100 Years Later

Total Page:16

File Type:pdf, Size:1020Kb

100 Years Later ➜ ➜ Our starting point is the Rathaus (City hall) on Dr.- sculptor Ernst Rietschel. However, all else pales next former city fortifications. Below the balustrade you 14 Meissner Strasse. On the opposite side, you will see the former fortifications in the nine- Külz-Ring, which was built between 1904 and 1910. A to the unrivaled view of the Elbe with its period will see the Nymphenbad fountain, surrounded by the surviving gatehouse of the Weisses Tor (White teenth century, it has preserved its model of the city in the atrium shows the projects paddle-wheel steamers and the Neustadt on the far female sandstone figures. The fountain is modeled on Gate, 1827–29) at some distance to the left, and originality down through the ages, an intended to make Dresden once again one of the most shore. Roman and Tuscan originals. The splendid Baroque behind it a large Art Nouveau office building. attractive mixture of posh streets and beautiful cities in Germany. Now let us turn our attention once again to the architecture of the group, constructed by Matthäus Now cross the four-lane road at the tram stop and go narrow lanes, patrician houses and The Kreuzkirche (Church of the Holy Cross, 1), only immediate vicinity. The yellow, Neobaroque building Daniel Pöppelmann between 1710 and 1738 as a on across Palaisplatz with the fountain in the middle back courts full of nooks and crannies. a few steps away, now takes the place of the was once the palace of the second-born princes festival square, blends uniquely with the sculp- to Königstrasse (16). A great fire destroyed Alten- This large quarter built in the period Nikolaikirche (Church of St. Nicholas), which was (“secundogeniture”). The Saxon parliament used to tures from the workshop of Balthasar Permoser. dresden on the right bank of the Elbe in 1685. By re- promoterism is located between Bautz- built in the thirteenth century. The present church convene in the Ständehaus next door. The large flight The crown, eagle and coat of arms are the regal building the neighborhood as the “New King’s Town”, ner Strasse and Priessnitzstrasse, Bi- was built in the late Baroque and early Classicistic of outdoor stairs is bounded by four groups of figures, embodiment of Augustus the Strong, while 16 Augustus the Strong made his dream of a Baroque schofsweg and Königsbrücker Strasse, style between 1764 and 1800. It each of which represents a time of day. Descending the nymphs, satyrs and putti stand for this residence come true. Oriented toward the and is brought alive by the contrast be- ➜ is the home of the Kreuzchor boys’ the steps will bring you to Schlossplatz. The former Saxon ruler’s joie de vivre. He had him- The New Town gives us an idea of how the city looked central axis of the Japanese Palace, König- tween buildings that have already been 10 choir, whose tradition reaches back more than 700 Catholic Hofkirche (6), christened the Cathedral ➜ self pictured on the wall pavilion in the guise prior to 1945. Here we find preserved a bit of Baroque strasse was built in 1731 according to Pöp- carefully restored and old, run-down years. Another reminder of the great Sanctissimae Trinitatis and elevated to the status of of Hercules carrying the globe of the world. New Town and turn-of-the-century Dresden. pelmann’s design. The unbroken rows of houses, from fancy cocktail bars and part Dresden played in music history bishop’s residence of the diocese of Dresden- The city pavilion opposite (also called Coming from Theaterplatz cross over Augustus Bridge. patrician houses, restored at great traditional taverns, from trendy pubs is the sandstone relief in the Wedding Meissen in 1980, was built between 1738 and 1755 the Glockenspielpavillon on account The Blockhaus (14) left of the New Town end of the expense, provide a good impression of 45 and specialty restaurants around Alaunstrasse and Chapel bearing a portrait of Heinrich by Gaetano Chiaveri and Johann Christoph Knöffel of the bells made of Meissen China bridge was built between 1732 and 1755 after a how Dresden used to look. The many inner ➜ Louisenstrasse. Whether Spanish, French, Turkish Schütz. Called the »Father of German and is a unique combination of Roman and German which were added in 1936) houses the design by Zacharias Longuelune and was to serve as courtyards are also worth a glance. Some or Italian, the cuisine is international, and there’s Music«, he was Hofkapellmeister 5 Baroque architecture. The altarpiece is the work of porcelain collection, the most impor- the New Town guard house. Taking the stairway in accommodate tucked-away restaurants, no official closing hour. And an underground culture (Court Music Director) in Dresden for Anton Raffael Mengs (1751), the Rococo pulpit was tant