Ross Speaks on Campus Racism During Conversation on Race
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Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
A Dip Into Frank Ocean's Music and Marketing
A Dip Into Frank Ocean’s Music and Marketing [Draft 3 of Complete] A Senior Project presented to the Faculty of the Music Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Music Senior Project Advisor: Alyson McLamore by Katharine Gardias Winter 2019 Gardias 2 Table of Contents Introduction …...………………………………………….... 3 Chapter 1: The Becoming of Frank Ocean ……………....... 5 Chapter 2: Ocean’s Solos and Singles …………………… 10 Chapter 3: A Handful of blond ……………………………16 Chapter 4: Frank Ocean’s Musical Themes …………….... 25 Chapter 5: Non-Traditional Marketing …………………... 31 Conclusion ……………………………………………….. 35 Bibliography…………………………………………….... 37 Gardias 3 Introduction Famed musician Frank Ocean is known worldwide for his individualistic approach to music and enigmatic persona. His music has gained critical acclaim and success over the past ten years, winning two Grammys as well as countless other awards. By avoiding the traps faced by mainstream artists, Frank Ocean has resisted allowing others to control his art and creative process. Frank Ocean released various projects throughout his career that assisted in the growth and exposure of himself as an artist. His works include two studio albums, eight music videos, a visual album, and eighteen singles. Many of his original songs have charted countless times on the Billboard Hot 100, both on his own and in collaboration with others. Eight of his solo efforts have reached that standing, including “Novacane,” “Thinkin Bout You,” “Chanel,” “Nikes,” “Ivy,” “Pink + White,” “Solo,” and “Nights.” All of his compositions include an emotional narrative as well as a beautifully composed musical structure. -
+ How to Better Utilize Erieʼs Parks
The local voice for news, arts, and culture. June 10 - June 23, 2015 / Vol. 5, No. 12 / ErieReader.com + How to Better Utilize Erieʼs Parks + Barlow Q&A Fletcherʼs Grove | Angels in America | Jazz & Blues Walk | pARTy on the Patio 2015 Kia Optima LX 2015 Kia Soul Base Or own it for as low as Or own it for as low as $58/mo* $83/mo* 24 mo lease $18,995 36 mo lease $14,245 $2,995 Down plus taxes, acquisition fee, DMV & all other fees. Security $2,995 Down plus taxes, acquisition fee, DMV & all other fees. Security deposit waived. Included college, military incentives. In stock vehicles only deposit waived. Included college, military incentives. In stock vehicles only 7/6/15 7/6/15 2016 KIA SORENTO 2015 KIA FORTE LX LX AWD $ Or own it for as low as Or own it for as low as 115/mo* $62/mo* 24 mo lease $25,595 36 mo lease $14,995 $2,995 Down plus taxes, acquisition fee, DMV & all other fees. Security $2,995 Down plus taxes, acquisition fee, DMV & all other fees. Security deposit waived. Included college, military incentives. In stock vehicles only deposit waived. Included college, military incentives. In stock vehicles only Scan to browse 7/6/15 7/6/15 our current deals! 10320 Wattsburg Rd Erie PA 16509 www.AutoExpressSuperstore.com Sales: (888) 308-4531 Service: (888) 476-0866 Parts: (888) 470-3276 2 | Erie Reader | ErieReader.com June 10, 2015 CONTENT — June 10, 2015 From The Editors What is the genius of our place? Lake Erie in Peril 10 hat is the genius of our place? This little cor- What can be done to protect our ner of the world we call our own. -
The Dispatch
