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Batman As a Cultural Artefact
Batman as a Cultural Artefact Kapetanović, Andrija Undergraduate thesis / Završni rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:723448 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Andrija Kapetanović Batman as a Cultural Artefact Završni rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Batman as a Cultural Artefact Završni rad Student/ica: Mentor/ica: Andrija Kapetanović Doc. dr. Marko Lukić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Andrija Kapetanović, ovime izjavljujem da je moj završni rad pod naslovom Batman as a Cultural Artefact rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. -
Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
Volume 31 Number 10 Issue 375 March 2019 A WORD FROM THE EDITOR Omni Expo This month was a very difficult for me personally but March 15-17 we go on.. Florida Hotel and Convention Center I include a list of recommended short fiction. I read a lot 1500 Sand Lake Road more. There is a lot of good fiction out there. Orlando, FL 32809 Please note that some of the Nebula short fiction Guests: Hisashi Kagawa (animation director) nominees may be available online. Please check Oasfis Mamoru Yokota (animation director) Convention on Facebook or OasisCon on Twitter for links to the Paul St. Peter (voice actor) stories. Matt Shipman (voice actor) Next month pictures from ICFA, and with luck a Sawa (singer) review. And others $50 at the door for weekend www.omniexpo.com Events ICFA 40 (academic conference) Comic Con Revolution March 13-16 March 2-3 Orlando Airport Marriott, Palm Beach County Convention Center Orlando, Florida 650 Okeechobee Boulevard Guest of Honor: G. Willow Wilson West Palm Beach, FL 33401 Guest Scholar: Mark Bould Guests: Chris Claremont (comic book writer) www.fantastic-arts.org Amanda Conner (comic book writer/artist) Jimmy Palmiotti (comic book writer/artist) Clearwater Comic Con Peter Rawlik (writer) March 16 And others Clearwater Public Library $40 for 2 days, $25 for Sat, $20 for Sunday 100 N. Osceola Avenue comicconrevolution.com/westpalmbeach/index.php Clearwater, FL 33755 Guests: Chuck Dixon (comic book writer) Infinity Con 6 Karl Moline (comic writer/artist) March 2-3 And others National Guard Armory Free 490 NW Lake Jeffery Rd See Facebook Page Lake City, FL 32055 $18 for bothe days, $12 for one day My-Con infinityconfl.com/ March 16 Wyndham Orlando Resort Miami Comic Con 8001 International Drive March 9 Orlando, Florida 32819 Miami Airport Convention Center Guest: R. -
PREVIEWS Plus!
READ ABOUT THESE ITEMS AND MORE AT PREVIEWSworld.com When a new item’s so hot it can’t wait to be solicited in the next issue of PREVIEWS, you’ll find it here in PREVIEWS Plus! Here’s your last chance to order some of the hottest comics, toys and merchandise before they come to your comic shop! Order these items from your retailer by MONDAY, OCTOBER 24 PREMIER PUBLISHERS MARVEL COMICS .com world DEADPOOL: BACK IN BLACK #1 DEATH OF X #1 SECOND PRINTING SECOND PRINTING AARON KUDER VARIANT SALVA ESPIN VARIANT (W) Jeff Lemire, Charles Soule (W) Cullen Bunn (A/CA) Salva Espin (A/CA) Aaron Kuder AMAZING SPIDER-MAN #19 CAGE #1 SECOND PRINTING During 1984’s Secret Wars, Deadpool What happened eight months ago that SECOND PRINTING GENNDY TARTAKOVSKY VARIANT was introduced to an alien symbiote who set the Inhumans and X-Men on a collision ALEX ROSS VARIANT (W) Genndy Tartakovsky PREVIEWS went on to become Spider-Man’s black course? Find out here! The Inhumans (W) Dan Slott, Christos Gage (A) Genndy Tartakovsky, Stephen DeStefano costume and, eventually, Venom. Okay, travel to Japan where one of the Terrigen (A) Giuseppe Camuncoli & Various (CA) Genndy Tartakovsky okay, maybe that really happened in Clouds creates a shocking new Inhuman. (CA) Alex Ross From the award-winning creator of Deadpool’s Secret Secret Wars. Point The X-Men travel to Muir Island where the Before “Dead No More”... Someone Dexter’s Laboratory, Samurai Jack, and is, did you know that after Spider-Man second Terrigen Cloud causes something in the Amazing Spider-Man’s orbit dies. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Customer Order Form
