The Death of Twentieth-Century Authority
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek. -
60-Day Sprint Begins Slams Senate Gun Bill House Speaker Jose Oliva Also a Skeptic
A3 + PLUS >> Grandfather says suspect ‘not right’ since wreck, Story below UF HOOPS CHS HOOPS Gators host Boys host Ole Miss St. Francis See Page 1B See Page 1B WEDNESDAY, JANUARY 15, 2020 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.00 Lake City Reporter LAKECITYREPORTER.COM 2A/LCPD REPORT: Patient steals, wrecks ambulance GUN SHOW LEGISLATIVE SESSION UNDERWAY ‘LOOPHOLE’ DeSantis 60-day sprint begins slams Senate gun bill House Speaker Jose Oliva also a skeptic. News Service of Florida A day after a committee unanimously signed off on one of Senate President Bill Galvano’s top pri- orities, Gov. Ron DeSantis and House Speaker Jose Oliva Galvano expressed skepticism Tuesday about the sweep- ing gun-control measure. The proposal (SB 7028) would close the gun-show STEVE CANNON/AP Photos “loophole,” create a record- Sen. Rob Bradley, the Fleming Island Republican who represents Columbia County in the Legislature, gives a thumbs up as he keeping system for private leads the Senate committee to the House for the start of a joint session on Tuesday. BELOW: The Capitol as seen early Tuesday. gun sales and set aside $5 million to establish a “state- wide strategy for violence prevention,” among other things. Teacher pay at the top of the list BILL continued on 2A E-verify plan on local lawmaker’s radar, too. Grandparents By CARL MCKINNEY [email protected] say suspect Poised to tackle a variety of issues from ‘not right’ teacher pay and healthcare to immigra- tion, lawmakers assembled in Tallahassee since wreck at the start of a new legislative session Tuesday. -
Additional Images of Journalists in South Park by Todd Smilovitz
Appendix: Additional Images of Journalists in South Park By Todd Smilovitz Episode 1: “Cartman Gets an Anal Probe.” First aired August 13, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Aliens abduct Eric Cartman and install a satellite dish in his rectum. News 8 reports on crop circles, which actually look like Eric in outline. A field reporter says, “Could it be that aliens are trying to make contact with us here on Earth?” Episode 2: “Volcano.” First aired August 20, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. A volcano erupts near South Park while the boys are camping on its mountainside. Mostly banal reporting on the story by HBC standards, but Tom’s thoughts on the successful rescue of the boys is a bit melodramatic. “And now these humble people can rejoice and celebrate their jovial victory over nature. I’m getting word that the chef of the school cafeteria wants to sing a song about this thrilling struggle of humanity.” Episode 3: “Weight Gain 4000.” First aired August 27, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Eric Cartman, already overweight, begins inhaling Weight Gain 4000 to become buff. Instead, he becomes a Jabba the Hut look-alike. Meanwhile, Kathy Lee Gifford is coming to town to present Eric with an award for best essay on the rainforest. He actually wrote the essay by copying from On Walden Pond. Unfortunately for Eric, Kathy Lee is almost assassinated and leaves town just before handing the award to Eric. Eric says, “Hey, wait a minute, when do I get to be on television?” The reporter answers, “Forget it, kid. -
Questions of Popular Cult(Ure)
Questions of Popular Cult(ure) Leanne McRae Bachelor of Arts (Media Studies) Master of Arts (Media Studies) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002 Copyright License Murdoch University Library/Archives Use of Thesis This is the property of Murdoch University. However the literary rights of the author must also be respected. If any passage from this thesis is quoted or closely paraphrased in a paper or written work prepared by the user, the source of the passage must be acknowledge in the work. If the user desires to publish a paper or written work containing passages copied or closely paraphrased from this thesis, which passages would in total constitute and infringing copy for the purpose of the Copyright Act, he or she must