Analysis of Bruce Wayne's Politeness Strategies in The
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God on the Streets of Gotham GOD GOTHAM GOD on the STREETS of GOTHAM
GOD ON THE STREETS OF GOTHAM GOD GOTHAM GOD ON THE STREETS OF GOTHAM WHAT THE BIG SCREEN BATMAN CAN TEACH US ABOUT GOD AND OURSELVES PAUL ASAY TYNDALE HOUSE PUBLISHERS, INC. CAROL STREAM, ILLINOIS Visit Tyndale online at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves Copyright © 2012 by Paul Asay. All rights reserved. Cover and interior photograph of city copyright © David Zimmerman/Corbis. All rights reserved. Author photograph taken by Ted Mehl, copyright © 2009. All rights reserved. Designed by Daniel Farrell Edited by Jonathan Schindler The author is represented by Alive Communications, Inc., 7680 Goddard St., Suite 200, Colorado Springs, CO 80920. www.alivecommunications.com. Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. This book is a commentary on, but is not affiliated with or licensed by, DC Comics, Warner Communications, Inc., or Time Warner Entertainment Company, L.P., owners of the Batman® trademark and related media franchise. Library of Congress Cataloging-in-Publication Data Asay, Paul. God on the streets of Gotham : what the big screen Batman can teach us about God and ourselves / by Paul Asay. p. cm. ISBN 978-1-4143-6640-1 (sc) 1. Batman films—History and criticism. 2. Motion pictures—Religious aspects. I. Title. PN1995.9.B34A83 2012 791.43´682—dc23 2012000820 Printed in the United States of America 18 17 16 15 14 13 12 7 6 5 4 3 2 1 To Mom and Dad, who never gave up on me. -
Domestic Servants Personal Lives
Explore More Domestic Servants Personal Lives In their leisure time, domestic servants likely enjoyed the same hobbies and pleasures as people in other jobs during this era. Sewing, reading, playing musical instruments, chatting over tea, or having evening gatherings in their employer’s kitchen or servants’ hall were common diversions, and may have occurred here at Lucknow. A space like the servants' hall, set aside solely for the enjoyment and rest of the servants, would have been a luxury that existed in only the wealthiest homes. Though the servants’ hall was a spot to rest and have a meal, note that the intercom, telephone, and home alarm system were in this space so a servant’s break might be frequently interrupted. For many servants in the early 20th century, Sunday would have been a typical day off to attend church, a local festival, or perhaps go to the movies. Unfortunately, domestic service workers battled the social stigma attached to their job titles, a problem which had persisted for centuries. Service was considered by some to be a disgraceful and dishonorable profession. For the most part, its workers endured a low social status in American society. A group of domestic servants, probably early 1920s. MORE ON OTHER SIDE Explore More Domestic Servants Personal Lives We don’t know for sure what it was like to live and work at Lucknow as a domestic servant, but first person accounts from people in domestic service during this era, as well as historic documents and photographs, help illustrate the experience. By the twentieth century, domestic servants had more personal freedom than they had in previous eras. -
Domestic Work, Conditions of Work and Employment: a Legal Perspective
Conditions of Work and Employment Series No. 7 Conditions of Work and Employment Programme Domestic work, conditions of work and employment: A legal perspective José Maria Ramirez-Machado INTERNATIONAL LABOUR OFFICE – GENEVA Copyright © International Labour Organization 2003 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to the Publications Bureau (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland. The International Labour Office welcomes such applications. Libraries, institutions and other users registered in the United Kingdom with the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP [Fax: (+44) (0)20 7631 5500; email: [email protected]], in the United States with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923 [Fax: (+1) (978) 750 4470; email: [email protected]] or in other countries with associated Reproduction Rights Organizations, may make photocopies in accordance with the licences issued to them for this purpose. ISBN 92-2-114950-1 (softcover) ISBN 92-2-114951-X (.pdf version) First published 2003 Cover: DTP/Design Unit, ILO The designations employed in ILO publications, which are in conformity with United Nations practice, and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of the International Labour Office concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. -
