DOCSLIB.ORG

Estta1103027 12/19/2020 in the United States

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Estta1103027 12/19/2020 in the United States Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1103027 Filing date: 12/19/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 92067079 Party Defendant Puma SE Correspondence CHRISTIAN G STAHL Address QUARLES & BRADY LLP 300 N LASALLE STREET, STE 4000 CHICAGO, IL 60654 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected], [email protected], [email protected] 312-715-5000 Submission Defendant's Notice of Reliance Filer's Name Christian G. Stahl Filer's email [email protected], [email protected], [email protected], [email protected] Signature /Christian G. Stahl/ Date 12/19/2020 Attachments 2020-12-19 PUMAs 18th Notice of Reliance.pdf(23956 bytes ) Ex. R-1 - Catwoman_DC Comics.pdf(757225 bytes ) Ex. R-2 - Catwoman _ Batman Wiki _ Fandom.pdf(908803 bytes ) Ex. R-3 - CT Scan v CAT scan_Diffizi.pdf(4258896 bytes ) Ex. R-4 - Cat Scan.pdf(239363 bytes ) Ex. R-5 -Catastrophe Bond_Investipedia.pdf(5108376 bytes ) Ex. R-6 - Catastrophe Bond_Artemis.pdf(1936843 bytes ) Ex. R-7 - World Cat.pdf(5259545 bytes ) Ex. R-8 - Catboat_Wikipedia.pdf(321349 bytes ) Ex. R-9 - Cat Insurance Plans - ASPCA.pdf(4799776 bytes ) Ex. R-10 - Alleycat.org.pdf(628189 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the Matter of Registration No. 4,220,096: Registered October 9, 2012 CATERPILLAR INC., Petitioner, v. Cancellation No. 92067079 PUMA SE, Registrant. PUMA SE’S EIGHTEENTH NOTICE OF RELIANCE UPON WEBSITES SHOWING EVIDENCE OF VARIOUS USES OF THE TERM CAT PURSUANT TO 37 C.F.R. § 2.122(e) AND TBMP § 704.08(b) Pursuant to Rule 2.122(e) of the Trademark Rules of Practice and Section 704.08(b) of the Trademark Trial and Appeal Board Manual of Procedure, Registrant PUMA SE hereby submits, makes of record in connection with this cancellation proceeding, and notifies Petitioner Caterpillar Inc., of Registrant’s reliance upon the attached printouts of websites showing evidence of various uses of the term “cat.” These websites are relevant to show how the term “cat” is used in ordinary parlance as well as the nature and extent of the public’s exposure to and perception of the term “cat.” These websites are also relevant to the lack of a likelihood of confusion. True and correct printouts of the following websites are attached hereto as Exhibits R-1 to R-10. Each printout identifies on its face the date on which the document was accessed and printed, as well as the applicable URL identifying the online source of the document. QB\66278973.1 Exhibit No. Description R-1 https://www.dccomics.com/characters/catwoman (accessed and printed on December 19, 2020) R-2 https://batman.fandom.com/wiki/Catwoman_(Dozierverse) (accessed and printed on December 19, 2020) R-3 https://diffzi.com/ct-scan-vs-cat-scan/ (accessed and printed on December 19, 2020) R-4 https://www.foundationforpn.org/what-is-peripheral-neuropathy/evaluation- and-tests/computerized-axial-tomography-scan/ (accessed and printed on December 19, 2020) R-5 https://www.investopedia.com/terms/c/catastrophebond.asp#:~:text=CAT%20 bonds%20are%20a%20type,protected%20by%20the%20bond%E2%80%94oc curs. (accessed and printed on December 19, 2020) R-6 https://www.artemis.bm/library/what-is-a-catastrophe-bond/ (accessed and printed on December 19, 2020) R-7 https://worldcat.com/ (accessed and printed on December 19, 2020) R-8 https://en.wikipedia.org/wiki/Catboat#:~:text=A%20catboat%20is%20a%20sa ilboat,hull%20length%20at%20the%20waterline. (accessed and printed on December 19, 2020) R-9 https://www.aspcapetinsurance.com/cat-insurance/ (accessed and printed on December 19, 