The World of Mathematics Volume 4
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
États-Unis D'amérique
ÉTATS-UNIS D'AMÉRIQUE Objekttyp: Chapter Zeitschrift: L'Enseignement Mathématique Band (Jahr): 23 (1923) Heft 1: L'ENSEIGNEMENT MATHÉMATIQUE PDF erstellt am: 04.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch NOTES ET DOCUMENTS Cours universitaires. Année 1923-1924. ÉTATS-UNIS D'AMÉRIQUE University oi Chicago. — Courses which continue for more than one quarter are indicated with Roman numerals, as I, II, III, IV. Prof. E. H. Moore : Hermitian matrices in General Analysis, I, II, III, IV, Y ; Vectors, matrices, and quaternions. — Prof. L. E. Dickson : Hypercomplex numbers, I, II ; Theory of equations. — Prof. H. E. -
Template EUROVISION 2021
Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom. -
Montaigne's Unknown God and Melville's Confidence-Man -In Memoriam]Ohn Spencer Hill (1943-1998)
CAMILLE R. LA Bossr:ERE The World Revolves Upon an I: Montaigne's Unknown God and Melville's Confidence-Man -in memoriam]ohn Spencer Hill (1943-1998) Les mestis qui ont ... le cul entre deux selles, desquels je suis ... I The mongrel! sorte, of which I am one ... sit betweene two stooles -Michel de Montaigne, "Des vaines subtilitez" I "Of Vaine Subtilties" Deus est anima brutorum. -Oliver Goldsmith, "The Logicians Refuted" YEA AND NAY EACH HATH HIS SAY: BUT GOD HE KEEPS THF MTDDT.F WAY -Herman Melville, "The Conflict of Convictions" T ATE-MODERN SCHOLARLY accounts of Montaigne and his L oeuvre attest to the still elusive, beguilingly ironic character of his humanism. On the one hand, the author of the Essais has in vited recognition as "a critic of humanism, as part of a 'Counter Renaissance'."' The wry upending of such vanity as Protagoras served to model for Montaigne-"Truely Protagoras told us prettie tales, when he makes man the measure of all things, who never knew so much as his owne," according to the famous sentence 1 Peter Burke, Montaigne (Oxford: Oxford UP, 1981) 11. 340 • THE DALHOUSIE REvlEW from the "Apologie of Raimond Sebond"2-naturally comes to mind when he is thought of in this way (Burke 12). On the other hand, Montaigne has been no less justifiably recognized by a long line of twentieth-century commentators3 as a major contributor to the progress of an enduring philosophy "qui fait de l'homme, selon la tradition antique, la valeur premiere et vise a son plein epa nouissement. -
P E Ti Is Tv Á N O Rs I L Á S Z Ló L E V I a Ttila B E Tti P . R O B I
n e i s l b ó l e m n l i i o i i z u a f o z i i á i t s l b s t i t R ESC HUNGARY RAJONGÓI TALÁLKOZÓ c b s v ó s i v z t t t r s o e t e . r i s a á e s m 2021-08-28 HELYSZÍNI SZAVAZÁS P I O L L A B P E Z R T I P Ö Albánia – Anxhela Peristeri – Karma 3 2 1 3 9 Ausztrália – Montaigne – Technicolour 5 5 Ausztria – Vincent Bueno – Amen 10 2 2 14 Azerbajdzsán – Efendi – Mata Hari 1 1 5 8 7 10 6 38 Belgium – Hooverphonic – The Wrong Place 6 4 3 6 19 Bulgária – VICTORIA – Growing Up Is Getting Old 7 10 7 7 6 4 41 Ciprus – Elena Tsagrinou – El Diablo 3 4 3 3 4 3 2 22 Csehország – Benny Cristo – omaga 0 Dánia – Fyr & Flamme – Øve os på hinanden 1 1 Egyesült Királyság – James Newman – Embers 5 6 1 12 Észak-Macedónia – Vasil – Here I Stand 0 Észtország – Uku Suviste – The Lucky One 7 4 11 Finnország – Blind Channel – Dark Side 2 2 8 12 Franciaország – Barbara Pravi – Voilà 10 12 12 12 12 12 4 3 2 79 Görögország – Stefania – Last Dance 12 4 5 2 6 10 39 Grúzia – Tornike Kipiani – You 0 Hollandia – Jeangu Macrooy – Birth of a New Age 8 7 4 19 Horvátország – Albina – Tick-Tock 7 2 8 17 Írország – Lesley Roy – Maps 2 5 12 8 27 Izland – Daði og Gagnamagnið – 10 Years 7 6 3 5 1 22 Izrael – Eden Alene – Set Me Free 1 3 2 6 Lengyelország – RAFAŁ – The Ride 8 7 15 Lettország – Samanta Tīna – The Moon Is Rising 1 1 Litvánia – The Roop – Discoteque 4 5 8 10 10 10 4 51 Málta – Destiny – Je me casse 8 10 12 4 6 10 50 Moldova – Natalia Gordienko – Sugar 5 10 8 23 Németország – Jendrik – I Don’t Feel Hate 0 Norvégia – TIX – Fallen Angel 0 Olaszország – Måneskin -
Descriptions of Sections
Fall 2009 LEH300-LEH301 Descriptions LEH300 Anderson, Jazz and the Improvised Arts A history of jazz music from New Orleans to New York is coupled with an examination James of improvisation in the arts. The class will investigate form and free creativity as applied to jazz, music from around the world, the visual arts, drama, and literature. LEH300 Ansaldi, The Doctor-Patient Relationship: In this course, participants will explore the complexities of the doctor-patient Pamela Viewed through Art and Science relationship by examining selected works of literature, medicine, psychology and art. To the doctor, illness is an analysis of blood tests, radiological images and clinical observations. To the patient, illness is a disrupted life. To the doctor, the disease process must be measured and charted. To the patient, disease is unfamiliar terrain—he or she looks to the doctor to provide a compass. The doctor may give directions, but the patient for various reasons may not follow them. Or, the doctor may give the wrong directions, leaving the patient to wander in circles, feeling lost and alone. Sometimes two doctors can give identical protocols to the same patient, but only one doctor can provide a cure. The surgeon wants to cut out the injured part; the patient wants to retain it at any cost. The physician diagnoses with a linear understanding of illness; the patient may see the sequencing of events leading up to the illness in a different order, which might lead to a different diagnosis. The twists and turns of doctor-patient communication can be dizzying…and the patient goes from doctor to doctor seeking clarity and a possible cure. -
2021 Country Profiles
Eurovision Obsession Presents: ESC 2021 Country Profiles Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017. Semi-Final 2, Running Order 11 Grand Final Running Order 02 Australia Competing Broadcaster: Special Broadcasting Service (SBS) Debut: 2015 Best Finish: 2nd place (2016) Number of Entries: 6 Worst Finish: 20th place (2018) A Brief History: Australia made its debut in 2015 as a special guest marking the Contest's 60th Anniversary and over 30 years of SBS broadcasting ESC. It has since been one of the most successful countries, qualifying each year and earning four Top Ten finishes. Song Title: Technicolour Performing Artist: Montaigne [Jess Cerro] Composer(s): Jess Cerro, Dave Hammer Lyricist(s): Jess Cerro, Dave Hammer About the Performing Artist: Montaigne has built a reputation across her native Australia as a stunning performer, unique songwriter, and musical experimenter. She has released three albums to critical and commercial success; she performs across Australia at various music and art festivals. -
Are You Smart Enough to Work at Google?
