165 MILLONES DE EUROS MENOS QUE EN 2012). DESDE 2007, CUANDO SE CONSIGUIÓ EL RÉCORD DE FACTURACIÓN TELEVISIVA (3.500 MILLONES DE EUROS), EL MERCADO PUBLICITARIO HA PERDIDO +/‐ 1.800 MILLONES DE EUROS, QUE REPRESENTA UN DESCENSO DEL 53 POR CIENTO. 5. CIERRE DE TELEVISIONES: POR PRIMERA VEZ UNA CADENA PÚBLICA (AUTONÓMICA) COMO TV VALENCIANA (CANAL 9, NOUDOS Y NOU24) CLAUSURA Y CIERRA SUS EMISIONES. -
Nov12 Presentation to Investors
GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: -
Accessible Programing
ATRESMEDIA 2012 ANNUAL AND CORPORATE RESPONSIBILITY REPORT ATRESMEDIA TELEVISIÓN 62 In 2012, a total of 552 spectators, formed by 69 opinion groups, contributed as- sessments of great use. These analyses were complemented by the daily audience figures provided by Kantar Media, which enabled the level of satisfaction, and the preferences and expectations of the spectators to be known. Atresmedia Televisión’s Social Responsibility actions were assessed very positive- ly in these studies. Ponle Freno became the seal of identity of the initiatives per- formed by the Group, recognizing its considerable capacity to positively influence social awareness. Moreover, Atresmedia Televisión pays special attention to the comments of navi- gators on programing, through projects of active listening in the social networks, blogs and forums. Fruit of this permanent dialogue with the audience and to meet its needs, a pro- graming was designed that was closer to its current likes and trends. The most valued television [ According to GECA, Antena 3 The image study performed by GECA (Audiovisual Communication Studies Of- was the most fice) is a research project to ascertain the image and opinion of the Spanish pop- ulation with regard to personalities, programs, channels and other aspects related highly valued with the contents broadcast by television. television channel by The 2012 GECA index was based on a macro survey of 3,200 people throughout the Spanish Spain. population in 2012. ] According to this analysis, Antena 3 was the most highly valued television chan- nel by the Spanish population in 2012. Likewise, this channel is considered by the spectators to be the most innovative channel for the second year running, and the most entertaining, and such characteristic has been consolidated over the last four years. -
Roland Sanden
DATOS PERSONALES ROLAND SANDEN NOMBRE: Roland / APELLIDOS: Sanden Llorens E-MAIL [email protected] FECHA NACIMIENTO: 20-05-1977 / RESIDENCIA: MADRID FORMACION ACADEMICA LICENCIADO PERIODISMO.AÑO 2002. UNIVERSIDAD COMPLUTENSE MADRID FORMACION ACADEMICA NO OFICIAL DIPLOMADO EN INTERPRETACIÓN TEXTUAL (ESCUELA 35 MM) /2008-2011 FORMACION COMPLEMENTARIA Máster de Locución y Presentación en Radio y Televisión ( 2003 ) 500 horas de prácticas Taller de Interpretación y Casting. ( 2012 )Tonucha Vidal. Escuela Azarte Taller de Interpretación y Casting. ( 2012 ) Javier Luna. Escuela Azarte Taller de Interpretación e Improvisación.( 2010 ) Coán Gómez. Escuela 35 mm Taller de Lucha Escénica.( 2009 ) José Fopiani. Escuela 35 mm EXPERIENCIA PROFESIONAL TEATRO ( 1997 - 2006 ) NUEVE AÑOS TRABAJANDO COMO ACTOR PRINCIPAL EN DIFERENTES COMPAÑÍAS. LA TERCERA PALABRA.ALEJANDRO CASONA.COMPAÑÍA RUIZ IRIARTE. PERSONAJE: PABLO LA HERIDA LUMINOSA. JOSE MARIA DE SAGARRA. COMPAÑÍA RUIZ IRIARTE. PERSONAJE: CURA ERNESTO ESTA NOCHE ES LA VÍSPERA. VICTOR RUIZ IRIARTE. COMPAÑÍA RUIZ IRIARTE. PERSONAJE: MARCOS DOCE HOMBRES SIN PIEDAD. REGINALD ROSE. COMPAÑÍA ESCENA. PERSONAJE: HOMBRE 7 LA ENCANTADORA FAMILIA BLISS. NOEL COWARD. COMPAÑÍA ESCENA.PERSONAJE: INVITADO 2 LOS MARQUESES DE MATUTE. LUIS F. DE SEVILLA. COMPAÑÍA ESCENA. PERSONAJE: PATRICIO LA MADRE AUSENTE. GREGORIO TANATOS. COMPAÑÍA TANATOS. PERSONAJE: DIRECTOR DE LA OBRA CINE 2010/CLASIFICADOS /DIR. JONH MACELLARI / CHANEL COMUNICACIONES GROUP. PERSONAJE: HERMANO MAYOR 2009/MY LIFE IN RUINS. DIR.DONALD PETRIE. COOPRODUCCIÓN USA-ESPAÑA PERSONAJE: GRIEGO GAY TV ACTOR ( 2002 - 2008 ) PERSONAJES CAPITULARES EN DIVERSAS SERIES Zona Sim (Superhéroe) Cámara Café (Bombero) Los Simuladores (Policía) Betty la Fea (Director) Los Serrano (promoción Zumosol) Un Dos Tres (Rambo) Paco y Veba (novio de la criada) Telenovela Géminis (Director de Banca) Cuéntame (Pobre de la calle) Siete Vidas ( gogo ) Kapital (Guardaespaldas) El pasado es Mañana (Ejecutivo). -
