DOCSLIB.ORG

Dc Entertainment Feb20 0392 Joker 80Th Anniv 100 Page Super Spect #1 $9.99 Feb20 0393 Joker 80Th Anni

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dc Entertainment Feb20 0392 Joker 80Th Anniv 100 Page Super Spect #1 $9.99 Feb20 0393 Joker 80Th Anni DC ENTERTAINMENT FEB20 0392 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0393 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ARTHUR ADAMS VAR ED $9.99 FEB20 0394 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S DAVID FINCH VAR ED $9.99 FEB20 0395 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S F MATTINA VAR ED $9.99 FEB20 0396 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S JIM LEE VAR ED $9.99 FEB20 0397 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S SEINKIEWICZ VAR ED $9.99 FEB20 0398 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S G DELLOTTO VAR ED $9.99 FEB20 0399 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S LEE BERMEJO VAR ED $9.99 FEB20 0400 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JOCK VAR ED $9.99 FEB20 0401 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 BLANK VAR ED $9.99 FEB20 0402 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0403 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ADAM HUGHES VAR ED $9.99 FEB20 0404 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S TRAVIS CHAREST VAR ED $9.99 FEB20 0405 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S STANLEY LAU VAR ED $9.99 FEB20 0406 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S FRANK CHO VAR ED $9.99 FEB20 0407 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S J SCOTT CAMPBELL VAR ED $9.99 FEB20 0408 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S GABRIELLE DELL OTTO VAR ED $9.99 FEB20 0409 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S JIM LEE VAR ED $9.99 FEB20 0410 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JEEHYUNG LEE VAR ED $9.99 FEB20 0411 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 BLANK VAR ED $9.99 FEB20 0412 EVENT LEVIATHAN CHECKMATE #1 (OF 6) $3.99 FEB20 0413 EVENT LEVIATHAN CHECKMATE #1 (OF 6) VAR ED $3.99 FEB20 0414 LAST GOD SOURCEBOOK #1 $4.99 FEB20 0415 STRANGE ADVENTURES #2 (OF 12) $4.99 FEB20 0416 STRANGE ADVENTURES #2 (OF 12) EVAN SHANER VAR ED $4.99 FEB20 0417 BATMAN #92 $3.99 FEB20 0418 BATMAN #92 CARD STOCK FRANCESCO MATTINA VAR ED $4.99 FEB20 0419 BATMAN #93 $3.99 FEB20 0420 BATMAN #93 CARD STOCK FRANCESCO MATTINA VAR ED $4.99 FEB20 0421 DCEASED UNKILLABLES #3 (OF 3) $4.99 FEB20 0422 DCEASED UNKILLABLES #3 (OF 3) CARD