The Edwardian Era As Depicted in Downton Abbey
Hugvísindasvið The Edwardian Era as Depicted in Downton Abbey Ritgerð til BA prófs í ensku Oddfríður Steinunn Helgadóttir Janúar 2014 Háskóli Íslands Hugvísindasvið Enska The Edwardian Era as Depicted in Downton Abbey Ritgerð til BA prófs í ensku Oddfríður Steinunn Helgadóttir Kt.: 280577-3839 Leiðbeinandi: Ingibjörg Ágústsdóttir Janúar 2014 Abstract This essay discusses the Edwardian era in English history and how it is depicted in Julian Fellowes' period drama Downton Abbey. The essay gives a brief summary of the historical, political and social background on which Downton Abbey is based. It describes the complexities of Edwardian life and society and compares and contrasts it with important characters of the television series, with focus on how effective they are in acting out an accurate reproduction of the times and how certain characteristics are used to symbolize a virtue typical of the era. The essay also discusses how the storyline reflects the period's issues, and how the characters evolve in order to portray a shift in politics or an event in history. It describes some of the main characters and discusses how their part in the series contributes to the overall representation of the era as well as how their character symbolizes a social group or how they are used to portray a social issue. Interpersonal relationships are discussed, focusing on intersex relations, interclass relationships, the complexities of a typical servant-master relationship and the relevance of one's social rank in regards to one's rights and duties in society. The essay looks into the making of Edwardian society and its cultural and historical significance, as well as what impact it had on modern times and its relevance to British heritage. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
BATMAN BEGINS by DAVID GOYER BLACK
BATMAN BEGINS By DAVID GOYER BLACK. A low KEENING which becomes SCREECHING that BUILDS and BUILDS until- RED flickers through black as the screen BURSTS into life: Clouds of REELING BATS silhouetted against a blood red sky, bolting away from camera, MASSING in the sky... FORMING a density the shape of an enormous BAT-LIKE SYMBOL. More BATS mass, swamping the symbol, DARKENING the screen to- BLACK. Distant children’s LAUGHTER which comes closer as- SUNLIGHT flickers through black. Sunlight through trees running through a SUMMER GARDEN. A BOY. Chasing a GIRL. The Boy reaches a Victorian GREENHOUSE. Stands in the doorway catching his breath. This is Bruce Wayne, aged 8, and we are- 1 EXT. GARDENS, WAYNE MANOR -- DAY 1 YOUNG BRUCE peers down rows of plants on long trestle tables. YOUNG BRUCE Rachel? No response. Sunlight streams through wrought iron and glass. Young Bruce advances, cautious. He is GRABBED from behind and pulled under a table by a young girl, aged 10. This is RACHEL. She puts her hand over Young Bruce’s mouth. FEMALE VOICE (O.S.) Rachel?! Master Bruce?! A woman STRIDES past the windows: MRS.DODSON, Rachel’s mother, housekeeper of Wayne Manor. YOUNG BRUCE (whispering) What’re you doing?! RACHEL (matter-of-fact) Kidnapping you. They” pay a lot for precious Brucie. Young Bruce stares, wide-eyed. She SMILES. He relaxes. Young Bruce BOLTS out from under the trestle table - SPRINTS for the back door. Rachel TEARS after him. 2 EXT. DISUSED KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 2 Young Bruce crouches in the mouth of a DISUSED WELL, peering over the stone wall at Rachel, who searches for him. -
B a T M a N F O R E V E R Written by AKIVA