Teclear Nombre Y Dirección
Audit report MEDIASET ESPAÑA COMUNICACIÓN, S.A. (formerly GESTEVISIÓN TELECINCO S.A),. AND SUBSIDIARIES Consolidated Financial Statements and Consolidated Management Report for the year ended 31 December 2011 WorldReginfo - c16898d8-c584-4fea-8380-b064c80aed86 AUDIT REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS (Free translation from the original in Spanish. In care of conflict the Spanish version prevails) To the Shareholders of MEDIASET ESPAÑA COMUNICACIÓN, S.A.: We have audited the consolidated financial statements of MEDIASET ESPAÑA COMUNICACIÓN, S.A. (Parent company) and subsidiaries (the Group), which consist of the consolidated statement of financial position at 31 December 2011, the consolidated separate income statement, the consolidated statement of comprehensive income, the consolidated statement of changes in equity, the consolidated cash flow statement, and the notes thereto for the year then ended. As explained in Note 2.1, the directors of the Parent are responsible for the preparation of the Group's consolidated financial statements in accordance with the International Financial Reporting Standards adopted by the European Union and other regulations regarding financial information applicable to the Group. Our responsibility is to express an opinion on the aforementioned consolidated financial statements taken as a whole, based upon work performed in accordance with the prevailing audit regulations in Spain, which require the examination, through the performance of selective tests, of the evidence supporting the consolidated financial statements, and evaluation of whether the financial statements, the principles and criteria applied, and the estimates made, are in accordance with the applicable regulatory requirements regarding financial information. In our opinion, based on our audit report and the audit report of the other auditors, the accompanying 2011 consolidated financial statements give a true and fair view, in all material respects, of the consolidated equity and financial position of MEDIASET ESPAÑA COMUNICACIÓN, S.A. -
¿Quién Ve La Televisión? Revisión Del Modelo Generalista En El Espacio Mediático Convergente1
Trípodos, número 40 | Barcelona 2017 | 31-54 Rebut / Received: 09/05/2017 ISSN: 1138-3305 Acceptat / Accepted: 12/06/2017 31 ¿Quién ve la televisión? Revisión del modelo generalista en el espacio mediático convergente1 Who Is Watching TV? A Revision of the Generalist Model in the Converging Media Landscape Scenario TRÍPODOS 2017 | 40 Jéssica Izquierdo Castillo Universitat Jaume I (España) La televisión actual busca un espacio Television seeks a space for relocation de reubicación dentro del panorama within the convergent media lands mediático convergente. En los últimos cape. In recent years, the multiplication años, la multiplicación de canales, la of channels, the consolidation of online consolidación de plataformas online, platforms, changes in audience habits, los cambios de hábitos del público, el the aging of the classical audience and envejecimiento de la audiencia y la the weak connection with young au débil conexión con el público joven dience have provoked transformations han provocado transformaciones que that have affected television content. han afectado a los contenidos televi This paper studies the evolution of ge sivos. neralist television during the period Este trabajo estudia la evolución de la from 2007 to 2016, when contex televisión generalista durante el perio tual and structural factors converged. do comprendido entre 2007 y 2016, These factors have determined the cu en que confluyen factores contextua rrent development of television, forming les y estructurales que han determina an oligopoly around the Atresmedia do su desarrollo actual, formando un and Mediaset groups. Together, they oligopolio en torno a los grupos Atres account for 86.4% of the advertising media y Mediaset. -
