Literary London Society Annual Conference 6-8 July 2016
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A Review of International English Literature
ARIEL A Review of International English Literature TRIBUTE TO SAM SELVON (1923-94) SAM SELVON Extracts from Unfinished Novel and Autobiography HAROLD BARRATT Selvon's An Island Is a World FRANK BIRBALSINGH, AUSTIN CLARKE, JAN CAREW, RAMABAI ESPINET and ISMITH KHAN Selvon: A Celebration WAYNE BROWN Search for God in Selvon's Fiction KEN MCGOOGAN Saying Goodbye to Selvon KENNETH RAMCHAND Selvon's Love Songs KEVIN ROBERTS and ANDRA THAKUR Conversation with Selvon ROYDON SALICK Selvon's I Hear Thunder CLEMENT H. WYKE Selvon's Late Short Fiction EDWARD BAUGH, CYRIL DABYDEEN, KWAME DAWES, SASENARINE PERSAUD and MICHAEL THORPE Commemorative Poems SARA STAMBAUGH Review of Selvon's An Island Is a World KAREN MCINTYRE Literary Decolonization in David Dabydeen's The Intended REVIEWS BY Stella Algoo-Baksh, Matthew M. Goldstein, Marilyn Iwama, Neil Querengesser, Harry Vandervlist, Louise Yelin Volume Twenty Seven April 1996 Number Two ARIEL A REVIEW OF INTERNATIONAL ENGLISH LITERATURE ARIEL is published quarterly, in January, April, July, and October. ARIEL is a journal devoted to the critical and scholarly study of the new and the established literatures in English around the world. It welcomes particularly articles on the relationships among the new literatures and between the new and the established literatures. It publishes a limited number of original poems in each issue. Articles should not exceed 6,000 words and should follow the second edition of the MLA Handbook for Writers of Research Papers or 7¾« AÍLA Style Manual. All articles are refereed blind (authorship unattributed) by at least two readers; consequently, names of contributors should appear only on the title page of manuscripts and not as a running head on each page. -
SAM SELVON TALKING a Conversation with Kenneth Ramchand
SAM SELVON TALKING A Conversation with Kenneth Ramchand Samuel Selvon K.R. Samuel Selvon, you are the first writer-in-residence that we have had at St. Augustine and this is an important breakthrough for us, but I'm sure that many people will wonder why you are here for one month only, and why you have come in June* when our students are preoccupied with examinations. s.s. I had hoped to come for the full student term, from October to December 1982, but I'm working on a new book which I have started and I have found that some research that I'd hoped to put off till a later period has to be done right now. I can't really move with the book until the research is done. K.R. Are you doing a non-fiction work? s.s. No, but in a way it is a departure for me. I hope to do a work of fiction, but it will be based loosely — very loosely — on historical material. Although it will be in the main a fiction and invention, and will related more to human and social relationships than to events, I would like to adhere to the history of the period — roughly the 1920's and 1930's — as closely as possible. At the same time if I find that the fiction and the creativity are working to my satisfaction, I might forsake historical authenticity. In other words, if I feel the need to shift an historical event or circumstance out by a few years I might very well do so. -
Caribbean Voices Broadcasts
APPENDIX © The Author(s) 2016 171 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES BROADCASTS March 11th 1943 to September 7th 1958 © The Author(s) 2016 173 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES EDITORS Una Marson April 1940 to December 1945 Mary Treadgold December 1945 to July 1946 Henry Swanzy July 1946 to November 1954 Vidia Naipaul December 1954 to September 1956 Edgar Mittelholzer October 1956 to September 1958 © The Author(s) 2016 175 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE WEST INDIES FEDERATION AND THE TERRITORIES INCLUDED January 3 1958 to 31 May 31 1962 Antigua & Barbuda Barbados Dominica Grenada Jamaica Montserrat St. Kitts, Nevis, and Anguilla St. Lucia St. Vincent and the Grenadines Trinidad and Tobago © The Author(s) 2016 177 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 CARIBBEAN VOICES : INDEX OF AUTHORS AND SEQUENCE OF BROADCASTS Author Title Broadcast sequence Aarons, A.L.C. The Cow That Laughed 1369 The Dancer 43 Hurricane 14 Madam 67 Mrs. Arroway’s Joe 1 Policeman Tying His Laces 156 Rain 364 Santander Avenue 245 Ablack, Kenneth The Last Two Months 1029 Adams, Clem The Seeker 320 Adams, Robert Harold Arundel Moody 111 Albert, Nelly My World 496 Alleyne, Albert The Last Mule 1089 The Rock Blaster 1275 The Sign of God 1025 Alleyne, Cynthia Travelogue 1329 Allfrey, Phyllis Shand Andersen’s Mermaid 1134 Anderson, Vernon F. -