2020) R-10 https://www.alleycat.org/ (accessed and printed on December 19, 2020) Dated: December 19, 2020 Respectfully submitted, /Christian G. Stahl/ Christian G. Stahl QUARLES & BRADY LLP 300 N. LaSalle Street, Suite 4000 Chicago, Illinois 60654 Tel: (312) 715-5000 Fax: (312) 632-1916 E-mail: [email protected] Johanna M. Wilbert QUARLES & BRADY LLP 411 East Wisconsin Ave., Suite 2040 Milwaukee, Wisconsin 53202 Tel: (414) 277-5000 Fax: (414) 271-3552 E-mail: [email protected] 2 QB\66278973.1 Otto Hinks QUARLES & BRADY LLP Renaissance One, Two North Central Avenue Phoenix, AZ 85004 Tel: (602) 229-5251 Fax: (602) 229-5690 E-mail: [email protected] Attorneys for Registrant, PUMA SE 3 QB\66278973.1 CERTIFICATE OF SERVICE I hereby certify that a true and complete copy of the foregoing PUMA SE’S EIGHTEENTH NOTICE OF RELIANCE UPON WEBSITES SHOWING EVIDENCE OF VARIOUS USES OF THE TERM CAT PURSUANT TO 37 C.F.R. § 2.122(e) AND TBMP § 704.08(b) has been served on Caterpillar Inc. by forwarding said copy on December 19, 2020, via email to: Naresh Kilaru Christopher P. Foley Laura K. Johnson FINNEGAN, HENDERSON, FARABOW, GARRETT & DUNNER, L.L.P. 901 New York Avenue, N.W. Washington, D.C.DC 20001 Telephone: (202) 408-4000 [email protected] [email protected] [email protected] [email protected] [email protected] Attorneys for Petitioner Caterpillar Inc. By: /Christian G. Stahl/ Christian G. Stahl QUARLES & BRADY LLP 300 N. LaSalle Street, Suite 4000 Chicago, Illinois 60654 Tel: (312) 715-5000 Fax: (312) 632-1916 E-mail: [email protected] Attorney for Registrant PUMA SE 4 QB\66278973.1 EXHIBIT R-1 screenshot-www.dccomics.com-2020.12.19-16_08_11 https://www.dccomics.com/characters/catwoman 19.12.2020 EXHIBIT R-2 12/19/2020 Catwoman | Batman Wiki | Fandom ADVERTISEMENT 7,409 ADD NEW PAGE The Ultimate Guide to the PAGES DkKiht CHARACTERS MOVIES & TV VIDEO GAMES COMICS EXPLORE DISCUSS in: Batman (1960s series) Characters, Batman (1966 Movie) Characters, Batman: Return of the Caped Crusaders Characters, and 2 more SHARE Catwoman VIEW SOURCE LEGAL "Purr-fect." Catwoman ―Catwoman Season 1 and 2 Movie Season 3 Catwoman was an arch-nemesis of Batman. She was a seductive villainess who often stole the heart of the Caped Crusader and always wanted him for her own partner, but her criminal persona always allowed him to see through her seductions and never stopped him from carrying out his criminal apprehending duty. General Information Real name: Unrevealed Aliases: The Princess of Plunder The Queen of Crime Kitanya Irenia Tatanya Kerenska Alisoff (aka Ms. Kitka, disguise) Miss Matthews (disguise) Miss Klutz, dance teacher. (Catwoman arranged dance lessons for Dick Grayson so she could learn more about the layout Recent Wiki Activity of Wayne Manor) Batmobile (Burtonverse) Portrayed by: Julie Newmar (Seasons 1 and 2) Degrassigirl07 Lee Meriwether (Batman: The 16 hours ago Movie) Max Eckhardt Eartha Kitt (Season 3) Degrassigirl07 16 hours ago Appearances: Batman 1960s series Rachel Dawes Batman: The Movie Phantom Stranger • 18 hours ago Batman: Return of the Caped Crusaders Batman: The Animated Series Batman vs. Two-Face Phantom Stranger 18 hours ago Joker (film) Contents Phantom Stranger 18 hours ago 1 Biography 1.1 United Underworld movement 2 Weapons and Equipment 3 Known Associates 4 Known Hideouts 5 Appearances 5.1 Batman 5.1.1 Season 1 5.1.2 Season 2 5.1.3 Season 3 5.2 Films 6 Behind the scenes 7 Trivia 8 Gallery 8.1 Still photos 8.2 Screencaps 9 External links https://batman.fandom.com/wiki/Catwoman_(Dozierverse) 1/13 12/19/2020 Catwoman | Batman Wiki | Fandom FandomShopADVERTISEMENT Fandom IG GalaxyQuest Popular Pages How The Avengers Were Really Assembled Teams Batman Jason