Early Sacred Music Module 12 Quiz – Answer Key 1. Machaut's Notre Dame

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Early Sacred Music Module 12 Quiz – Answer Key 1. Machaut’s Notre Dame Mass includes a polyphonic setting of “Ite missa est,” which is not part of the Mass Ordinary. True / False 2. Machaut was canon at which Cathedral? a. Chartres b. Notre Dame de Paris c. Rheims d. St. Denis 3. Imperfect rhythm occurs when the musical beat is subdivided into groups of 2 rather than 3. True / False 4. The name associated with 14th-century music “ars nova” comes from a writing of the time by: a. Franco of Cologne b. Guillaume de Machaut c. Philippe de Vitry d. Pope John XXII 5. The term “ars antiqua” is generally applied to the music of Leonin and Perotin. True / False 6. Isorhythm is a compositional technique that a. involves rhythmic and pitch sequences of differing length. b. pits the tenor line against an upper voice. c. confines the music to just one rhythmic pattern. d. draws out the tenor line in long, sustained notes. 7. Syncopation occurs when the rhythmic stress is placed on weak beats. True / False 8. All of the Popes at Avignon (during the Avignon Papacy of c. 1305-1376) were a. antipopes in opposition to Rome. b. French. c. supporters of new music in the Church. d. opposed to the music of the French ars nova. 9. The Black Death devastated Europe’s large cities but had far less impact in the countryside and remote villages. True / False 10. Ars subtilior a. literally means “subtle style.” b. was a style characterized by extreme complexity of rhythm. c. was a style that quickly fell out of favor. d. All of the above 3. None of the above 11. The Jews of Speyer were required to live on the outskirts of the city. True / False 12. Giotto was the architect responsible for a. the bell tower in the Florence Cathedral. b. the collapse of the Cathedral at Beauvais. c. the new St. Peter’s Basilica. d. the Papal Palace at Avignon. 13. Machaut left a body of music that is predominantly sacred. True / False 14. The end of the Middle Ages would be marked by a desire to return to: a. Athenian democracy b. Biblical principles c. Classical ideals d. Thomist philosophy .

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! ! FOURTEENTH CENTURY! ! MUSIC! ! Increased attention to secular song, ! though much sacred music continued! to be composed.! ! ! ! ! ! ! FOURTEENTH CENTURY! ! ROMAN de FAUVEL! ! Flatterie (Flattery)! Avarice (Greed)! Villanie (Villany)! Variété (Fickleness)! Envie (Envy)! Lâcheté (Cowardice)! ! ! FOURTEENTH CENTURY! ! ROMAN de FAUVEL! ! Flatterie (Flattery)! Avarice (Greed)! Villanie (Villany)! Variété (Fickleness)! Envie (Envy)! Lâcheté (Cowardice)! ! ! ROMAN de FAUVEL! ! Flatterie (Flattery)! Avarice (Greed)! Villanie (Villany)! Variété (Fickleness)! Envie (Envy)! Lâcheté (Cowardice)! Fond Français 146, Paris, Bibliothèque Nationale ! ! ROMAN de FAUVEL! ! Flatterie (Flattery)! Avarice (Greed)! Villanie (Villany)! Variété (Fickleness)! Envie (Envy)! Lâcheté (Cowardice)! Fond Français 146, Paris, Bibliothèque Nationale ! ! ARS NOVA! ! Philippe de Vitry (1291-1361)! ! Ars Nova (c. 1320)! “This completes the ars nova of Magister Philippe de Vitry”! ! ! ! ! ! ARS NOVA! ! Philippe de Vitry (1291-1361)! ! Ars Nova (c. 1320)! “This completes the ars nova of Magister Philippe de Vitry”! ! Vitry’s compositions among the 169 pieces of music in Fauvel! ! ! ARS NOVA! ! MENSURATION SIGNS! ! MODE = Division of the Long! TIME = Division of the Breve! ! PROLATION= Division of the Semibreve! Major / Minor! ! MODE TIME PROLATION Division of Long Division of Breve Division of Semibreve Perfect : Imperfect Major : Minor ! ! ARS NOVA! ! MENSURATION SIGNS! ! Temporary changes of Mode or Time are indicated by! COLORATION! ! Use of Red Ink, rather than Black! ! ! ! ARS NOVA! ! Shifting emphasis to duple meters was criticized! by Jacque de Liège! ! “Perfection is brought low, and imperfection exalted.”! ! ! ! ! ! ISORHYTHM! ! Motets of Philippe de Vitry some of the earliest uses of ISORHYTHM! ! ! ! ! ! ! ! ! ISORHYTHM! ! Motets of Philippe de Vitry some of the earliest uses of ISORHYTHM! ! Rhythmic structure of the tenor of motet ! ! ! ! ! ! ! ISORHYTHM! ! TALEA! “cuttings” (pl.
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Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1999 Guillaume de Machaut: Musician and Poet Sharon S. Pearcy Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Pearcy, Sharon S., "Guillaume de Machaut: Musician and Poet" (1999). Masters Theses. 1697. https://thekeep.eiu.edu/theses/1697 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS/FIELD EXPERIENCE PAPER REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of request from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow these to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. -. II I respectfully request Booth Library of Eastern Illinois University NOT allow my thesis to be reproduced because: Author's Signature Date thesis4 form GUILLAUME DE MACHAUT: MUSICIAN AND POET BY SHARON S. PEARCY /t}S'I - THESIS SUBMITTED IN PARTIAL FULFILLMENT OF TIIE REQUIREMENTS FOR TIIE DEGREE OF MASTER OF ARTS IN TIIE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSTIY CHARLESTON, ILLINOIS 1999 YEAR I HEREBY RECOMMEND THIS TIIESIS BE ACCEPTED AS FULFILLING THIS PART OF TIIE GRADUATE DEGREE CITED ABOVE Abstract The life of Guillaume de Machaut (c.