The Cambridge Companion to Postcolonial Poetry Edited by Jahan Ramazani Frontmatter More Information
Cambridge University Press 978-1-107-09071-2 — The Cambridge Companion to Postcolonial Poetry Edited by Jahan Ramazani Frontmatter More Information the cambridge companion to postcolonial poetry The Cambridge Companion to Postcolonial Poetry is the first collection of essays to explore postcolonial poetry through regional, historical, political, formal, textual, gender, and comparative approaches. The essays encompass a broad range of English-speakers from the Caribbean, Africa, South Asia, and the Pacific Islands; the former settler colonies, such as Canada, Australia, and New Zealand, especially non-Europeans; Ireland, Britain’s oldest colony; and post- colonial Britain itself, particularly black and Asian immigrants and their descen- dants. The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry’s response to, and reimagining of, globalization. Strengthening the place of poetry in postco- lonial studies, this Companion also contributes to the globalization of poetry studies. jahan ramazani is University Professor and Edgar F. Shannon Professor of English at the University of Virginia. He is the author of five books: Poetry and its Others: News, Prayer, Song, and the Dialogue of Genres (2013); A Transnational Poetics (2009), winner of the 2011 Harry Levin Prize of the American Comparative Literature Association, awarded for the best book in comparative literary history published in the years 2008 to 2010; The Hybrid Muse: Postcolonial Poetry in English (2001); Poetry of Mourning: The Modern Elegy from Hardy to Heaney (1994), a finalist for the National Book Critics Circle Award; and Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime (1990). -
Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017
1 Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: Self-portrait with projection, October 2017, img_9723 by Rodell Warner Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2017 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter -
Hybridization in Political Civilization in Samuel Selvon's the Lonely
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Academy Publication Online ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 6, No. 5, pp. 1006-1010, May 2016 DOI: http://dx.doi.org/10.17507/tpls.0605.14 Hybridization in Political Civilization in Samuel Selvon’s The Lonely Londoners and Moses Ascending Tingxuan Liu Faculty of Foreign Languages, Huaiyin Institute of Technology, Huaian, China Abstract―Samuel Selvon (1923-1994) is a great pioneer in Creole literature. His writing in the Moses trilogy is very representative because of his preoccupation with issues of identity and culture. The Lonely Londoners, published in 1956, and Moses Ascending, published in 1975, are two of them. These two books telling Creole immigrants’ story have been recognized as a great masterpiece in Caribbean literature, which have a far-reaching influence on postcolonial literature. This thesis attempts to employ Homi Bhabha’s theory of hybridity to illustrate the Creoles’ struggle against colonization and the construction of political hybridity. The thesis consists of three parts. Part One is Introduction, which presents a short introduction to the author Samuel Selvon, his two works, the theoretical framework. Part Two depicts the process of the Creoles’ struggle against colonization in political civilization. In the aspect of politics, the Creoles experience the process from unawareness of politics to pursuing their political dream. They attempt to construct their own political system on the basis of the British mode. Part Three is Conclusion. Based on the above analyses, the thesis draws the conclusion that different cultures can influence each other. -
071209 Bush Writers Portfolio FINAL SW
