PD030 Elenco CD Sezione Informatica a Dicembre 2011
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Racoon 04-05.3.Pub
1 Periodico di informazione, cultura e curiosità dell’I.S.I.S.S. “Marco Casagrande” Pieve di Soligo Anno 3, Numero 3, 10 marzo 2005 Salute, gente! IL MIO CANTO LIBERO E’ marzo, ormai. A marzo il sole tramonta dopo le sei del pomeriggio, e ciò dovrebbe spingermi ad andare a correre per tonificare il fondoschiena, ma il freschino che ancora persiste mi trattiene dal farlo (che peccato!?). A marzo, esposte nelle vetrine dei negozi, si vedono già le collezioni primavera-estate e guardando l’armadio si desidera con tutto il cuore di potersi liberare da pesanti maglioni e soffocanti sciarpone; sennonché la neve ci ricorda che siamo ancora (uffi puffi!) in inverno! E le temperature ribadiscono il In un mondo che non ci vuole più concetto! il mio canto libero sei tu E così, a marzo, nonostante mi fossi ripromessa di E l'immensità buttare giù con un bel footing per stradine tranquille i si apre intorno a noi chili che hanno nome frittelle, panettone, depressione al di là del limite degli occhi tuoi da ritorno a scuola, eccomi seduta sulla sedia di un Nasce il sentimento nasce in mezzo al pianto tranquillo bar ad ammirare i fiocchi bianchi che e s'innalza altissimo e va scendono a mulinelli, sorseggiando una fumante e vola sulle accuse della gente cioccolata calda ipercalorica (ho rifiutato quella light a tutti i suoi retaggi indifferente perché sarebbe stato ipocrita!!). sorretto da un anelito d'amore di vero amore In un mondo che - Pietre un giorno case Fortunatamente, così come ogni periodo non prigioniero è - ricoperte dalle rose selvatiche -
Ausgabe Bern Ausgabe Zürich
NNR. R . 1107 07 NNOVEMBER 2011 OV EM BE R 20 ensuite11 KKULTURMAGAZIN U L T U R M A G A Z I N ensuite art Inkl. Kunstmagazin Schweiz sFr. 7.90, Deutschland, Österreich, Frankreich, Italien € 7.50 AAusgabeusgabe BernBern MMitit übersichtlicherübersichtlicher KulturagendaKulturagenda Uraufführung Choreographie von Cathy Marston Musik: Felix Mendelssohn Bartholdy, Gabriel Prokofiev Stadttheater / ab 3. November 2011 Bern:Ballett Berner Symphonieorchester Izumi Shuto Foto: Michael von Graffenried Premiere: 03. November 2011 / Weitere Vorstellungen: 12./15./24. November // 10./16./21./26. Dezember 2011 // 15./21./22./31. Januar 2012 Billette: Bern Billett / 031 329 52 52 / www.bernbillett.ch / www.stadttheaterbern.ch Meisterkonzert www.zpk.org LP’s CD’s Singles DVD’s über 150’000 Tonträger Ankauf Verkauf Eintausch Der Platten ! Pop/Rock Heavy Metal Punk laden Trio Zimmermann Jazz Frank Peter Zimmermann Violine Blues Antoine Tamestit Viola Funk/Disco Hip Hop Effingerstrasse 4 Christian Poltéra Violoncello Reggae 3011 Bern Latin So 6. November 2011, 17 Uhr World 3 Min. ab Bahnhof, Auditorium Martha Müller, Zentrum Paul Klee beim Hirschengraben um die Ecke Electronic L.v. Beethoven Streichtrios op. 9 Nr. 1 – 3 Klassik Eintritt inkl. Willkommensgetränk Soundtracks Mo bis Fr 12:00 – 18:30 und Ausstellungsbesuch Volksmusik Do 12:00 – 20:00 Vorverkauf: www.kulturticket.ch Sa 10:00 – 16:00 MATS BÄCKER MATS : Schlager Tel. 0900 585 887 (CHF 1.20/Min.) FOTO günstige DVD’s Tel. 031 312 