Streamroot Chosen to Power Video Streaming for Spanish Public Television RTVE After Winning the First Public Tender for Peer-To-Peer Video Delivery
Streamroot chosen to power video streaming for Spanish public television RTVE after winning the first public tender for peer-to-peer video delivery Streamroot, the leading provider of distributed delivery for OTT video, announced today that it was selected by Spanish public broadcaster RTVE (Radiotelevisión Española) to power VoD and live video delivery for its online video platform. RTVE, the largest audiovisual group in Spain, offers a selection of news, entertainment, sports and children’s TV channels. These include La 1, La 2, 24h, Teledeporte and Clan, as well as international television channels TVE Internacional and Star TVE, serving the Spanish-speaking world. As the national public broadcaster, RTVE broadcasts high-profile live events such as the Eurovision song contest, national lottery draws and major sporting events. Committed to quality, innovation and public service, RTVE is known for harnessing groundbreaking technology to continuously improve its audiences’ experience. To implement innovative formats and tools that redefine storytelling, including multi-screen viewing and Ultra HD, VR and interactive content, RTVE has been adopting new techniques for generating content and for modernizing its production and distribution workflows. In order to provide these bandwidth-consuming formats to growing audiences across devices and geographies, RTVE TM implemented Streamroot’s distributed network architecture - Streamroot DNA - throughout its digital offerings including its live and on-demand video services. Streamroot was selected after winning the first-ever public tender for distributed delivery. “As an organization fully committed to innovation and quality public service, we carefully select the most advanced technologies in order to optimize our viewers’ quality of experience,” explains Luis Suárez, Web Supervisor at RTVE. -
Digital Basico (73 Canales)
Digital Basico (75 canales) 1 - La 1 2 - LA 2 3 - Antena 3 4 - Cuatro 5 - TeleCinco 6 - La Sexta 7 - 7RM 8 - Telecaravaca 9 - TeleMadrid 10 - Castilla la Mancha 11 - Canal Sur 14 - Hollywood 15 - Amc 16 - Xtreme 17 - Tcm 25 - Fox Life 31 - Discovery Max 32 - Canal Historia 33 - Odisea 34 - National Geo Wild 35 - Blaze 39 - Nickelodeon 41 - Disney Channel 42 - Baby Tv 43 - Clan 44 - Boing 45 - Neox 46 - NubeNoticias 47 - 24H 48 - Nick JR 51 - Intereconomia 55 - Gol 56 - Teledeporte 57 - Nova 58 - Real Madrid 60 - Eurosport Deutschland 61 - Mega 67 - Sol 68 - Dkiss 70 - TV3 72 - Extremadura 75 - FDF 76 - Energy 77 - La Otra 80 - Popular TV 82 - Tve Internacional 85 - BOM 86 - Paramount Channel 87 - 13 TV 88 - TEN 89 - Divinity 90 - Be Mad 92 - A3 Series 103 - TVM 107 - BBC 109 - ZDF 111 - Tele5 114 - Tv5 Monde 122 - RTL 124 - TV GALICIA SD 301 - La 1 HD 303 - Antena3 HD 304 - Cuatro HD 305 - TeleCinco HD 306 - laSexta HD 307 - 7RM HD 314 - Teledeporte HD 315 - La 2 HD 324 - Real Madrid TV HD 328 - Clan HD 330 - A3Series HD 331 - Be Mad HD 349 - 24h HD 350 - TV GALICIA HD 510 - Onda Regional Digital Visio (98 canales) 12 - Syfy 13 - Somos 18 - Tnt 19 - Fox 20 - Comedy Central 21 - Cosmopolitan 22 - Galavision 23 - Telenovelas 24 - Calle 13 26 - Iberalia 27 - Viajar 28 - Cocina 29 - DeCasa 30 - National Geo 36 - MTV 37 - Discovery 38 - Torole 40 - Nube Dibujos 49 - Disney Junior 50 - Inter Comarcal 52 - Nube Deportes 53 - Panda 54 - Dark 59 - Eurosport 62 - Aragon TV 63 - Telecalasparra 64 - Telebullas 65 - Ritmoson 66 - Nube Motor 69 - Nube -
PROTAGONISTAS El CAI Zaragoza De Categoría In- Fantil Jugará La Mini-Copa