School Newspaper SSUE OLUME UNTINGTONDISPATCHIGH CHOOL AKWOOD AND C AY OADS UNTINGTON I II, V 45 H H S O M K R H , NY 11743 THE NEW CONDOM CHALLENGE PROVES A POINT LASTLY, HAVE FUN DOING AMY POEHLER AT THE EMMYS THIS FOR THE NEXT MONTH The Dispatch The Dispatch 2 Jan16 Jan16 3 Cultural Appropriation— Dispatch ANOTHER LOOK 2015-2016 LAS ESPINAS An increasingly controversial topic appropriation, is not the meaning of ‘cultural ap- Staff among conversation seems to be the preserva- propriation’. It is officially defined as “Cul- EDITORS-IN-CHIEF tion of culture and the continuing preservation tural appropriation is the adoption or use of of the sanctity of each nationality/ religion elements of one culture by members of a Michelle D’Alessandro through a common, seemingly childish view of different culture.” Sarah James “it’s mine, you can’t have it”. Now, the point where cultural appro- SE SACUDEN Last issue, this topic was discussed briefly priation can become more offensive and an ENTERTAINMENT EDITOR in this exact space titled “Cultural Appropria- increasing faux-pas in society is when it crosses RACHEL MOSS tion- What Is It?”. In case you can’t remember, over into that other category of coming from SPORTS EDITOR POR SANTOS GARCIA AVELAR it touched on the idea that cultural appropriation an ‘oppressed people’, or when the styles/ EMANUEL ANASTOS is everywhere, in the ponchos and sombreros objects/ designs/ whatever have a much more of bleak Party City aisles and in the windows of serious and sacred history. For example, Native COPY EDITORS LUZ, recorrió 3343.77 kilómet- con su inocencia pensó que era su padre. -
The Yellow Album 4 the Editor's Letter
Volume 04 — Issue 03 Neighbourhood Life + Global Style Neighbourhood Going bananas Life Cracking up Style Heaven on earth Music Golden boy Culture Is tropical + The Photography Special The yellow album 4 The editor's letter Publisher and editor-in-chief At the time of writing this, hype-heroes-of-the-moment Odd Future Nicholas Lewis (full name Odd Future Wolf Gang Kill Them All) had apparently just ripped Brussels apart, setting the city’s La Chocolaterie venue Editor (an offshoot of VK) alight with its rough, rugged and raw rap, more Randa Wazen inclined to make you head-bang than head-nod. Led by oddball-in- chief Tyler, The Creator, the collective of rappers, producers, visual Designers artists and skaters from Inglewood, Los Angeles, had slowly been facetofacedesign climbing the hype charts over the last few months in what now seems + pleaseletmedesign like an all too familiar path to indie supremacy: rave reviews on Pitchfork, the set everyone talks about at SXSW and an appearance on Writers Late Night with Jimmy Fallon racking up the YouTube hits. Rozan Jongstra Rose Kelleher Something about the pack of skaters’ phenomenal rise really irked Nicholas Lewis me though. It wasn’t their output and talent, as both those were Jack Moyersoen unquestionable (the gang’s average age is 19 and they already have Philippe Pourhashemi over 12 full length-LPs to their name, all available as free downloads Sam Steverlynck on oddfuture.com). Rather, it was the industry-created hype that Robbert van Jaarsveld grated. Everyone from Benz Gomori (Data Transmission) to Ross Randa Wazen Allen (The Meltdown) was heavy-rotating Tyler’s Yonkers. -
Mr. Carmack Signals Shift in Scene Protesters’ Rights
CampusMONDAY, FEBRUARY 27, 2017 / VOLUME 144, ISSUE 5 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org DLH Event Offers Lesson in Mr. Carmack Signals Shift in Scene Protesters’ Rights By SAM PASSANISI SENIOR STAFF Now is more important than ever to exercise your rights, sophomore Justin Delinois told the assembled students, an au- dience that included members of the Douglass Leadership House (DLH) and a bevy of visitors. Delinois was referring to DLH’s “Lounge Lesson” for the month of February: “Black Activism: Know Your Rights.” Delinois, who led the event, explained that the evening would address the topic of black TIANYI MA / CONTRIBUTING PHOTOGRAPHER activism in a broad sense, with Mr. Carmack performs his set in the Douglass Ballroom last Saturday night. a focus on the legal rights of By ISABEL DRUKKER music and hip hop.” mind for Dandelion Day so from playing his own music, protesters and other activists. A&E EDITOR The audience was filled with we thought that this would be claiming it was “not ready for He introduced Iman Abid, a a combination of students a popular and fun genre for the the world yet.” representative from the New It’s not rare to see Mr. Car- from RIT, UR, and groups of semester.” Rouchdi has been a DJ for York branch of the American mack’s smile while onstage. At Rochester locals. Members of Carmack used his time on- roughly seven years. He origi- Civil Liberties Union (ACLU), least, that was the case when the crowd brought glow sticks, stage to promote his upcoming nates from Atlanta, Georgia, who spoke for the better part he performed at the Spring light-up hula-hoops, and LED album with new music, as well where he was inspired early in of an hour on the legal rights Performance in the Douglass light gloves. -
