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COVID-19: How Hateful Extremists Are Exploiting the Pandemic
COVID-19 How hateful extremists are exploiting the pandemic July 2020 Contents 3 Introduction 5 Summary 6 Findings and recommendations 7 Beliefs and attitudes 12 Behaviours and activities 14 Harms 16 Conclusion and recommendations Commission for Countering Extremism Introduction that COVID-19 is punishment on China for their treatment of Uighurs Muslims.3 Other conspiracy theories suggest the virus is part of a Jewish plot4 or that 5G is to blame.5 The latter has led to attacks on 5G masts and telecoms engineers.6 We are seeing many of these same narratives reoccur across a wide range of different ideologies. Fake news about minority communities has circulated on social media in an attempt to whip up hatred. These include false claims that mosques have remained open during 7 Since the outbreak of the coronavirus (COVID-19) lockdown. Evidence has also shown that pandemic, the Commission for Countering ‘Far Right politicians and news agencies [...] Extremism has heard increasing reports of capitalis[ed] on the virus to push forward their 8 extremists exploiting the crisis to sow division anti-immigrant and populist message’. Content and undermine the social fabric of our country. such as this normalises Far Right attitudes and helps to reinforce intolerant and hateful views We have heard reports of British Far Right towards ethnic, racial or religious communities. activists and Neo-Nazi groups promoting anti-minority narratives by encouraging users Practitioners have told us how some Islamist to deliberately infect groups, including Jewish activists may be exploiting legitimate concerns communities1 and of Islamists propagating regarding securitisation to deliberately drive a anti-democratic and anti-Western narratives, wedge between communities and the British 9 claiming that COVID-19 is divine punishment state. -
Avanessian – Xenoarchitecture (Draft) 1 Introduction Armen Avanessian
avanessian – xenoarchitecture (draft) Introduction Armen Avanessian “Man’s desire is the desire of the Other,” Lacan, Seminar XI, p. 235 Following Lacan’s infamous dictum, according to which desire is defined as the desire of the Other, we could ask ourselves what a correlate methodology would look like for the humanities (or should we say “the inhumanities”?). Obviously, the structure of the phrase is ambiguous, or even tautological if taken as a predicative proposition. Instead, I propose to read it as a speculative proposition: we do not simply desire what the other has or hasn’t got, but we desire the state of being an Other, an othering, becoming a stranger to oneself and others—literally alienating them as well as “ourselves.” A desire for the xeno? This transformation has at least three central aspects: alienation (the negative mirroring of a given reality), negation (the construction of an asymmetry that initiates an annihilation of the positively given), and a recursion of alienation and negation through speculation.1 It is a poietic qua productive and creative transformation in the sense that it increases the scope of navigation and liberation by means of manipulation. Together with others, I have thought, experimented, and written a lot about questions of othering and “matching” experimental settings2 for the production of knowledge, tactical spaces in the sense of Michel de Certeau, xeno-spaces that are defined by “a calculated action determined by the absence of a proper locus. No delimitation of an exteriority, then, provides it with the condition necessary for autonomy. The space of a tactic is the space of the Other. -
Identity & In-Group Critique in James Mason's Siege
A Paler Shade of White: Identity & In-group Critique in James Mason’s Siege J.M. Berger RESOLVE NETWORK | April 2021 Racially and Ethnically Motivated Violent Extremism Series https://doi.org/10.37805/remve2021.1 The views expressed in this publication are those of the author. They do not necessarily reflect the views of the RESOLVE Network, the U.S. Institute of Peace, or any entity of the U.S. government. CONTENTS EXECUTIVE SUMMARY ......................................................................................... 1 INTRODUCTION ...................................................................................................... 2 HISTORY AND CONTEXT ...................................................................................... 4 METHODOLOGY: LINKAGEBASED ANALYSIS ............................................... 6 OVERVIEW OF CONTENT ..................................................................................... 7 INGROUP CRISIS: A PALER SHADE OF WHITE .............................................13 INGROUPS IN CRISIS ........................................................................................20 THE OUTGROUP IN THE INGROUP ...............................................................23 CONCLUSION: INSIGHTS & RECOMMENDATIONS .....................................25 BIBLIOGRAPHY .....................................................................................................28 EXECUTIVE SUMMARY Discussions of extremist ideologies naturally focus on how in-groups criticize and attack out-groups. But -