first obtain the written permission of the author to do so. ii Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary educational institution. Leanne McRae iii Abstract Questions of Popular Cult(ure) works in the uncomfortable and unclear spaces of popular culture. This thesis demonstrates how cult cauterizes ambiguity and functions as a framing agent for unpopular politics in popular culture. In tracking the flows and hesitations in the postwar period through the rise of the New Right and identity politics, this thesis shows how cult contains moving and malleable meanings that maneuver through everyday life. It is a slippery and slight subject that denies coherent categorization in definitional frames. -
Caring Satisfactionism: Jason Hyde M.B.A., Baylor University, 1993 2011
CARING SATISFACTIONISM: A NEW THEORY OF PERSONAL WELFARE BY JASON HYDE B.S.B.A., UNIVERSITY OF MISSOURI, 1992 M.B.A., BAYLOR UNIVERSITY, 1993 J.D., UNIVERSITY OF TEXAS, 2000 B.A., UNIVERSITY OF TEXAS, 2005 M.A., UNIVERSITY OF COLORADO, 2008 A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF COLORADO IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHILOSOPHY 2011 This thesis entitled: CARING SATISFACTIONISM: A New Theory of Personal Welfare written by Jason Hyde has been approved for the Department of Philosophy Christopher Heathwood Robert Hanna Alastair Norcross Michael Tooley Benjamin Hale Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii ABSTRACT Hyde, Jason (Ph.D., Philosophy) CARING SATISFACTIONISM: A New Theory of Personal Welfare Thesis directed by Assistant Professor Christopher Heathwood Some lives go better than others. On this fact there is virtually no disagreement. If that is true, then what makes it so? Answers to this question are theories of personal welfare. This dissertation provides such a theory that claims, roughly, that a life goes better for the person who lives it to the extent he gets what he cares about getting and he believes he is getting those things. This dissertation is structured as follows. The Prologue properly frames and details the importance of the issue of personal welfare. Chapter One examines two of the main types of personal welfare theories. -
Jesus of South Park R E E
26 MEDIA,, RELIGION and POPULAR CULTURE: Jurnalism ºi comunicare * Anul XIII, nr. 1, 2018 from extraordiinary to extra-ordiinary Jésus. de à SouthParkconcernant lesreprésentations pour enutilisant l’analysedecontenu ensuite procédé les épisodesdanslesquels Jésus apparaîtetavons les21saisons,nousavonssélectionné En regardant etdessériesd’animation. télévision, delareligion etdela delareligion populaire, de laculture et avoir révélélesstratessubséquentesdelareligion Nousarrivonsaucœurdupapieraprès culturelle. socialeet et sonsupérieurentermesdesatire considéréàlafoisl’héritierdesSimpsons populaire emblématiquedelaculture Central, unproduit série d’animationpouradultestransmiseparComedy dansSouthPark,la façon dontJésusestreprésenté Jesus, SouthPark,popularculture. ofJesus. representations the Park-specific categoriesandthemesregarding byusingcontentanalysistoidentifySouth proceeded selected theepisodesinwhichJesusappearsandthen we shows. Lookingatthe21seasonsofshow, andanimated andtelevisionreligion religion andpopularculture, the subsequentstrataofreligion ofthepaperafterrevealing arriveatthecore We its superiorintermsofsocialandculturalsatire. boththeheirtoTheSimpsonsand considered product animated showSouthPark,aniconicpopularculture intheComedyCentraladult-oriented represented University ofBucharest,Romania Anca ANTON, Jesus ofSouthPark Culture: inPopular Religious Representations L’article se concentre surl’identificationdela seconcentre L’article Résumé adultanimatedseries, Religious representations, Keywords The paperfocusesonidentifyinghowJesusis -
The Rhetorics of Legal Authority Constructing Authoritativeness, the “Ellen Effect,” and the Example of Sodomy Law