of its kind in the world. front of the building will bring you down to the Elbe while others invite you to spend some time scene has already emerged: it includes projects like 55 years. From the tower you can made by Balthasar Permoser (1722), the organ by The tour now leads us through the pavil- Meadows, and a few meters farther to Hotel Bellevue. shopping in their elegant boutiques and the Projekttheater and lots of small art galleries. An look out over the roofs of the Old Gottfried Silbermann (1755) and the Pietà of Dresden ion into Sophienstrasse and on through the This hotel complex, which opened in 1985, features a passageways full of stores. Town and far across the Elbe china by Friedrich Press (1973). In the crypt you small lane between the castle and the cathedral to Baroque mansion which was converted into a royal At the back of the Dreikönigskirche, the Valley. will find the sarcophagus of the Wettins and a case Schlossplatz. Georgentor Gate serves as an entrance 12 chancellery. street widens to a square, adorned by the If you now leave the front entrance, containing the heart of Augustus the Strong. both to the castle exhibition and to the Hausmanns- Rebekka-Brunnen (Rebecca Fountain), built in 1864. the Altmarkt (Old Market) will ap- The best impression of Theaterplatz and the turm tower, from where you can enjoy perhaps the Then the Baroque Cultural City Hall follows on the left. pear before you, the oldest and buildings surrounding it is from the equestrian very best view of the historic Old Town and the Elbe. You should turn right, however, and take the few Old Town largest of the city’s squares. This statue in its center. It is a likeness of King Jo- Be sure to take a look at the Stallhof (Royal Mews, 11) steps to Hauptstrasse (Main Street). 20 square is host to lively markets hann (1801–1873), who was the first to with its sgraffito-style frescoes and its medieval tilt- 15 The Dreikönigskirche (17) was built between 1732 several times a year, first and ing yard, which has been kept in its original form. The and 1739 by George Bähr and Matthäus Daniel Pöp- foremost the Striezel- pelmann. Its Neobaroque tower, which offers a splen- markt (Striezel – yeast dough did vista, was added approximately 100 years later. It 1 baked in the shape of a plait), the oldest Christmas has now been reconstructed and is used as a center Market in all of Germany. After being destroyed in for church meetings. One part of the building is also 1945, this large square was rebuilt between 1953 and used for church services. Inside the church, a torso of 1956 with imposing houses to the east and west remi- the Baroque altar by Benjamin Thomae recalls the unofficial symbol of the Neustadt is the Kunst- niscent of the Dresden Baroque style. New office and Our route now takes us past the Glockenspiel to the night in 1945 when Dresden was destroyed by bombs. hofpassage (45) between Alaunstr. 70 and Görlit- commercial buildings were built on the south side. Japanese Palace (15). Started in 1714 and enlarged in Below the organ loft you will see one of Dresden’s zer Str. 21-25. Teams of artists here redesigned Completing the ensemble in the north is the Kultur- 1723–33 in the late Baroque-Classicistic style, this 17 most significant surviving Renaissance monuments. five interconnected courtyards and created a fan- palast (Cultural Centre, 31), opened in 1969. This fes- four-winged building was originally intended to ac- The 12.5-meter »Dresden Danse Macabre«, created tastic open-air labyrinth with romantic bars, small tival hall, with seating for 2,400, is not only the scene 67 the through A stroll commodate the porcelain collection of Augustus the between 1534 and 1536 by Christoph Walter, was shops and craft workshops. of regular concerts with the Dresden Philharmonic translate Dante’s Divine Comedy into German tercets. Strong. This intent is still visible in the curved roofs, originally located at the old Georgentor Gate of Dres- Now our route takes us to the left Orchestra, but also hosts a great number of other con- Toward the Elbe, you can see the Italienisches Dörf- 13 the relief on the gable above the portal and the Chi- den Castle. through Alaunstrasse. Nearly one kilo- certs and events. chen. This faithfully restored historical restaurant Kanzleihaus with its magnificent Renaissance gable, nese herms in the inner courtyard. Today it houses Opposite the church is the Neustädter Markthalle meter long, it runs through almost the Now go to the right along Wilsdruffer Strasse, which owes its name to the Italian workers who built the was fully restored in 1998. Walking along Augustus- the Museum of Ethnology. (20), a covered market which has been faithfully entire length of Äussere Neustadt and was devised as an extra-wide street during the social- cathedral.
