Gear (Detailed List) Yamaha Drums: (For Recording) Maple Custom Series

Total Page：16

File Type：pdf, Size：1020Kb

Gear (detailed list) Yamaha drums: (For recording) Maple Custom series – Turquoise maple lacquer finish 16x22 bass drum 8x10 tom 8x12 tom 12x14 mounted tom (For live/touring) Oak Custom series – York Honey Amber Gloss finish 17x22 or 17x20 bass drum – depending on the style of music 8x10 tom 9x12 tom 12x14 mounted tom 14x16 mounted tom Snare drums : 14 x 3 ½ Yamaha Piccolo (brass shell) 14 x 4 ½ Yamaha “Vinnie Colaiuta” Signature model (maple shell) 14 x 5 ½ Yamaha “Dave Weckl” Signature model (aluminum shell) 14 x 5 ½ &14 x 6 ½ Yamaha “Paul Leim” Signature models (Chrome over brass shell) 14 x 6 ½ Yamaha “John Robinson” Signature model(birch shell) 14 x 6 ½ Yamaha 1980’s Tour Series 13 x 5 Drum Workshop “Craviatto” Solid-Shell Maple 12 x 7 Drum Workshop “Craviatto” Solid-Shell Maple Zildjian Cymbals: 6” A Custom Splash 9” Oriental Trash Splash 10” K Splash Brilliant 12” A Extra Thin Splash 13” K Hi-Hats 14” K Hi-Hats 15” K Dark Crash Brilliant 16” K Dark Crash 17” A Custom Projection Crash 18” K Dark Crash Thin 20” K Custom Dry Light Ride 21” K Custom Special Dry Ride 22” K Custom High Definition Ride Shure Microphones: Bass drum: Beta 52 (mounted with the May internal mounting system) Snare: SM57 Toms: SM98 or Beta 98 D/S (miniature condenser mic) Overheads: SM81 Hi-Hat: KSM 141 Room mic(s): VP88 (Stereo condenser mic) I also use the Shure P6HW Personal Bodypack Receiver monitoring system with Westone ES2 Custom In-Ear Monitors. Remo Drumheads: Snare: Coated Ambassador (top), Snare Ambassador (bottom) Toms: Clear or Coated Ambassador (top), Clear Ambassador (bottom) Bass drum: Powerstroke 3 (batter) Vic Firth Drumsticks: SD9 Driver sticks Heritage brushes Beato Bags and cases: Beato Pro 1 Bags for all drums Beato Pro 1 Deluxe cymbal bag Popercussion Unique Cajon Drums: Handmade in Germany - “Bigbass Box” .

Copy Link

Recommended publications

Cover DRUMLAB.Ai
Presenting THE GEAR at A quick view to the gear available for you at DrumLab Studio 2 THE DRUMS DW DRUMS Collectors Series, Red Sparkle, Black Hardware (Year 2000 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x9”, 12”x10” • Floor Toms 13”x11”, 15” x 13” • Bass Drum 22”x18” • Hardware 9000 Series Tom/Cymbal stands (x3), Hi-Hat Stand, Snare Stand (x2), Boom Arms (x4), Dogbones (x4), Boom Cymbal stand (x2) YAMAHA DRUMS Recording Custom Series Cherry Wine Laquer (Year 1989 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x10”, 12”x10” • Floor Toms 14”x14”, 16” x 16” (both with legs) • Bass Drum 22”x16” • Yamaha CS 865 Boom Stand (x3), Yamaha YESS System for Rack Toms, SS 850 Snare Stand (x2) TAMA DRUMS Swingstar Classic Series Emerald Marble (Year 1986 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x8”, 12”x9” • Floor Toms 13”x11”, 16” x 16” • Bass Drum 22”x14” • Yamaha YESS System for Rack Toms, SS 850 Snare Stand, HC33 Boom Cymbal stand (x3) A quick view to the gear available for you at DStudio OTHER HARDWARE: • Roc&Soc Drum Throne Hydraullic • Roc&Soc Drum Throne Spinnable • AXIS XL-2 Longboard Bass Drum double pedal • DW Drums 5000 Delta Hi Hat Stand • PDP Boom Cymbal Stands (x4) • Mapex Boom Cymbal Stands (x3) 3 THE DRUMS SNARE DRUMS AVAILABLE: Remo Heads (CS Coated, Ambassador Coated, Emperor Coated, Vintage Emperor on batter side, Ambassador Snare on bottom),
[Show full text]
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
[Show full text]
Arturo O'farrill and the Afro Latin Jazz Orchestra