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2002 The Rhetorics of Legal Authority Constructing Authoritativeness, the “Ellen Effect,” and the Example of Sodomy Law. Kris Franklin New York Law School, [email protected] Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Part of the Legal Education Commons, Legal Writing and Research Commons, and the Sexuality and the Law Commons Recommended Citation 33 Rutgers L.J. 49 (2001-2002) This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. THE RHETORICS OF LEGAL AUTHORITY CONSTRUCTING AUTHORITATIVENESS, THE "ELLEN EFFECT," AND THE EXAMPLE OF SODOMY LAW Kris Franklin* "'Respect Ma Authoritah!'"" I. INTRODUCTION When The New York Times lead story is a discussion of controversies over whether legal citation in judicial opinions belongs in text or in footnotes, 2 something must be up. Mention legal citation to most lawyers, judges, law professors and even the law review editors-to whom it can seem like a life's work-and their eyes rapidly choose one of two strategies: rolling upwards or glazing over. But if the subject is so tedious or irrelevant to the intellectual work of law that even those most involved in the process cannot maintain interest in it, why do Times editors assume the topic cannot only captivate a general audience, but is of such significance that it deserves attention before any other national or international news? Perhaps the answer lies less in the issue of citation style, as the Times article framed the question, 3 and more in what is at stake in the matter. -
Proquest Dissertations
Performing the label "LD": An ethnography of United States undergraduates with learning disabilities Item Type text; Dissertation-Reproduction (electronic) Authors England-Kennedy, Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 15:51:07 Link to Item http://hdl.handle.net/10150/289803 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality Illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to t)e removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9' black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Accenteur Alpin Pěvuška Podhorní
Tento pohádkový slovník slovník obsahuje: 1. Jména dílů seriálů v originále a s českým názvem: Shippuden, Naruto, Simpsonovi do 18. série, Ženatý se zá- vazky, Startrek, Startrek Enterprise, Gumídci, Rychlá rota, Mighty Morphins Power Rangers, Southpark, Futu- rama, SG1, Xena, Přátelé, Scooby Doo, Charmed, Oban, Letohrátky, Krok za krokem, Dawsonův svět, Černá zmije, Kačeří příběhy, Teenage Mutant Ninja Turtles 2. Pojmy a postavy z Harry Potter, Kniha džunglí, Úžasňákovi, Pán prstenů 3. Seznam všech digimonů a pokémonů 4. všechny Bartovy nápisy na tabuli na začátku Simpsonů 5. část epizot Spongebob, Šmoulové České názvy nejsou oficiálními překlady, ale jsou to názvy, pod kterými se daný seriál u nás vysílal. Pokud je tam názvů více, seriál se vysílal pod různými názvy. Některé seirály se rovněž vysílaly v odlišném pořadí než v originále a s jimým rozsahem dílů. Pokud byla epizoda vícedílná, obvykle se všechny její části jmenují stej- ně. Pokud je některý díl uvedený vícekrát, byl v různých seriálech. Některé díly mají i rozdílný pravopis A Bad Reflection on You Ve špatném světle (Mighty A Fly in the Ointment El Fůňo (Rychlá rota) Morphin Power Rangers) A Foster/Lambert Production Už je to tady! (Krok A Baloo Switcheroo Jak nebýt ve své kůži (Letohrát- za krokem) ky) A Fresh Start Čerstvý Začátek (Oban) A Bicyclops Built for Two Leela se vdává (Futura- A Friend in Need Part I V nouzi poznáš přítele, část ma), O původu kyklopů (Futurama) 1 (Mighty Morphin Power Rangers) A Big Piece of Garbage Drtivý dopad (Futurama) A Gummi By Any Other -
Introducing Philosophy Through Pop Culture from Socrates to South Park, Hume to House
Introducing Philosophy through Pop Culture From Socrates to South Park, Hume to House Edited by William Irwin and David Kyle Johnson A John Wiley & Sons, Ltd., Publication Introducing Philosophy through Pop Culture Introducing Philosophy through Pop Culture From Socrates to South Park, Hume to House Edited by William Irwin and David Kyle Johnson A John Wiley & Sons, Ltd., Publication This edition first published 2010 © 2010 John Wiley & Sons Inc. except for editorial material and organization © 2010 William Irwin and David Kyle Johnson Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of William Irwin and David Kyle Johnson to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.