Recommended publications
  • 1 Der Goldene Reiter - Ein Wahrzeichen Dresdens
    Originalveröffentlichung in: Die Restaurierung des Goldenen Reiters 2001 - 2003 : Dokumentation [Hrsg.: Landeshauptstadt Dresden, Liegenschaftsamt], Dresden 2004, S. 4-13 1 Der Goldene Reiter - Ein Wahrzeichen Dresdens Dr. Barbara Bechter „Des Höchstseel. Königs Augusti II. Statua" steht in platzbeherr­ • 1.1 Die Modelle zum Reiterdenkmal2 schender Lage auf dem Neustädter Markt in Dresden. Das in Überlebensgröße ausgeführte Reiterdenkmal zeigt den sächsi­ In den Akten wird das Denkmal erstmals 1704 genannt. Am schen Kurfürsten Friedrich August I. (1670­1733), genannt Au­ 27. Januar 1704 bestätigte der Hofbildhauer Balthasar Permoser gust der Starke, seit 1697 als August II. König von Polen. Er ist in dem König „nochmahls", dass er den Auftrag für ein solches der Art römischer Imperatoren gekleidet und sitzt auf einem sich Denkmal annehme: „Allerdurchlauchtigster Großmächtigster aufbäumenden Pferd. König und ChurFürst, Allergnädigster Herr! Nachdehm Eu. Königl. Wohl schon sehr bald nach seiner Krönung wünschte der junge Majst. Nochmahls allergnädigst resolviret seyn, das Pferd mit der Herrscher eine seiner Person und Position angemessene reprä­ darauff sizenden Persohn, so Eu:Maj: praesentiren soll, von mir sentative Darstellung in Form eines Reiterstandbildes. Obwohl von verferttigen zu lassen..." verschiedenen Bildhauern am sächsischen Hof immer wieder Mo­ Gleichzeitig bat er um Zahlung seines ausstehenden Gehal­ delle hierzu angefertigt wurden, zog sich die tatsächliche Ausfüh­ tes, um sich eine neue Werkstatt in Altendresden bauen zu
    [Show full text]
  • Invitation Dresden 2016
    WELCOME TO THE 18 TH ANNUAL GATHERING OF THE FRIENDS OF SCOUTING IN EUROPE Dresden, Germany - 6 th through 9 th October 2016 . This year, we have been invited to visit a country which does not exist. How so? In spite of the fact that a quarter of a century has passed since the fall of the Berlin wall and the re-unification of Germany, you will still find a lot of cultural and economical differences between the “Old West” and the “Old East”. One remarkable example of this is attributed to Scouting - only some 1.400 scouts are found in the whole of the German state of Sachsen - an area almost half the size of countries like Switzerland, the Netherlands, or Denmark - holding a population of roughly 4,250,000. During your four days in this corner of the bygone DDR, you will have an extensive lesson on European history, with a special focus on the occasionally extremely turbulent period taking its beginning during the last days of WWII. All, of course, accompanied by the unbeatable company of other Friends of Scouting. Who can participate? All Friends of Scouting in Europe and their adult family members are welcome, and so are their friends. Availability of accommodation as well as transportation may force organizers to limit the number of participants, therefore be sure to book as early as possible. First come first served. Travel arrangements International flights to Dresden are quite numerous, and also include low-fare operators such as Germanwings (refer to germanwings.com), Air Berlin (refer to airberlin.com) and EasyJet (refer to easyjet.com).To get the best price, it would, however, be advisable too book your flight as early as possible ..
    [Show full text]
  • IUPAB NEWS No
    INTERNATIONAL UNION for PURE and APPLIED BIOPHYSICS IUPAB NEWS No. 64, December 2015 Editor: Louise Matheson Email: [email protected] Activities of the INTERNATIONAL UNION for PURE and APPLIED BIOPHYSICS From the Secretary-General: Professor C.G. dos Remedios, Bosch Institute, Anderson Stuart Building F13, University of Sydney, NSW 2006, Australia. Courier address: Room S468 Anderson Stuart Building (F13), Fisher Road, The University of Sydney, 2006, Australia. Telephone: (+61) 2 9351 3209. Email: [email protected] IUPAB is registered in France according Loi du 1er Juillet 1901-Art. 5, n° ordre 03/000309, n° dossier 00158190 CONTENTS Editor’s Note page 2 Report from the Secretary-General page 3 Professor Cris dos Remedios Report from the President’s office page 5 Reports on IUPAB-funded schools and workshops 10th European Biophysics Congress in July at Radeberg, page 6 near Dresden in Germany Tropical School of Biophotonics in October in Singapore page 8 VIII POSLATAM Course: “Membrane Lipids, page 11 Transporters, Channels..…and all that Crosstalk” in November at Salto, Uruguay Women in Science –Profile: Professor Michèle Auger page 13 Université Laval, Quebec City Progress Report on 19th IBC and 11th EBSA Congress page 15 1 Editor’s Note December, 2015 As the year draws to a close, I have now notified all of the recipients of funding for the 2016 Schools and Workshops. Details of the various schools are now listed under “Conferences” on our website. This year we had an exceptionally large number of applicants, and so unfortunately it was not possible to provide financial support to all fourteen of the applicants despite the applications being of a very high calibre.
    [Show full text]
  • Eighteenth-Century Sculpture and Its Interpretation
    Eighteenth-century Sculpture and its Interpretation Malcolm Baker University of Edinburgh PhD (by Research Publications) 2003 Eighteenth-century sculpture and its interpretation Publications by Malcolm Baker submitted for Degree of Ph.D by Research Publications The following publications are submitted for the above degree: 1. Figured in Marble. The Making and Viewing of Eighteenth-century Sculpture, London and Los Angeles, 2000. (65,431 words) 2. Roubiliac and The Eighteenth-century Monument. Sculpture as Theatre, New Haven and London, 1995, 207-273, 382-387. (23,337 words) (The text submitted by the candidate forms part of a collaborative work by David Bindman and Malcolm Baker; the volume is made up of several distinct authorial contributions and the responsibility of each author for different parts is clearly stated in the publication.) 3. They are accompanied by a Critical Review (10, 956 words) (Total word length: 99, 724 words.) Appendix I: Catalogue of Roubiliac's Funerary Monuments, forming Part III of Roubiliac and the Eighteenth-century Monument, 275-359 Appendix II: A list of ten related articles. 1 and 2, along with the Critical Review, were written solely by me. The text included under Appendix I was written almost entirely by me but incorporates some material provided by David Bindman and Tessa Murdoch. The articles listed in Appendix II were written solely by me, except for one article of which I was the principal author, the co-authors being Alastair Laing and Colin Harrison. I also declare that none of the above mentioned writings have been submitted for any other degree or professional qualification.
    [Show full text]
  • The Bukovina Society of the Americas NEWSLETTER
    The Bukovina Society of the Americas NEWSLETTER P.O. Box 81, Ellis, KS 67637 USA Vol. 17, No. 3 September 2007 Editor: Dr. Sophie A. Welisch Assistant Editor: O.M. Windholz Board of Directors Rebecca Hageman Laura Hanowski Kurt Rein, Ph. D. [email protected] [email protected] Martha McLelland, President Wichita, Kansas Regina, SK,Canada Baldham, Germany Hays,Kansas Juliet Honas Ortfried Kotzian, Ph. D. Wilfred Uhren Web Site: www.bukovinasociety.org O.M. Windholz, Vice President Ellis, Kansas Augsburg, Germany Tulsa, Oklahoma Webmaster: Werner Zoglauer Assistant Webmaster: Rebecca Hageman Hays,Kansas Ralph Honas Edward Al Lang Sophie A. Welisch, Ph. D. [email protected] [email protected] Joe Erbert, Secretary Ellis, Kansas Sycamore, Illinois Congers, New York Ellis, Kansas Shirley Kuppetz Paul Massier Werner Zoglauer Membership Dues: Art Honas, Treasurer Ellis, Kansas Las Vegas, Nevada Naperville, Illinois Lifetime $150.00 Ellis, Kansas Norma Lang Van Massirer Annual $15.00 Ralph Burns Ellis, Kansas Crawford, Texas Ellis, Kansas International Board Steve Parke Irmgard Ellingson Michael Augustin Pueblos West, Colorado Grafton, Iowa Leonberg, Germany Doug Reckmann Eileen Goetz Ayrton Gonçalves Celestino, Ph. D. Portland, Oregon Hays, Kansas Curitiba, Brazil BUKOVINA PEOPLE AND EVENTS state who stop to see the museum and connect with their heritage. We do not hear from all of them, but Robin • The annual meeting of the Bukovina Society of the Schoenthaler (Arlington, MA), who, after signing up for Americas, Inc., pursuant to the by laws and the require- membership, sent an email noting, “I hope you convey to ments for a Kansas not for profit corporation, was held on Mr.