Todd Batman Family The Joker Biography Catwoman is one of Gotham City's most prominent villains, ranking near the top with Joker, Penguin and Riddler for the most criminal activity. Dressed in a sleek, black bodysuit with cat ears and a cat medallion around her neck, Catwoman has the appearance and grace of the animal from which she gets her name. Indeed, at times she has been known to meow, and when Batman is close by her voice takes on a distinctive purr. It is easy to see that Catwoman is attracted to Batman in a strong physical way. Whenever they come face to face she tries to coax him to admit his feelings for her, at times attempting to entice him into a more personal encounter. Even attracted to Batman as she is, she cannot abide his crime-fighting behaviour. The fact they are on opposite sides of the law will undoubtedly keep them apart. Her capers are usually related to cats in some way. Whether it be a form of ancient treasure or jewellery in the shape of a cat, cat-gut strings from antique violins, or the legendary treasure of Captain Manx, Catwoman will hatch a scheme which will usually involve trying to rid Gotham City of its caped protectors. Though she is attracted to Batman, she has the sense to realize he is a hindrance in her plans. Batman believes that Catwoman has the nine lives of a cat because during her attempts to try and escape from capture she has fallen into a bottomless pit or off the roof of a waterfront warehouse and survived. She has a pet cat named Hecate who she sometimes takes on her crimes and occasionally even helps her. United Underworld movement In the 1966 Batman movie, she was pretending to be a Russian woman named Ms. Kitka, and teamed up with the other three main criminals: the Joker, the Penguin, and the Riddler, devising a plan to take over the world. Batman Catwoman once threatened the entire world fell in love with Ms.
Load more

Recommended publications
  • Screenplay Collection
    Screenplay Collection This finding aid was produced using ArchivesSpace on 2018-11-14 Finding aid written in English Describing Archives: A Content Standard University Archives and Special Collections Pollak Library South 800 N. State College Blvd. Fullerton, , CA 92831-3599 [email protected] http://www.library.fullerton.edu/services/special-collections.php Screenplay Collection Table Of Contents Summary Information .................................................................................................................................... 3 Scope and Contents ................................................................................................................................... 3 Administrative Information ........................................................................................................................... 3 Collection Inventory ...................................................................................................................................... 3 Teleplays .................................................................................................................................................... 4 Screenplays .............................................................................................................................................. 28 "The Final Countdown" M 17 - M 25 .................................................................................................. 37 "The Final Countdown" M 26 - M 32 .................................................................................................
    [Show full text]
  • Gotham Knights
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
    [Show full text]
  • Is Milkman a Superhero Like Batman?