STOCK F MATTINA VAR ED $5.99 FEB20 0423 DCEASED UNKILLABLES #3 (OF 3) CARD STOCK HORROR TASIA MS VAR ED $5.99 FEB20 0424 PRIMER TP $9.99 FEB20 0425 YOU BROUGHT ME THE OCEAN TP $16.99 FEB20 0426 WONDER WOMAN TEMPEST TOSSED TP $16.99 FEB20 0427 ACTION COMICS #1022 $3.99 FEB20 0428 ACTION COMICS #1022 L PARRILLO VAR ED $3.99 FEB20 0429 AMETHYST #3 (OF 6) $3.99 FEB20 0430 AQUAMAN #59 $3.99 FEB20 0431 AQUAMAN #59 TYLER KIRKHAM VAR ED $3.99 FEB20 0432 BATGIRL #46 $3.99 FEB20 0433 BATGIRL #46 INHYUK LEE VAR ED $3.99 FEB20 0434 BATMAN AND THE OUTSIDERS #12 $3.99 FEB20 0435 BATMAN AND THE OUTSIDERS #12 MICHAEL GOLDEN VAR ED $3.99 FEB20 0436 BATMAN BEYOND #43 $3.99 FEB20 0437 BATMAN BEYOND #43 FRANCIS MANAPUL VAR ED $3.99 FEB20 0438 BATMAN VS RAS AL GHUL #6 (OF 6) $3.99 FEB20 0439 BATMAN SUPERMAN #9 $3.99 FEB20 0440 BATMAN SUPERMAN #9 MIKE MAYHEW VAR ED $3.99 FEB20 0441 CATWOMAN #22 $3.99 FEB20 0442 CATWOMAN #22 CARD STOCK J T TEDESCO VAR ED $4.99 FEB20 0443 DETECTIVE COMICS #1022 $3.99 FEB20 0444 DETECTIVE COMICS #1022 CARD STOCK LEE BERMEJO VAR ED $4.99 FEB20 0445 FLASH #753 $3.99 FEB20 0446 FLASH #753 JUNGEUON YOON VAR ED $3.99 FEB20 0447 FLASH #754 $3.99 FEB20 0448 FLASH #754 CARD STOCK RAFAEL GRAMPA VAR ED $4.99 FEB20 0449 FLASH ANNUAL #3 $4.99 FEB20 0450 GEN LOCK #6 (OF 7) $3.99 FEB20 0451 GREEN LANTERN SEASON 2 #3 $3.99 FEB20 0452 GREEN LANTERN SEASON 2 #3 SCOTT WILIAMS VAR ED $3.99 FEB20 0453 HARLEY QUINN #72 $3.99 FEB20 0454 HARLEY QUINN #72 FRANK CHO VAR ED $3.99 FEB20 0455 HARLEY QUINN & THE BIRDS OF PREY #2 (OF 4) (MR) $5.99 FEB20 0456 HARLEY QUINN & THE BIRDS OF PREY #2 (OF 4) DERRICK CHEW VAR ED (MR) $5.99 FEB20 0457 HAWKMAN #23 $3.99 FEB20 0458 HAWKMAN #23 GERARDO ZAFFINO VAR ED $3.99 FEB20 0459 HE MAN AND THE MASTERS OF THE MULTIVERSE #6 (OF 6) $3.99 FEB20 0460 JOKER HARLEY CRIMINAL SANITY #4 (OF 9) (MR) $5.99 FEB20 0461 JOKER HARLEY CRIMINAL SANITY #4 (OF 9) MIKE MAYHEW VAR ED (MR) $5.99 FEB20 0462 JUSTICE LEAGUE #44 $3.99 FEB20 0463 JUSTICE LEAGUE #44 VAR ED $3.99 FEB20 0464 JUSTICE LEAGUE #45 $3.99 FEB20 0465 JUSTICE LEAGUE #45 DAN MORA VAR ED $3.99 FEB20 0466 JUSTICE LEAGUE DARK #22 $3.99 FEB20 0467 JUSTICE LEAGUE DARK #22 CLAYTON CRAIN VAR ED $3.99 FEB20 0468 JUSTICE LEAGUE ODYSSEY #20 $3.99 FEB20 0469 JUSTICE LEAGUE ODYSSEY #20 SKAN VAR ED $3.99 FEB20 0470 LEGION OF SUPER HEROES #6 $3.99 FEB20 0471 LEGION OF SUPER HEROES #6 CARD STOCK ALEX GARNER VAR ED $4.99 FEB20 0472 LOIS LANE #10 (OF 12) $3.99 FEB20 0473 LOIS LANE #10 (OF 12) TULA LOTAY VAR ED $3.99 FEB20 0474 MAD MAGAZINE #13 $5.99 FEB20 0475 