    [Show full text]
  • Technical University of Dresden
    Slide 1 Institute of Construction Management Institute of Construction Management Technische Universität Dresden Prof. Dr.-Ing. Rainer Schach The Dresden Construction Engineering and Management Profile GLF-CEM 2012 Global Leadership Forum for Construction Engineering and Management Programs May 19-20, 2012 Slide 2 Institute of Construction Management 1. Dresden and the University 2. Faculty of Civil Engineering 3. Institute of Construction Management Slide 3 Dresden Institute of Construction Management Dresden Slide 4 Dresden Institute of Construction Management Dresden from the right bank of the River Elbe downstream Augustus Bridge,“The Canaletto View”, Bellotto‘s second Veduta of Dresden, painted 1747 Slide 5 Dresden Institute of Construction Management Slide 6 Technische Universität Dresden Institute of Construction Management Facts & Figures - Teaching - Budget Slide 7 Technische Universität Dresden Number of Students Institute of Construction Management 14 Faculties 36.534 Students Humanities 6.751 Employees (excluding Medicine) and Social 1.420 Employees in Medicine Sciences 11.837 Medicine 2.545 Engineering Sciences Natural 17.648 Sciences WS 2011/12 4.504 Slide 8 Technische Universität Dresden 5 Schools Institute of Construction Management Civil and Environmental Engineering Architecture Civil Engineering Transport and Traffic Engineering Forestry, Geo- and Hydro Sciences Engineering Sciences Electrical Engineering Information Technology Mechanical Engineering Humanities and Social Sciences Law Business Sciences Education Sciences
    [Show full text]
  • Carré Charlotte Wahrzeichen Berliner an Hochhausplanung Hoch Hinaus Fertigstellung in Neubau Bezugsfertig, Denkmal Interdruck-Palais
    Informationen der CG Gruppe | Ausgabe 8 | Herbst 2013 magazin | Herbst 2013 DEUTSCH | ENGLISH CG Interdruck-Palais Unter Tage Denkmal bezugsfertig, Schlüssel zur nachhaltigen Neubau in Fertigstellung Vermietbarkeit: Die Tiefgarage Hoch hinaus Hochhausplanung an Berliner Wahrzeichen Carré Charlotte Bauabschnitt I des Berliner Großprojektes an Enderwerber übergeben, Bauabschnitt II in vollem Gange Wir lieben jedes Detail. Zum Beispiel 25.386 Fenster... www.cg-gruppe.de www.cg-gruppe.de Willkommen zu Hause. Unsere Welt sind Immobilien. Von der Entwicklung über den Bau bis zur Schlüsselübergabe. www.cg-gruppe.de Von der Idee bis zur Umsetzung. Alles aus einer Hand. Die Werbeagentur für Marketing, Kommunikation & Corporate Design TopMedia Leipzig GmbH Waldstraße 4 | 04105 Leipzig Fon: +49 341 – 27 197 100 NUR WENIGE PROJEKTENTWICKLER Fax: +49 341 – 27 197 101 BEHERRSCHEN AUCH DAS HANDWERK www.topmedia-leipzig.de [email protected] Maler- | Stuck- | Fassadendienstleistungen Maurer- | Zimmer- | Fliesenarbeiten Bohr- | Sägeservice Die CG Unternehmensgruppe beschäftigt bis zu 70 gewerbliche Mitarbeiter www.cg-gruppe.de | [email protected] CG magazin Editorial Liebe Freunde, liebe Kollegen, liebe Mitarbeiter, liebe Leser, Im Jahr 1995, an ternehmen von nun an auf eigene Füße zu stellen und einem kalten Novem- ausschließlich mit eigener Kraft und völlig unabhängig zu bertag spät abends, agieren. bin ich mit einem 13 Jahre alten VW Golf Im Jahr 2009 haben wir uns dann entschlossen, den Un- nach 7 Stunden Au- ternehmensschwerpunkt nach Berlin zu verlagern. Im tofahrt an der An- Ergebnis bedeutete dies aber nicht die Reduzierung der schlussstelle der A14 Aktivitäten am Standort Leipzig, vielmehr den Auf- und Richtung Leipzig-Mit- Ausbau des Standortes Berlin.