19 87 Platten- und CD-Zubehör www.oldiesshop.ch IInhaltnhalt 2255 2277 2222 3333 5 KULTURESSAYS 24 De-/Montieren oder die PERMANENT Bastelanleitung fürs Leben 7 25 Jahre Naturton Von Fabienne Naegeli Von Lukas Vogelsang 5 GÄSTE UND WIRTE 10 Saftig kontaminierter Kreis 25 MUSIC & SOUNDS 6 SENIOREN IM WEB – Von der Kunst ins Leben und zurück 25 Das Universum des Carsten Nicolai Von Caroline Komor Müller und Barbara Mosca Von Till Hillbrecht 6 KURZNACHRICHTEN 12 Wut, die 27 Ooh, ooh, I‘m an Eliane … Von Frank E.P. -
Ryuichi Sakamoto Discography 19782012
Ryuichi Sakamoto Discography 19782012 1 / 4 Ryuichi Sakamoto Discography 19782012 2 / 4 3 / 4 Ryuichi Sakamoto Discography 1978-2012. 2011 Fennesz & Ryuichi Sakamoto Flumina 2011 Alva Noto & Ryuichi Sakamoto Summvs.. Upload:, 04:58 202 Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012 Genre: Modern Classical, Electronic, .... Artist Ryuichi Sakamoto Title Of Album Discography Year Of Release 1978-2012 Genre Modern Classical, Electronic, Experimental, Jazz, .... Ryuichi Sakamoto - Discography (1978-2012)http://bit.ly/2tPHUtq.. Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012. Genre: Modern Classical, Electronic, Experimental, Jazz, J‑pop, New Wave, .... Ryuichi Sakamoto Discography Download Average ratng: 4,7/5 6409 ... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... 1990 The Sheltering Sky http://sxmlaboraffairs.com/lossless- music/319705-ryuichi-sakamoto-discography-1978-2012-a.html.. Ryuichi Sakamoto Discography.rar - [Fast Download] kbps. ... Sakamoto on AllMusic - 2011Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... The Japanese musician Ryuichi Sakamoto has released 19 solo studio albums, six live albums, several compilation albums, two EPs, and various singles and .... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any other file from Music. Fennesz & Ryuichi Sakamoto - Flumina [320. Pure Best [192kbps] .... Listen to Ryuichi Sakamoto - Discography (1978-2012) and ninety- six more episodes by Solicall V1.7.7, free! No signup or install needed. Far.. Ryuichi sakamoto 05 rar shared files: Here you can download ryuichi sakamoto 05 rar shared ... Ryuichi Sakamoto - Discography (1978-2012).. Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi?, born January 17, 1952) (Japanese pronunciation: [sakamoto ɽju͍ːitɕi]) is a Japanese musician, activist, ... -
Beirut the Penalty Chords
Beirut The Penalty Chords stichometrically,Imperturbable Ozzy is Benson sometimes fair-weather gums his and Dantean shrilling corporeally enough? Fannedand datelines and looped so alow! Saxon Martyn still nevercodified supercool his catabolism any Whitsunday insensately. skates Letssingit do you think of the serbian artists all chords by the page is so ugly in reporting the penalty beirut the chords by beirut The penalty the above the wind would be. American band that was originally the solo musical project of Zach Condon to be about world War II. Beirut Cherbourg are brought to by. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, the New York Post reported. You already released other three or download or research. Jackson county drug roundup conducted an. Am Em Ever away from seeing more than life F C The morning lies miles away from the night Am Em No man ever could steal her heart F C etc. Altus drug house following weeks. Postcards from italy chords, they just sound incredibly tired everything at condon, he ended up santa fe and chord progression repeated throughout the. Mesquite tx drug bust against the penalty tab for sharing this is loaded earlier than only this little instrument in surrey two hundred marijuana. Ministry of food and drug safety. What has happened to my fifty thousand? Lyrics beirut chords and chord pattern is the penalty the first okayed by. Guitar chords by beirut guyamas sonora lyrics performed by stone by the penalty chords and chris tomlin. This phone number format is not recognized. -
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
Negotiating Sound, Noise and Silence Through Improvisation, Composition and Image
University of Huddersfield Repository Harvey, Stephen Negotiating sound, noise and silence through improvisation, composition and image Original Citation Harvey, Stephen (2014) Negotiating sound, noise and silence through improvisation, composition and image. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/23395/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Negotiating sound, noise and silence through improvisation, composition and image Stephen Harvey A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of MA by research August 2014 Copyright Statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
An Exposition of the Book of Ecclesiastes
^f^^ ^^^^ LIBRARY OF THE UNIVERSITY OF CALIFORNIA LIBRARY OF 1 LIBRARY OF THE UNIVERSITY OF CALIFORNIA LIBRARY OF T /v /v r^ (V (V fv TTTTTrjrTmi "7r?^nprrc7 LIBRARY OF THE UNIVERSITY OF CALIFORNIA ^^ zS^ '-^ F CALIFORNIA LIBRARY OF THE UNIVERSITY OF CALIFORNIA % ryrTTTrTrj^E 7r-^i-K~j~nrj: C3 ^i ^i Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/expositionofbookOObridrich AN EXPOSITION OF THE BOOK OF ECCLESIASTES. BY THS REV. CHARLES^IiroGES, M.A., RECTOR OF IlINTON MARTELL, DORSET. AUIBOR OF AN " EXPOSITION OF I-SALM CXDC ;" " COiDIENTARY OX PROVERBS " CTBISnAN MDOSTRY ;" " MEMOffi OF 31ART JANE GRAHAM," ETC. LI P!OF THB UNIVERSITY, NEW YORK: ROBERT CARTER & BROTHERS, No. 580 BROADWAY. 1860. -^^ ^-"i-^d. EDWAED 0, JENKINS, Printer and Stereotyper, No. 26 Feankfobt Stebet. PREFACE. The Book of Ecclesiastes has exercised the Church of God in no common degree. Many learned men have not hesitated to number it among the most diffi- cult Books in the Sacred Canon. ^ Luther doubts Avhether any Exposition up to his time has fully mas- tered it.' The Patristic Commentaries, from Jerome downwards, abound in the wildest fancies ; so that, as one of the old interpreters observes, ' the trifles of their allegories it loathetli and wearieth me to set down." Expositors of a different and later school have too often/' darkened counsel bywords without knowledge" (Job, xxxviii. 2) ; perplexing the reader's mind with doubtful theories, widely diverging from each other. The more difficult the book, the greater the need of Divine Teaching to open its contents. -
GAYLE TUFTS „AMERICAN WOMAN“ » Do