New Books Catalogue 2017-18
PHILOSOPHY, PAGE 2 THEOLOGY, BIBLICAL STUDIES& PAGE 29 RELIGIOUS STUDIES PAGE 41 NEW BOOKS CATALOGUE 2017-18 PAGE 50 9 781350 057005 PhilTheoBib_FINAL.indd 1-2 03/08/2017 11:19 TM Instant digital access to more than 6,000 eBooks across the social sciences and humanities, including titles from The Arden Shakespeare, Continuum, Bristol Classical Press, and Berg. Subjects covered include: Anthropology • Biblical Studies • Classical Studies & Archaeology • Education • Film & Media • History • Law • Linguistics • Literary Studies • Philosophy • Religious Studies • Theology CONTENT HIGHLIGHTS FEATURES • 125 Collections, expanded annually by subject discipline • Advanced and full text search across all content. • Archive Collections in key subject areas such as ancient • Filter results by subject, series, or collection history, Christology, continental philosophy, and more • Pagination matches print exactly • Special Collections such as International Critical • Personalization features: save searches, export citations Commentary, Ancient Commentators on Aristotle, and and favorite, download, or print documents Education Around the World series • Footnotes, endnotes, and bibliographic references are hyperlinked To register your interest for a free institutional trial, or for further information email: Americas: [email protected] UK, Europe, Middle East, Africa, Asia: [email protected] Australia and New Zealand: [email protected] www.bloomsburycollections.com Collections_advert_2.indd 1 19/07/2017 08:52 Contents -
The Regulation of the Subject by the Technology of Time Maxwell Kennel [1]
Rhizomes: Cultural Studies in Emerging Knowledge: Issue 34 (2018) The Regulation of the Subject by the Technology of Time Maxwell Kennel [1] Abstract: Beginning from the entangled categories of the human and the technological, this exploration surveys thinkers who concern themselves with problems of technology and time, seeking to examine how the confluence of technology and time regulate and condition the formation of subjectivity. Drawing on Bernard Stiegler's work in Technics and Time, Augustine's Confessions, and the myth of Prometheus, the following draws out the technological character of time and makes suggestions about how to reconceptualize these different temporalizing technologies after the critique of capitalism. Surely technology, in its ever-changing form and forms, is a pharmakon that has been with us from the start. Regardless of whether we speak of technology or technologies or the broader field of techne (a practice or craft), it remains that the term ‘technology’ refers to something that, like a double-edged sword, helps us and harms us, something that we use and that uses us, and something that is at once politically charged (often subtly oriented toward particular interests and ends with particular benefactors), yet ambivalent, taking different sides at different times (and therefore available for us to use as means for our own ends).[2] Although it is at our disposal and supposedly outside of ourselves, some have argued that technology is not in fact something extra that is added onto our human nature and experience, but instead something inextricably related to both humanity and history, and indeed something that challenges the legitimacy of these categories. -
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published Twice Yearly, Mediations Is the Journal of the Marxist Literary Group
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published twice yearly, Mediations is the journal of the Marxist Literary Group. We publish dossiers of translated material on special topics and peer-reviewed general issues, usually in alternation. General inquiries and submissions should be directed to [email protected]. We invite scholarly contributions across disciplines on any topic that engages seriously with the Marxist tradition. Manuscripts received will be taken to be original, unpublished work not under consideration elsewhere. Articles should be submitted electronically in a widely-used format. Manuscripts should not exceed reasonable article length, and should be accompanied by an abstract of up to 300 words, including six keywords. Articles will be published in MLA endnote format, and should be submitted with the author’s name and affiliation on a separate cover page to facilitate blind peer review. Photographs, tables, and figures should be sent as separate files in a widely- used format. Written permission to reproduce copyright-protected material must be obtained by the author before submission. Books for review should be sent to: Mediations Department of English (MC 162) 601 South Morgan Street University of Illinois at Chicago Chicago IL 60607-7120 USA Articles published in Mediations may be reproduced for scholarly purposes without express permission, provided the reproduction is accompanied by full citation information. For archives and further information, visit http://www.mediationsjournal.org Cover -
Testimony of Lecia Brooks Chief of Staff, Southern Poverty Law Center
