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Home , Malcolm Burn, Old Yellow Moon, Phil Madeira, Pieces of the Sky, Red Dirt Girl, Roses in the Snow

red dirt girl download - (2000) Hi-Res. Artist : Emmylou Harris Title : Red Dirt Girl Year Of Release : 2000 Label : Nonesuch Genre : Country, Folk, Americana Quality : FLAC 24bit- 44.1kHz / FLAC (tracks) / Mp3 320 kbps Total Time : 55:53 Total Size : 678 Mb / 369 / 143 Mb WebSite : Album Preview. 01. The Pearl 5:00 02. Michelangelo 5:12 03. I Don't Wanna Talk About It Now 4:45 04. Tragedy 4:21 05. Red Dirt Girl 4:16 06. My Baby Needs a Shepherd 4:37 07. Bang the Drum Slowly 4:51 08. J'ai fait tout 5:29 09. One Big Love 4:31 10. Hour of Gold 5:00 11. My Antonia 3:42 12. Boy from Tupelo 3:48. Real Live Roadrunning (DMD Album) Recorded at the Gibson Amphitheatre in California on June 28, 2006, Real Live Roadrunning features live renditions of all of the cuts from and Emmylou Harris' collaboration of the same name, as well as solo cuts from each and Dire Straits classics like "So Far Away" and "Romeo & Juliet." The musicianship is as flawless as expected, but there's not a whole lot to separate the tunes here from their studio sisters. The accompanying DVD is a much better example of the pair's quiet dynamic, allowing both the duo and its talented band a broader spectrum on which to emit their wry tales of love, loss, and life. Red Dirt Girl. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £13.99. On her 29th album, Emmylou Harris continues the evolution from innocent folkie to present day renaissance woman. Alternately sparse and lush, Red Dirt Girl can be seen as a companion piece to 1995's Wrecking Ball with the production credits going to Malcom Burn (who previously worked with Harris engineering and mixing Wrecking Ball). Here, drum loops and middle eastern melodies nestle in comfortably next to warm guitar work and Harris' gently wavering voice. Her extensive guest work on dozens and dozens of recent releases (showing up on by everyone from to ) pays off with great help from , Patti Scialfa, Buddy and , Guy Clark, Kate McGarrigle, and even alt-rock upstarts and Luscious Jackson's Jill Cunniff. The diverse production only adds to Harris' earthy songwriting, adding interest to what could otherwise be lulls during the more subdued songs, and really showcases the understated lyrics that the singer has slowly become recognized for. The teary dirge "Bang the Drum Slowly" written for her father (who died in 1993) wrings with emotion and ethereal atmosphere, while "J'ai Fait Tout" (co-written with Cunniff) is an upbeat and jangly pop song, complete with hip-shakin' tambourine. While this is a big departure from her rootsy '70s releases like Blue Kentucky Girl and , it still burns with an honest intensity and clear voice that Harris is known for 20 years later. © Zac Johnson /TiVo. Red Dirt Girl. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $9.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. , Producer - EMMYLOU HARRIS, Composer, Lyricist, Writer, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. , Lyricist - Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Guy Clark, Lyricist - Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, MainArtist - Daryl Johnson, Lyricist - Jill Cuniff, Lyricist. 2000 Nonesuch Records 2000 Nonesuch Records. , Composer - Malcolm Burn, Producer - EMMYLOU HARRIS, MainArtist - ANGELO, Lyricist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. Malcolm Burn, Producer - EMMYLOU HARRIS, Composer, Lyricist, MainArtist. 2000 Nonesuch Records 2000 Nonesuch Records. About the album. 1 disc(s) - 12 track(s) Total length: 00:55:53. 2000 Nonesuch Records 2000 Nonesuch Records. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Recomposed By Max Richter: Vivaldi, The Four Seasons. Beethoven : 9 Symphonies (1963) Herbert von Karajan. Thick as a Brick. Old (Edition Studio Masters) Wrecking Ball (Deluxe Edition) (Expanded & Remastered) Playlists. A Few Stars Apart. Lukas Nelson & Promise of the Real. Fearless (Taylor's Version) American IV: The Man Comes Around. The title may sound like a nebulous marketing ploy, and yet for about twenty years, Americana had been summarizing this blend of rock, country, and rhythm ‘n’ blues. And like in every big family, you’ll find almost every type of person: the rebellious daughter, the cultivated uncle, the agitated father, the driven cousin, etc. Even though her albums are released on label Blue Note, Norah Jones’s music has never simply been jazz, just as it has never solely been pop, nor folk, country or soul… Since the early noughties, the American singer and pianist has embraced many styles, often breaking norms in pursuit of her own unique sound, a sound she loves to share through collaborations with different