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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Qinqiang Opera Drama Costume Connotation and Aesthetic
2nd International Conference on Education Technology, Management and Humanities Science (ETMHS 2016) Qinqiang opera drama costume connotation and aesthetic implication 1, a Yugang Chen 1Jiangxi Institute of Fashion Technology, Jiangxi, Nanchang, 330201 [email protected] Keywords: Qinqiang opera drama; Clothing; The cultural connotation Abstract. Qinqiang opera drama is one of the most exquisite stylized performance of traditional Chinese local operas. Qinqiang opera drama clothing, and other theatrical performances of traditional clothing similarity is exquisite and stylized, decorative effect as well as the audiences in the symbolization of abstract feelings, dramatic clothes in qinqiang opera drama very expressive aesthetics and art. Introduction Qinqiang opera drama as a traditional Chinese drama conductions, its dramatic clothes also represents the character appearance of traditional drama clothing, under the stylized costumes or wear shows of the respect and inheritance on traditional culture. Studies of qinqiang opera costume for one of the models, style characteristic, found that it contains the cultural connotation and aesthetic implication, the essence of traditional clothing, for the development of qinqiang opera drama has a positive and far-reaching significance. The formation of Qinqiang opera drama clothing Qin has been active in shanxi, gansu and the northwest region is the vast land of an ancient opera. The earliest qinqiang opera originated in shanxi guanzhong area, from the perspective of the change of type c, Qin Sheng, qin three stages. In the qianlong period reached for her best. From the point of geography, shanxi, gansu, ningxia, qinghai, xinjiang northwest five provinces close to geographical culture, so the ancient qin, with its wide sound big voice spoke quickly popular in this area. -
Redalyc.A HUNDRED YEAR's CELEBRATION of THE
Historia Constitucional E-ISSN: 1576-4729 [email protected] Universidad de Oviedo España Guohua, Jiang A HUNDRED YEAR’S CELEBRATION OF THE CONSTITUTIONAL PRACTICE IN THE LATE QING DYNASTY (a discussion on the political compromise of the Constitutional Practice in the Late Qing Dynasty) Historia Constitucional, núm. 9, septiembre-, 2008, pp. 341-371 Universidad de Oviedo Oviedo, España Disponible en: http://www.redalyc.org/articulo.oa?id=259027580016 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto A HUNDRED YEAR’S CELEBRATION OF THE CONSTITUTIONAL PRACTICE IN THE LATE QING DYNASTY (a discussion on the political compromise of the Constitutional Practice in the Late Qing Dynasty) Jiang-Guohua INDEX: I. INTRODUCTION.- II. THE COMPROMISE BETWEEN THE INSTITUTIONAL REFORMERS AND THE CONSTITUTIONALISTS.- 1. The Original Opinion of the Institutional Reformers.- 2. The advocacy of constitutionalists.- 3. The decision to investigate constitutional politics abroad.- III. THE COMPROMISE BETWEEN PRO-CONSTITUTIONALIST AND ANTI-CONSTITUTIONALIST.- 1. The Pro-constitutionalist promoted the Constitutional Practice positively.- 2. The Engagement between Pro-constitutionalists and Anti-constitutionalist.- 3. The Issue of the Imperial Edict to Imitative Constitutionalism.- IV. THE COMPROMISE BETWEEN THE AUTHORITY AND THE CONSTITUTIONALISTS.- 1. The Constitutional Preparation made by the Qing Court.- 2. The Instigations of the Constitutionalists among the People.- 3. The Birth of the Outline of Imperial Constitution.- V. THE COMPROMISE BETWEEN THE CONSTITUTIONAL CONSERVATISM AND THE CONSTITUTIONAL RADICALISM.- 1. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Case of Smallpox and the Manchus (1613-1795
Copyright © 2002 Oxford University Press. All rights reserved. Journal of the History of Medicine and Allied Sciences 57.2 (2002) 177-197 [Access article in PDF] Disease And its Impact on Politics, Diplomacy, and the Military: The Case of Smallpox and the Manchus (1613–1795) Chia-Feng Chang One of the most dramatic events in Chinese history was the rise of the Qing dynasty in 1644. Scholars have suggested various reasons why the Manchus successfully conquered Ming China, but one important reason has long been neglected. An infectious disease, smallpox, played a key role in the story. Smallpox might have served as a barrier, preventing the success of the susceptible Manchus, both during the time of military conquest and in the years that followed. In this essay I explore how the Manchus responded to the danger of smallpox and how smallpox shaped the Manchu military, political, and diplomatic structures during the conquest and the first half of the Qing dynasty (1644–1911). In the late Ming dynasty (1368–1644) smallpox was rare among the peoples who lived beyond the northern borders of China, including the Manchus. For example, Zhang Jiebin (1563–1640), an eminent physician, stated that the northern peoples did not develop the disease. 