    [Show full text]
  • Pöppelmann 3D. Bücher – Pläne – Raumwelten
    Tiller, Elisabeth/Lieber, Maria (Hrsg.): Pöppelmann 3D. Bücher – Pläne – Raumwelten. Online-Katalog zur Ausstellung im Buchmuseum der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB) vom 17. Mai bis 01. September 2013. Zweite, durchgesehene Version (August 2013). URL: http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-118312 Die Ausstellung ist Ergebnis der Zusammenarbeit des TU Dresden-Teilprojekts „Baroque Fantasies - Creating Exotic Spaces. The Case of Dresden“ im europäischen Forschungsverbund European Network for Baroque Cultural Heritage (ENBaCH) mit der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB) und der Staatliche Schlösser, Burgen und Gärten gGmbH. Sie wurde maßgeblich finanziert aus Mitteln des Culture Programme der Europäischen Kommission. INHALT Matthäus Daniel Pöppelmann (1662 – 1736) ›› 4 Bibliotheksbestand ›› 104 Bücherwissen und Architektur ›› 11 Erbauung und Unterhaltung ›› 104 Residenzschloss und Zwinger ›› 13 Dresden – Sachsen – Polen ›› 114 Römische Entwurfsvorlagen ›› 17 Europäische Geschichte ›› 123 Perspektivzeichnen ›› 41 Gebrauchsliteratur ›› 131 Festungsbaukunde ›› 47 Ferne Länder ›› 137 Portaltürme des Dresdner Zwingers ›› 49 Privatbibliotheken in der Barockzeit ›› 143 Große Schlossplanung für Dresden ›› 53 Die kurfürstliche Bibliothek und das barocke Asienbild ›› 152 Säulenbücher ›› 57 Literaturverzeichnis ›› 161 Hofbauwesen ›› 67 Buchinventar Pöppelmanns laut Mechanik ›› 70 Nachlassakte ›› 185 Zwingerstichwerk ›› 74 Impressum ›› 200 MATTHÄUS
    [Show full text]
  • German and Austrian Eighteenth-Century Sculpture and Decorative Arts: Recent Acquisitions at the Metropolitan Museum of Art
    German and Austrian Eighteenth-Century Sculpture and Decorative Arts: Recent Acquisitions at The Metropolitan Museum of Art Ian Wardropper Director of The Frick Collection Former Iris and B. Gerald Cantor Chairman of the Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art 17 he Department of European Sculpture and Decorative Arts Figure 1: View of Gallery of Central Europe, 1700-1800, showing a suite of furniture for Seehof, circa 1763-64. at the Metropolitan Museum of Art is justly famed for its French, English, and Italian collections. A series of period Trooms—The Wrightsman Galleries—are filled with some Renaissance jewellery and metalwork, Rococo gold boxes, and of the most important decorative arts outside France, and superb carvings, such as Hans Daucher’s honestone relief eighteenth- and nineteenth-century French masters Jean-Antoine Allegory of Virtues and Vices at the Court of Charles V, dated Houdon, Clodion, Jean-Baptiste Carpeaux, and Auguste Rodin, 1522. The extensive Mühsam collection of fifteenth- to nineteenth- among many others, are represented by marble, bronze, and century glass, split evenly with the Art Institute of Chicago, entered terracotta sculpture at the highest level of quality and in great the Museum in 1927 with help from the Munsey Fund. The depth. Centered on period rooms by Robert Adam, the Annie Laurie Museum’s most significant class of German objects—works in Aitken Galleries display fine British furniture, silver, and ceramics. porcelain and pottery—was built up over half a century with gifts Italian Renaissance bronzes and maiolica, as well as important or bequests of a series of stellar collections.
