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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
Telling and Retelling the Tale. Adapting the Murder Ballad 'Duncan and Brady'for the Stage As Past and Future Visions of a Folk Crime
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 (2016) Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research, 2 . ISSN 2058-5535 [Article] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/18923/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. -
Harvey Kubernik's End of the Year Interview with Travis Edward Pike
What’s New at Otherworld Cottage? HK: Thank you for that, but I was referring to the IMDb links you’ve provided whenever you cite your movie industry Harvey Kubernik’s End of the Year colleagues. Interview with Travis Edward Pike TP: Naming them just wasn’t enough. Your recent article, “The Wrecking Crew,” about the studio musicians who actually played the tracks for some of the most popular recordings of our times, and until your cover story in Record Collector News, were essentially unknown, is indicative of how much of our entertainment industry is, like an iceberg, hidden below the surface. I’ve worked with, and been mentored by some extraordinary motion picture professionals, whose work is widely recognized as outstanding, but who are, themselves, unknown to the general public. People are dazzled by the final results, but rarely know much about the talents who make it all possible. My department heads and mentors included line producer Britt Lomond; (co-producer on Sword of Heaven and Crystalstone, UPM on Somewhere in Time, 1st AD on Purple Rain, and 2nd Unit Director on Midnight Run). George Costello was Britt’s production designer on Crystalstone, but he was also the art director for The Terminator, and The Sword and the Sorcerer. You knew that in 2014, Director of Photography and Visual Effects SupervisorPeter Anderson, received the Gordon E. Sawyer Special Oscar “For Technical Contributions that have brought Credit to the Industry.” I first met him in 1982 at Disney Studios, when I was working on Betsy Baytos’ production of the Betsy and Thumper promotion for the re-release of Bambi. -
NUTTALL's" Fri
Arizona Tribune, Friday August 2\ 1959. page 3 JAZZ STAB 3ITS OF THIS AND THAT Edwards sang • \ He Tommy two songs on Dick Clark’s TV show Saturday night. Gofiikut It is ironical that Billie Holiday’s albums will BY BUCK ROGERS bring more fortune to the recording companies than People she ever received. Stet'Aand fish have a lot in or riffles. In all probability, you common. can find such a stream close Louis Jordan’s ex-wife This fact becomes evident to your home. Fleecie bought a Chicago when you glance around your Then, gather your equipment tavern to add to her real town, and note people’s habits. together. You’ll need a boat, estate holdings. On the hot afternoons you’ll preferably a large canoe or find them in the air-conditioned jazz appear- “John” type boat, a matching That show buildings, huddled around a outboard, ing Regal paddles, sleeping and in Chicago’s whirling fan, or hunkered in cooking equipment, and a sup- Theater cost SIB,OOO. the shade. Only the . foolish ply of food. At this season, The crowds shelled out youngsters will be dashing you’ll also need a cooler full of about in the sun. ; ice. And, don’t forget your fish- $40,000 to shatter an all But, the in evenings things | ing tackle. time record. begin to happen. People move ' If weekend is all the time out a Top vocalist Dinah Wash- into their backyards to bar- you have, select a campsite that becue meal, they ington wed a New York the evening can be reached by road, and put to or flock the drive-in movie, ; your boat in the water Friday cabbie. -
Bear Family Records Sales Sheet
PRODUCT INFO (CD) July 3, 2020 Artist Various Artists Title Talking On The Telephone Label Bear Family Productions Catalog no. BCD17599 EAN-Code 53971021759924 Price code: AB Format CD with 36-page booklet Genre Rock 'n' Roll, Teen Pop No. of tracks 28 64:46 Min. Release date July 3, 2020 INFO: • Contains 28 telephone-themed early rock & roll and teen pop records including rare and previously unissued tracks. • Appeals to historians of popular culture as well as collectors of 50s music looking for something a little bit different. • Contains the barely issued ‘answer record’ to the Big Bopper’s mega-hit Chantilly Lace, as well as the fascinating backstory behind how this record was withdrawn following the Bopper’s untimely death. • Includes rare photos and detailed track notes by music historians Hank Davis and Roy Forbes. Telephones have been part of our lives for over a hundred years. Like automobiles, which appeared at roughly the same time, telephones had a massive impact on how we live from the very start. Not surprisingly, people sang about telephones almost as quickly as the devices appeared. Previous ‘Talkin’ on the Telephone’ collections have focused on hillbilly and R&B music (RWA 12524 and 12557). This long-awaited collection brings together Telephone Songs from the early days of rock & roll and teen pop music. Teenagers were becoming a force in the music business during the 1950s and rock & roll gave them a chance to sing about their newfound freedom. Talking on the telephone offered teenagers independence from parental oversight, and the birth of rock and roll gave them a chance to sing about it. -
ANNEXURE Credo Theory of Music Training Programme GRADE 5 by S
- 1 - ANNEXURE Credo Theory of Music training programme GRADE 5 By S. J. Cloete Copyright reserved © 2017 BLUES (JAZZ). (Unisa learners only) WHAT IS THE BLUES? The Blues is a musical genre* originated by African Americans in the Deep South of the USA around the end of the 19th century. The genre developed from roots in African musical traditions, African-American work songs, spirituals and folk music. The first appearance of the Blues is often dated to after the ending of slavery in America. The slavery was a sad time in history and this melancholic sound is heard in Blues music. The Blues, ubiquitous in jazz and rock ‘n’ roll music, is characterized by the call-and- response* pattern, the blues scale (which you are about to learn) and specific chord progressions*, of which the twelve-bar blues* is the most common. Blue notes*, usually 3rds or 5ths flattened in pitch, are also an essential part of the sound. A swing* rhythm and walking bass* are commonly used in blues, country music, jazz, etc. * Musical genre: It is a conventional category that identifies some music as belonging to a shared tradition or set of conventions, e.g. the blues, or classical music or opera, etc. They share a certain “basic musical language”. * Call-and-response pattern: It is a succession of two distinct phrases, usually played by different musicians (groups), where the second phrase is heard as a direct commentary on or response to the first. It can be traced back to African music. * Chord progressions: The blues follows a certain chord progression and the th th 7 b harmonic 7 (blues 7 ) is used much of the time (e.g. -
October 1-3, 2017 Greetings from Delta State President William N
OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
April 2011 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on Feature Articles by Sharon Vaughn Cecile Bernier and Teri Nelson Carpenter The President’s Corner “The Music Industry in Sweden is Light Years Ahead” By Sharon Vaughn As we approach the end of this year's run of panels and the end of my tenure as CCC The first thing Sharon Vaughn does in the morning is to turn on her President, I am excited that we were able to computer and start composing. With over 35 years of experience as a songwriter she knows exactly how a song should be tailored to fit the assemble such an interesting array of experts to right artist. She’s worked with country music legends Willie Nelson, talk about the International side of the music Waylon Jennings, Kenny Rogers, Randy Travis, the Oak Ridge Boys industry. As our industry continues to struggle in and Trisha Yearwood. other areas, International exploitation and revenues remain an exciting area of potential A couple of years ago she moved to Sweden and has recently worked growth. I would like to thank CCC Past-President with domestic singer Agnes, who scored a number one hit on the Billboard Dance Chart with Release Me (later a hit in 40 countries), as Teri Nelson Carpenter for assembling and well as international top names in pop such as Boyzone and Jennifer moderating such a fantastic panel. -
WJPA Power Line Survey Week of May 13, 1968 Based on Listener
WJPA Power Line Survey Week of May 13, 1968 based on listener requests and local and national sales ) This Week Last Week 1.Mony Mony – Tommy James & Shondells 2 2.Tighten Up - Archie Bell & Drells 1 3.Mrs. Robinson – Simon & Garfunkel 11 4.The Good The Bad & The Ugly - Hugo Montenegro 5 5.A Beautiful Morning - The Rascals 3 6.Love Is All Around - The Troggs 10 7.Cowboys To Girls - The Intruders 4 8.Yummy Yummy Yummy – The Ohio Express 12 9.I Will Always Think About You - The New Colony Six 15 10.Ain’t Nothin’ Like The Real Thing - Marvin & Tammi 16 11.Does Your Mama Know About Me - Bobby Taylor 8 12.Pictures of Matchstick Men - The Status Quo 25 13.The Unicorn - The Irish Rovers 6 14.Honey - Bobby Goldsboro 9 15.Take Time To Know Her - Percy Sledge 14 16.Hey Girl/My Girl - Bobby Vee 20 17.Do You Know The Way To San Jose - Dionne Warwick 7 18.Like To Get To Know You – Spanky & Our Gang 26 19.Shoo Be Doo Be Doo Da Day - Stevie Wonder 18 20.Delilah - Tom Jones 23 21.I Could Never Love Another - The Temptations 24 22.Loving You Has Made Me Bananas - Guy Marks 27 23.Young Girl - The Union Gap 13 24.How’d We Ever Get This Way – Andy Kim 36 25.Think – Aretha Franklin -- 26.This Guy’s In Love With You – Herb Alpert 40 27.Time For Livin’ - The Association 37 28.A Man Without Love - Englebert Humperdinct 22 29.She’s Looking Good - Wilson Pickett 30 31.MacArthur Park – Richard Harris -- 32.I’m Sorry - The Delfonics -- 33.Happy Song - Otis Redding 31 34.Sweet Inspiration - The Sweet Inspirations 17 35.Summertime Blues - Blue Cheer 19 36.Friends - The Beach Boys 35 37.Cry Like A Baby - The Boxtops 21 38..Jelly Jungle - The Lemon Pipers -- 39.I Love You – People -- 40.Sadie The Cleaning Lady - Johnny Farnham -- .