The Colonnade Building

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THE COLONNADE FOR SUBLEASE BUILDING 4050 Innslake Drive / Glen Allen, VA 23060 PROPERTY FEATURES • 68,000 RSF, Class A office building • Well-maintained park atmosphere • Located at the entrance to Innsbrook • Numerous retail amenities nearby, including dining, shopping and lodging • Exterior monument signage available • 9,684 RSF plug & play suite available for sublease, furniture • 4/1,000 parking included www.cbre.us/richmond BUILDING FLOOR PLAN LEVEL 2 • 9,684 RSF AVAILABLE - SUITE 250 SUITE 200: 12,298 •U.S.F. PLUG & 13,774PLAY R.S.F. SUITE 250: 8,646 U.S.F. 9,684 R.S.F. • FURNITURE INCLUDED TOTAL: 20,944 U.S.F. 23,458 R.S.F. SUITE 250 GIVE BACK 8,646 U.S.F. 9,684 R.S.F. ATRIUM SUITE 200 DXC 12,298 U.S.F. 13,774 R.S.F. PLANNING AND DESIGN 804.747.7800 804.965.0164 FAX 4501 HIGHWOODS PARKWAY, SUITE 400 GLEN ALLEN, VA 23060 PROJECT MANAGER: C.TERRY DRAWN BY: K.NEWTON COLONNADE DATE: 07.30.2019 FLOOR 2 - EXHIBIT SHEET SCALE: N.T.S. 2 CAD FILE: 0305-FL2A.DWG 4050 INNSLAKE DRIVE OF JOB NO.: 03-05 GLEN ALLEN, VA 3 N 271 295 BROOKHOLLOW SHOPPING CENTER Cox Rd 4050 Innslake Drive 250 BEAUTY COLONNADES WEST Gaskins Rd 64 Mayland Dr John Rolfe Pkwy Three Chopt Rd Church Rd THE COLONNADE BUILDING 4050 Innslake Drive / Glen Allen, VA 23060 PLEASE CONTACT: ERIC WILLIFORD CHRIS WALLACE ANDREW FERGUSON Vice President Senior Vice President Senior Vice President +1 804 401 4003 +1 804 401 4001 +1 804 401 4004 [email protected] [email protected] [email protected] © 2020 CBRE, Inc. All rights reserved. This information has been obtained from sources believed reliable, but has not been verified for accuracy or completeness. You should conduct a careful, independent investigation of the property and verify all information. Any reliance on this information is solely at your own risk. CBRE and the CBRE logo are service marks of CBRE, Inc. All other marks displayed on this document are the property of their respective owners, and the use of such logos does not imply any affiliation with or endorsement of CBRE. Photos herein are the property of their respective owners. Use of these images without the express written consent of the owner is prohibited. www.cbre.us/richmond.

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The Arch and Colonnade of the Manhattan Bridge Approach and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission November 25, 1975, Number 3 LP-0899 THE ARCH AND COLONNAD E OF THE MANHATTAN BRIDGE APPROACH, Manhattan Bridge Plaza at Canal Street, Borough of Manhattan. Built 1912-15; architects Carr~re & Hastings. Landmark Site: Borough o£Manhattan Tax Map Block 290, Lot 1 in part consisting of the land on which the described improvement is situated. On September 23, 1975, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Arch and Colonnade of the Manhattan Bridge Approach and the proposed designation of the related Landmark Site (Item No . 3). The hearing had been duly ad vertised in accordance with . the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Manhattan Bridge Approach, a monumental gateway to the bridge, occupies a gently sloping elliptical plaza bounded by Canal, Forsyth and Bayard Streets and the Bowery. Originally designed to accommodate the flow of traffic, it employed traditional forms of arch and colonnade in a monument al Beaux-Arts style gateway. The triumphal arch was modeled after the 17th-century Porte St. Denis in Paris and the colonnade was inspired by Bernini's monumental colonnade enframing St. Peter's Square in Rome. Carr~re &Hastings, whose designs for monumental civic architecture include the New York Public Library and Grand Army Plaza, in Manhattan, were the architects of the approaches to the Manhattan Bridge and designed both its Brooklyn and Manhattan approaches. The design of the Manhattan Bridge , the the third bridge to cross the East River, aroused a good deal of controversy.
