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Mmylou Harris, Que Ses Intimes Appellent Emmy, Née Le 2 Avril 1947 À Birmingham En Alabama, Est Une Chanteuse Et Musicienne Américaine De Country Et De Country Rock
Birmingham http://www.emmylouharris.com/ WRCF: http://www.radiocountryfamily.info/crbst_330.html mmylou Harris, que ses intimes appellent Emmy, née le 2 avril 1947 à Birmingham en Alabama, est une chanteuse et musicienne américaine de country et de country rock. Elle est reconnue pour ses E interprétations d'œuvres de multiples compositeurs et pour son travail en tant qu'auteur- compositeur-interprète. Riche et variée, la carrière d'Emmylou Harris s'étend sur plus de quatre décennies. Entre tradition et modernité, la chanteuse a transcendé les styles, marquant de son talent le folk, la country, la country-rock, le bluegrass, le Western Swing et le mouvement Americana. Fille de Walter Rutland Harris un militaire de carrière (US Air Force) et d’Eugenia Murchison, Emmylou Harris, après de fréquents déménagements liés à la carrière de son père, grandit ainsi entre la Caroline, mais aussi la Virginie et devient très vite indépendante. Elle apprend très tôt la guitare, instrument prêté par un cousin. Quelques temps après, son grand-père, voyant la passion de sa petite fille pour la musique, lui offre une guitare ‘’Kay’’. Elle commence dès l'âge de 17 ans une ‘’carrière’’ de chanteuse dans les clubs et les ‘’coffee house’’ où elle sera aussi serveuse et participe ainsi à la fin du mouvement folk de la Côte Est. Ses artistes référents sont : Bob Dylan et Joan Baez. 1968, Emmylou entre à l'université de Caroline du Nord, pour étudier l'art dramatique, avec comme projet de devenir actrice. Après une année et demie, elle change d’université pour rejoindre celle de Virginia Beach près de Norfolk et finit par abandonner ses études. -
Artist 5Th Dimension, the 5Th Dimension, the a Flock of Seagulls
Artist 5th Dimension, The 5th Dimension, The A Flock of Seagulls AC/DC Ackerman, William Adam and the Ants Adam Ant Adam Ant Adam Ant Adams, Bryan Adams, Bryan Adams, Ryan & the Cardinals Aerosmith Aerosmith Alice in Chains Allman, Duane Amazing Rhythm Aces America America April Wine Arcadia Archies, The Asia Asleep at the Wheel Association, The Association, The Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Autry, Gene Axe Axton, Hoyt Axton, Hoyt !1 Bachman Turner Overdrive Bad Company Bad Company Bad Company Bad English Badlands Badlands Band, The Bare, Bobby Bay City Rollers Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beatles, The Beatles, The Beatles, The Beatles, The Beaverteeth Bennett, Tony Benson, George Bent Left Big Audio Dynamite II Billy Squier Bishop, Elvin Bishop, Elvin Bishop, Stephen Black N Blue Black Sabbath Blind Faith Bloodrock Bloodrock Bloodrock Bloodstone Blue Nile, The Blue Oyster Cult !2 Blue Ridge Rangers Blues Brothers Blues Brothers Blues Brothers Blues Pills Blues Pills Bob Marley and the Wailers Bob Wills and His Texas Playboys BoDeans Bonham Bonoff, Karla Boston Boston Boston Boston Symphony Orchestra Bowie, David Braddock, Bobby Brickell, Edie & New Bohemians Briley, Martin Britny Fox Brown, Clarence Gatemouth Brown, Toni & Garthwaite, Terry Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Bruce -
BAM Announces Two Exciting April Events Featuring Nonesuch Recording Artists
BAM announces two exciting April events featuring Nonesuch recording artists Carolina Chocolate Drops with Twyla Tharp (April 10); Emmylou Harris Wrecking Ball Tour with Daniel Lanois, Steven Nistor, and Jim Wilson (April 12) Bloomberg is the BAM 2014 Winter/Spring Season sponsor Viacom is the BAM 2014 Music Sponsor Carolina Chocolate Drops World Premiere Featuring the dance “Cornbread Duet” Choreographed by Twyla Tharp Danced by Tiler Peck and Robert Fairchild Tickets: $20, $40, $45 Emmylou Harris Wrecking Ball Tour With Daniel Lanois, Steven Nistor, and Jim Wilson Tickets: $35, $60, $75, $85 BAM Howard Gilman Opera House (30 Lafayette Ave) Apr 10 & 12, 8pm Brooklyn, NY/Feb 11, 2014—BAM announces two one-night-only April concert events featuring Nonesuch recording artists Carolina Chocolate Drops with Twyla Tharp (April 10) and Emmylou Harris’s Wrecking Ball Tour with Daniel Lanois, Steven Nistor, and Jim Wilson (April 12). These two shows celebrate the renowned record label’s broad musical mission and serve as precursors to BAM’s larger celebration of Nonesuch’s 50th anniversary this fall (the full slate of fall shows will be announced shortly). BAM has fostered a longtime artistic connection with Nonesuch and its dedication to cultivating outstanding talent in a wide variety of musical genres including classical, contemporary, jazz, Americana, world music, pop, alternative, musical theater, and dance. On April 10, Carolina Chocolate Drops perform music from their two Nonesuch releases: Genuine Negro Jig (2010) and Leaving Eden (2012), among others. Fronted by vocalist and banjo player Rhiannon Giddens, Carolina Chocolate Drops “dip into styles of Southern black music from the 1920s and 30s—string-band music, jug-band music, fife and drum, early jazz— and beam their curiosity outward” (The New York Times). -