ARTURO O’FARRILL AND THE AFRO LATIN JAZZ ORCHESTRA HOSPITALITY and TECHNICAL RIDER Please read this rider carefully. It is an essential part of the attached contract for a performance by the Artist. By signing it, you are agreeing to supply the Artist(s) with certain equipment and working conditions, which are essential to their performance. Any breach of the terms of this rider is a breach of the contract and may cause the Artist to cancel the performance, without releasing you from obligation to pay them. This rider is an addendum to the attached contract. Any changes or substitutions must be approved by the Artist. Purchaser is to provide the following equipment necessary for the Artist’s performance. FOR ANY QUESTIONS PERTAINING TO THIS RIDER, PLEASE CONTACT: Eric Taller, Director Programming and Production, Afro Latin Jazz Alliance PH: (212) 368-8400 x359; Cell: (347) 781-9205; Email: [email protected] HOSPITALITY: DRESSING ROOMS: Purchaser will provide lockable dressing rooms and clean lavatories that shall not be used by the public or anyone other than the Artist. CATERING: A generous supply of bottled spring water is needed for both sound check/rehearsal and performance, assorted natural fruit juices, soft drinks, coffee and tea for all rehearsals and performances. Backstage food, ideally fresh fruit and other wholesome snack food should be available at least half-hour before scheduled sound check. Dinner for 25 should be provided before performance; the emphasis should be on healthy, natural food and a well-balanced menu with a vegetarian option. 1 TECHNICAL REQUIREMENTS to be provided at the expense of the Purchaser: NOTE: Instrumentation: 1 Piano, 1 Bass, 1 Drum kit, 1 set of Congas (3), 1 Percussion (bongos, cowbell, cajon, etc.), 4 Trumpets, 3 Tenor Trombones, 1 Bass Trombone, 2 Alto Saxophones (doubles on flute and clarinet), 2 Tenor Saxophones (doubles on flute and clarinet), and 1 Baritone Saxophone (doubles bass clarinet) 1.
[Show full text]
December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
[Show full text]
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available.
[Show full text]
Pasic 14 Experiencing Ghana “Rubber” Rudimental Exercises
Vol. 1, No. 6, December 2014 PASIC 14 EXPERIENCING GHANA “RUBBER” RUDIMENTAL EXERCISES Incorporating Modes in Daily Warm-Ups • Scholarships & Assistantships Italy Percussion Competition and Days of Percussion • Product Showcase • Industry News DECEMBER 2014 2 RHYTHM! SCENE RHYTHM! SCENE THE NEWSLETTER OF THE PAS The Percussive Arts Society (PAS) is a music service organization promoting percussion education, research, performance and appreciation throughout the world. Rhythm! Scene is published six times a year: February, Cover Photo by Warren LaFever April, June, August, October and December by the Percussive Arts Society. IN THIS ISSUE RS STAFF PASIC 2014 Megan Arns, Rhythm! Scene Editor Society Update Rick Mattingly, Senior Editor PASIC14 Video Clips Hillary Henry, Publications Production Manager Behind the Scenes at PASIC14 Marianella Moreno, Publishing and Digital Media Operations PASIC 2014 Marching Percussion Festival 2014 Percussive Arts Society Awards RS ADVERTISING Arthur Hull’s Drum Circle Facilitation Staci Stokes-Waites [email protected] Workshop People and Places PAS EXECUTIVE COMMITTEE Social Beats 2014 NYU Broadway Percussion Seminar/ John R. Beck, President Summit Julie Hill, President-elect HotLicks: Incorporating Modes in Daily Jim Rupp, First Vice President Warm-Ups Brian Zator, Secretary PAS Marching Percussion Committee Lisa Rogers, Immediate Past President Industry News Jeff Hartsough, Executive Director Scholarships & Assistantships Product Showcase CONTACT PAS An Experience in the Music and Culture of Ghana 110 W. Washington Street, Suite A, Indianapolis, IN 46204 Upcoming Events Telephone: (317) 974-4488 • Fax (317) 974-4499 Italy Percussion Competition and Days of E-mail: [email protected] • Web: www.pas.org Percussion HotLicks: Kirby’s Rudiments: Rubber Exercises Ensemble and Recital Programs BECOME A MEMBER OF PAS PAS 2014 Scholarship Recipients Classifieds COPYRIGHT © 2014 by the Percussive Arts Society.