Bush Writers 1940 - 2012 A Witness Seminar Bush House 9th December 2009 Bush Writers Witness Seminar 9th December 2009 Contents Aims Page 3 Timetable Page 4 Seminar questions Page 5 ‘Bush Writers’ project outline Page 6 ‘Bush Writers’ website and publication plans Page 7 Bush Writers and extracts for 9/12/09 seminar Page 8 Bush Writers and extracts from seminar two Page 31 Bush Writers and extracts from seminar three Page 46 Cover Image: Voice - the monthly radio magazine programme which broadcasts modern poetry to English-speaking India in the Eastern Service of the BBC. l-r, sitting Venu Chitale, a member of the BBC Indian Section, M.J.Tambimuttu, a Tamil from Ceylon, editor of Poetry (London) T.S. Eliot ; Una Marson, BBC West Indian Programme Organiser, Mulk Raj Anand, Indian novelist, Christopher Pemberton, a member of the BBC staff, Narayana Menon, Indian writer. l-r, standing George Orwell, author and producer of the programme, Nancy Parratt, secretary to George Orwell, William Empson, poet and critic 2 Bush Writers Seminar 9th December 2009 Dear Friends and Colleagues, The purpose of this three-part seminar series is to bring together Bush Writers (former and current, published and aspiring) in order to share their experiences of and memories as “secret agents” of literature at Bush House. This seminar series is part of a larger research project and a unique partnership between The Open University and the BBC World Service.1 It examines diasporic cultures at Bush House from 1940 to 2012 when the Bush House era will end as staff move out and take up new working premises (see project outline pg. -
George Lamming's “The Occasion for Speaking” – a Postcolonial Discourse
International Journal of English Literature and Social Sciences Vol-6, Issue-2; Mar-Apr, 2021 Journal Home Page Available: https://ijels.com/ Journal DOI: 10.22161/ijels George Lamming’s “The Occasion for Speaking” – A Postcolonial discourse Smiruthi A. Assistant Professor of English, Thiagarajar College, Madurai, Tamil Nadu, India Received: 17 Jan 2021; Received in revised form: 09 Mar 2021; Accepted: 19 Mar 2021; Available online: 21 Apr 2021 ©2021 The Author(s). Published by Infogain Publication. This is an open access article under the CC BY license (https://creativecommons.org/licenses/by/4.0/). Abstract— George Lamming is an ardent West Indian writer who has authored about six novels and numerous texts of non-fiction. His debut novel, In the Castle of My Skin (1953) became a highly popular critically acclaimed novel in the post-colonial literature. Lamming plays a crucial role in the positioning of the West-Indian writers in English literature. His astoundingly brilliant and widely controversial collection of essays, The Pleasures of Exile (1960) features the post-colonial issues faced by the West-Indians including migration, exile, identity crisis, hunger for recognition and the mixed cultural affiliations exhibited by the post-colonies. This paper tries to trace the postcolonial traits in Lamming’s essay, The Occasion for Speaking and thus, acquire a refined understanding of the thoughts and ideals of the colonized West-Indian who is in exile. Keywords—Post-colonial, migration, exile, identity, recognition. INTRODUCTION country of origin (colonies) or the country to which they “The pleasure and paradox of my own exile is have migrated (colonizers). -
J. Dillon Brown One Brookings Drive, Campus Box 1122 St
J. Dillon Brown One Brookings Drive, Campus Box 1122 St. Louis, MO 63130 (314) 935-9241 [email protected] Appointments 2014-present Associate Professor of Anglophone Literatures Department of English, African and African American Studies Program Washington University in St. Louis 2007-2014 Assistant Professor of Anglophone Literatures Department of English, African and African American Studies Program Washington University in St. Louis 2006-2007 Assistant Professor of Diaspora Studies English Department Brooklyn College, City University of New York Education 2006 Ph.D. in English Literature, University of Pennsylvania 1994 B.A. in English Literature, University of California, Berkeley Fellowships, Grants, Awards Summer 2013 Arts and Sciences Research Seed Grant (Washington University) Spring 2013 Center for the Humanities Faculty Fellowship (Washington University) 2011 Common Ground Course Development Grant (Washington University) 2009 Harry S. Ransom Center British Studies Fellowship 2009 Special Recognition for Excellence in Graduate Student Mentoring Summer 2007 PSC CUNY Research Award 2006-2007 Brooklyn College New Faculty Fund Award 2006-2007 Leonard & Clare Tow Faculty Travel