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Federal Building United States Courthouse in Youngstown, Ohio, Was Designed and Constructed Under the U
FEDERAL BUILDING UNITED STATES COURTHOUSE FEDERAL BUILDING UNITED STATES COURTHOUSE Youngstown, Ohio Youngstown, Ohio The Federal Building United States Courthouse in Youngstown, Ohio, was designed and constructed under the U.S. General Services Administration’s Design Excellence Program, an initiative to create and preserve a legacy of outstanding public buildings that will be used and enjoyed now and by future generations of Americans. Special thanks to the Honorable William T. Bodoh, Chief Bankruptcy Judge, U.S. District Court for the Northern District of Ohio, for his commitment and dedication to a building of outstanding quality that is a tribute to the role of the judiciary in our democratic society and worthy U.S. General Services Administration U.S. General Services Administration of the American people. Public Buildings Service Ofﬁce of the Chief Architect Center for Design Excellence and the Arts October 2002 1800 F Street, NW Washington, DC 20405 2025011888 FEDERAL BUILDING UNITED STATES COURTHOUSE FEDERAL BUILDING UNITED STATES COURTHOUSE Youngstown, Ohio Youngstown, Ohio The Federal Building United States Courthouse in Youngstown, Ohio, was designed and constructed under the U.S. General Services Administration’s Design Excellence Program, an initiative to create and preserve a legacy of outstanding public buildings that will be used and enjoyed now and by future generations of Americans. Special thanks to the Honorable William T. Bodoh, Chief Bankruptcy Judge, U.S. District Court for the Northern District of Ohio, for his commitment and dedication to a building of outstanding quality that is a tribute to the role of the judiciary in our democratic society and worthy U.S.
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COLONNADE RENOVATION Washington and Lee University, Lexington, Virginia
CSI Richmond – April Project Spotlight - Glavé & Holmes Architecture COLONNADE RENOVATION Washington and Lee University, Lexington, Virginia Washington and Lee University’s front campus was designated a National Historic District in 1973, described by the Interior as “one of the most dignified and beautiful college campuses in the nation”. In the center stands the Colonnade, comprised of the five most iconic buildings in the historic district: Washington, Payne, Robinson, Newcomb, and Tucker Halls. The phased rehabilitation of the building spanned eight years. The Colonnade is deeply revered, making any change sensitive. However, restoring its vitality was paramount to the University: code deficiencies, inefficient infrastructure, and worn interiors reflected decades of use. Offices were inadequate, spaces for interaction were sparse, technology was an afterthought, and there weren’t even bathrooms on the third floors. Understanding the beloved nature of the buildings, the University established lofty goals for this undertaking. G&HA followed the guidelines from the Secretary of the Interior’s Standards for Rehabilitation to preserve the major character and defining features in each building while upgrading all the MEP and life safety systems throughout. Because of space constraints, a new utility structure was designed and located across Stemmons Plaza to sit below grade. The structure’s green roof and seating areas integrate it into the site and enhance the landscape. The project achieved LEED Silver and historic tax credits. — COLONNADE
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Test Trench in the Street of the Great Colonnade
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First Impression : the Study of Entry in Architecture
Copyright Warning & Restrictions The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a, user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use” that user may be liable for copyright infringement, This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. Please Note: The author retains the copyright while the New Jersey Institute of Technology reserves the right to distribute this thesis or dissertation Printing note: If you do not wish to print this page, then select “Pages from: first page # to: last page #” on the print dialog screen The Van Houten library has removed some of the personal information and all signatures from the approval page and biographical sketches of theses and dissertations in order to protect the identity of NJIT graduates and faculty. FIRST IMPRESSION: THE STUDY OF ENTRY IN ARCHITECTURE by Siriwan Polpuech Thesis submitted to the Faculty of the Graduate School of the New Jersey Institute of Technology in partial fulfilment of the requirement for the degree of Master of Science in Architectural Studies 1989 APPROVAL SHEET Title of Thesis: First Impression: The Study of Entry in Architecture Name of Candidate: Siriwan Polpuech Master of Science in Architectural Studies, 1989 Thesis and Abstract Approved: Prof.