B A T M A N F O R E V E R Written by AKIVA GOLDSMAN PRODUCTION DRAFT ---------------- June 24, 1994 1 EXT. ARKHAM ASYLUM - NIGHT 1 A castle of shadow. (OVER) RAIN, HOWLING evil wind. Sudden lightning CRACKS, illuminates the aged structure, the hanging metal sign. 2 INT. ASYLUM CORRIDORS - NIGHT 2 DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into... 3 INT. MAXIMUM SECURITY - NIGHT 3 Security cells. Criminal maniacs sealed behind protective casings. A GUARD stands before a heavy door. GUARD Hell of a night, huh Doc? BURTON Hell's in here. Hydraulics HISS. The cell door unseals. 4 INT. SECURE ISOLATION CELL 4 Small. Walls, ceiling, floor, padded. A single window casts the room in pallid moonlight. A figure sits in shadow, bound by the wraps and ties of a straight jacket, gaze fixed out the window. Lightning flashes, brightening the room. THUNDER CRACKS. DR. BURTON Mr. Dent... No answer. Burton steps closer. DR. BURTON Counselor... Still nothing. Another step. DR. BURTON Harvey.... Burton reaches towards the figure. DR. BURTON Harvey are you alright... Burton touches his shoulder. Lightning flashes as... THE BODY WHIPS around. An orderly, gagged, sits bound to the chair with bedsheets. The sheets around the chair have been rigged. Now they yank him up so he spins frantically from the ceiling fan. Lightning flashes again, illuminating a madman's scrawled writing on the wall. WRITING - CLOSE. "The Bat Must Die!" THUNDER 5 EXT. GOTHAM CITY SKYLINE - SUNSET - FALL 5 Gothic towers of granite and glass shimmer golden in the late day sun. -
The Significance of Batman in American Society: a Socio-Historical Study of David S
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE SIGNIFICANCE OF BATMAN IN AMERICAN SOCIETY: A SOCIO-HISTORICAL STUDY OF DAVID S. GOYER’S BATMAN BEGINS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By SETIO PUTRO MARDIKO Student Number: 034214041 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE SIGNIFICANCE OF BATMAN IN AMERICAN SOCIETY: A SOCIO-HISTORICAL STUDY OF DAVID S. GOYER’S BATMAN BEGINS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By SETIO PUTRO MARDIKO Student Number: 034214041 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Why do we fall? So that we might better learn to pick ourselves up. (Alfred Pennyworth) WHAT DOESN’T KILL US ONLY MAKES US STRONGER It’s not who I am underneath. But what I do that defines me. (Batman) iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This undergraduate thesis is dedicated to: - my beloved parents - my little brother - my red_diva v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to thank Allah SWT for His blessing and grace He give me every time. He is the One who could make all of this happens. My deep gratitude is for my advisor, Drs. Hirmawan Wijanarka, M.Hum., for his time and guidance in helping me finish this undergraduate thesis. -
I Made You, but You Made Me First”1
”I MADE YOU, BUT YOU MADE ME FIRST”1 THE SOCIAL CONSTRUCTION OF EVIL, IN PART THROUGH THE ARCHITECTURE AND URBAN LANDSCAPE IN TIM BURTON’S Batman (1989) AND CHRISTOPHER NOLAN’S The Dark Knight (2008) Tove Forssell Master’s thesis in Comparative religion Supervisor: Sofia Sjö Faculty of arts, psychology and theology Åbo Akademi University Spring term 2019 1 Batman, dir. Tim Burton, USA, WARNER BROS., 1989, [dvd] 01:50:08. Batman in a dialogue with the Joker ÅBO AKADEMI UNIVERSITY – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Master’s thesis abstract Subject: Comparative Religion Author: Tove Forssell Title: I made you, but you made me first. The social construction of evil, in part through architecture and the urban landscape in Tim Burton’s Batman (1989) and Christopher Nolan’s The Dark Knight (2008) Supervisor: Sofia Sjö In The Re-Enchantment of the West (2004), Christopher Partridge proposes that the study of religion and popular culture can discover the “new ways of believing in societies in which the old ways are inhibited and declining.” In my thesis, I will research how evil is socially constructed in film, and to highlight the role architecture and the urban landscape plays in the construction of an understanding of evil. The films I have chosen to analyse in my thesis are Tim Burton’s Batman (1989) and Christopher Nolan’s The Dark Knight (2008). My theoretical perspective is based in Peter L. Berger’s and Thomas Luckmann’s writings of the Social Construction of Reality and Knowledge. Berger and Luckmann argued that our construction of reality is a dialectic process, in which we simultaneously construct and create our reality as well as being constructed by our reality. -
Servants.Html