1 A government official of the time, Xie Zhaozhe, also remarked that the Tartars did not suffer from smallpox. 2 As late as the Qing [End Page 177] dynasty, Zhu Chungu (1634–1718?), who was appointed to practice variolation amongst the Mongols during the Kangxi period (1662–1722), asserted that it was their nomadic lifestyle which protected them. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Study of Women Dress in Zhang Daqian Beauty Paintings Liu Yang Long Jiang School of Art School of Art Panzhihua University Panzhihua University Panzhihua, China Panzhihua, China Abstract—This paper analyses the Zhang Daqian paintings Guanyin is described in Avatamsaka Sutra as "brave man." of women dress from the perspective of the history of clothing Prior to Tang Dynasty, Guanyin appears as a male in most and clothing aesthetics, and it extracts the specific description cases, and in some cases, also appears as a female. But later, of female dress and classifies it. Then it explores Zhang Daqian especially since the legendary Miaoshan Princess, the image beauty paintings of women dress in clothing, hairstyles, of Guanyin in Han region is more and more feminine, for headwear and face and so on with women dress history in example, the 33 images of Guanyin that spreading among various dynasties as a reference. Thereby it can have a deep the people are all females. Some scholars directly call understanding of the influence of Zhang Daqian’s aesthetic Guanyin as the Eastern goddess [1]. Therefore, this paper taste, value orientation and spiritual world of on his also refers Guanyin as a female. description of women dress. Dress is short for clothing and making up. In particular, Keywords—Zhang Daqian; beauty paintings; women dress; it refers to the beauties’ clothing and appearance, including classification; aesthetic facial makeup, hair style, headware, shoes, etc. All the forms or objects that can make body decoration are all the I. -
The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries. -
Global Quantification and Inventory Demand for Silver in China
GLOBAL QUANTIFICATION AND INVENTORY DEMAND FOR SILVER IN CHINA JIN CAO University of Tübingena DENNIS O. FLYNN Pacific World History Instituteb ABSTRACT This article provides an initial (partial) estimate of silver quantities held within China around mid-18th century, utilising archival evidence related to wealth confiscations. Better future estimates for overall Chinese silver hold- ings could also facilitate more accurate estimation of Chinese silver (legal plus illegal) imports. Similar analyses for other world regions could eventu- ally yield estimates for global silver stock holdings, useful in turn for improv- ing global silver mining and trade flow estimates. Extensive contraband silver mining and silver trade are known to have escaped official recorda- tion, by definition. If methodologies suggested herein prove successful, then parallel non-silver-trade-good estimates could follow. Current exclusive focus upon production and trade flows should be reevaluated in the context of linkages with accumulations of goods (wealth components). Economic history could someday provide a prominent stage for the historical study of wealth holdings, thereby furnishing context for increasing wealth concen- trations observable worldwide today. Keywords: global silver history, inventory demand, inventory supply JEL Code: A12, B41 a Institute of Asian and Korean Studies, Faculty of Humanities. [email protected] b Pacific World History Institute. doflynn@pacific.edu Revista de Historia Económica, Journal of Iberian and Latin American Economic History 421 Vol. 38, No. 3: 421–447. doi:10.1017/S0212610919000181 © Instituto Figuerola, Universidad Carlos III de Madrid, 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. -
History, Background, Context