HITS of the WEEK SINGLES SLEEPERS ALBUMS JOHN LENNON, "STAND by ME" (Prod
HITS OF THE WEEK SINGLES SLEEPERS ALBUMS JOHN LENNON, "STAND BY ME" (prod. by PAUL DAVIS, "MAKE HER MY BABY" (prod. by JIMI HENDRIX, "CRASH LANDING." Re- John Lennon) (Hill & Range/Trio/ Paul Davis/Bullet Prod.) (Web IV, cent relocation of Hendrix studio tapes APT Ent., BMI). Ben E. King's '61 BMI). That "Ride 'Em Cowboy" man spawns this first of four sets to be re- follow-up to "Spanish Harlem" be- is gunning for an even bigger giant leased over the next two years. Pop comes Lennon's first oldies single this time. Gentle upper sits tall in roots flourish with blues blossoms as outing. Culled from his "Rock 'N' the smash saddle, galloping into Hendrix' genius remains strikingly im- Roll" album after heavy AM air- pop territory from a subtly intoxi- pressive. "Somewhere Over the Rain- play, John takes his "Stand" with cating southern direction. Make it a bow," "Stone Free Again" and the a happy and healthy hit posture. hit for his "Baby" and one more for title track are simply spectacular. Re- Apple 1881. the road! Bang 717. prise MS 2204 (Warner Bros.) (6.98). PAUL ANKA, "I DON'T LIKE TO SLEEP ALONE" RICK DERRINGER, "HANG ON SLOOPY" (prod. ALICE COOPER, "WELCOME TO MY (prod. by Rick Hall/Fame Prod. w. by Rick Derringer) (Wren/Robert NIGHTMARE." This eventful album Paul Anka Prod.) (Spanka, BMI). Mellin, BMI). Rick first scored with marking the ever -so -lovely Alice's Long-awaited third Anka single un- this one as part of the McCoys. Now April 25 television special whirls the der the UA banner is bound to rival he parlays it into a '75 monster via Cooper charisma through the grooves. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Newsletter May 2010
May 2010 Newsletter ------------------------------------------- Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Ph: (02)95311710 Email: [email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------------ Post: 1 cd $2/ 2 cds $3/ 3-4 Cds $6.50 Registered or express post available. ------------------------------------------------------ This may be a bold statement but I believe this is the best newsletter I have ever put out. There are Literally hundreds upon hundreds of great titles. If you would like to order from this newsletter you can email, phone or post an order. If phoning please feel free to call after hours From 8.00am up until 7.00pm is fine. I have a couple of pieces of bad news. Firstly my dear mum, Rose Reid, passed away on February 23rd. Many knew her as she worked Wednesdays at the old Parramatta store from 1990-2000 and filled in when I went on buying trips. It has been a trying period but I can honestly say she loved her time in the shop especially meeting and talking to many fine people and was a keen music buff, something that has passed on through the genes. Secondly, we lost a dear friend in Norm Pyne. Many who went to the Parramatta store would have seen a blind guy getting round with only a cane. My admiration for Norm was limitless. I never considered him handicapped in any way and he was always thankful for his independence. It is a sad irony of life that it is probably this independence which saw him involved in an horrific accident which cost him his life. -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy -
Edited and with an Introduction by Olivia Carter Mather and J
ECHO: a music-centered journal www.echo.ucla.edu Volume 4 Issue 2 (Fall 2002) Edited and with an Introduction by Olivia Carter Mather and J. Lester Feder Introduction Why Now? A Millenial Folk Revival? 1. The success of the Coen Brothers’ 2000 movie, O Brother, Where Art Thou?, and its Appalachian- and Bluegrass-inflected soundtrack seemed to come out of the blue. When considered alongside other artifacts of popular culture from recent years—the re-release of the Harry Smith Anthology of American Folk Music, Moby’s album Play, and the popularity of the Dixie Chicks, to name a few—it is clear that the new interest in music drawing on “folk” or “roots” influences has obvious precedents. At the same time, O Brother’s popularity has spawned a wide array of “follow up” products and projects: new folk anthologies, books, concert tours, TV series, documentaries, women- in-bluegrass collections, soundtracks, and even church musicals. Taken as a package, it seems we are in the midst of a “folk revival”—a period when popular (and corporate) culture looks to music, art, and other cultural forms that are seen as “folkloric,” treated as if created by communities of music-makers without the interference or mediation of technology. 2. There have been many previous folk revivals in this century, the most (in)famous of which occurred in the late 50s and early 60s, including performers such as Pete Seeger and Joan Baez and collectors such as Alan Lomax. The 60s revival—whose presence is very much felt in the ECHO: a music-centered journal www.echo.ucla.edu Volume 4 Issue 2 (Fall 2002) current moment—itself looked to a revival of the early twentieth century, when collectors such as Cecil Sharp, Olive Dame Campbell, and John Lomax (Alan’s father) headed into the rural parts of the United States in search of “authentic” indigenous expressions. -