Fellowship (Brooklyn College) 2004-2005 J. William Fulbright Research Grant (for Barbados and Trinidad & Tobago) Books Migrant Modernism: Postwar London and the West Indian Novel Monograph examining the metropolitan origins of early West Indian novels with an interest in establishing the historical, social, and cultural contexts of their production. Through individual case studies of George Lamming, Roger Mais, Edgar Mittelholzer, V.S. Naipaul, and Samuel Selvon, the book seeks to demonstrate Caribbean fiction’s important engagements with the experimental tradition of British modernism and discuss the implications of such engagements in terms of understanding the nature, history, locations, and legacies of both modernist and postcolonial literature. -
University of Miami Coral Gables, FL 33124-4632
Sandra Pouchet Paquet, Ph.D. Professor Emerita, Department of English, University of Miami Coral Gables, FL 33124-4632 Email [email protected] Curriculum Vitae Standard Format 1. Date: July 2013 PERSONAL 2. Name: Sandra Pouchet Paquet HIGHER EDUCATION 3. Institutional (institution; degree; date conferred): University of Connecticut, Storrs; Ph.D. in English; 1976 University of Connecticut, Storrs; M.A. in English; 1971 Manhattanville College of the Sacred Heart, Purchase; B.A. (Honors) in English, 1967 4. Certification, licensure (description; board or agency; dates): Spanish 3-Day Mini-Mersion Program, May 18-20, 2007. EXPERIENCE 5. Academic (institutions; rank/status; dates): University of Miami, Professor; 2002-2010 University of Miami; Associate Professor; 1992-2002 University of Miami; Director, Caribbean Writers Summer Institute, 1992-1997 University of Pennsylvania; Assistant Professor; 1985-1992 University of Hartford; Assistant Professor; 1977-85 Director of Black Studies, 1977-79 University of the West Indies, Mona Lecturer in English, 1974-77 PUBLICATIONS 6. Books and monographs: Music, Memory, Resistance: Calypso and the Caribbean Literary Imagination. Eds. Sandra Pouchet Paquet, Patricia Saunders, Stephen Stuempfle. Kingston: Ian Randle Publishers, 2007. Caribbean Autobiography: Cultural Identity and Self-Representation. Madison: University of Wisconsin Press (Autobiography Series), 2002. The Novels of George Lamming. London: Heinemann, 1982. 7. Juried or refereed journal articles, scholarly reviews, journals edited, etc: Interview. “This is how I know myself”: A Conversation with Sandra Pouchet Paquet by Sheryl Gifford. sx salon 9 (May 1212): 10 pages. “Stitch By Stitch: Sewing up Questions of Cultural Identity: Lorna Goodison’s From Harvey River.” Small Axe: Book Discussion: Lorna Goodison, From Harvey River. -
Construction of Hybrid Identity in Samuel Selvon's the Lonely
ISSN 1798-4769 Journal of Language Teaching and Research, Vol. 7, No. 6, pp. 1198-1202, November 2016 DOI: http://dx.doi.org/10.17507/jltr.0706.18 Construction of Hybrid Identity in Samuel Selvon’s The Lonely Londoners and Moses Ascending Tingxuan Liu Faculty of Foreign Languages, Huaiyin Institute of Technology, Huaian, China Abstract—Samuel Selvon (1923-1994) is an outstanding figure in Caribbean literature. His Moses trilogy is very famous because of his preoccupation with issues of identity and culture. His two representative works The Lonely Londoners and Moses Ascending giving a vivid description of Creole immigrants’ life in London, have a far-reaching influence on postcolonial literature. The thesis attempts to employ Homi Bhabha’s theory of hybridity to elaborate the formation of cultural identity. The thesis consists of three parts. Part One is Introduction, which gives a brief introduction to the author, his two works, the theoretical framework. Part Two presents the dilemma in which the Creoles have to face on cultural identity. In the aspect of cultural identity, the Creoles experience the process from identical crisis to the construction of hybrid identity. Part Three is Conclusion. Based on the above analyses, the thesis draws the conclusion that different cultures can influence each other. The effective way to solve identical crisis is to build the hybrid identity Index Terms—Samuel Selvon, The Lonely Londoners, Moses Ascending, hybrid identity I. INTRODUCTION Broadly applied in different kinds of English texts wriiten by potcolonial writers like Lamming and Naipaul, Homi Bhabha’s theory of Hybridity is essential to conduct postcolonial literature.