musicians of diverse origin and style. Discover the world of Norah Jones in 10 songs. It's not easy to elbow your way through the macho Music City scene, the birthplace of , when you're a woman. Over the years, some of them have nevertheless managed to shift lines and attitudes, like these ten pioneers and revolutionaries who have put – even stamped – their boots on Nashville's table. Red Dirt Boys: Red Dirt Boys [Album Review] Emmylou Harris has a way of picking great back-up players for her band. Nevermind that she sang with Graham Parsons, Mark Knopfler and nearly every major country and Americana act in the last b decades, but back in the day she had the Hot Band with on guitar and on piano, both from Elvis Presley’s band, and then through the years she’s had support players like , , Sam Bush and , and more recently leading her Spyboy band. Most recently, her back-up took their name from her successful 2000 release, Red Dirt Girl and features on keys, guitars, and accordion, on guitars and mandolin, Chris Donohue on bass, and Bryan Owings on drums. As luck would have it, the Red Dirt Boys played Ohio band, Over the Rhine’s boutique Nowhere Festival two Memorial Days back, and debut a bunch of song’s they’d recorded for their “soon to be released” debut album. Well, as often happens with unsigned bands that record independently, one thing led to another – they played a bunch of dates and festivals with Harris, both Kimbrough and Madeira released a couple solo albums, and one thing led to another and next thing you know the band is in quarantine and eager to record some new songs, but they’d never gotten around to release their debut. When the Boys were booked to play a set on the Cayamo Americana Music Cruise with the likes of Buddy Miller and they pressed up enough CDs to sell the “Cayamo Edition,” but it’s currently sold out. What’s a band to do? Well, thankfully RDB has made their 11 song debut album available on bandcamp.com as a “name your price” download, with the promise that eventually they’ll do an “official” release on CD and vinyl at some point down the road. What surprised me, on the first listen was how many of these songs were still being held pretty close in my aging memory from that Memeorial Day set under the circus tent in the farm field in rural Ohio. I may have been professionally triggered by tracks like “Religion” and “All Saints Day,” but I also had distinct memories of two dedicated to creative influences, “Jelly Roll” and “Jesse,” for jazz pianist Jelly Roll Morton and Memphis singer- songwriter Jesse Winchester who died of cancer in 2014. The band played with the casual confidence of players who felt secure in each other’s talents, so they were loose and playful, soloing with and egging each other, but tight and in the groove when it counts. That’s something that comes from hours and hours of rehearsal and performances together, and the bring that same familiar spirit to this album of original music. The opening cuts, “Plenty Enough” and “I Would If I Could” feature Madeira on piano, and lead toward the jazzy vibe from his two most recent solo albums, Open Heart and Providence . Madeira sings lead on the former, Kimbrough lead on the latter, and adding lots of guitar fills, the two trading solos back and forth while the rhythm section of Owings and Donahue keeping the tempos lively and interesting. While the songs weigh in the pretty compact four minute range, these guys bring and energized jam band feel to songs that are smartly composed. They add some nice horns for spice, especially on the Basin St. vibe of “All Saints Day,” which also features Emmylou on the harmony in the chorus. A lovely touch. When it’s fitting, Madeira moves to organ, which is fitting for Kimbrough’s bluesy take down of hypocritical “Religion.” On “Sunbeam and a Plough” and “All Covered Up,” they’ve added fun horn arrangements supplying the fills, with Madeira moving to guitar to trade licks with his partner in crime. It’s hard to imagine a more soulful or more musically seasoned four-piece. As debut albums go, Red Dirt Boys arrives with plenty to celebrate and a promise of good things to come, if they can just get around to recording their own music, and find a venue to release it. Too be honest, I’ve been watching for this album since I saw the band in the middle of that Ohio corn field, and while it’s a bit disappointing its taken them this long to release it, but I got to tell you, the price is certainly right. But give them something for the download, you won’t be sorry. If you dig world class Americana, that unique bluesy roots amalgam of country, rock & roll and soul, then these Red Dirt Boys deliver. Key Tracks: “All Covered Up” / “Plenty Enough” / “Religion” Artists With Similar Fire: Steve Earle / Buddy Miller / Dr. John.