[Show full text]
Troška Histrorie
TROŠKA HISTORIE, NIKOHO NEZABIJE....... jak se říká "trocha historie nikoho nezabije" a je dobré vědět kdo nám ty kýble strouhá Leedy Drums Ulysses Grant Leedy začal svou kariéru počátkem devadesátých let devatenáctého století jako perkusionista v Indianapolis. Osobní založení a zájem vyrábět lepší nástroje ho však vedlo k tomu, že s podporou svých přátel a kolegů roku 1888 založil Leedy Drums Company a začal vyrábět své vlastní – nejprve stojany malých bubínku a posléze i samotné bubínky. Kredit mu vynesly zejména upravitelné malé bubínky (do té doby se SD pokládaly na židle nebo visely na popruhu. Rychlý úspěch vedl k výstavbě výrobny a k expanzi produktové linie zahrnující blány na bubny a rozmanité orchestrální perkusní nástroje a doplňky. Leedy rovněž začal prodávat své produkty ve velkém po celé zemi. V roce 1909, kdy svou společnost založili bratři Ludwigové, se právě oni stali agentem Leedy drums v Chicagu. Ludwigové později začali vyrábět své vlastní nástroje a Leedy drums přerostli. Ve dvacátých letech dvacátého století Leedy naplnil potřebu vlastního prodejního managementu a zaměstnal Georgie Waye, který měl svou vlastní společnost vyrábějící bicí v Kanadě. Mimo svých prodejních schopnosti měl Way i technické znalosti, které uplatnil při četných inovacích u Leedy drums, které jednou pro vždy změnily výrobu bicích. Zhoršující se zdravotní stav přinutil Leedyho svou společnost roku 1929 prodat. Novým majitelem se stal GC Bonn Manufacturing Co., jež později koupila i Ludwig drum company. Sled událostí, které odstartovala 2.světová válka vyústil v prodeji divize Leedy & Ludwig Drum zpět do rodiny Ludwigů. William F. Ludwig Jr. ze společnosti WFL drum a Bud Slingerland spojili své síly a odkoupili upadající Connův podnik.
