New Acts: Labels Play Lt Tight by PAUL GREI\ Signings Is Brighter Than It :Rs During in Fixing Mechanical Payments
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New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977)
University of New Mexico UNM Digital Repository 1977 The aiD ly Lobo 1971 - 1980 7-14-1977 New Mexico Daily Lobo, Volume 080, No 150, 7/ 14/1977 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1977 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977). https://digitalrepository.unm.edu/daily_lobo_1977/77 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1977 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ..... - ..• - ... -' -·· '")".~ ~ {; fl ,.;v'l (\ ..... _.--~. ..A -. '• I ~~~ ·' f ¢'1~·. '181. : i I lAN'"'OG.\ ...V l ..... ·E·-~. .-·m~·! .l ~, ..-.~ ~~~~~ :, -- - !,'1 e-g··e· ncy '4.' •, # .. i '<;" • t ... -:·:: ., ., i ' ' .. - ,.. ..)_: '' .. '\ ··~· ~ .'{' ' ·~ ' ., ..., · ·Rldu•d·L· ~lleib«r .". , ·? '~;;a~a<lemic.cQmmunity,'' · ·· · · hospital has had s()me horrendous ,. • ·Four ._.emergency ·-medicih!=.cl9c;;.¢ ·. Th.~. ~llief complaint voiced.by ·financial·problemsin thelast-_ye$1. ,-, ..,, ~ · tors from the emer~en~ roor.rr at !:th~;· phy~icians was· the -~~~k ()f Nobody l,la$ bousht anything· new .t.•"'"" 7 ~; · · BCMC .. have ' submitted their'· eguipment and support from tbe .the the last year, incl\lding the •fl resignations effective July J. T.heir .. ho,Spital. · Marburs said that the · emers~O,fY; r~om.'' . Napolitano_ .is . <•)) · ·res•snatioQs leav~- · only· .. on" . ideal . emergency room situation the. dean··.· p( · the: ·UNM · Medical ','1 ,,' '. emersency m-edicine specialists ·at · · would· igclude· seven. or ,eislii ~hoot . -
BASTEDO. an Acoustic Band Who Brand Their Style of Music, Simply...‘Suburban Blues’
BASTEDO. An acoustic band who brand their style of music, simply...‘Suburban Blues’. Website: itsbastedo.com; Email: [email protected] Twitter: @itsbastedo; Videos: youtube.com/itsbastedo Facebook: facebook.com/itsbastedo Flickr: Bastedo Images; SoundCloud: soundcloud.com/bastedo Releases: Tough Love EP Credits: Hansesail, SMM, MU Work not Play Campaign, Daily Mail, Interview by Judith Jacobs, Alexandra Bastedo Animal Sanctuary with Simon Mulligan (Internationally renowned Classical Pianist) & Steve Rubie (606 club Chelsea), Beck Theatre, Proud Galleries, Troubadour, The Vineyard, EcoVelocity, Lord Mayor’s Show… What is Suburban Blues? Recognisable blues themes, sensibilities and sentiments with a fresh soulful twist, by way of the London suburbs. “We have coined the term SQUISH, to describe the songwriting and performance style, that is: Soulful, Quirky, Unique, Intelligent, Sophisticated and Heartfelt.” Who are Bastedo? Permanent Bastedo members are lead singer and founding member Alex Watson with vocalists Sophia Toomey and Celia Chriette providing vocal harmonies and aural treats. "We work with a range of musicians depending on the project or occasion, but the guitar and 3 vocals is our main line up. Bastedo perform mainly original songs however in amongst their original work you will often hear a selection of carefully chosen covers. All are infused with Bastedo flavour. That is gorgeous 3 part harmonies and indominatable spirit. "It would be a shame not to take advantage of the massive catalogue of amazing and beautiful songs out there in the ether. We love singing and performing and more often than not, we include cover versions of songs we like and feel will inspire our audience and provide knowing reference points alongside our original material." Love of music has brought Bastedo together, but friendship and the shared love of music keeps them together. -
PAUL YOUNG in the Middle of the 1980S, Paul Young Became One Of
PAUL YOUNG In the middle of the 1980s, Paul Young became one of the biggest pop stars in the world, creating a body of work that endures to this day. A blend of the old school and new school, he was the epitome of someone who had worked his way up from – quite literally – the factory floor to become a superstar, scoring number one singles on both sides of the Atlantic. When he broke through in 1983, his Anthony Price besuited look was one of two iconic pop images in the UK that year. The other was David Bowie, then under his serious moonlight. Paul Young was born in the rock’n’roll era and grew up during the beat boom. Born in Luton in January 1956, he took piano lessons, was a self- taught guitarist, and as a teenager, fell under the thrall of Island Records. Young loved Free and because of them, he began listening to things around the margins, things that they listened to. He wanted to play bass like Andy Fraser and sing like Paul Rodgers. “I was always drawn towards to blues and soul.” Young recalls. “Even though Free had had a hit with ‘All Right Now’, they were a blues band, they knew they needed a pop song, so they wrote a pop song, and it was a hit. But when you look at their other stuff, they went straight back to the blues.” In 1972, aged 16, Young took up a position at the Vauxhall manufacturing plant in Luton, serving an apprenticeship just like his father before him. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
The Cord Weekly (December 5, 1974)