    Constituent priming in compounds Is Milkman a superhero like Batman? Constituent morphological priming in compound words Jon Andoni Duñabeitia○●, Itziar Laka□, Manuel Perea■ and Manuel Carreiras○● ○ Instituto de Tecnologías Biomédicas ● Universidad de La Laguna □ Euskal Herriko Unibertsitatea (UPV/EHU) ■ Universitat de València Short title: Constituent priming in compounds Key words: Compound words; morphological priming; morphological decomposition. Address for correspondence: Jon Andoni Duñabeitia Departamento de Psicología Cognitiva Universidad de La Laguna 38205 - Tenerife (Spain) phone: +34678635223 fax: +34922317461 email: [email protected] Constituent priming in compounds 1 ACKNOWLEDGEMENTS The research reported in this article has been partially supported by Grants SEJ2004- 07680-C02-02/PSIC, SEJ2006-09238/PSIC, SEJ2005-05205/EDU, CSD2007-00012, SEJ2007-60751/PSIC, GIU06/52, and BFI05.310. The authors thank Oxel Uribe for his technical support and Marc Brysbaert and two anonymous reviewers for their helpful comments on an earlier draft. The authors also thank Margaret Gillon Dowens for her immeasurable patience. Constituent priming in compounds 2 Is Milkman a superhero like Batman? Constituent morphological priming in compound words ABSTRACT In the present study, we examined morphological decomposition of Basque compound words in a series of masked priming lexical decision experiments. In Experiment 1, Basque compound words could be briefly preceded by other compounds that shared either the first or second constituent, or by unrelated non-compound words. Results showed a significant priming effect for words that shared a constituent, independently of its position. In Experiment 2, compound words were preceded by other compound words that shared one of their constituents, but in a different lexeme position (e.g., the first constituent of the compound that acted as a prime was the second constituent of the compound that acted as a target).
    [Show full text]
  • Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
    Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman.
    [Show full text]
  • Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected]
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 4-2-2016 “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Criminal Law Commons, Criminology Commons, Family, Life Course, and Society Commons, Public Affairs, Public Policy and Public Administration Commons, and the Social Control, Law, Crime, and Deviance Commons Bosch, Brandon, "“Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films" (2016). Sociology Department, Faculty Publications. 287. http://digitalcommons.unl.edu/sociologyfacpub/287 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 17, ISSUE 1, PAGES 37–54 (2016) Criminology, Criminal Justice Law, & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln A B S T R A C T A N D A R T I C L E I N F O R M A T I O N Drawing on research on authoritarianism, this study analyzes the relationship between levels of threat in society and representations of crime, law, and order in mass media, with a particular emphasis on the superhero genre.
    [Show full text]
  • God on the Streets of Gotham GOD GOTHAM GOD on the STREETS of GOTHAM
    GOD ON THE STREETS OF GOTHAM GOD GOTHAM GOD ON THE STREETS OF GOTHAM WHAT THE BIG SCREEN BATMAN CAN TEACH US ABOUT GOD AND OURSELVES PAUL ASAY TYNDALE HOUSE PUBLISHERS, INC. CAROL STREAM, ILLINOIS Visit Tyndale online at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves Copyright © 2012 by Paul Asay. All rights reserved. Cover and interior photograph of city copyright © David Zimmerman/Corbis. All rights reserved. Author photograph taken by Ted Mehl, copyright © 2009. All rights reserved. Designed by Daniel Farrell Edited by Jonathan Schindler The author is represented by Alive Communications, Inc., 7680 Goddard St., Suite 200, Colorado Springs, CO 80920. www.alivecommunications.com. Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. This book is a commentary on, but is not affiliated with or licensed by, DC Comics, Warner Communications, Inc., or Time Warner Entertainment Company, L.P., owners of the Batman® trademark and related media franchise. Library of Congress Cataloging-in-Publication Data Asay, Paul. God on the streets of Gotham : what the big screen Batman can teach us about God and ourselves / by Paul Asay. p. cm. ISBN 978-1-4143-6640-1 (sc) 1. Batman films—History and criticism. 2. Motion pictures—Religious aspects. I. Title. PN1995.9.B34A83 2012 791.43´682—dc23 2012000820 Printed in the United States of America 18 17 16 15 14 13 12 7 6 5 4 3 2 1 To Mom and Dad, who never gave up on me.