SCOOBY DOO WHERE ARE YOU #104 $2.99 FEB20 0476 METAL MEN #7 (OF 12) $3.99 FEB20 0477 METAL MEN #7 (OF 12) BRIAN BOLLAND VAR ED $3.99 FEB20 0478 NIGHTWING #71 $3.99 FEB20 0479 NIGHTWING #71 ALAN QUAH VAR ED $3.99 FEB20 0480 NIGHTWING ANNUAL #3 $4.99 FEB20 0481 QUESTION THE DEATHS OF VIC SAGE #3 (OF 4) $6.99 FEB20 0482 QUESTION THE DEATHS OF VIC SAGE #3 (OF 4) H CHAYKIN VAR ED $5.99 FEB20 0483 RED HOOD OUTLAW #45 $3.99 FEB20 0484 RED HOOD OUTLAW #45 PHILIP TAN VAR ED $3.99 FEB20 0485 RWBY #7 (OF 7) $3.99 FEB20 0486 RWBY #7 (OF 7) CARD STOCK DERRICK CHEW VAR ED $4.99 FEB20 0487 SHAZAM #12 (RES) $3.99 FEB20 0488 SHAZAM #12 KEN LASHLEY VAR ED (RES) $3.99 FEB20 0489 SUICIDE SQUAD #5 $3.99 FEB20 0490 SUICIDE SQUAD #5 JEREMY ROBERTS VAR ED $3.99 FEB20 0491 SUPERGIRL #41 $3.99 FEB20 0492 SUPERGIRL #41 DERRICK CHEW VAR ED $4.99 FEB20 0493 SUPERMAN #22 $3.99 FEB20 0494 SUPERMAN #22 BRYAN HITCH VAR ED $3.99 FEB20 0495 SUPERMANS PAL JIMMY OLSEN #10 (OF 12) $3.99 FEB20 0496 SUPERMANS PAL JIMMY OLSEN #10 (OF 12) BEN OLIVER VAR ED $3.99 FEB20 0497 TEEN TITANS #41 $3.99 FEB20 0498 TEEN TITANS #41 KHARY RANDOLPH VAR ED $3.99 FEB20 0499 TEEN TITANS ANNUAL #2 $4.99 FEB20 0500 TERRIFICS #27 $3.99 FEB20 0501 WONDER WOMAN DEAD EARTH #3 (OF 4) (MR) $6.99 FEB20 0502 WONDER WOMAN DEAD EARTH #3 (OF 4) DANIEL JOHNSON VAR ED (MR) $6.99 FEB20 0503 WONDER WOMAN #755 $3.99 FEB20 0504 WONDER WOMAN #755 IAN MACDONALD VAR ED $3.99 FEB20 0505 WONDER WOMAN #756 $3.99 FEB20 0506 WONDER WOMAN #756 CARD STOCK MIKEL JANIN VAR ED $4.99 FEB20 0507 YOUNG JUSTICE #15 $3.99 FEB20 0508 YOUNG JUSTICE #15 BEN CALDWELL VAR ED $3.99 FEB20 0509 FAR SECTOR #6 (OF 12) $3.99 FEB20 0510 BASKETFUL OF HEADS #7 (OF 7) (MR) $3.99 FEB20 0511 BASKETFUL OF HEADS #7 (OF 7) GABRIEL RODRIGUEZ VAR ED (MR) $3.99 FEB20 0512 DAPHNE BYRNE #4 (OF 6) (MR) $3.99 FEB20 0513 DAPHNE BYRNE #4 (OF 6) VAR ED (MR) $3.99 FEB20 0514 DOLLHOUSE FAMILY #6 (OF 6) (MR) $3.99 FEB20 0515 DOLLHOUSE FAMILY #6 (OF 6) JAY ANACLETO VAR ED (MR) $3.99 FEB20 0516 LOW LOW WOODS #5 (OF 6) (MR) $3.99 FEB20 0517 LOW LOW WOODS #5 (OF 6) JENNY FRISON VAR ED (MR) $3.99 FEB20 0518 PLUNGE #3 (OF 6) (MR) $3.99 FEB20 0519 PLUNGE #3 (OF 6) GARY FRANK VAR ED (MR) $3.99 FEB20 0520 BOOKS OF MAGIC #19 (MR) $3.99 FEB20 0521 DREAMING #20 (MR) $3.99 FEB20 0522 HOUSE OF WHISPERS #20 (MR) $3.99 FEB20 0523 JOHN CONSTANTINE HELLBLAZER #6 (MR) $3.99 FEB20 0524 LUCIFER #19 (MR) $3.99 FEB20 0525 DC SUPER STARS #17 FACSIMILE EDITION $4.99 FEB20 0526 DETECTIVE COMICS #475 FACSIMILE EDITION $3.99 FEB20 0527 BATMAN GIANT #4 $4.99 FEB20 0528 