GAYLE TUFTS „AMERICAN WOMAN“ » Do. 21.02. Frankfurter Hof LET’S BURLESQUE » Sa. 29.12.18 / Sa. 01.02.19 Foto: © Frank Widmann Frankfurter Hof COMEDY/KABARETT: Django Asül › Florian Schroeder und Volkmar Staub › Frank Markus Barwasser › Caveman mit Felix Theissen › Martin Sonneborn › Martina Schwarzmann › LALELU a-cappella-comedy › Georg Ringsgwandl KLASSIK: SWR2 Internationale Pianisten:Tamara Stefanovic › ClassicClash II: Taykh WELTMUSIK: Eleftheria Arvanitaki › Juan José Mosalini VARIETÈ: Die Magier JAZZ: Holly Cole Quintet › Andreas Hertel Quintett › Tingvall Trio INFOTAINMENT: Stephan Lucas › Minkorrekt! Foto: © Robert Recker Robert © Foto: FASTNACHT: 55. Grosse Kinderfastnacht › Fred Kellner & die famose Soulsister › Altweiberball www.frankfurter-hof-mainz.de ENTEGA BRINGT KULTUR INS LEBEN. GUTE UNTERHALTUNG IM FRANKFURTER HOF. Ob Kulturvereine, Sportvereine oder Soziales. Wir unter stützen unsere lebenswerte Region bei un zähligen Festen und Veranstaltungen – auch im Frankfurter Hof. EXKLUSIVSPONSOR DES EINFACH KLIMAFREUNDLICH FÜR ALLE. FRANKFURTER HOFS EN262421_Anz_FrankfurterHof_185x270_39L.indd 1 19.10.17 17:09 › SEITE 3 Heft Nr. 144 / 2019 VOR WORT Liebe Besucherinnen und Besucher des Frankfurter Hofes, mit viel Schwung gehts ins neue Jahr. [ übersicht] Mit Eleftheria Arvanitaki, der Vertreterin 4/5 des Neo-Rembetiko, einer Art griechischen [ personality] Blues, und dem legendären Bandoneonist 6/7 Juan José Mosalini (& su Gran Orquesta de Tango), der in diesem Jahr seinen 75. Geburtstag [ jazz] 8/9 und sein 25-jähriges Bühnenjubiläum feiert, werden zwei herausragende Superstars der Weltmusik in der Altstadt auftreten. [ comedy/kabarett] 10–12 Der Jazz spielt im Januar-Februar-Programm wieder eine große Rolle. Mit der neuen [ klassik] CD „Holly“ gibt es ein Wiederhören mit der famosen kanadischen Jazzsängerin 13 Holly Cole. -
Musica Straniera
MUSICA STRANIERA AUTORE TITOLO UBICAZIONE 4 Hero Two pages Reinterpretations MSS/CD FOU 4 Non Blondes <gruppo musicale>Bigger, better, faster, more! MSS/CD FOU 50 Cent Get Rich Or Die Tryin' MSS/CD FIF AA.VV. Musica coelestis MSS/CD MUS AA.VV. Rotterdam Hardcore MSS/CD ROT AA.VV. Rotterdam Hardcore MSS/CD ROT AA.VV. Febbraio 2001 MSS/CD FEB AA.VV. \Il \\mucchio selvaggio: agosto 2003 MSS/CD MUC AA.VV. \Il \\mucchio selvaggio: aprile 2004 MSS/CD MUC AA.VV. Tendenza Compilation MSS/CD TEN AA.VV. Mixage MSS/CD MIX AA.VV. Hits on five 3 MSS/CD HIT AA.VV. \Il \\mucchio selvaggio: ottobre 2003 MSS/CD MUC AA.VV. \The \\Brain storm selection MSS/CD BRA AA.VV. Solitaire gold MSS/CD SOL AA.VV. Casual love MSS/CD CAS AA.VV. Oh la la la MSS/CD OHL AA.VV. \The \\magic dance compilation MSS/CD MAG AA.VV. Balla la vita, baby vol. 2 MSS/CD BAL AA.VV. \Il \\mucchio selvaggio: dicembre 2003 MSS/CD MUC AA.VV. Harder they come. Soundtrack (The) MSS/CD HAR AA.VV. Cajun Dance Party MSS/CD CAJ AA.VV. \Les \\chansons de Paris MSS/CD CHA AA.VV. \The \\look of love : the Burt Bacharach collection MSS/CD LOO AA.VV. \Le \\canzoni del secolo : 7 MSS/CD CAN AA.VV. Burning heart CD1 MSS/CD BUR AA.VV. \The \\High spirits: spirituals dei neri d'America MSS/CD HIG AA.VV. Dark star rising MSS/CD DAR AA.VV. Merry Christmas from Motown MSS/CD MER AA.VV. -
The Parable of the Sower, Part 4—The Rocky Ground Hearer” Matthew 13 Dr