    [Show full text]
  • Dc Entertainment Feb20 0392 Joker 80Th Anniv 100 Page Super Spect #1 $9.99 Feb20 0393 Joker 80Th Anni
    DC ENTERTAINMENT FEB20 0392 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0393 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ARTHUR ADAMS VAR ED $9.99 FEB20 0394 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S DAVID FINCH VAR ED $9.99 FEB20 0395 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S F MATTINA VAR ED $9.99 FEB20 0396 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S JIM LEE VAR ED $9.99 FEB20 0397 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S SEINKIEWICZ VAR ED $9.99 FEB20 0398 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S G DELLOTTO VAR ED $9.99 FEB20 0399 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S LEE BERMEJO VAR ED $9.99 FEB20 0400 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JOCK VAR ED $9.99 FEB20 0401 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 BLANK VAR ED $9.99 FEB20 0402 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0403 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ADAM HUGHES VAR ED $9.99 FEB20 0404 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S TRAVIS CHAREST VAR ED $9.99 FEB20 0405 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S STANLEY LAU VAR ED $9.99 FEB20 0406 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S FRANK CHO VAR ED $9.99 FEB20 0407 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S J SCOTT CAMPBELL VAR ED $9.99 FEB20 0408 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S GABRIELLE DELL OTTO VAR ED $9.99 FEB20 0409 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S JIM LEE VAR ED $9.99 FEB20 0410 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JEEHYUNG LEE VAR ED $9.99 FEB20
    [Show full text]
  • Product Catalogue Contents
    WINTER PRIZE 2017 PRODUCT CATALOGUE CONTENTS ONLINE SALES PRESENTER 1 PLUSH ELECTRONICS 2 3 PAC-MAN Register on to our online catalogue today to see all the latest products and GIFT & NOVELTY 4 to make instant purchases! For more information on how to register contact Darrell Simmonds Tel: +44 (0)7802 609 957 5 CONFECTIONERY Email: [email protected] SUPER GIRLS JUSTICE LEAGUE MIX MIX PLUSH MOVIE RELEASE November 2017 27cm DC Super Girls Mix 27cm DC Justice League Mix The DC Super Girls Mix includes iconic super heroes and The DC Justice League Mix includes iconic super heroes super villains like Wonder Woman, Supergirl, Batgirl, like Batman, Superman, The Flash, Aquaman, The Green Harley Quinn, Catwoman & Poison Ivy! Lantern & Cyborg! 5060195284734 SUPER FRIENDS and all related characters 5060195284758 SUPER FRIENDS and all related characters CASE QTY: 40 and elements © & ™ DC CASE QTY: 40 and elements © & ™ DC 4 All images shown are for illustration purpose only. Actual product may vary. www.bandainamco-am.co.uk 5 COMING IN My Little MARCH 2018! Pony PLUSH 27cm Villains Mix The 27cm DC Villains Mix includes iconic super villains like The Joker, Harley Quinn, Two-Face, The Riddler & Penguin! 5060195284895 All DC characters and elements © & ™ DC Comics CASE QTY: 40 COMING IN MARCH 2018! 66cm DC Comics Mix 27cm My Little Pony Plush Mix Also coming in March 2018 is the 66cm DC Mix features Friendship is really magic with My Little Pony! Batman in 3 different colours, alongside Batman you will Our 27cm collectible plush includes Twilight Sparkle, receive super villain Harley Quinn and super hero Superman! Rainbow Dash, Pinkie Pie, Apple Jack, Fluttershy & Rarity.
    [Show full text]
  • Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
    From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging.