42 History, Background, Context The history of the Qing dynasty is of course the history of hundreds upon hundreds of millions of people. The volume, density, and complexity of the information contained in this history--"history" in the sense of the totality of what really happened and why--even if it were available would be beyond the capacity of any single individual to comprehend. Thus what follows is "history" in another sense--a selective recreation of the past in written form--in this case a sketch of basic facts about major episodes and events drawn from secondary sources which hopefully will provide a little historical background and allow the reader to place Pi Xirui and Jingxue lishi within a historical context. While the history of the Qing dynasty proper begins in 1644, history is continuous. The Jurchen (who would later call themselves Manchus), a northeastern tribal people, had fought together with the Chinese against the Japanese in the 1590s when the Japanese invaded Korea. However in 1609, after a decade of increasing military strength, their position towards the Chinese changed, becoming one of antagonism. Nurhaci1 努爾哈赤 (1559-1626), a leader who had united the Jurchen tribes, proclaimed himself to be their chieftain or Khan in 1616 and also proclaimed the 1See: ECCP, p.594-9, for his biography. 43 founding of a new dynasty, the Jin 金 (also Hou Jin 後金 or Later Jin), signifying that it was a continuation of the earlier Jurchen dynasty which ruled from 1115-1234. In 1618, Nurhaci led an army of 10,000 with the intent of invading China. -
YAO-DISSERTATION-2016.Pdf
CONSUMING SCIENCE: A HISTORY OF SOFT DRINKS IN MODERN CHINA A Dissertation Presented to The Academic Faculty by Liang Yao In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the School of History and Sociology Georgia Institute of Technology May 2016 COPYRIGHT © 2015 BY LIANG YAO CONSUMING SCIENCE: A HISTORY OF SOFT DRINKS IN MODERN CHINA Approved by: Dr. Hanchao Lu, Advisor Dr. Laura Bier School of History and Sociology School of History and Sociology Georgia Institute of Technology Georgia Institute of Technology Dr. John Krige Dr. Kristin Stapleton chool of History and Sociology History Department Georgia Institute of Technology University at Buffalo Dr. Steven Usselman chool of History and Sociology Georgia Institute of Technology Date Approved: December 2, 2015 ACKNOWLEDGEMENTS I would never have finished my dissertation without the guidance, help, and support from my committee members, friends, and family. Firstly, I would like to express my deepest gratitude to my advisor Professor Hanchao Lu for his caring, continuous support, and excellent intellectual guidance in all the time of research and writing of this dissertation. During my graduate study at Georgia Tech, Professor Lu guided me where and how to find dissertation sources, taught me how to express ideas and write articles like a historian. He provided me opportunities to teach history courses on my own. He also encouraged me to participate in conferences and publish articles on journals in the field. His patience and endless support helped me overcome numerous difficulties and I could not have imagined having a better advisor and mentor for my doctorial study. -
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ISABEL SUN CHAO AND CLAIRE CHAO REMEMBERING SHANGHAI A Memoir of Socialites, Scholars and Scoundrels PRAISE FOR REMEMBERING SHANGHAI “Highly enjoyable . an engaging and entertaining saga.” —Fionnuala McHugh, writer, South China Morning Post “Absolutely gorgeous—so beautifully done.” —Martin Alexander, editor in chief, the Asia Literary Review “Mesmerizing stories . magnificent language.” —Betty Peh-T’i Wei, PhD, author, Old Shanghai “The authors’ writing is masterful.” —Nicholas von Sternberg, cinematographer “Unforgettable . a unique point of view.” —Hugues Martin, writer, shanghailander.net “Absorbing—an amazing family history.” —Nelly Fung, author, Beneath the Banyan Tree “Engaging characters, richly detailed descriptions and exquisite illustrations.” —Debra Lee Baldwin, photojournalist and author “The facts are so dramatic they read like fiction.” —Heather Diamond, author, American Aloha 1968 2016 Isabel Sun Chao and Claire Chao, Hong Kong To those who preceded us . and those who will follow — Claire Chao (daughter) — Isabel Sun Chao (mother) ISABEL SUN CHAO AND CLAIRE CHAO REMEMBERING SHANGHAI A Memoir of Socialites, Scholars and Scoundrels A magnificent illustration of Nanjing Road in the 1930s, with Wing On and Sincere department stores at the left and the right of the street. Road Road ld ld SU SU d fie fie d ZH ZH a a O O ss ss U U o 1 Je Je o C C R 2 R R R r Je Je r E E u s s u E E o s s ISABEL’SISABEL’S o fie fie K K d d d d m JESSFIELD JESSFIELDPARK PARK m a a l l a a y d d y o o o o d d e R R e R R R R a a S S d d SHANGHAISHANGHAI