Are You Smart Enough to Work at Google? Fiendish Puzzles and Impossible Interview Questions from the World’s Top Companies William Poundstone A Oneworld Book First published in the United Kingdom and the Commonwealth by Oneworld Publications in 2012 This paperback edition published by Oneworld Publications 2013 Copyright © William Poundstone 2012 Originally published in the United States of America by Little, Brown and Company, a division of the Hachette Book Group, Inc., New York. The moral right of William Poundstone to be identified as the Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved Copyright under Berne Convention A CIP record for this title is available from the British Library The pizza slice illustration (p. 103) is by Iconshock, 2008, and is used under a Creative Commons Attribution-Share Alike 3.0 Unported License. The Transamerica Pyramid photograph (p. 118) is by Daniel Schwen, 2006, and is used under a Creative Commons Attribution-Share Alike 2.5 Generic License. The hourglass photograph (p. 149) is by S. Sepp, 2007, and is used under a Creative Commons Attribution-Share Alike 2.5 Generic License. ISBN 978-1-85168-955-2 eISBN 978-1-78074-075-1 Printed and bound in Great Britain by TJ International Ltd Oneworld Publications 10 Bloomsbury Street, London WC1B 3SR, England A hundred prisoners are each locked in a room with three pirates, one of whom will walk the plank in the morning. Each prisoner has ten bottles of wine, one of which has been poisoned; and each pirate has twelve coins, one of which is counterfeit and weighs either more or less than a genuine coin. -
1. Introduction
Beichler (1) Preliminary paper for Vigier IX Conference June 2014 MODERN FYSICS PHALLACIES: THE BEST WAY NOT TO UNIFY PHYSICS JAMES E. BEICHLER Research Institute for Paraphysics, Retired P.O. Box 624, Belpre, Ohio 45714 USA [email protected] Too many physicists believe the ‘phallacy’ that the quantum is more fundamental than relativity without any valid supporting evidence, so the earliest attempts to unify physics based on the continuity of relativity have been all but abandoned. This belief is probably due to the wealth of pro-quantum propaganda and general ‘phallacies in fysics’ that were spread during the second quarter of the twentieth century, although serious ‘phallacies’ exist throughout physics on both sides of the debate. Yet both approaches are basically flawed because both relativity and the quantum theory are incomplete and grossly misunderstood as they now stand. Had either side of the quantum versus relativity controversy sought common ground between the two worldviews, total unification would have been accomplished long ago. The point is, literally, that the discrete quantum, continuous relativity, basic physical geometry, theoretical mathematics and classical physics all share one common characteristic that has never been fully explored or explained – a paradoxical duality between a dimensionless point (discrete) and an extended length (continuity) in any dimension – and if the problem of unification is approached from an understanding of how this paradox relates to each paradigm, all of physics and indeed all of science could be unified under a single new theoretical paradigm. Keywords: unification, single field theory, unified field theory, quantized space-time, five-dimensional space-time, quantum, relativity, hidden variables, Einstein, Kaluza, Klein, Clifford 1. -
AFTER the FACT Scripts & Postscripts
After the fact proof 1-19-16.qxp_Layout 1 7/13/16 3:31 PM Page 1 AFTER THE FACT Scripts & Postscripts After the fact proof 1-19-16.qxp_Layout 1 7/13/16 3:31 PM Page 2 After the fact proof 1-19-16.qxp_Layout 1 7/13/16 3:31 PM Page 3 AFTER THE FACT Scripts & Postscripts a Marvin Bell and Christopher Merrill White Pine Press / Buffalo, New York After the fact proof 1-19-16.qxp_Layout 1 7/13/16 3:31 PM Page 4 White Pine Press P.O. Box 236 Buffalo, New York 14201 www.whitepine.org Copyright © 2016 by Marvin Bell and Christopher Merrill All rights reserved. This work, or portions thereof, may not be reproduced in any form without the written permission of the publisher. Publication of this book was made possible, in part, by grants from the Amazon Literary Partnership; the National Endowment for the Arts, which believes that a great nation deserves great art; with public funds from the New York State Council on the Arts, a State Agency; and with the support of the Office of the Vice President of Research at The Uni - versity of Iowa. Acknowledgments: #1-10 Denver Quarterly #11-20 Conversations Across Borders #21-30 The Georgia Review #31-36 Ecotone #37-42 The Iowa Review #43-52 Prairie Schooner #53-58 Fiddlehead #59-60 december #61-70 The Georgia Review #71-80 december #81-90 The Georgia Review Cover image: “Against Perfection” by Sam Roderick Roxas-Chua, used by permission of the artist. -
RM Calendar 2013