    [Show full text]
  • Rationale for Magneto: Testament Brian Kelley
    SANE journal: Sequential Art Narrative in Education Volume 1 Article 7 Issue 1 Comics in the Contact Zone 1-1-2010 Rationale For Magneto: Testament Brian Kelley Follow this and additional works at: http://digitalcommons.unl.edu/sane Part of the American Literature Commons, American Popular Culture Commons, Art Education Commons, Comparative Literature Commons, Creative Writing Commons, Curriculum and Instruction Commons, Educational Assessment, Evaluation, and Research Commons, Educational Methods Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Higher Education Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Rhetoric and Composition Commons, and the Visual Studies Commons Recommended Citation Kelley, Brian (2010) "Rationale For Magneto: Testament," SANE journal: Sequential Art Narrative in Education: Vol. 1: Iss. 1, Article 7. Available at: http://digitalcommons.unl.edu/sane/vol1/iss1/7 This Rationale is brought to you for free and open access by DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Kelley: Rationale For Magneto: Testament 1:1_______________________________________r7 X-Men: Magneto Testament (2009) By Gregory Pak and Carmine Di Giandomenico Rationale by Brian Kelley Grade Level and Audience This graphic novel is recommended for middle and high school English and social studies classes. Plot Summary Before there was the complex X-Men villain Mangeto, there was Max Eisenhardt. As a boy, Max has a loving family: a father who tinkers with jewelry, an overprotective mother, a sickly sister, and an uncle determined to teach him how to be a ladies’ man.
    [Show full text]
  • Read Book Smallville: Season 5 : the Official Companion
    SMALLVILLE: SEASON 5 : THE OFFICIAL COMPANION PDF, EPUB, EBOOK Craig Byrne | 160 pages | 25 Jan 2008 | Titan Books Ltd | 9781845765422 | English | London, United Kingdom Smallville: Season 5 : The Official Companion PDF Book Cassandra rated it it was amazing Jul 05, Every episode is well examined, and some episodes, like the popular "Memoria," were treated with extended sections. According to writers Kelly Souders and Brian Peterson, "Reckoning" had been chosen as the episode's title before the script had been finalized. Karen A. One faction of fans was unhappy with the choice of Jonathan, however, as they would have preferred Lana dying instead. Volume 5 - 1st printing. Alongside E4 broadcasting the new series of the show, Sci-Fi were also broadcasting all the older episodes, which ran all the way up to the end of Season 7. However, the show was not able to afford the special effects to pull the scene off, and so, the sequence was re-written to feature a bus crash. Leslie rated it it was amazing Jun 26, This authorized companion with a stunning page full-color section takes you through Season Four, which achieved the highest ratings of any season! Since then, she has headlined shows like Bitten and the reboot of V. The final version was finished "two-and-a-half [to] three weeks" before production began. It should come as no surprise, then, that Durance was a hit with the viewers and fans and she remains one of the, if not the best incarnation of Lois Lane there ever has been highly contentious though that sentence is.
    [Show full text]
  • Domestic Servants Personal Lives
    Explore More Domestic Servants Personal Lives In their leisure time, domestic servants likely enjoyed the same hobbies and pleasures as people in other jobs during this era. Sewing, reading, playing musical instruments, chatting over tea, or having evening gatherings in their employer’s kitchen or servants’ hall were common diversions, and may have occurred here at Lucknow. A space like the servants' hall, set aside solely for the enjoyment and rest of the servants, would have been a luxury that existed in only the wealthiest homes. Though the servants’ hall was a spot to rest and have a meal, note that the intercom, telephone, and home alarm system were in this space so a servant’s break might be frequently interrupted. For many servants in the early 20th century, Sunday would have been a typical day off to attend church, a local festival, or perhaps go to the movies. Unfortunately, domestic service workers battled the social stigma attached to their job titles, a problem which had persisted for centuries. Service was considered by some to be a disgraceful and dishonorable profession. For the most part, its workers endured a low social status in American society. A group of domestic servants, probably early 1920s. MORE ON OTHER SIDE Explore More Domestic Servants Personal Lives We don’t know for sure what it was like to live and work at Lucknow as a domestic servant, but first person accounts from people in domestic service during this era, as well as historic documents and photographs, help illustrate the experience. By the twentieth century, domestic servants had more personal freedom than they had in previous eras.
    [Show full text]