SP3145 the Cinema of Luis Buñuel | Readinglists@Leicester

09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

SP3145 The Cinema of Luis Buñuel View Online

[1]

Buñuel, Luis, Short, Robert, and Dalí, Salvador, ‘Un chien andalou =: An Andalusian dog.’ BFI, London.

[2]

Buñuel, Luis, Alcoriza, Luis, Inda, Stella, and Cobo, Roberto, ‘Los olvidados.’ 3DD, [S.l.], 2010.

[3]

Modot, Gaston, Dalí, Salvador, Buñuel, Luis, and Lys, Lya, ‘L’age d'or =: Edad de oro.’ S.l.] BFI.

[4]

Buñuel, Luis, Rey Martínez, Fernando, and Pinal, Silvia, ‘Viridiana.’ Arrow Films, [S.l.], 2006.

[5]

Buñuel, Luis, Bergamin, José, Alcoriza, Luis, Pinal, Silvia, Rambal, Enrique, and Brook, Claudio, ‘El ángel exterminador =: The exterminating angel’, vol. Criterion collection. Criterion, [S.l.], 2008.

[6]

Buñuel, Luis, Rey Martínez, Fernando, and Seyrig, Delphine, ‘Le charme discret de la

1/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

bourgeoisie =: The discreet charm of the bourgeoisie’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

[7]

Buñuel, Luis, Sorel, Jean, Piccoli, Michel, Carrière, Jean-Claude, and Deneuve, Catherine, ‘Belle de jour’, vol. Luis Buñuel collection. Optimum, S.l.].

[8]

Buñuel, Luis and Unik, Pierre, ‘Las hurdes =: Land without bread.’ Umbrella, [S.l.], 2009.

[9]

Buñuel, Luis and Rabal, Francisco, ‘Nazarín’, vol. Buñuel collection. Yume, [S.l.], 2006.

[10]

Brook, Claudio, Pinal, Silvia, and Buñuel, Luis, ‘Simón del desierto =: Simon of the desert’, vol. Criterion collection. Criterion, [S.l.], 2009.

[11]

Buñuel, Luis, Moreau, Jeanne, Geret, Georges, Piccoli, Michel, and Mirbeau, Octave, ‘Le journal d’une femme de chambre =: The diary of a chambermaid’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

[12]

Terzieff, Laurent, Frankeur, Paul, and Buñuel, Luis, ‘La voie lactée =: The milky way’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

[13]

Pérez Galdós, Benito, Buñuel, Luis, Deneuve, Catherine, and Rey Martínez, Fernando, ‘Tristana’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

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[14]

Buñuel, Luis and Brialy, Jean-Claude, ‘Le fantôme de la liberté =: The phantom of liberty’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

[15]

Buñuel, Luis and Rey Martínez, Fernando, ‘Cet obscur objet du désir =: That obscure object of desire’, vol. Luis Buñuel collection. Optimum Releasing, [S.l.], 2006.

[16]

Deleuze, Gilles, Cinema: 1: The movement-image. London: Athlone Press, 1992.

[17]

Deleuze, Gilles, Cinema: 2: The time-image. London: The Athlone Press, 1989.

[18]

Bordwell, David and Thompson, Kristin, Film art: an introduction, 10th ed., international ed. New York, N.Y.: McGraw-Hill, 2013.

[19]

Monaco, James and Lindroth, David, How to read a film, movies, media, and beyond: art, technology, language, history, theory, 4th ed. completely revised and expanded. Oxford: Oxford University Press, 2009.

[20]

Higginbotham, Virginia, Spanish film under Franco. Austin, Tex: University of Texas Press, 1988.

[21]

3/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

Fuentes, Víctor, Buñuel en México: iluminaciones sobre una pantalla pobre, vol. Colección Luis Buñuel. Estudios y documentos. Teruel: Instituto de Estudios Turolenses, Excma. Diputación Provincial de Teruel, 1993.

[22]

Acevedo-Munoz, Ernesto R., Buñuel and Mexico: the crisis of national cinema. Berkeley: University of California Press, 2003 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057124

[23]

Fowler, Catherine, The European cinema reader. London: Routledge, 2002.

[24]

Gubern, Román, Proyector de luna: la generación del 27 y el cine, vol. Colección Argumentos. Barcelona: Editorial Anagrama, 1999.

[25]

Cardinal, Roger and Short, Robert Stuart, Surrealism: permanent revelation. London: Studio Vista, 1970.

[26]

B. Elder, Dada, surrealism, and the cinematic effect, vol. Film and media studies series. Waterloo, Ont: Wilfrid Laurier University Press, 2013 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=512200

[27]

A. Frank, Reframing reality: the aesthetics of the surrealist object in French and Czech cinema. Bristol, England: Intellect, 2013 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10825878

[28]

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Freud, Sigmund, Strachey, James, Freud, Anna, Strachey, Alix, and Tyson, Alan, The standard edition of the complete psychological works of Sigmund Freud: Volume XXI (1927-1931). The future of an illusion ; Civilization and its discontents ; and other works. London: Vintage, 2001.

[29]

Freud, Sigmund and Strachey, James, The interpretation of dreams. New York: Basic Books, 2010.

[30]

Freud, Sigmund, McLintock, David, and Haughton, Hugh, The uncanny, vol. Modern classics. London: Penguin, 2003.

[31]

Hammond, Paul, The shadow and its shadow: surrealist writings on the cinema, 3rd ed., rev. and expanded. San Francisco, Calif: City Lights Books, 2000.

[32]

G. Harper and R. Stone, The unsilvered screen: surrealism on film. London: Wallflower, 2007.

[33]

D. Hopkins, Dada and Surrealism: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2004 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=75256

[34]

E. H. King, Dalí, surrealism and cinema. Harpenden: Kamera Books, 2007.

[35]

Kuenzli, Rudolf E., Dada and surrealist film. Cambridge, Mass: The MIT Press, 1996.

5/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[36]

A. Lowenstein, Dreaming of cinema: spectatorship, surrealism, and the age of digital media, vol. Film and culture. New York: Columbia University Press, 2015 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5662768490002746&institutionId=2746&customerId=2745

[37]

R. Short, The age of gold: Dalí, Bunuel, Artaud : Surrealist cinema, New ed. Los Angeles, Calif: Solar Books, 2008.

[38]

Storr, Anthony, Freud: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2001 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663025950002746&institutionId=2746&customerId=2745

[39]

Waldberg, Patrick, Surrealism, vol. World of art. New York, N.Y: Thames & Hudson, 1997.

[40]

Williams, Linda, Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: University of California Press, 1981.

[41]

A. Bazin, BuÃ±uel, Dreyer, Welles. Madrid: Editorial Fundamentos, 1984.

[42]

Buñuel, Luis, Mi último suspiro, 2 ed. Barcelona: Plaza & Janes, 2001.

6/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[43]

Buñuel, Luis, My last breath. London: Vintage, 1994.

[44]

Gubern, Román and Hammond, Paul, Luis Buñuel: the red years, 1929-1939. Madison, Wis: The University of Wisconsin Press, 2012 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663774200002746&institutionId=2746&customerId=2745

[45]

Buñuel, Luis, Vazquez, Juan Jose, and Residencia de Estudiantes, Luis Buñuel: el ojo de la libertad : [exposición] febrero-mayo 2000. Madrid: Publicaciones de la Residencia de Estudiantes.

[46]

Urrero Pena, Guzman, Por Un Retrato De Luis Bunuel: Entrevista Con Carlos Saura Y Francisco Rabal. .

[47]

Buñuel, Luis, Colina, José de la, Pérez Turent, Tomás, and Lenti, Paul, Objects of desire: conversations with Luis Buñuel. New York: Marsilio, 1992.

[48]

Pérez Turrent, Tomás and Colina, José de la, Buñuel por Buñuel. Madrid: Plot, 1993.

[49]

Buñuel, Luis and López Villegas, Manuel, Escritos de Luis Buñuel, vol. Colección fundidos en negro. Madrid: Editorial Páginas de Espuma, 2000.

7/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[50]

Buñuel, Luis and White, Garrett, An unspeakable betrayal: selected writings of Luis Buñuel. Berkeley: University of California Press, 2000.

[51]

Baxter, John, Buñuel. London: Fourth Estate, 1994.

[52]

Edwards, Gwynne, Lorca, Bun ̋ uel, Dalí: forbidden pleasures and connected lives. London: I.B. Tauris, 2009 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10359171

[53]

Delgado, Manuel, García Lorca, Federico, Buñuel, Luis, Dalí, Salvador, and Poust, Alice Jan, Lorca, Buñuel, Dalí: art and theory, vol. Bucknell review. Lewisburg, [Pa.]: Bucknell University Press, 2001.

[54]

Buñuel, Luis, Buñuel: 100 years : it’s dangerous to look inside =. New York: Co-published by the Museum of Modern Art and the Instituto Cervantes, 2001.

[55]

I. Gibson, Luis BuÃ±uel: la forja de un cineasta universal : 1900-1938, Primera ediciÃ3n. Madrid: Aguilar, 2013.

[56]

M. Ibarz, Buäunel documental: Tierra sin pan y su tiempo, vol. Imagen y communicaciòn. Zaragoza: Prensas Universitarias de Zaragoza, 1999.

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[57]

J. Lastra, ‘“Why is this Absurd Picture Here?: Ethnology/Heterology/Buñuel”’, in Rites of realism : essays on corporeal cinema, I. Margulies, Ed. Durham: Duke University Press, 2003.

[58]

Kinder, Marsha, Blood cinema: the reconstruction of national identity in Spain. Berkeley, Calif: University of California Press, 1993.

[59]

Harcourt, Peter, Six European directors: essays on the meaning of film style, vol. Pelican books. Harmondsworth, Eng: Penguin Books.

[60]

Bazin, André, The cinema of cruelty: from Buñuel to Hitchcock. New York: Arcade Publishing, 2013.

[61]

Buache, Freddy, The cinema of Luis Buñuel, vol. International film guide series. London: Tantivy Press, 1973.

[62]

A. Davies, N. Rodríguez, and L. Buñuel, Reverse angle, cinema and anthropology. [Madrid]: Obra Social Caja Madrid, 2007.

[63]

Sandro, Paul, Diversions of pleasure: Luis Bunuel and the crises of desire. Columbus, Ohio: Ohio State University Press, 1987.

9/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[64]

Sánchez Vidal, Agustín, El mundo de Luis Buñuel. Zaragoza: Caja de Ahorros de la Inmaculada de Aragón, 2000.

[65]

Vela Bueno, José Carlos and Buñuel, Luis, Degradación y vanguardia en las películas galdosianas de Buñuel. Morata de Tajuña: Editorial Manuscritos, 2011.

[66]

Buñuel, Luis, Vazquez, Juan Jose, and Residencia de Estudiantes, Luis Buñuel: el ojo de la libertad : [exposición] febrero-mayo 2000. Madrid: Publicaciones de la Residencia de Estudiantes.

[67]

Rees, Margaret A. and Buñuel, Luis, Luis Buñuel: a symposium : papers given at Trinity and All Saints’ College, 12-14 November 1982. Leeds: The College, 1983.

[68]

Fuentes, Víctor and Buñuel, Luis, Los mundos de Buñuel, vol. Akal Cine. Torrejón Ardoz: Akal, 2000.

[69]

J. Herrera Navarro, Luis BuÃ±uel en su archivo: de ‘Los olvidados’ a ‘Viridiana’, vol. Tezontle. Madrid: Fondo de Cultura Económica de España, 2015.

[70]

Pérez Turrent, Tomás and Colina, José de la, Buñuel por Buñuel. Madrid: Plot, 1993.

[71]

Stone, Rob and Gutiérrez-Albilla, Julián Daniel, A companion to Luis Bunuel, vol.

10/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

Wiley-Blackwell companions to film directors. Malden, Mass: Wiley-Blackwell, 2013 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664317170002746&institutionId=2746&customerId=2745

[72]

Gutiérrez-Albilla, Julián Daniel, Queering Buñuel: sexual dissidence and psychoanalysis in his Mexican and Spanish cinema. London: Tauris Academic Studies, 2008.

[73]

Fuentes, Víctor, La mirada de Buñuel: cine, literatura y vida, 1. ed. Madrid: Tabla Rasa Libros y Ediciones, 2005.

[74]

[75]

Fiddian, Robin W. and Evans, Peter William, Challenges to authority: fiction and film in contemporary Spain, vol. Coleccion Tamesis. Serie A, monografias. London: Tamesis, 1988.

[76]

Mellen, Joan, The world of Luis Buñuel: essays in criticism. Oxford: Oxford University Press, 1978.

[77]

Evans, Peter William, The films of Luis Buñuel: subjectivity and desire, vol. Oxford Hispanic studies. Oxford: Clarendon Press, 1995.

[78]

11/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

Evans, Peter William and Santaolalla, Isabel, Luis Buñuel: new readings. London: BFI Pub, 2004.

[79]

Edwards, Gwynne, The discreet art of Luis Bunuel: a reading of his films. London: Boyars, 1982.

[80]

Edwards, Gwynne, A companion to Luis Buñuel, vol. Colección Támesis. Serie A, Monografías. Woodbridge: Tamesis, 2005.

[81]

Durgnat, Raymond, Luis Buñuel, 2nd ed., vol. Movie paperbacks. London: Studio Vista, 1968.

[82]

Buñuel, Luis, Colina, José de la, Pérez Turent, Tomás, and Lenti, Paul, Objects of desire: conversations with Luis Buñuel. New York: Marsilio, 1992.

[83]

Buñuel, Luis, Buñuel: 100 years : it’s dangerous to look inside =. New York: Co-published by the Museum of Modern Art and the Instituto Cervantes, 2001.

[84]

Bikandi-Mejias, Aitor, El carnaval de Luis Buñuel: estudios sobre una tradición cultural, vol. Colección Hermes. Madrid: Laberinto.

[85]

Bermúdez, Xavier, Buñuel: espejo y sueño, vol. Contraluz, libros de cine. Valencia: Ediciones de la Mirada.

12/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[86]

P. Begin, ‘Entomology as anthropology in the films of Luis Bunuel’, Screen, vol. 48, no. 4, pp. 425–442, Jan. 2007, doi: 10.1093/screen/hjm046.

[87]

Aranda, J. Francisco, Luis Buñuel: a critical biography, American ed. New York: Da Capo Press, 1976.

[88]

[89]

Evans, ‘Un amour Still Fou: Late Buñuel’, in The unsilvered screen: surrealism on film, London: Wallflower, 2007, pp. 38–47.

[90]

Poyato Sánchez, Pedro, El sistema estético de Luis Buñuel, vol. Comunicación. [Bilbao]: Universidad del País Vasco, Servicio Editorial = Euskal Herriko Unibertsitatea, Argitalpen Zerbitzua, 2011.

[91]

V. Fuentes, Buñuel: del surrealismo al terrorismo : (ensayos), vol. Cuatro vientos. Sevilla: Renacimiento, 2013.

[92]

E. A. Scarlett, Religion and Spanish film: Luis BuÃ±uel, the Franco era, and contemporary directors. Ann Arbor: The University of Michigan Press, 2014.

13/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[93]

R. Short, The age of gold: Dalí, Bunuel, Artaud : Surrealist cinema, New ed. Los Angeles, Calif: Solar Books, 2008.

[94]

G. Harper and R. Stone, The unsilvered screen: surrealism on film. London: Wallflower, 2007.

[95]

P. Drummond, ‘Surrealism and Un Chien Andalou’, in Un chien andalou, London: Faber and Faber, 1994, pp. v–xxiii.

[96]

Short, Robert, Buñuel, Luis, and Dalí, Salvador, Un chien Andalou, L’age d'or. S.l.]: BFI.

[97]

Williams, Linda, Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: University of California Press, 1981.

[98]

Dalí, Salvador, Buñuel, Luis, Vigo, Jean, and Drummond, Phillip, Un chien andalou. London: Faber and Faber, 1994.

[99]

Adamowicz, Elza, Un chien andalou: (Luis Buñuel and Salvador Dali, 1929), vol. Ciné-files : the French film guides. London: I.B. Tauris, 2010 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10424524

14/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

[100]

A. Weiss, ‘“Between the sign of the scorpion and the sign of the cross: L”Âge d’or'’, in Dada and Surrealist Film, R. Kuenzli, Ed. Cambridge, MA and London: MIT Press, 1996.

[101]

Williams, Linda, Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: University of California Press, 1981.

[102]

J. Savage, ‘“L”Amour Fou: Nationalism, Patriarchy and the Nuptual Farce in L’Âge d’or and Un chapeau de paille d’Italie’’, Studies in French Cinema, vol. 7, no. 3, 2007.

[103]

S. Penn, ‘“L”Âge d’or to El día de la Bestia: Between the Ideal and the Unspeakable’’, Journal of Iberian and Latin American Studies, vol. 11, no. 1, 2005.

[104]

Hammond, Paul, Buñuel, Luis, and Dalí, Salvador, L’Âge d'or, vol. BFI film classics. London: British Film Institute, 1997.

[105]

Andrew, ‘L’Âge d’or and the Eroticism of the Spirit’, in Masterpieces of modernist cinema, Bloomington, Ind: Indiana University Press, 2006, pp. 111–137.

[106]

P. W. Evans, ‘“Los olvidados and the Uncanny”’, in The Films of luis Buñuel: Subjectivity and Desire, Oxford: Oxford University Press, 1995.

[107]

Buñuel, Luis, Sánchez Vidal, Agustín, and Buñuel, Luis, Los olvidados: una película de Luis

15/18 09/26/21 SP3145 The Cinema of Luis Buñuel | readinglists@leicester

Buñuel. [S.l.]: Turner, 2004.

[108]

Ros Galiana, Fernando and Crespo y Crespo, Rebeca, Los olvidados: Luis Buñuel (1950), vol. Guías para ver y analizar cine. Barcelona: Octaedro.

[109]

Polizzotti, Mark, Los olvidados, vol. BFI film classics. London: British Film Institute, 2006.

[110]

Buñuel, Luis, Peña-Ardid, Carmen, and Lahuerta Guillén, Víctor M., Buñuel 1950: Los olvidados : guión y documentos, vol. Colección Luis Buñuel. Estudios y documentos. Teruel: Instituto de Estudios Turolenses, 2007.

[111]

Evans, Peter William, ‘Return of the repressed.’, Sight & Sound, vol. 17, no. 5, pp. 10–10, 2007 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505225770&site=ehost-l ive

[112]

Vela Bueno, José Carlos and Buñuel, Luis, Degradación y vanguardia en las películas galdosianas de Buñuel. Morata de Tajuña: Editorial Manuscritos, 2011.

[113]

Sánchez-Biosca, Vicente and Buñuel, Luis, Viridiana, vol. Paidós películas. Barcelona: Ediciones Paidós, 1999.

[114]

R. J. Miles, ‘Virgin on the edge: Luis Bunuel’s transnational trope’, Studies in Hispanic

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Cinemas, vol. 2, no. 3, pp. 169–188, Jul. 2006, doi: 10.1386/shci.2.3.169/1.

[115]

T. Conley, ‘“Viridiana Coca-Cola”’, in Burning Darkness: A Half Century of Spanish Cinema, J. R. Resina, Ed. New York: State University of New York Press, 2008 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10576010

[116]

Forcer, Stephen, ‘Trust me, I’m a director: sex, sadomachism and institutionalization in Luis Bunuel's Belle de Jour (1967)’, Studies in European Cinema, vol. 1, no. 1 [Online]. Available: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=T_B&iss n=1741-1548

[117]

D. Russell, ‘ ’Buñuel: Storytelling, Desire and the Question of Rape’, in Rape in Art Cinema, Dominique Russell, Ed. London: Continuum, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=743103

[118]

M. Annella, ‘“Viridiana”’, in European Cinema: An Introduction, J. Forbes and S. Street, Eds. Basingstoke: Palgrave, 2000.

[119]

P. W. Evans, ‘“Viridiana”’, in The Cinema of Spain and Portugal, New York: Wallflower, 2005, pp. 99–107.

[120]

Edwards, Gwynne, Indecent exposures: Buñuel, Saura, Erice & Almodóvar. London: Marion Boyars, 1995.

[121]

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M. Esslin, ‘“The Theatre of the Absurd”’, Tulane Drama Review, vol. 4, no. 4, 1960.

[122]

L. Buñuel and L. BuÃ±uel, The exterminating angel, vol. Green Integer. København: Green Integer, 2003.

[123]

R. J. Miles, ‘“Crossing the Line in Mexico: Luis Buñuel”s El ángel exterminador’’, in Latin American Cinema: Essays on Modernity, Gender and National Identity, L. Shaw and S. Dennison, Eds. Jefferson, N.C.: McFarland & Co, 2005.

[124]

B. Pérez Soler, ‘“Heimlichkeit destroyed: Freud”s «The "Uncanny”» and The Exterminating Angel’’, in Buñuel Siglo XXI, I. Santoalalla, Ed. Zaragoza: Prensas Universitarias de Zaragoza, 2004.

[125]

Wood, Michael, Belle de jour, vol. BFI film classics. London: British Film Institute, 2000.

[126]

Forcer, Stephen, ‘Trust me, I’m a director: sex, sadomachism and institutionalization in Luis Bunuel's Belle de Jour (1967)’, Studies in European Cinema, vol. 1, no. 1, 2004.

[127]

Kinder, Marsha, Luis Buñuel’s ‘The discreet charm of the Bourgeoisie’, vol. Cambridge film handbooks. Cambridge: Cambridge University Press, 1999.

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