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The Internal Colonnade of the Hephaisteion
THE INTERNAL COLONNADE OF THE HEPHAISTEION (PLATE 56) T HE unexpected discovery, in 1939, of the foundations of an internal colonnade within the Hephaisteion,' contrasting with the general practice of its designer, the " Theseum architect," and the accumulatilonof evidence that both the foundations and the colonnade were, in fact, not parts of the original scheme but were inserted (undoubtedly by the original architect himself) as an afterthought and the entire cella building redesigned in emulation of the new contemporary design for the Par- thenon may now be accepted as a definite acquisition.2 Far otherwise is it with regard to the details of the restoration, for which, apart from the very incomplete grave-riddled foundations themselves, there are only two items of internal evidence, a single marble block from the epistyle over the upper tier of columns (with a very peculiar jogged joint suggesting that it came from an end or a corner), together with a single vertical scratch line at the floor level on the north flank wall. One more extant block, or even one more scratch line, might have eliminated all the speculation to which we are condemned. On the basis of this slender evidence two main types of restoration, A with two by five column intervals and B with three by seven intervals, with minor differ- ences yielding five sub-varieties, as well as two others that have been mentioned only to be immediately discarded, have been successively published: Al, the extant epistyle placed at the southeast corner (Dinsmoor, 1941); 3 A2, again at the southeast corner 'This article was written in 1953, and immediately submitted to Bert Hodge Hill for criticism.
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Art Concepts
ANCIENT ART - Greece Acropolis Greek, “high city.” In ancient Greece, usually the site of the city’s most important temple(s). Amphora A two-handled jar used for general storage purposes, usually to hold wine or oil. Archaic Smile In Archaic Greek sculpture, the smile sculptors represented on faces as a way of indicating that the person portrayed is alive. Atlant (Atlas) A male figure that functions as a supporting column. Black-Figure In early Greek pottery, the silhouetting of dark Painting figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. Capital The uppermost member of a column, serving as a transition from the shaft to the lintel. In classical architecture, the form of the capital varies with the order. Caryatid A female figure that functions as a supporting column. Cella The chamber at the center of an ancient temple; in a classical temple, the room (Greek, naos) in which the cult statue usually stood. ANCIENT ART - Greece Centaur In ancient Greek mythology, a fantastical creature, with the front or top half of a human and the back or bottom half of a horse. Contrapposto The disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. Sometimes called “weight shift” because the weight of the body tends to be thrown to one foot, creating tension on one side and relaxation on the other. Corinthian Corinthian columns are the latest of the three Greek styles and show the influence of Egyptian columns in their capitals, which are shaped like inverted bells.
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Imagine Create
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The Parthenon's North Colonnade
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Decorate a Colonnade Arch System
HOW TO Decorate a Colonnade Arch System Decorating a colonnade arch system that can serve as the focal point of a wedding ceremony demands far more artistry than most wedding guests understand. It needs to focus attention on the bride and groom and draw attention away from the venue without attracting too much attention to itself. It provides the backdrop for the memories, wedding photos and videos that will live on for generations. And there’s only one chance for success. That’s why decorating it is a high visibility job that comes with high pressure, and for wedding and event planners who know how to decorate these arch systems with style and flair, their artistry can become a signature that attracts clients and drives word of mouth advertising. We talked to ace wedding planner Will Hall of Your Wedding Solutions, Baltimore, Md., about how he decorates colonnade arch systems and how you can get the same, bold effect using your own colonnade arch system for weddings and other This traditional colonnade arch system creates an elegant focal point for weddings, prom photos and events. Here is what we learned from other events. It is manufactured by Meese Orbitron Dunne Co. in La Mirada, Calif. Mr. Hall: lodge hall or the bride’s backyard, for modern churches feel more like a Location, Location, Location example. The first step is to survey stadium. Hotels and catering halls The most important factor in the event venue or site, paying careful often use patterned wallpaper while determining how to decorate your attention to the following: other facilities may offer bare, beige colonnade arch system is the venue.
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Domestic Architecture in the Greek Colonies of the Black Sea from the Archaic Period Until the Late Hellenictic Years Master’S Dissertation
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Colonnade Hotel/Gatewood Apartments 1900/1911
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