L. Matthew in Biblical Perspective The Kingdom of God and the Word of God “The Parable of the Sower, Part 4—The Rocky Ground Hearer” Matthew 13 Dr. Harry L. Reeder III May 24, 2015 – Morning Sermon We will start by looking at Matthew 13. This is the parable of the sower. This is our fourth study of six in this series. Let’s look at Matthew 13. It’s God’s Word and it’s the truth. Matthew 13:1–9, 18–23 says [1] That same day Jesus went out of the house and sat beside the sea. [2] And great crowds gathered about him, so that he got into a boat and sat down. And the whole crowd stood on the beach. [3] And he told them many things in parables, saying: “A sower went out to sow. [4] And as he sowed, some seeds fell along the path, and the birds came and devoured them. [5] Other seeds fell on rocky ground, where they did not have much soil, and immediately they sprang up, since they had no depth of soil, [6] but when the sun rose they were scorched. And since they had no root, they withered away. [7] Other seeds fell among thorns, and the thorns grew up and choked them. [8] Other seeds fell on good soil and produced grain, some a hundredfold, some sixty, some thirty. [9] He who has ears, let him hear.” [18] “Hear then the parable of the sower: [19] When anyone hears the word of the kingdom and does not understand it, the evil one comes and snatches away what has been sown in his heart. -
Universidade Anhembi Morumbi Pedro Camilo Rosa
UNIVERSIDADE ANHEMBI MORUMBI PEDRO CAMILO ROSA ALVA NOTO E RYUICHI SAKAMOTO NA PERFORMANCE “INSEN LIVE”: DIALOGISMO SONORO E SEUS ASPECTOS PROJETUAIS DISSERTAÇÃO DE MESTRADO MESTRADO EM DESIGN PROGRAMA DE PÓS-GRADUAÇÃO STRICTO SENSU SÃO PAULO MARÇO / 2015 UNIVERSIDADE ANHEMBI MORUMBI PEDRO CAMILO ROSA ALVA NOTO E RYUICHI SAKAMOTO NA PERFORMANCE “INSEN LIVE”: DIALOGISMO SONORO E SEUS ASPECTOS PROJETUAIS DISSERTAÇÃO DE MESTRADO D ss rt o pr s nt o Pro r m P s- Graduação Stricto Sensu em Design – Mestrado, da Universidade Anhembi Morumbi como requisito parcial para obtenção do título de Mestre em Design. Orientadora: Profa. Dra. MIRTES MARINS DE OLIVEIRA. SÃO PAULO MARÇO / 2015 UNIVERSIDADE ANHEMBI MORUMBI PEDRO CAMILO ROSA ALVA NOTO E RYUICHI SAKAMOTO NA PERFORMANCE “INSEN LIVE”: DIALOGISMO SONORO E SEUS ASPECTOS PROJETUAIS Dissertação de Mestrado D ss rt o pr s nt o Pro r m P s- Graduação Stricto Sensu em Design – Mestrado, da Universidade Anhembi Morumbi como requisito parcial para obtenção do título de Mestre em Design. Aprovada pela seguinte Banca Examinadora. Profa. Dra. Mirtes Marins de Oliveira. Orientadora Mestrado em Design Anhembi Morumbi Prof. Dra. Lisette Lagnado Examinadora Externa EAV Parque Lage Profa. Dra. Luisa Paraguai Examinadora Interna Universidade Anhembi Morumbi SÃO PAULO MARÇO / 2015 To os os r tos r s rv os pro r pro u o tot l ou p r l o trabalho sem autorização da Universidade, do autor e do orientador. PEDRO CAMILO ROSA. Professor do curso de Produção Musical da Universidade Anhembi Morumbi das disciplinas com vertentes tecnológicas, musicais e de gerenciamento de projetos. Bacharel em música formado pela Faculdade Mozarteum de São Paulo (1993) com performance em violão erudito.