ORDERS PREVIEWS world.com DUE th 18 OCT 2016 OCT COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Oct16 Cover ROF and COF.indd 1 9/8/2016 4:16:17 PM Oct16 Archie.indd 1 9/8/2016 9:50:56 AM THE LEGEND MOTOR CRUSH #1 OF ZELDA: IMAGE COMICS ART & ARTIFACTS HC DARK HORSE COMICS SUPERGIRL: BEING SUPER #1 DC ENTERTAINMENT ALIEN VS. PREDATOR: ROCKSTARS #1 LIFE AND DEATH #1 IMAGE COMICS DARK HORSE COMICS LOCKE & KEY: SMALL WORLD ONE-SHOT IDW ENTERTAINMENT JUSTICE LEAGUE VS. U.S.AVENGERS #1 SUICIDE SQUAD #1 MARVEL COMICS DC ENTERTAINMENT Oct16 Gem Page ROF COF.indd 1 9/8/2016 4:10:22 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Rough Riders Volume 1 TP l AFTERSHOCK COMICS Reggie & Me #1 l ARCHIE COMICS Uber: Invasion #1 l AVATAR PRESS The Avengers: Steed & Mrs Peel: The Diana Magazine Stories Volume 1 GN l BIG FINISH PRODUCTIONS Jim Henson’s The Storyteller: Giants #1 l BOOM! STUDIOS 1 Klaus and the Witch of Winter One-Shot l BOOM! STUDIOS 1 Wonder Woman ‘77 Meets the Bionic Woman 77 #1 l D.E./DYNAMITE ENTERTAINMENT Red Sonja #0 l D.E./DYNAMITE ENTERTAINMENT Another Castle: Grimoire TP l ONI PRESS Disney’s Great Parodies Volume 1: Mickey’s Inferno GN/HC l PAPERCUTZ Hookjaw #1 l TITAN COMICS World War X #1 l TITAN COMICS Divinity III: Stalinverse #1 l VALIANT ENTERTAINMENT Tomie Complete Deluxe Editon HC l VIZ MEDIA The Pokemon Cookbook Sc l VIZ MEDIA BOOKS 2 Mercenary: The Freelance Illustration of Dan Brereton HC l ART BOOKS Krazy: The Black & White World of George Herriman HC l COMICS The Art of Archer HC l MOVIE/TV The Art of Rogue One: A Star Wars Story HC l STAR WARS Star Wars Little Golden Book: I Am a Stormtrooper l STAR WARS - YOUNG READERS MAGAZINES 2 Doctor Who Magazine Special #45: 2017 Yearbook l DOCTOR WHO Birth.Movies.Death. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent fun title that everyone’s talking about. Designed for both 9781936975044 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $12.99/$14.99 Can. cofounders Gene Simmons and Paul Stanley, Archie 112 pages expects this title to be a breakout success. Paperback / softback / Trade paperback (US) Comics & Graphic Novels / Fantasy From the the company that’s sold over 1 billion comic books Ctn Qty: 0 and the band that’s sold over 100 million albums and DVDs 0.8lb Wt comes this monumental crossover hit! Immortal rock icons 363g Wt KISS join forces ... Author Bio: Alex Segura is a comic book writer, novelist and musician. Alex has worked in comics for over a decade. Before coming to Archie, Alex served as Publicity Manager at DC Comics. Alex has also worked at Wizard Magazine, The Miami Herald, Newsarama.com and various other outlets and websites. Author Residence: New York, NY Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS: Collector's Edition Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent, Gene Simmons fun title that everyone’s talking about. Designed for both 9781936975143 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $29.99/$34.00 Can. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
TERRACOM - Das Efanzine Der PROC-Community Nr
138 Titelbild: WeltCon 2011 Bilder von Martin Steiner 1/118 Impressum: TERRACOM - Das eFanzine der PROC-Community Nr. 138 – Oktober 2011 Redaktion: Die TERRACOM darf nur in unveränderter Leserbriefe: Nils Hirseland Form weiterverbreitet werden. Bitte schickt eure Leserbriefe per EMail an: Layout: Kai Lanio [email protected]. Das Copyright der Beiträge und Grafiken Beim Abdruck von Leserbriefen behält sich eMail: [email protected] liegt bei den jeweiligen Autoren und die Redaktion das Recht auf Kürzung vor. Zeichnern. Copyright: TERRACOM, das eFanzine der Perry Rhodan®, Atlan® und Mausbiber PROCCommunity (www.proc.org), erscheint Namentlich gekennzeichnete Beiträge Gucky® sind eingetragene Warenzeichen monatlich als nichtkommerzielle geben nicht unbedingt die Meinung der der Pabel-Moewig Verlag KG, Publikation unter: www.terracom-online.net Redaktion, der PROC-Community oder Rastatt. deren Vertreter wieder. www.perry-rhodan.net © 2011 der Gesamtausgabe by Nils Hirseland PERRY RHODAN erscheint wöchentlich seit dem 8. September 1961.Inhaltsverzeichnis 2/118 1998-2011 Perry Rhodan Online Club e. V. Inhaltsverzeichnis Titelbild: WeltCon 2011 Bilder von Martin Steiner 1 Impressum: 2 TERRACOM - Das eFanzine der PROC-Community Nr. 138 – Oktober 2011.......................................2 Terracom-Vorwort 7 Grafik: 12C von Lothar Bauer 8 PROC Inside: 9 Mitgliederversammlung....................................................................................................................9 PROC PROJEKTE: 11 DORGON-Report...............................................................................................................................11 -
Super Satan: Milton’S Devil in Contemporary Comics
Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ………………………………………………………………………. -
Why Wonder Woman Matters
Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative.