By-Elections Buoy Conservatives, NDP, Illustrate Liberal Challenges
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The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Swollen Members the Predator
The Predator Swollen Members When the shit goes down you better be ready (When the shit goes down) I turn He-Man to She-Rra, Battlecat to Cringer West Coast Avenger, Mad Child's a ninja Fist of the North Star, I'm going hard Lions flying out my mouth like a throwing star Tough luck, nunchucks for these dumb fucks Young dukes jump up, they get fucked up I can levitate (why?) I'm a featherweight (nah) I'm a heavyweight, hope to get to Heaven's gate But not yet (watch it) I'm a freakin savage Running all around and I am busy wreaking havoc Funny when I rap it sounds like I'm committing murder But have to ask the question, "How come I ain't getting further? " I'm a fucking lunatic, I can be a moody bitch Great white shark eating rappers like you're tuna fish Kill em I annihilate, villain with an iron blade Fuck when I rock I am hot watch a fire blaze Welcome to the freak fest, Mad Child's a monster First do a concert then do an encore Mad got the game on lock like a door handle War angel, black cape with an orange candle now I've gone commando Running through the streets with the gun of Rambo Knife on my belt that could cut your scalp Quit drugs now I'm back you go fuck yourself Tattooed up top to bottom sleeves Never fall again like autumn leaves Dark like the Legend of Sleepy Hollow I'm the big bad wolf, you are sheep that follow Crawl into bed, take a power nap Eat your kids in a nightie and a shower cap All these little piggies run when the shit goes down Cause I'm here to blow your motherfucking brick house down Nasty North American, -
Debate Overnight Radio Play for Sale to Labels
$6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Ev Song Capsules
THE WEATHERMAN LP – SONG CAPSULES "I KNOW" "Go out on my own, something that I gotta do" It’s never easy to start from scratch. I knew this would be the 1st song on my album when I made it early in the recording process. "If you build it they will come"-Field Of Dreams "MR SLOW FLOW" My first single…I really wasn’t trying to fit in when I made this song. Being fresh off Capitol Records where they were trying to mold Dilated Peoples into Pop hit makers, this is my “Fuck You” record. Real dark, clever wordplay and heavy cuts. Basically the original energy of what people were attracted to me for in the first place. Back to square one. "Party Time, Excellent!" -Wayne Cambell "LETYOURSELFGO" feat THE ALCHEMIST & PHONTE This was supposed to be for The Alchemist & Evidence Album (A&E) coming next year. This is one of Al's best beats to date. (Bold statement) My verse is really about starting all over in life and letting myself go, hence the title was born. I just came off tour with Little Brother and had learned that Phonte could really sing, so we sent him the song hoping he would write a hook of that nature, when we got it back it was completely different than we imagined, but was crazy fresh. "It’s A Keeper" -Fat Bastard, Austin Powers "DOWN IN NEW YORK CITY" This is my version of Notorious B.I.G.'s, "Going Back To Cali" I’m born and raised in L.A. -
PERFORMING ARTS – Understanding Hip Hop
SCHOOL VISITS PRE AND POST VISIT PACKAGE PERFORMING ARTS – Understanding Hip Hop TEACHER GUIDE: PROGRAM DETAILS: Thank you for choosing to visit Harbourfront Centre! Harbourfront Centre is an innovative, non-profit cultural Grades: 4 to 12 organization which provides internationally renowned Curriculum Links: programming in the arts, culture, education and recreation, all The Arts – Dance (Grades 4-8): Creating and within a collection of distinctive venues in the heart of Presenting – apply the creative process to composition of Toronto's downtown waterfront. Our School Visits programs movement sequences and short dance pieces, using the are rooted in the inquiry-based learning model, and elements of dance to communicate feelings and ideas accommodate for a number of exceptionalities. The Arts – Dance (Grades 9-12): Creating, Presenting and Performing – combine the WHAT TO EXPECT FROM YOUR DAY? elements of dance in a variety of ways in composing When you arrive at Harbourfront Centre, you will be greeted individual and ensemble dance creations by one of our Educators. Payment will be taken care of by Foundations – demonstrate an understanding of the social our Registrar (if you are onsite) or our Educator (if you are and cultural origins and development of dance forms, offsite) during the morning of your visit. Your class will then including their influence on each other and society receive a brief introduction to Harbourfront Centre. Your Social Studies , 2013 (1-6): program will begin shortly thereafter. Heritage and Identity Canadian and World Studies, 2015 (11-12): Cultural Characteristics and Identity ACTIVATION (Pre Visit Ideas) Key Inquiry Question: How can the elements of hip hop be a tool for self 1) Introduce the topic of hip hop through the use of a mind expression? map . -
Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse, Advances in Social Sciences Research Journal, 1(2), 84-98
Advances in Social Sciences Research Journal – Vol.1, No.2 Publication Date: March 09, 2014 DOI: 10.14738/assrj.12.94 Halnon, K. B. (2014). Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse, Advances in Social Sciences Research Journal, 1(2), 84-98 Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse Karen Bettez Halnon Sociology, Pennsylvania State University, ABington, USA; [email protected] ABSTRACT In 2012 the FBI Profiled horrorcore raP grouP Insane Clown Posse (ICP) and its Juggalo fans as a gang. In January 2014, ICP and the American Civil Liberties Union (ACLU) sued the FBI in Detroit Federal Court. Toward a timely corrective sociological account, this PaPer offers its findings derived from over ten years of concert fieldwork observation, hundreds of informal interviews, and in-depth (DVD, CD, band, and fan site) music media analysis. It provides a marginal insider-outsider account of ICP’s Dark Carnival, focused on its rituals, traditions, and mythology that create a Proto-utopian surrogate family of accePtance and belonging, identity reversal, and ethical guidance for many who have suffered from unpoPularity, abuse, other familial dysfunction, and/or who do not fit in where they are. Utilizing Bakhtinian carnival concePts, thick descriPtion and abundant quotation, the Paper exemPlifies sociology’s debunking quality, or the sociological axiom that things are often quite different than Presumed. The PaPer concludes by underscoring the troubling dangers of criminalization. Keywords: Carnival, Unpopularity, Rituals, Criminal Profiling, Sociological DeBunKing, BaKhtin, Surrogate Family. DARK CARNIVAL AND JUGGALO HEAVEN “They uncrowned and renewed the estaBlished power and unofficial truth. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
Razorcake Issue #31 As A
was on my back at the bottom of an abandoned swimming pool after Some of them die. Then ants eat them. My leg felt a tingle; I pulled it out an hour of skating, hoping the pain would subside. I heard a wet from under the desk, and saw that there were about one hundred ants on snap and didn’t want to look. I hadn’t been getting rad. I was just and inside the cast. I got a flashlight to see where they were concentrat- I returning to the shallow end, something I’ve done thousands of ed and smacked my forehead on the edge of my desk when I leaned times. When I looked, my foot was pointing in the wrong direction and down. For the first time in a long while, I felt crushed. I felt like quitting. was slowly trying to correct itself. My back foot had slipped off my skate- All of this: the zine, the books, the non-profit. Kaput. Done. Get a job, board and I’d run over my ankle. This was mid September. We’d literally work for someone else. I’d given it my shot and it felt like I’d been beat- dropped off the last Razorcakes for our bi-monthly big mailout hours en by hammers. before. As a treat to myself for working so hard, I’d planned a week-long My friends and family wouldn’t let me go. Chris Devlin drove me “vacation at home,” where I didn’t have anything solid planned except to physical therapy and to get my pain medication, while learning new skating new places, reading, listening to music, and hanging out. -
Heavy Metal's 'Big Four' Metallica, Slayer, Megadeth, Anthrax Commemorate Historic Concert Together with One-Night Global Movie Theater Event on June 22Nd
May 21, 2010 Heavy Metal's 'Big Four' Metallica, Slayer, Megadeth, Anthrax Commemorate Historic Concert Together with One-Night Global Movie Theater Event on June 22nd Sonisphere Festival Concert to Be Broadcast via Satellite from Sofia, Bulgaria, to Movie Theaters around the World NCM Fathom to Present Concert Event to Fans in More Than 450 U.S. Theaters in over 140 U.S. Markets - Tickets Available Today NEW YORK, May 21, 2010 (BUSINESS WIRE) -- The "Big Four," Metallica, Slayer, Megadeth and Anthrax, are bringing their historic European tour to the global stage via satellite to 800 movie theaters around the world in a special high definition cinematic event. These four legendary acts broke out of the underground thrash movement in the 1980s to dominate the metal world, selling millions of records and packing arenas across the globe. Despite huge demand, these musical giants have never shared the same stage until now. The legendary June 22 concert from the tour's stop at the Sonisphere Festival in Sofia, Bulgaria, will be presented in the U.S. in more than 450 theaters in over 140 markets at 7:30 p.m. local time on the same day by NCM Fathom. The event will be broadcast into theaters in Europe, Canada and Latin America through other international exhibitor partnerships. Delayed screenings are also planned in Australia, South Africa and New Zealand. Tickets for The Big Four: Metallica, Slayer, Megadeth, Anthrax are available today in the U.S. at participating theater box offices and at www.FathomEvents.com or www.thebigfourlive.com, where fans can also view the event trailer. -
“Horns Up!” the Horned Hand As the Emblematic Gesture of the Metal Subculture
Półrocznik Językoznawczy Tertium. Tertium Linguistic Journal 5 (2) (2020) www.journal.tertium.edu.pl http://dx.doi.org/10.7592/Tertium2020.5.2.Nowakowski “Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture Adam E. Nowakowski Carpathian State College in Krosno, Poland [email protected] Abstract The horned hand is a gesture completed by extending the forefinger and little finger, while holding the middle two fingers down with the thumb. In years past it has been a subject of many discussions, held by researchers working in various fields of science. However, to the best of my knowledge, the role it plays in nonverbal communication between members of the metal subculture still remains a rather uncharted area. This article is an attempt to shed some light on this topic. It presents a definition of an emblematic gesture, based on the works of David Efron, Paul Ekman, William Friesen and Lluís Payrató. It also gives an account of the semiotic diversity of the horned hand (depending on a culture, the gesture can communicate very different messages, ranging from insults and threats to protection from evil). It was established, based on numerous discussions with the so-called metalheads, that they are able to convey five different meanings using the gesture: 1) indicate affiliation with heavy metal music and/or subculture, 2) display identity and/or community, 3) greet each other, 4) bid each other farewell, 5) display appreciation/respect. Research survey showed that more than 70% of respondents, who consider themselves knowledgeable about the metal subculture, were able to derive a message matching exactly or almost exactly the message intended by the encoder, which allows to declare the emblematic status of the horned hand.