Volume 15, Number 12 · eCord ly Thursday, December 5, 1974 ttem pt fa lis short of mark by Henry Hess that not many students Director of Personnel, adroitly complish a number of things. It es actually care very much fielded questions directed at food tablished that the U ofWbookstore their money goes. services, as well as any others that may or may not pay rent to that r.••nnnse to criticisms and showed signs of going unanswered. university, depending upon whom centering around the Student interests were rep you talk to. , food services and resented by a panel consisting of It established that the administ Director of Student Warren Howard, Fred Youngs, ration recognizes the deficiences Colin McKay organized a Mike Strong and Jim Binns. existing with regard to certain of forum. The forum took McKay moderated the discussion. the residences and agrees that it the ballroom ofthe SUB on The student panel appeared to be would be nice if something were 27, but due to the poor well prepared for the forum as their done about it. turnout it can be charac questions were often researched It established that the university as only moderately success- and documented. The administra has a policy such that the various tive representatives, however, services are not expected to sub that questions might be di were more than a match for them, sidize one another. (For instance, to those having the closest particularly Bilyea who showed up the bookstore is not expected to and the most direct control with a sheaf of documents and gave subsidize WLU Press. -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
Billboard 1978-05-27
031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing. -
Desenho Animado: Entretenimento, Ideologia E Cultura De Massa
UNIVERSIDADE DE SOROCABA PRÓ-REITORIA ACADÊMICA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA Cristiane Giglio Lamas DESENHO ANIMADO: ENTRETENIMENTO, IDEOLOGIA E CULTURA DE MASSA Sorocaba/SP 2012 2 Cristiane Giglio Lamas DESENHO ANIMADO: ENTRETENIMENTO, IDEOLOGIA E COMUNICAÇÃO DE MASSA Dissertação apresentada à Banca Examinadora do Programa de Pós-Graduação em Comunicação e Cultura da Universidade de Sorocaba, como exigência parcial para obtenção do título de Mestre em Comunicação e Cultura . Orientador: Prof. Dr. Paulo Braz Clemencio Schettino Sorocaba/SP 2012 3 Cristiane Giglio Lamas DESENHO ANIMADO: ENTRETENIMENTO, IDEOLOGIA E COMUNICAÇÃO DE MASSA Dissertação aprovada como requisito parcial para obtenção do grau de Mestre no Programa de Pós- Graduação em Comunicação e Cultura da Universidade de Sorocaba. Aprovado em: BANCA EXAMINADORA: ________________________________________ Prof. Dr. Waldomiro de C. S.Vergueiro, ECA-USP ________________________________________ Prof. Dr. Maurício Reinaldo Gonçalves, UNISO ________________________________________ Prof. Dr. Paulo Braz Clemencio Schettino, UNISO (Orientador e Presidente da Banca) 4 Aos meus verdadeiros heróis, aqueles que me ensinaram que a vida é como um desenho animado: foi preciso dar movimento e cor, para que ela pudesse ter alma. Aos meus pais, meus filhos e esposo, todo amor que houver nesta vida. 5 AGRADECIMENTOS A parte dos agradecimentos, por incrível que pareça, foi a mais difícil de escrever. Isso, porque eu tive receio de esquecer o nome de alguém que, durante esta trajetória, foi parte importante para esta pesquisa. Sendo assim, antecipo as minhas desculpas. Primeiramente, meus agradecimentos são direcionados a Deus, princípio e fim, Senhor dos meus passos e a quem eu me inclino todos os dias para agradecer a vida e as pessoas que me cercam. -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
Client and Artist List
STUDIO AT THE PALMS Client List 2 Cellos David Copperfield Jeff Timmons 50 Cent Death Cab for Cutie Jersey Boys (Broadway) Aaron Lewis Diplo Joe Bonamassa Akina Nakamori Disturbed Joe Jonas Akon Divinyls Joey Fatone Al B Sure Dizzy Wright Joey McIntyre Alabama DJ Mustard John Fogarty Alan Parsons Doc McStuffins John Legend Ali Lohan Donny & Marie Johnny Gill Alice in Chains Dr. Dre JoJo Alicia Keys Dr. Luke Jordin Sparks Andrea Bocelli Duck Commander Josh Gracin Annie Leibovitz Eddie Levert Jose “Pepe” Quintano Ashley Tinsdale Ellie Goulding Journey Barry Manilow Elton John Jr. Sanchez Beauty of Magic (Broadway) Eminem (Grammy) Juan Montero Beyonce Ennio Morricone Juicy J Bianca Ryan Eric Benet Justin Timberlake Big Sean Evanescence K Camp Billy Bob Thornton Eve Katy Perry Birdman Family Feud (TV) Keith Galliher Bird and the Bee Family Guy (TV) Kelly Rowland Black Eyed Peas Far East Movement Kendrick Lamar Black Stone Cherry Frankie Moreno Keri Hilson Blue Man Group (Broadway) Franky Perez Keyshia Cole Bobby Valentino Future Kool & the Gang Bone, Thugs & Harmony Gavin Rossdale Kris Kristofferson Boyz II Men Ghostface Killa Kyle Cousins Brandon Flowers Gloriana Hinder Britney Spears Great Big World Lady Gaga Busta Rhymes Goo Goo Dolls Lang Lang Carnage Graham Nash Larry Goldings Charise Guns n’ Roses Lee Carr Cassie Gucci Mane Lee Hazelwood Cedric the Entertainer Gym Class Heroes Lil Jon Cee-lo Haley Reinhart Lil Wayne Celine Dion Hinder Limp Bizkit Charlie Wilson Human Nature LL Cool J Chevelle Ice-T LMFAO Chris Daughtry Icona Pop Los -
番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5