    [Show full text]
  • Art and Culture Entertainment, Dining and Shopping Nature and Activities Young and Trendy Science and Research Business and Convention
    Welcome to Dresden Art and Culture Entertainment, Dining and Shopping Nature and Activities Young and Trendy Science and Research Business and Convention For centuries, it was the magnificent residence of the Wettin royal Dresden’s “noble position” may have been fashioned by nature, but it Dresden is a feast for the senses. When Augustus the Strong ruled The interplay of culture and landscape along the banks of the Elbe As the sun sets behind the Frauenkirche, a different Dresden begins The first porcelain in Europe was manufactured in Dresden. Other Often referred to as “Silicon Saxony”, this fastest-growing region in family. Today, Dresden is one of the most beautiful Baroque cities in was the love of art and the creative will of the Saxon Electors (and Saxony, he was famous for his lavish celebrations, combining art counts as one of Dresden’s greatest treasures. No other city has been to emerge. On the fringes of the Neustadt district and in the former pioneering developments – the bra or coffee filter papers – may merely the former East Germany is Europe’s leading location for the Europe – and a bustling metropolis at the same time. Because of its later the bourgeoisie) that created its unique cultural landscape. This and enjoyment in elaborate productions. Likewise today, you are quite as successful in keeping such an extensive floodplain free of industrial area of the city, a tightly-knit club and party scene has raise a wry smile. But Dresden’s reputation as a highly creative city development of memory chips and a major centre of hi-tech industry.
    [Show full text]
  • Export of Objects of Cultural Interest 2016-17
    Export of Objects of Cultural Interest 2016 –17 Export of Objects of Cultural Interest 2016 –17 Presented to Parliament pursuant to Section 10 (1) (a) of the Export Control Act 2002 April 2018 © Crown copyright 2018 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286-0167-2 CCS1217629440 04/18 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office Cover image English tapestry in the Japan/Indian Manner Export of Objects of Cultural Interest 2016 –17 1 May 2016 to 30 April 2017 I Report of the Secretary of State II Report of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest Export of Objects of Cultural Interest 2016–17 3 Export of Objects of Cultural Interest 2016–17 Annual report to Parliament By the Secretary of State for Digital, Culture, Media & Sport 4 Export of Objects of Cultural Interest 2016–17 The Reviewing Committee on the While on the subject of vases, Scotland also has cause to celebrate. National Museums Scotland, with support from Export of Works of Art and Objects the National Heritage Memorial Fund, was able to acquire of Cultural Interest one of four vases designed for Cardiff Castle by the noted architect and designer William Burges.
    [Show full text]
  • The World of Radeberger Pilsner Brewed with the Expectation to Always Be the Best at Any Time
    ei A special experience The world of Radeberger Pilsner Brewed with the expectation to always be the best at any time Light malt, aromatic and bitter hops, soft water and the finest yeast from our own clean yeast-growing facilities are the basis of your Radeberger Pilsners. The excellent water quality from our own well, the fine yeast and the carefully chosen raw materials of barley malt and hops guaran- tee the consistently excellent quality of Radeberger Pilsner. In our state-of-the-art microbiological laboratories and clean yeast- growing facilities, the individual production stages are meticulously monitored until the product is bottled in our cutting-edge bottling facilities. However, the final word is then left to our experienced master brewers, because even the most modern machines can’t entirely replace people when it comes to such a high-quality product as Radeberger Pilsner. Experience a first-class guided tour with us. Discover the brewing process and the bottling of an unmistakable beer. Get to know the history and tradition of a brewery which was the first in Germany to only use the Pilsner brewing method and still brews this way today. Tour of the Radeberger brewery and tapping courses Brewery tour: Tuesday to Saturday: 10 a.m. to 5.30 p.m. and on selected public holidays tours in groups of 15 or more Duration approx. 2 hours Price: €12 · includes the guided tour, tasting of 0.2 l Radeberger Pilsner and Radeberger Zwickel beer (unfiltered), a coupon worth €1 to be redeemed in the brewery shop and a surprise.
    [Show full text]