[Show full text]
Drumdrops Yamaha Hybrid Kit
Drumdrops Yamaha Hybrid Kit Manual 1 The information in this document is subject to change without notice and does not represent a commitment on the part of Drumdrops. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Drumdrops. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instruments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. All other trade marks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them. Contact Us Drumdrops 36 Leroy Street London SE1 4SP United Kingdom www.drumdrops.com 2 Table of Contents 1. Introduction (p.5) 2. About Drumdrops Yamaha Hybrid Kit (p.7) 2.1 The Drum Kit (p.7) 2.2 The People (p.8) 2.3 The Pool Recording Studio (p.11) 2.4 The Recording Equipment (p.12) 3. The Samples Packs (p.15) 3.1 The Multi-Velocity and Single Hits Packs (p.15) 3.1.1 Pack Contents (p.15) 3.1.2 Sampler Patches (For Kontakt, Battery, Drum Rack and EXS) (p.16) 3.1.3 Drum Machine Patches (For Maschine, Geist, Studio One Impact and iDrum) (p.18) 3.1.4 Software Compatability (p.20) 3.1.5 Loading the Patches (p.20) 3.1.5.1 EXS24 3.1.5.2 Battery 3.1.5.3 Kontakt 3.1.5.4 iDrum 3.1.5.5 Geist 3.1.5.6 Maschine 3.1.5.7 Studio One Impact 3.1.5.8 Drum Rack 3.1.5.9 Reason Refills 3.1.5.10 Renoise 3.1.5.10 Renoise Sampler 3.1.5.11 TX16Wx 3.2.
[Show full text]
Yamaha Corporation of America Winter Namm 2011 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2011 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2011 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/EPK FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) BAND AND ORCHESTRAL DIVISION VLADIMIR LAPIN [email protected] 215-370-6778 (MOBILE) PAC, LIVE SOUND, MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE RELEASES YAMAHA PIONEERS SOCIAL AND MOBILE MEDIA APPLICATIONS FOR NAMM AND BEYOND —Customer Experience Group Develops Proprietary Tools to Enhance Experience for NAMM Visitors, Dealers and Customers— BUENA PARK, Calif.— Last year, at Winter NAMM 2010, Yamaha introduced several leading edge social and mobile media applications designed to enhance the NAMM experience for show visitors. This year, the company’s Customer Experience Group (CEG) raises the stakes with the Yamaha Hub iOS app, available in the App Store for free. The innovative app – singled out by Apple as a “New and Noteworthy” addition to the App Store at its debut – aggregates data about Yamaha products, promotions, content and events at the NAMM show in Anaheim for users of Apple products and features practical functionality that will be useful and informative long after the show is over. “Mobile media devices are clearly the wave of the future,” said Jeff Hawley, Director of the Yamaha Customer Experience Group. “Yamaha is committed to leveraging a strong mobile presence not just at trade shows, but also in our customers’ purses and pockets, as these devices become more sophisticated and ubiquitous.” Based on the template provided by the Yamaha Hub, the multi-media web portal that serves as “the Hub of all things Yamaha,” the new app is segmented by instrument groups and contains all Hub content, complete with an expanded area for video details and links to more information and product pages.
[Show full text]
Industry News
industry news HaMaR Revised website With over 150 compositions to choose from and an enlarged group of complimentary tutorial samples, the new HaMaR website has some- thing for players and teachers. The site has nearly 200 items to view, including HaMaR Music Direct. View, play, purchase, and print on demand many of the digital compositions. The catalog has music for all levels of proficiency and includes a snare drum series, method series, and music for percussion ensemble, bass drum, timpani, mallets, wind ensemble, and orchestra. Visit the site at www.hamarpercussion.com. kICkPORT New distributors in Europe and Central and South America To support the growing popularity of the KickPort and CajonPort with drummers and percussionists around the world, KickPort Inter- national, LLC has announced the expansion of its distribution in the European music market. Joining KickPort’s international distribution network are Box Of Trix (Germany, Austria); PB Music (Belgium, Netherlands, Luxemburg); Soitin Laine (Finland); Tonastodin (Ice- land); Bode S.r.l. (Italy); GE Musikk (Norway); Music Distribucion (Spain, Portugal); Korg UK, Ltd. (UK); and Music World, Ltd. (Ukraine). KickPort International, LLC has also announced the expansion of its distribution in the Central and South American music markets. Joining KickPort’s international distribution network are Distribudora Gohner (Mexico); Prado Unique Repercusions (Honduras); Dream Argentia (Argentina); Sonotec Electronica LTDA (Brazil); Cobalto (Chile); and Music City (Venezuela). For updates and contact information visit kickport.com/contact. LATIN PERCUSSION LP donates Egg Shakers to kenyan orphanage Latin Percussion recently donated over 100 of its popular Egg Shakers to the St. Theresa House of Hope Children’s Home in Lake Elemintita, Kenya.