FLASH GIANT #4 $4.99 FEB20 0529 OUR FIGHTING FORCES GIANT #1 $4.99 FEB20 0530 SWAMP THING GIANT #4 $4.99 FEB20 0531 WONDER WOMAN GIANT #4 $4.99 FEB20 0532 DOLLAR COMICS BATMAN #13 2013 $1.00 FEB20 0533 DOLLAR COMICS BATMAN #450 $1.00 FEB20 0534 DOLLAR COMICS BATMAN #663 $1.00 FEB20 0535 DOLLAR COMICS CATWOMAN #1 2002 $1.00 FEB20 0536 DOLLAR COMICS CATWOMAN #1 2011 $1.00 FEB20 0537 DOLLAR COMICS CHECKMATE #1 2006 $1.00 FEB20 0538 DOLLAR COMICS DETECTIVE COMICS #826 $1.00 FEB20 0539 DOLLAR COMICS GREEN LANTERN #1 2011 $1.00 COLLECTED EDITIONS FEB20 0540 CATWOMAN TP VOL 01 COPYCATS (JAN190665) $16.99 FEB20 0541 CATWOMAN A CELEBRATION OF 75 YEARS HC (JUL150306) $39.99 FEB20 0542 JOKER A CELEBRATION OF 75 YEARS HC (APR140255) $39.99 FEB20 0543 JOKER DEATH OF THE FAMILY TP (N52) (JAN140340) $24.99 FEB20 0544 ADVENTURES OF SUPERMAN BY GEORGE PEREZ HC $49.99 FEB20 0545 BATMAN THE CAPED CRUSADER TP VOL 04 $34.99 FEB20 0546 BATMAN THE CAPED CRUSADER TP VOL 01 (MAY180570) $29.99 FEB20 0547 BATMAN THE CAPED CRUSADER TP VOL 02 (NOV180540) $29.99 FEB20 0548 BATMAN THE CAPED CRUSADER TP VOL 03 (JUN190563) $29.99 FEB20 0549 CRISIS ON INFINITE EARTHS ARROWVERSE DLX ED HC $17.99 FEB20 0550 CRISIS ON INFINITE EARTHS 35TH ANNIV DLX ED HC (JUN190580) $49.99 FEB20 0551 DC POSTER PORTFOLIO JAMES JEAN TP $24.99 FEB20 0552 DOOMSDAY CLOCK HC PART 02 WITH FREE SLIPCASE $24.99 FEB20 0553 DOOMSDAY CLOCK HC PART 01 (JUL190638) $24.99 FEB20 0554 DC GOES TO WAR HC $39.99 FEB20 0555 FLASH BY MARK WAID TP BOOK 07 $39.99 FEB20 0556 FLASH BY MARK WAID TP BOOK 04 (JAN180397) $34.99 FEB20 0557 FLASH BY MARK WAID TP BOOK 05 (JUL180749) $34.99 FEB20 0558 FLASH BY MARK WAID TP BOOK 06 (FEB190572) $29.99 FEB20 0559 JOKER DELUXE EDITION HC $34.99 FEB20 0560 LUTHOR TP (AUG190674) $14.99 FEB20 0561 BATMAN DAMNED HC (MAR190571) (MR) $29.99 FEB20 0562 HARLEY QUINN & POISON IVY HC $24.99 FEB20 0563 JUSTICE LEAGUE DARK TP VOL 03 THE WITCHING WAR $16.99 FEB20 0564 JUSTICE LEAGUE DARK TP VOL 01 THE LAST AGE OF MAGIC (DEC180653) $16.99 FEB20 0565 JUSTICE LEAGUE DARK TP VOL 02 LORDS OF ORDER (JUL190651) $16.99 FEB20 0566 MARTIAN MANHUNTER IDENTITY TP $24.99 FEB20 0567 BATMAN NIGHT OF THE MONSTER MEN TP (REBIRTH) (JUL170456) $16.99 FEB20 0568 NEW TEEN TITANS TP VOL 11 $19.99 FEB20 0569 NEW TEEN TITANS TP VOL 08 (SEP170421)
Load more

Recommended publications
  • Gotham Knights
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
    [Show full text]
  • Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
    Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman.