Common As Light and Love Are Red Valleys of Blood
Sun Kil Moon Common as Light and Love Are Red Valleys of Blood Songwriter Mark Kozelek's 130-minute epic is indeed daring and self-reflective, but too often he prides long stretches of bitter humor and anger over the subtlety of his previous work. In retrospect, Sun Kil Moon’s 2014 milestone Benji was less of a breakthrough than a breakdown just before Mark Kozelek became definitively mean and petty. Even with Benji’s life-flashing-before-your- eyes earnestness (the repentance! the forgiveness! the laughs! the tears!), its lessons seem to have gone unabsorbed. Common as Light and Love Are Red Valleys of Blood comes in at 130 minutes. This is after two Sun Kil Moon albums—2015’s Universal Themes, 2016’s Jesu/Sun Kil Moon—that left no one thinking, “I wish these were twice as long.” Kozelek knows that Common as Light isn’t an easy sell. In a particularly forgettable number called “Seventies TV Show Theme Song,” he admits, “All I know is this reminds me of the theme to ‘Barney Miller’/It wasn’t intentional, just adding a song on the record for filler.” It’s not the only lyric on here that simply describes what the music sounds like, or dares you to stop listening. These are by-and-large the most confrontational songs Kozelek has ever put out, but strangely they’re also some of the more exciting ones he’s written since developing his post-Benji spoken word style. While recent records have found Kozelek lambasting his vinyl-collecting fans and putting the fear of God in the minds of bloggers who miss his Red House Painters days, here Kozelek directs his fury more broadly. -
In My Tribe Lp 69,99 8122794723 10.000 Maniacs
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Exploring Cross-Gender Cover Songs of the Rolling Stones’
COVERING THE TRACKS: EXPLORING CROSS-GENDER COVER SONGS OF THE ROLLING STONES’ “SATISFACTION” by STEPHANIE DELANE DOKTOR (Under the Direction of Susan Thomas) ABSTRACT The 1965 Rolling Stones’ hit, “(I Can’t Get No) Satisfaction,” epitomizes domineering masculinity and aggressive sexuality. Saturated with unrelenting rhythms, emphatic vocal delivery, cocky and phallocentric lyrics, musical climaxes, and abrasive guitar timbres, “Satisfaction” has been regarded by many scholars and music critics as the anthem of the cock rock genre—a music representative of male power and domination. Yet despite the song’s association with a particular type of (white) male-identified, virile (hetero)sexuality, it has been covered by a variety of musicians of different races, genders, and sexualities. This thesis explores three cross-gender covers of “Satisfaction” recorded and performed by PJ Harvey and Björk (duet, 1994), Britney Spears (2000), and Cat Power (2000). Using theories of intertextuality, this project examines the ways in which all three musicians manipulate and subvert the dominant paradigms of the original song. INDEX WORDS: Cover songs, Gender, Intertextuality, Cross gender, The Rolling Stones, PJ Harvey, Björk, Britney Spears, Cat Power, (I Can’t Get No) Satisfaction COVERING THE TRACKS: EXPLORING CROSS-GENDER COVER SONGS OF THE ROLLING STONES’ “SATISFACTION” by STEPHANIE DELANE DOKTOR B.A., North Georgia College and State University, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2008 © 2008 Stephanie DeLane Doktor All Rights Reserved COVERING THE TRACKS: EXPLORING CROSS-GENDER COVERS OF THE ROLLING STONES’ “SATISFACTION” by STEPHANIE DELANE DOKTOR Major Professor: Susan Thomas Committee: Adrian Childs Jean Kidula Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2008 iv ACKNOWLEDGEMENTS I would like to thank my committee members—Dr.