“Coat of Many Colors”—Dolly Parton (1971) Added to the National Registry: 2011 Essay by Cary O’Dell
“Coat of Many Colors”—Dolly Parton (1971) Added to the National Registry: 2011 Essay by Cary O’Dell Original album Dolly Parton “Love, Sex, Murder” is a compilation of some of Johnny Cash’s best and most resonating recordings; it was released in 2000. If those three words ably sum up much of the Man in Black’s repertoire as a singer and songwriter, then his fellow country legend, Dolly Parton, can just as aptly be condensed into “Love, Sex, God.” Certainly it is the first and last of those trio of words that are fully covered in Parton’s legendary song “Coat of Many Colors,” a song that was added to the National Recording Registry in 2011. Believe it or not, there was a time when Parton was not valued as a songwriter. Instead, in the very early part of her career, as an appendage to Porter Wagoner, Parton was better known for her crystalline voice, voluptuous hair and even more voluptuous figure. Despite the success she enjoyed as a vocalist and a songwriter (with a couple of early self-penned hits like “Put It Off Until Tomorrow” and “Fuel to the Flame,” both co-written with Parton’s uncle Bill Owens), it would not be until the breakthrough of her “Just Because I’m a Woman” in 1968 and “Joshua” in 1971, that audiences and the industry alike realized what a gifted musician and lyricist Parton truly was. But even those successes were just prologue, a build-up of sorts, to one of Parton’s crowning and career-defining achievements, her heartfelt 1971 hit “Coat of Many Colors.” In the song’s five verses, Parton spins a full story/fable that touches on issues long since abandoned by “country” music—religion, poverty, childhood, and family. -
Red Dirt Girl Album Download Emmylou Harris - Red Dirt Girl (2000) Hi-Res
red dirt girl album download Emmylou Harris - Red Dirt Girl (2000) Hi-Res. Artist : Emmylou Harris Title : Red Dirt Girl Year Of Release : 2000 Label : Nonesuch Genre : Country, Folk, Americana Quality : FLAC 24bit- 44.1kHz / FLAC (tracks) / Mp3 320 kbps Total Time : 55:53 Total Size : 678 Mb / 369 / 143 Mb WebSite : Album Preview. 01. The Pearl 5:00 02. Michelangelo 5:12 03. I Don't Wanna Talk About It Now 4:45 04. Tragedy 4:21 05. Red Dirt Girl 4:16 06. My Baby Needs a Shepherd 4:37 07. Bang the Drum Slowly 4:51 08. J'ai fait tout 5:29 09. One Big Love 4:31 10. Hour of Gold 5:00 11. My Antonia 3:42 12. Boy from Tupelo 3:48. Real Live Roadrunning (DMD Album) Recorded at the Gibson Amphitheatre in California on June 28, 2006, Real Live Roadrunning features live renditions of all of the cuts from Mark Knopfler and Emmylou Harris' collaboration of the same name, as well as solo cuts from each and Dire Straits classics like "So Far Away" and "Romeo & Juliet." The musicianship is as flawless as expected, but there's not a whole lot to separate the tunes here from their studio sisters. The accompanying DVD is a much better example of the pair's quiet dynamic, allowing both the duo and its talented band a broader spectrum on which to emit their wry tales of love, loss, and life. Red Dirt Girl. Purchase and download this album in a wide variety of formats depending on your needs. -
Near the Lewis & Clark Trail
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2001 Near the Lewis & Clark Trail Chad Colin Husted Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Creative Writing Commons Recommended Citation Husted, Chad Colin, "Near the Lewis & Clark Trail" (2001). LSU Master's Theses. 1020. https://digitalcommons.lsu.edu/gradschool_theses/1020 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. NEAR THE LEWIS & CLARK TRAIL A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the Requirements for the degree of Master of Fine Arts in The Department of English by Chad Husted B.A. Humboldt State University, 1991 December 2001 TABLE OF CONTENTS ABSTRACT iii PART ONE: MAGIC KINGDOM A SHORT STORY CYCLE 1 OPEN SPACES 2 LATE NIGHT CABLE 22 NEAR THE LEWIS & CLARK TRAIL 30 HUGO STORIES 48 OROFINO 59 HALF-TIME 72 THE COSMOLOGIST’S NEPHEW 75 ORANGE COUNTY FABLES 91 MAGIC KINGDOM 105 PART TWO: AFTER THE GOLDRUSH AN ORIGINAL SCREENPLAY 128 VITA 242 ii ABSTRACT Near the Lewis & Clark Trail is a creative writing thesis that contains two distinct parts. Part one is a short story cycle: a collection of interlinked narratives that together, tell a larger, cohesive story.