Page 1 of 4 http://regency.getifa.com/servants.html The Help In 19th century England, there were a myriad of occupations in service, each with a very particular job and each with a very particular status in the social ladder within the confines of a household. For the rich, it was a sure sign of class to have many servants, but not only that, it meant that they never had to lift a finger to do any work themselves. Small households might have one girl who did nearly everything for the family for whok she worked, whereas a larger household might have several maids, a cook, a house-keeper, a butler and a number of stable hands. Servants were a necessity in the middle and upper-class households of the 1800s and for me to go through the roles of each one would be impossible as it is so detailed. Here's some information which will give you a bit of an idea... Navigation Regency Manor - RP "The Servants" - By Ellen Micheletti (original site here) "Lend me a tenner?" We are so used to modern conveniences that we have forgotten how much sheer labor is involved Dropping in... in keeping a house without them. Imagine having to take care of a huge mansion with no vacuum cleaners, no washing machines, no bathtubs or indoor toilets, no piped in water and no central "Butler, if you please..." heating. Now try and keep this place clean while you and your neighbors burn coal that fills the air with smoke and smuts. -
Knight Before Christmas
CAT-TALES KKNIGHT BBEFORE CCHRISTMAS CAT-TALES KKNIGHT BBEFORE CCHRISTMAS By Chris Dee Edited by David L. COPYRIGHT © 2001 BY CHRIS DEE ALL RIGHTS RESERVED. BATMAN, CATWOMAN, GOTHAM CITY, ET AL CREATED BY BOB KANE, PROPERTY OF DC ENTERTAINMENT, USED WITHOUT PERMISSION KNIGHT BEFORE CHRISTMAS In the years he’d fought Catwoman, Batman had sometimes wondered what might happen if—if they got past the claws and the Batarangs, if they ended the pretense and admitted their feelings, if they somehow became a couple. They were the kind of fantasies that kept one warm on a freezing rooftop on a long stakeout in the middle of December: they involved champagne, roaring fires, and silk lingerie. His imagination never conceived anything like this bizarre piece of paper: ~~~~~~~~~~~~~~~~~~~~~~~~~ Harley Quinn cordially invites you to a Christmas Part-ay HA-HAcienda North December 22 9:PM ‘til the Fat Lady Sings Secret Santa * Puddin’ via Joker-Cam * Regrets Only ~~~~~~~~~~~~~~~~~~~~~~~~~ The invitation sat openly in the mail tray just inside the door of Selina’s apartment, so Bruce assumed he was meant to see it. Consequently, when Selina emerged from her bedroom in a breathtaking new party dress, his very first words were: “Don’t even think about declining that.” Selina’s eyes narrowed and she hissed, “Thanks, I bought it special, it is a festive color isn’t it.” “Sorry. The dress is very nice. Don’t even think about declining that invitation from Harley.” That set the tone for their whispered banter throughout the evening. The holiday season always meant more duty appearances for Bruce Wayne. -
VIDEOS Movie Revised 1/30/2020
VIDEOS Movie Revised 1/30/2020 12 Years a Slave (2013) Movie (Blue) PN1997 .T9458 2013 DVD Absence of Malice (1981) Movie (Blue) PN 1997 .A2 2009 DVD Absolute Power (1997) Movie (Blue) PN 1997 .A2542 2010 DVD The Accused (1988) Movie (Blue) PN 1997 .A22 2002 DVD Adam's Rib (1949) Movie (Blue) PN 1997 .A32 2000 DVD Advise and Consent (1962) Movie (Blue) PN 1997 .A38 2005 DVD The Advocate (1993) Movie (Blue) PN 1997 .A386 2003 DVD The Age of Innocence (1993) Movie (Blue) PN 1997 .A314 2001 DVD Air Force One (1997) Movie (Blue) PN 1997.A3 A5 2005 DVD Ali (2001) Movie (Blue) PN1997 .A44 2002 DVD All of Me (1984) Movie (Blue) PN 1997 .A446 1998 DVD All the King's Men (2006) Movie (Blue) PN 1997 .A447 2006 DVD All the President's Men (1976) Movie (Blue) PN 1997 .A44 2004 DVD All the Pretty Horses (2000) Movie (Blue) PN1997 .A44 2001 DVD Ally McBeal (1999) Movie (Blue) PN 1997 .A459 2009 DVD America Rock (1976, 1995) Movie (Blue) PN1997 .A46 1995 VHS American Crime Story: The People v. O.J. Simpson (2016) Movie (Blue) PN1997 .P46 2016 DVD Amistad (1997) Movie (Blue) PN 1997 .A4738 1998 VHS Anatomy of a Murder (1959) Movie (Blue) PN 1997 .A62 2000 DVD And the Band Played On (1993) Movie (Blue) PN 1997 .A52 1993 DVD And Justice for All (1979) Movie (Blue) PN 1997 .A65 2004 DVD Angels in America (2 Discs) (2004) Movie (Blue) PN 1997 .A53 2004 DVD Apple Dumpling Gang (1975) Movie (Blue) PN 1997 .A646 2003 DVD Assault at West Point (1994) Movie (Blue) PN1997 .A785 1994 VHS Batman Begins (2005) Movie (Blue) PN 1997 .B37 2005 DVD Batman Forever (1995)