    [Show full text]
  • Batman’S Story
    KNI_T_01_p01 CS6.indd 1 10/09/2020 10:14 IN THIS ISSUE YOUR PIECE Meet your white king – the latest 3 incarnation of the World’s Greatest Detective, the Dark Knight himself. PROFILE From orphan to hero, from injury 4 to resurrection; this is Batman’s story. GOTHAM GUIDE Insights into the Batman’s sanctum and 10 operational centre, a place of history, hi-tech devices and secrets. RANK & FILE Why the Dark Knight of Gotham is a 12 king – his knowledge, assessments and regal strategies. RULES & MOVES An indispensable summary of a king’s 15 mobility and value, and a standard move. Editor: Simon Breed Thanks to: Art Editor: Gary Gilbert Writers: Frank Miller, David Mazzucchelli, Writer: Alan Cowsill Grant Morrison, Jeph Loeb, Dennis O’Neil. Consultant: Richard Jackson Pencillers: Brett Booth, Ben Oliver, Marcus Figurine Sculptor: Imagika Sculpting To, Adam Hughes, Jesus Saiz, Jim Lee, Studio Ltd Cliff Richards, Mark Bagley, Lee Garbett, Stephane Roux, Frank Quitely, Nicola US CUSTOMER SERVICES Scott, Paulo Siqueira, Ramon Bachs, Tony Call: +1 800 261 6898 Daniel, Pete Woods, Fernando Pasarin, J.H. Email: [email protected] Williams III, Cully Hamner, Andy Kubert, Jim Aparo, Cameron Stewart, Frazer Irving, Tim UK CUSTOMER SERVICES Sale, Yanick Paquette, Neal Adams. Call: +44 (0) 191 490 6421 Inkers: Rob Hunter, Jonathan Glapion, J.G. Email: [email protected] Jones, Robin Riggs, John Stanisci, Sandu Florea, Tom Derenick, Jay Leisten, Scott Batman created by Bob Kane Williams, Jesse Delperdang, Dick Giordano, with Bill Finger Chris Sprouse, Michel Lacombe. Copyright © 2020 DC Comics. BATMAN and all related characters and elements © and TM DC Comics.
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]
  • Why No Wonder Woman?
    Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends.
    [Show full text]
  • How Superman Developed Into a Jesus Figure
    HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations.