Testimony of Lecia Brooks Chief of Staff, Southern Poverty Law Center before the Subcommittee on National Security, International Development and Monetary Policy Committee on Financial Services United States House of Representatives Dollars against Democracy: Domestic Terrorist Financing in the Aftermath of Insurrection February 25, 2021 My name is Lecia Brooks. I am chief of staff of the Southern Poverty Law Center (SPLC). Now in our 50th year, the SPLC is a catalyst for racial justice in the South and beyond, working in partnership with communities to dismantle white supremacy, strengthen intersectional movements, and advance the human rights of all people. SPLC lawyers have worked to shut down some of the nation’s most violent white supremacist groups by winning crushing, multimillion-dollar jury verdicts on behalf of their victims. We have helped dismantle vestiges of Jim Crow, reformed juvenile justice practices, shattered barriers to equality for women, children, the LGBTQ+ community, and the disabled, and worked to protect low-wage immigrant workers from exploitation. The SPLC began tracking white supremacist activity in the 1980s, during a resurgence of the Ku Klux Klan and other organized extremist hate groups. Today, the SPLC is the premier U.S. nonprofit organization monitoring the activities of domestic hate groups and other extremists. In the early 1990s, the SPLC launched its pioneering Teaching Tolerance program to provide educators with free, anti-bias classroom resources, such as classroom documentaries and lesson plans. Now renamed Learning For Justice, our program reaches millions of schoolchildren with award-winning curricula and other materials that promote understanding of our nation’s history and respect for others, helping educators create inclusive, equitable school environments. -
Karl Marx and Poetic Form in the Communist Manifesto
FILOZOFIA ___________________________________________________________________________Roč. 71, 2016, č. 4 EPIC OR TRAGEDY? KARL MARX AND POETIC FORM IN THE COMMUNIST MANIFESTO JASON BARKER, Department of British and American Language and Culture, Kyung Hee University, South Korea BARKER, J.: Epic or Tragedy? Karl Marx and Poetic Form in The Communist Mani- festo FILOZOFIA 71, 2016, No. 4, pp. 316-327 Although The Communist Manifesto of 1848 was clearly not intended as a work of poetry, this article considers the merits of reading it according to the aesthetic criteria of epic poetry and of tragedy respectively. Following a brief treatment of the role of poetry in Karl Marx’s evolution as a philosopher and critic, the article then specu- lates that the identification of certain poetic themes in the text can aid our under- standing of the Manifesto’s political meaning, particularly in light of the “dialectical Prometheanism” that played such a defining role in Marx’s intellectual and political universe. Keywords: Dialectics − Epic − Odyssey − Prometheus − Prometheanism − Marx Introduction: Prometheus Bound and Unbound. Karl Marx’s favorite poet was Aeschylus and many personal episodes suggest the former’s incarnation as a modern Prometheus. In March 1843 the Rheinische Zeitung – which at the time was one of the largest subscription newspapers in Germany – was suppressed by the Prussian authorities and Marx resigned as its editor. A political cartoon of the period, now famous, was pub- lished depicting Marx bound to a printing press with a Prussian eagle biting out his liver. The final issue of the Rheinische Zeitung carried the following short poem: Our mast blew down, but we were not affrighted, The angry gods could never make us bend. -
Aesthetics of Form Revisited Éric Alliez Art & Language
/3AB63B71A =4 4=@; @3D7A7B32 p@71 /::73H /@B :/<5C/53 /@;3< /D/<3AA7/< :C7A 1/;<7BH3@ A30/AB7/< 353<6=43@ 2=@=B63/ D=< 6/<B3:;/<< 0@7/< 6=:;3A >/;3:/ ; :33 AB3E/@B ;/@B7< 16@7AB=>6 ;3<93 >3B3@ =A0=@<3 8=6< @/816;/< 8C:7/<3 @303<B7A16 :C93 A9@30=EA97 ‘Aurai-je encore besoin des formes?’ This self-reflexive state- ment, made by Matisse in 1942, is only one example, albeit a telling one, of the struggle with the question of form in art and art theory that would intensify over the course of the twentieth century. While the entire time period of modernity can be seen as occupied with the problematics of form, there has nevertheless been a steady critical distanciation from such concerns over the last few decades. Looking at recent developments in thinking about form, we can determine a particular schema: on the one hand central topoi such as dissolution, opening and break demonstrate the residue of a revolutionary formal rhetoric; on the other hand a negatively inflected understanding of form has been projected as a synonym for paralysed social, political and artistic circum- stances. For numerous reasons, we should object to such overly hasty disavowals of form and instead attempt to examine the seemingly old-fashioned concept of ‘form’ once again in view of contemporary aesthetic reflections. A first requirement is to object to the conception of form as ‘paralysed’, a notion which we can clearly see belied in concepts such as Documenta XII’s ‘migration of form’ (wherein the particular formal meaning of individual artworks was deprioritized in favour of new formal configu- rations created at a curatorial level). -
Aesthetic Temporalities Today Present, Presentness, Re-Presentation