Rudi Mathematici x4–8220 x3+25336190 x2–34705209900 x+17825663367369=0 www.rudimathematici.com 1 T (1803) Guglielmo Libri Carucci dalla Sommaja RM132 (1878) Agner Krarup Erlang Rudi Mathematici (1894) Satyendranath Bose (1912) Boris Gnedenko 2 W (1822) Rudolf Julius Emmanuel Clausius (1905) Lev Genrichovich Shnirelman (1938) Anatoly Samoilenko 3 T (1917) Yuri Alexeievich Mitropolsky January 4 F (1643) Isaac Newton RM071 5 S (1723) Nicole-Reine Etable de Labrière Lepaute (1838) Marie Ennemond Camille Jordan Putnam 1998-A1 (1871) Federigo Enriques RM084 (1871) Gino Fano A right circular cone has base of radius 1 and height 3. 6 S (1807) Jozeph Mitza Petzval A cube is inscribed in the cone so that one face of the (1841) Rudolf Sturm cube is contained in the base of the cone. What is the 2 7 M (1871) Felix Edouard Justin Emile Borel side-length of the cube? (1907) Raymond Edward Alan Christopher Paley 8 T (1888) Richard Courant RM156 Scientists and Light Bulbs (1924) Paul Moritz Cohn How many general relativists does it take to change a (1942) Stephen William Hawking light bulb? 9 W (1864) Vladimir Adreievich Steklov Two. One holds the bulb, while the other rotates the (1915) Mollie Orshansky universe. 10 T (1875) Issai Schur (1905) Ruth Moufang Mathematical Nursery Rhymes (Graham) 11 F (1545) Guidobaldo del Monte RM120 Fiddle de dum, fiddle de dee (1707) Vincenzo Riccati A ring round the Moon is ̟ times D (1734) Achille Pierre Dionis du Sejour But if a hole you want repaired 12 S (1906) Kurt August Hirsch You use the formula ̟r 2 (1915) Herbert Ellis Robbins RM156 13 S (1864) Wilhelm Karl Werner Otto Fritz Franz Wien (1876) Luther Pfahler Eisenhart The future science of government should be called “la (1876) Erhard Schmidt cybernétique” (1843 ). -
11. How Large Is Infinity?
General Questions 25 • last expression, you need to divide a by a sequence bn with limit 0. But when a bn goes to zero, could go to +∞, if bn > 0, or to –∞, if bn < 0, or not exist bn a at all if bn alternates. Therefore, the expression must remain undefined. 0 Mathematicians call expressions like this “indeterminate forms.” In some cases, they can be thought of as having a certain value, while in other cases, as having another value or none at all. 11. HOW LARGE IS INFINITY? The first real opportunity where even young children can experience a “sense of wonder” in a mathematical context is when they make the basic observation that counting never ends. Typically, children are fascinated by very large numbers, and so was the 9-year-old Milton Sirotta, who became famous for inventing the name googol for the number 10100 in 1920. Later on, his uncle, the mathematician Edward Kasner (1878–1955), wrote about this in a book Mathematics and the Imagination, and still later, other imagi- native young fellows named their company Google after the number googol to indicate the large amount of data handled by Internet search engines. Although the number googol is already unimaginably large, we can eas- ily think of even larger numbers, for example, googol + 1 or 10googol (which has been called googolplex), or even the factorial of googol, or googolgoogol. The process of generating larger numbers from any given number obviously has no end. Therefore, the set of integers certainly cannot be finite. If it were, then there would be a largest number, which is impossible, because for any given number we can immediately find a bigger one just by adding 1. -
There's a Common Misconception About Eurovision Songs
First Half Second Half The Stats The Rest Hello, Rotterdam! After a year in storage, it’s time to dust off Europe’s most peculiar pop tradition and watch as singers from every corner of the continent come to do battle. As ever, we’ve compiled a full guide to the most bizarre, brilliant and boring things the contest has to offer... ////////////////////////////////// The First Half...............3-17 Cypriot Satan worshipping! Homemade Icelandic indie-disco! 80s movie montages and gigantic Russian dolls! Unusually for Eurovision, the first half features some of this year’s hot favourites, so you’ll want to be tuned in from the start. The Second Half.............19-33 Finnish nu-metal! Angels with Tourette’s! A Ukrainian folk- rave that sounds like Enya double-dropping and Flo Fucking Rida! Things start getting a little bit weirder here, especially if you’re a few drinks in, but we’re here to hold your hand. The Stats...................34-42 Diagrams, facts, information, theory. You want to impress your mates with absolutely useless knowledge about which sorts of things win? We’ve got everything you need... The Ones We Left Behind.....43-56 If you didn’t catch the semis, you’ll have missed some mad stuff fall by the wayside. To honour those who tripped at the first hurdle, we’ve kept their profiles here for posterity – so you’ll never need ask “Who was the Polish Bradley Walsh?” First Half Second Half The Stats The Rest Pt.1: At A Glance The Grand Final’s first half is filled with all your classic Saturday night Europop staples.