    [Show full text]
  • Rationale for Magneto: Testament Brian Kelley
    SANE journal: Sequential Art Narrative in Education Volume 1 Article 7 Issue 1 Comics in the Contact Zone 1-1-2010 Rationale For Magneto: Testament Brian Kelley Follow this and additional works at: http://digitalcommons.unl.edu/sane Part of the American Literature Commons, American Popular Culture Commons, Art Education Commons, Comparative Literature Commons, Creative Writing Commons, Curriculum and Instruction Commons, Educational Assessment, Evaluation, and Research Commons, Educational Methods Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Higher Education Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Rhetoric and Composition Commons, and the Visual Studies Commons Recommended Citation Kelley, Brian (2010) "Rationale For Magneto: Testament," SANE journal: Sequential Art Narrative in Education: Vol. 1: Iss. 1, Article 7. Available at: http://digitalcommons.unl.edu/sane/vol1/iss1/7 This Rationale is brought to you for free and open access by DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Kelley: Rationale For Magneto: Testament 1:1_______________________________________r7 X-Men: Magneto Testament (2009) By Gregory Pak and Carmine Di Giandomenico Rationale by Brian Kelley Grade Level and Audience This graphic novel is recommended for middle and high school English and social studies classes. Plot Summary Before there was the complex X-Men villain Mangeto, there was Max Eisenhardt. As a boy, Max has a loving family: a father who tinkers with jewelry, an overprotective mother, a sickly sister, and an uncle determined to teach him how to be a ladies’ man.
    [Show full text]
  • “I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
    “I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon.
    [Show full text]
  • Customer Order Form
    #386 | NOV20 PREVIEWS world.com Name: ORDERS DUE NOV 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Nov20 Cover ROF and COF.indd 1 10/8/2020 8:23:12 AM Nov20 Ad DST Rogue.indd 1 10/8/2020 11:07:39 AM PREMIER COMICS HAHA #1 IMAGE COMICS 30 RAIN LIKE HAMMERS #1 IMAGE COMICS 34 CRIMSON FLOWER #1 DARK HORSE COMICS 62 AVATAR: THE NEXT SHADOW #1 DARK HORSE COMICS 64 MARVEL ACTION: CAPTAIN MARVEL #1 IDW PUBLISHING 104 KING IN BLACK: BLACK KNIGHT #1 MARVEL COMICS MP-6 RED SONJA: THE SUPER POWERS #1 DYNAMITE ENTERTAINMENT 126 ABBOTT: 1973 #1 BOOM! STUDIOS 158 Nov20 Gem Page ROF COF.indd 1 10/8/2020 8:24:32 AM COMIC BOOKS · GRAPHIC NOVELS · PRINT Gung-Ho: Sexy Beast #1 l ABLAZE FEATURED ITEMS Serial #1 l ABSTRACT STUDIOS I Breathed A Body #1 l AFTERSHOCK COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Crumb’s World HC l DAVID ZWIRNER BOOKS Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY COMIC BOOKS · GRAPHIC NOVELS Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Gung-Ho: Sexy Beast #1 l ABLAZE Aster of Pan HC l MAGNETIC PRESS INC. Serial #1 l ABSTRACT STUDIOS 1 Delicates TP l ONI PRESS l I Breathed A Body #1 AFTERSHOCK COMICS 1 The Cutting Edge: Devil’s Mirror #1 l TITAN COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS Knights of Heliopolis HC l TITAN COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Blade Runner 2029 #2 l TITAN COMICS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Star Wars Insider #200 l TITAN COMICS Crumb’s World HC l DAVID ZWIRNER BOOKS Comic Book Creator #25 l TWOMORROWS PUBLISHING Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY Bloodshot #9 l VALIANT ENTERTAINMENT Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Vagrant Queen Volume 2: A Planet Called Doom TP l VAULT COMICS Aster of Pan HC l MAGNETIC PRESS INC.