REVISTA DIGITAL SEMANAL 1 BasketFAB Año VI - Número 121 - Fecha: 05/02/2014 MARCOS PORTALEZ Y EDGAR VICEDO CAMPUS VILLANÚA Villanúa volverá a ser la sede de los Campus de Verano COPA DEL REY PROTAGONISTAS El CAI Zaragoza de categoría In- fantil jugará la Mini-Copa COPA DEL MUNDO GALA DEL DEPORTE PEÑAS HUESCA El club aspira a completar la pirámide de su cantera REPORTAJE El baloncesto tuvo un gran protagonismo en la Gala del Deporte El presidente de la FAB asistió de Zaragoza al sorteo, invitado por la FEB Patrocinador Oficial Federación Aragonesa de Baloncesto Web: www.ibercaja.es 5 de febrero de 2014 Revista Digital BASKETFAB 2 COPA DEL REY ACB Sumario Nº 121 Peruga estará en TEMA GALA DEL DEPORTE DE ZARAGOZA SORTEO COPA DEL MUNDO ESPAÑA 2014 la Copa del Rey LA OPINIÓN DE JOSÉ LUIS SÁEZ, PRESIDENTE FEB CAMPUS DE VERANO IBERCAJA VILLANÚA El árbitro zaragozano ACB y Director de VIII TORNEO NACIONAL COPA PIRINEOS IBERCAJA CURSO ENTRENADOR SUPERIOR Arbitraje de la FAB, ha sido designado LA FAB CONVOCA CURSOS DE NIVEL I Y II para arbitrar la Copa del Rey de Málaga TIROS LIBRES: JUEGOS ESCOLARES COPA DEL REY MÁLAGA EL CAI JUGARÁ LA MINI-COPA INFANTIL MARCOS PORTALEZ CEDIDO AL ARABERRI BALÓN AL AIRE: LA OPINIÓN DE ANTONIO SIERRA EDGAR VICEDO SE INCORPORÁ AL CB PEÑAS VISITA DEL CD SANTA ISABEL AL MANN-FILTER CRÓNICAS DE LA 1ª NACIONAL CLUBES: CB PEÑAS Y EL OLIVAR BALONCESTO ADAPTADO LA PIZARRA: MINIBASKET A LA CONTRA.. LA SALLE FRANCISCANAS Revista BasketFAB Edita Federación Aragonesa Baloncesto Redacción y Diseño Antonio Sierra Fotografía Manuel -
Equipos Profesionales Próximos
Núm. 2764 Lunes, 19 de marzo del 2012 EQUIPOS PROFESIONALES Domingo, 22 de abril PRÓXIMOS PARTIDOS 18:00: UNICAJA - FC BARCELONA REGAL Liga Endesa. Jornada 30. FÚTBOL En directo por Teledeporte. Martes, 20 de marzo Jueves, 26 de abril 21:00: FC BARCELONA - GRANADA 20:45: FC BARCELONA REGAL - CAJA LABORAL Liga BBVA. Jornada 29. Liga Endesa. Jornada 31. En directo por Gol T y Canal Plus Liga. En directo por Teledeporte. Sábado, 24 de marzo Domingo, 29 de abril 18:00: MALLORCA - FC BARCELONA 19:00: ALACANT - FC BARCELONA REGAL Liga BBVA. Jornada 30. Liga Endesa. Jornada 32. En directo por Gol T y Canal Plus Liga. En directo por Teledeporte. Miércoles, 28 de marzo BALONMANO 20:45: MILAN - FC BARCELONA Liga de Campeones. Cuartos de final. Ida. Miércoles, 21 de marzo 20:30: VALLADOLID - FC BARCELONA INTERSPORT BALONCESTO Liga Asobal. Jornada 22. En directo por Sportmania y Canal + Deportes. Martes, 20 de marzo 19:00: FC BARCELONA REGAL - UNICS KAZAN Domingo, 25 de marzo Euroliga. Cuartos de final. Primer partido. 17:00: FCB INTERSPORT - MONTPELLER En directo por Esport3. EHF Champions League. Octavos de final. Vuelta. En directo por Esport3. Jueves, 22 de marzo 20:45: FC BARCELONA REGAL - UNICS KAZAN Miércoles, 28 de marzo Euroliga. Cuartos de final. Segundo partido. 20:00: FC BARCELONA INTERSPORT - HUESCA En directo por Esport3. Liga Asobal. Jornada 23. Sábado, 24 de marzo FÚTBOL SALA 20:30: VALLADOLID - FC BARCELONA REGAL Liga Endesa. Jornada 26. Miércoles, 21 de marzo En directo por Esport3. 20:30: FCB ALUSPORT - INTER MOVISTAR Copa del Rey. -
9. VASILE: Speech. Good Morning to All, 2013 Began with the Worst
9. VASILE: Speech. Good morning to all, 2013 began with the worst figures of recent years and ended with positive signs. We are confident that this is the end of the crisis. We do not yet know whether the recovery will be fast, slow or very slow, but the decline has begun to slow in the last months of last year, enabling us to believe that we have hit bottom and can only go up from here. If this is confirmed, we can say that despite the pressure experienced and the daily struggle to take the company forward, we have managed to get through these difficult years without betraying anyone, not shareholders or spectators or workers. We have got here, giving more value to our shareholders, being a source of companionship to the Spaniards with television, film and the Internet, without turning our backs on our people. Our shareholders owned a part of the € 2,070 million which Mediaset España was worth in late 2012 and at the end of 2013, we have delivered them a company with a value of 3,413 million. Mediaset España has increased almost 70% in value in 2013. The market has recognized the course of a company that has defended its values, which has not stopped being profitable not even for a single year, that comes to this new step without debt, and a positive cash position. We are reaching the other side without losing anything we had conquered in the boom years, without losing along the way the important TV brands that have given us the leadership since 2004.