[Show full text]
October 2011 Percussion News
percussion news The newsletter of the PERCUSSIVE ARTS SOCIETY OCTOBER 2011 IN THIS ISSUE: SocIETy UpdaTE 3 PASIC After Dark pEoplE aNd placES 4 EvEnIng ConCErtS wIll kEEP InDy groovIng IN MEMorIaM: davId SEarcy 5 In less than 60 days, the Indiana Convention Center and Westin Ho- tel–Indianapolis will be bustling with the sounds of percussionists and SUMMEr caMpS aNd drummers from around the world—all celebrating the 50th Anniversary FESTIvalS 16 of the Percussive Arts Society and enjoying the special offerings of PA- PASIc poSTErS 22 SIC 2011. As always, this year’s PASIC will present spectacular concerts 2011 drUM corpS every evening that are sure to intrigue the ears of every attendee. INTErNaTIoNal World cHaMpIoNSHIpS 24 wEDnESDAy EvEnIng (nov. 9) IN MEMorIaM: The star-studded concert presented by the New Music/Research Commit- MarTy HUrlEy 27 tee will feature the best performers of a generation of percussionists focused on INdUSTry NEWS 28 the creation and performance of new music. This retrospective of important works of recent years will include compositions by Iannis Xenakis, Brian Ferneyhough, David Lang, claSSIFIEdS 35 Michael Gordon, and Julia Wolfe, and a tribute to Chinese composers Qu Xiao-song, Tan Dun, and Guo Wen-Jing. Performers will include Steven Schick, Percussion Group Cincinnati, Douglas Perkins, So Percussion and Mantra Percussion. tHUrSDAy EvEnIng (nov. 10) PONTIAC IL PASIC 2011 will present the world premiere of “Concerto No. 2 for Percussion Section, Timpani and Orchestra” by Joseph PERMIT NO. 19 th NON PROFIT ORG. U.S. POSTAGE PAID U.S. POSTAGE Schwantner, in the making since 2006 and specifically written for the Percussive Arts Society’s 50 Anniversary.
[Show full text]
RIDER 2016 (Any Questions, Please, Contact John Domagall (Agent) @ © 651.208.3918, (O) 651.483.8754 [email protected] )
RIDER 2016 (Any questions, please, contact John Domagall (Agent) @ © 651.208.3918, (o) 651.483.8754 [email protected] ) HOTEL ACCOMODATIONS Promoter to provide five (5) king single hotel rooms at a nationwide chain [i.e. Hilton, Hyatt, Holiday Inn, Marriot, Sheraton. Room to include WIFI and breakfast at no cost to artist. Early check in or late check outs to be provided if necessary during advance. Hotel accommodations will need to be provided for two (2) nights, if there’s a day off between shows or the show is booked the first night of the run, please refer to contract.. TRANSPORTATION TRAVEL PARTY & AIRPORT PICK UP / DROP OFF Please meet us directly right out of baggage claim, arrival times and flight numbers as per advance. Please let us know name and phone number of pick up contact/ driver. Travel party band & crew: 5 - Please be prepared to safely transport the following baggage: 5 large size suitcase, 5 pieces of equipment (guitars, cymbal case, ABS 19" racks), 5 laptop trolley bags Please provide air conditioned vehicles with comfy seating and a seat to passenger ratio of at least 1.5. For any drives longer than 20 minutes, have bottled still water available. LOCAL TRANSPORTATION /RUNNER FOR SHOW DAY Please make sure runner has one clean, late model van (e.g. 15 passenger van with one rear bench seat removed) to shuttle band and crew from/to hotel, from/to venue or airport. The runner will be needed for transporting artists, crew members, and various shopping trips from 12:00 pm on (or time of venue get in, if different).
[Show full text]