From: Gabriele Genge, Ludger Schwarte, Angela Stercken (eds.) Aesthetic Temporalities Today Present, Presentness, Re-Presentation September 2020, 278 p., pb., 33 B&W-ill., 44 col.-ill. 40,00 € (DE), 978-3-8376-5462-2 E-Book: PDF: 39,99 € (DE), ISBN 978-3-8394-5462-6 This volume is dedicated to the interrelation between temporality and representation. It presumes that time cannot be conceived of as an abstract chronometric order, but that it is referring to materiality, being measured, represented, expressed, recognized, experienced and evaluated, and therefore is always closely related to cultural contexts of perception and evaluation. The contributions from various disciplines are dedicated to the present and its plural condi- tions and meanings. They provide insights into the state of research with special emphasis on the global present as well as on art and aesthetics from the 18th century until today. The anthology includes contributions by Mieke Bal, Stefan Binder, Maximilian Bergengruen, Iris Därmann, Gabriele Genge, Boris Roman Gibhardt, Boris Groys, Maria Muhle, Johannes F. Lehmann, Nkiru Nzegwu, Francesca Raimondi, Christine Ross, Ludger Schwarte, Angela Stercken, Samuel Strehle, Timm Trausch, Patrick Stoffel, and Christina Wessely. Gabriele Genge is a professor for Modern and Contemporary art history and art theory at the University Duisburg-Essen. Her recent research covers particularly transcultural and post- colonial areas of the discipline with a specific focus on French Colonialism and African and African-American image theory, knowledge systems and epistemology as well as migratory issues in Art History. She supervised the DFG research project »The Anachronic and the Present: Aesthetic Perception and Artistic Concepts of Temporality in the Black Atlantic.« Ludger Schwarte is a professor of philosophy at the Kunstakademie Duesseldorf. -
Time Matters
APRIA #02 March 2021 Time Matters Peter Sonderen / Laurie Hermans and Katía Truijen / Ienke Kastelein / Marijke Goeting / Jesse Ahlers / Paula Walta / Claudia Molitor / Liza Rinkema / Terike Haapoja / Alice Smits / Rick Dolphijn / Sharon Stewart / Frans Sturkenboom / Saskia Isabella Maria Korsten / Korsten & De Jong / Joep Christenhusz / Sophie Krier, Christel Vesters / Monique Peperkamp APRIA #02 Content 4 Editorial: Time Matters (An Introduction) Peter Sonderen 21 Something Temporary: In Search of Circular Time Laurie Hermans, Katía Truijen 22 Walking Time Ienke Kastelein 35 Through the Time Barrier: Art, Design, and Our Changing Sense of Time in the Digital Age Marijke Goeting 51 How Strange, Her Voice: On Mourning, Language, Texture and Time Jesse Ahlers 54 La Durée Paula Walta 57 Composition as Hyperobject Claudia Molitor 65 (non)human histories: rock reading and remembering as strategies of telling time Liza Rinkema 72 In and Out of Time Terike Haapoja APRIA #02 Content 75 Othering Time: Strategies of attunement to non-human temporalities Alice Smits 84 A Call to Recognise and to Imagine: Amitav Ghosh, and Others, on Writing the Earth Differently Rick Dolphijn 92 moonsong (I have dwelt upon the moon) Sharon Stewart 109 Time in the Work of Frank Lloyd Wright Frans Sturkenboom 122 REREREreREREreRERERERERE Parasite Saskia Isabella Maria Korsten 136 Text[ure] Korsten & De Jong 143 Soundings of Ecological Time in Contemporary Music and Sound Art Joep Christenhusz 154 Overtime Sophie Krier, Christel Vesters 166 Ecological Time: Natures that Matter to Activism and Art Monique Peperkamp 184 Colophon APRIA #02 March 2021 Peter Sonderen Time Matters* (an introduction) There is no time, right?, left. -
“I Am an Other and I Always Was…”
Hugvísindasvið “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness May 2019 Háskóli Íslands Hugvísindad Menningarfræði “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness Kt.: 150676-2829 Tutor: Björn Þór Vilhjálmsson May 2019 Abstract Society today is undergoing a series of processes and changes that can be only be described as weird. From the apocalyptic resonance of climate change and the drive to implement increasing powerful technologies into everyday life, to the hyperreality of a political and media landscape beset by chaos, there is the uneasy feeling that society, culture, and even consensual reality is beginning to experience signs of disintegration. What was considered the insanity of the margins is now experienced in the mainstream, and there is a growing feeling of wrongness, that the previous presumptions of the self, other, reality and knowledge are becoming untenable. This thesis undertakes a detailed examination of the weird and eerie as both an aesthetic register and as a critical tool in analysing the relationship between individuals and an impersonal modern society, where agency and intention is not solely the preserve of the human and there is a feeling not so much of being to act, and being acted upon. Using the definitions and characteristics of the weird and eerie provided by Mark Fisher’s critical text, The Weird and the Eerie, I set the weird and eerie in a historical context specifically regarding both the gothic, weird fiction and with the uncanny, I then analyse the presence of the weird and the eerie present in two cultural phenomena, the online phenomenon of the Slender Man, and J.G.