    [Show full text]
  • Spider-Woman
    DC MARVEL IMAGE ! ACTION ! ALIEN ! ASCENDER ! AMERICAN VAMPIRE 1976 ! AMAZING SPIDER-MAN ! BIRTHRIGHT ! AQUAMAN ! AVENGERS ! BITTER ROOT ! BATGIRL ! AVENGERS: MECH STRIKE 1-5 ! BLISS 1-8 ! BATMAN ! BETA RAY BILL 1-5 ! COMMANDERS IN CRISIS 1-12 ! BATMAN ADVENTURES CONTINUE ! BLACK CAT ! CROSSOVER ! BATMAN BLACK & WHITE 1-6 ! BLACK KNIGHT CURSE EBONY BLADE ! DEADLY CLASS ! BATMAN: URBAN LEGENDS ! BLACK WIDOW ! DECORUM ! BATMAN/CATWOMAN 1-12 ! CABLE ! DEEP BEYOND ! BATMAN/SUPERMAN ! CAPTAIN AMERICA ! DEPARTMENT OF TRUTH ! CATWOMAN ! CAPTAIN MARVEL ! EXCELLENCE ! CRIME SYNDICATE ! CARNAGE BW & BLOOD 1-4 ! FAMILY TREE ! DETECTIVE COMICS ! CHAMPIONS ! FIRE POWER ! DREAMING : WAKING HOURS ! CHILDREN OF THE ATOM ! GEIGER ! FAR SECTOR ! CONAN THE BARBARIAN ! ICE CREAM MAN ! FLASH ! DAREDEVIL ! JUPITERS LEGACY 1-5 ! GREEN ARROW ! DEADPOOL ! KARMEN 1-5 ! GREEN LANTERN ! DEMON DAYS X-MEN 1-5 ! KILLADELPHIA ! HARLEY QUINN ! ETERNALS ! LOW ! INFINITE FRONTIER ! EXCALIBUR ! MONSTRESS ! JOKER ! FANTASTIC 4 ! MOONSHINE ! JUSTICE LEAGUE ! FANTASTIC 4 LIFE STORY 1-6 ! NOCTERRA ! LAST GOD ! GUARDIANS OF THE GALAXY ! OBLIVION SONG ! LEGENDS OF DARK KNIGHT ! HELLIONS ! OLD GUARD 1-6 ! LEGION of SUPER-HEROES ! HEROES REBORN 1-7 ! POST AMERICANA 1-6 ! MAN-BAT ! IMMORTAL HULK ! RADIANT BLACK ! NEXT BATMAN: SECOND SON ! IRON FIST Heart of Dragon 1-6 ! RAT QUEENS ! NIGHTWING ! IRON MAN ! REDNECK ! OTHER HISTORY DC UNIVERSE ! MAESTRO WAR & PAX 1-5 ! SAVAGE DRAGON ! RED HOOD ! MAGNIFICENT MS MARVEL ! SEA OF STARS ! RORSCHACH ! MARAUDERS ! SILVER COIN 1-5 ! SENSATIONAL
    [Show full text]
  • Political Concepts
    chap 13 23/1/03 7:49 am Page 156 13 Multiculturalism Jonathan Seglow Introduction1 Multiculturalism can be acknowledged, championed, challenged or rejected, but it cannot be ignored because it describes a central feature of the world in which we live. Oddly, however, for many years it was ignored, despite decades of strug- gle by black Americans for full political inclusion, the confederalism adopted by several European states to accommodate linguistic and religious diversity and the multicultural policies adopted by Australia and Canada in the 1970s, to name just three examples. In the 1980s communitarian writers embraced the culture-friendly virtues of solidarity, togetherness and belonging, but ironically, while community was prized as homely and familiar, it was never spelt out which communities – cultural or otherwise – were being invoked. Only in the early 1990s did the liberal-communitarian controversy begin to transform itself into a more particular debate about how to accommodate cultural and ethnic claims within a broadly liberal political theory. Here Will Kymlicka’s Liberalism, Com- munity and Culture led the way.2 By now, it is increasingly recognised that liberal constitutions are shot through with partisan ethnocultural norms.3 This is the first claim I want to make then. Multiculturalism cannot be avoided. Whether endorsed as a policy (cultural diversity is good), it cannot be circumvented as a social fact, not so long as we are thinking about theories for the world in which we live and not a cultureless planet far away. Theories of justice, democracy and human rights are necessarily abstract since they have a more or less extensive reach and describe a reality not yet arrived.
    [Show full text]
  • A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved.
    [Show full text]