William HOARE of Bath
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Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
The Canterbury Association
The Canterbury Association (1848-1852): A Study of Its Members’ Connections By the Reverend Michael Blain Note: This is a revised edition prepared during 2019, of material included in the book published in 2000 by the archives committee of the Anglican diocese of Christchurch to mark the 150th anniversary of the Canterbury settlement. In 1850 the first Canterbury Association ships sailed into the new settlement of Lyttelton, New Zealand. From that fulcrum year I have examined the lives of the eighty-four members of the Canterbury Association. Backwards into their origins, and forwards in their subsequent careers. I looked for connections. The story of the Association’s plans and the settlement of colonial Canterbury has been told often enough. (For instance, see A History of Canterbury volume 1, pp135-233, edited James Hight and CR Straubel.) Names and titles of many of these men still feature in the Canterbury landscape as mountains, lakes, and rivers. But who were the people? What brought these eighty-four together between the initial meeting on 27 March 1848 and the close of their operations in September 1852? What were the connections between them? In November 1847 Edward Gibbon Wakefield had convinced an idealistic young Irishman John Robert Godley that in partnership they could put together the best of all emigration plans. Wakefield’s experience, and Godley’s contacts brought together an association to promote a special colony in New Zealand, an English society free of industrial slums and revolutionary spirit, an ideal English society sustained by an ideal church of England. Each member of these eighty-four members has his biographical entry. -
Horace Walpole's Letters
The Letters of Horace Walpole, Volume 1 by Horace Walpole The Letters of Horace Walpole, Volume 1 by Horace Walpole editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition. The "legal small print" and other information about this book may now be found at the end of this file. Please read this important information, as it gives you specific rights and tells you about restrictions in how the file may be used. *** This etext was produced by Marjorie Fulton. For easier searching, letters have been numbered. Only the page numbers that appear in the table of contents have been retained in the text of letters. Footnotes have been regrouped as endnotes following the letter to which they relate. THE LETTERS of HORACE WALPOLE, EARL OF ORFORD: page 1 / 793 INCLUDING NUMEROUS LETTERS NOW FIRST PUBLISHED FROM THE ORIGINAL MANUSCRIPTS. IN FOUR VOLUMES VOL. 1. 1735-1748. CONTENTS OF VOL. 1. PREFACE--25 Advertisement--33 Second advertisement--40 Sir Charles Grey's Letter connecting Walpole with Junius--41 Sketch of the Life of Horace Walpole, Earl of Orford, by Lord Dover--47 REMINISCENCES OF THE COURTS OF GEORGE THE FIRST AND SECOND. CHAPTer 1.--67 page 2 / 793 Motives to the Undertaking-Precedents-George the First's Reign-a Proem to the History of the Reigning House of Brunswick-The Reminiscent introduced to that Monarch-His Person and Dress-The Duchess of Kendal-her Jealousy of Sir Robert Walpole's Credit with the King-the -
Thomas Anson of Shugborough
Thomas Anson of Shugborough and The Greek Revival Andrew Baker October 2019 ACKNOWLEDGEMENTS My interest in Thomas Anson began in 1982, when I found myself living in a cottage which had formerly been occupied by a seamstress on the Shugborough estate. In those days very little was known about him, just enough to suggest he was a person worth investigating, and little enough material available to give plenty of space for fantasy. In the early days, I was given a great deal of information about the background to 18th- century England by the late Michael Baigent, and encouragement by his friend and colleague Henry Lincoln (whose 1974 film for BBC’s “Chronicle” series, The Priest the Painter and the Devil introduced me to Shugborough) and the late Richard Leigh. I was grateful to Patrick, Earl of Lichfield, and Leonora, Countess of Lichfield, for their enthusiastic support. I presented my early researches at a “Holy Blood and Holy Grail” weekend at Shugborough. Patrick Lichfield’s step-grandmother, Margaret, Countess of Lichfield, provided comments on a particularly puzzling red-herring. Over the next twenty years the fantasies were deflated, but Thomas Anson remained an intriguing figure. I have Dr Kerry Bristol of Leeds University to thank for revealing that Thomas really was a kind of “eminence grise”, an influential figure behind the scenes of the 18th-century Greek Revival. Her 2006 conference at Shugborough was the turning point. The time was ripe for new discoveries. I wish to thank several researchers in different fields who provided important revelations along the way: Paul Smith, for the English translation from Chris Lovegrove, (former editor of the Journal of the Pendragon Society) of the first portion of Lady Anson’s letter referring to Honoré d’Urfé’s pastoral novel L’Astrée, written in French. -
Born in 1769, by the Age of 10 Thomas Lawrence Was Already Showing Remarkable Artistic Ability. Our Expert, Amina Wright, Explor
BY ARTS SOCIETY LECTURER AMINA WRIGHT Born in 1769, by the age of 10 Thomas Lawrence was already showing remarkable artistic ability. Our expert, Amina Wright, explores the story of the boy that went on to become president of the Royal Academy of Arts 1. PORTRAIT OF THE ARTIST AS A YOUNG PRODIGY The portrait painter Thomas Lawrence first came to public attention as a boy in the 1770s, when his father kept a superior coaching inn, the Black Bear at Devizes, Wiltshire. Travelling from London to the fashionable spa town of Bath, the novelist, diarist and playwright Fanny Burney was one of many famous guests at the Bear; stopping there in 1780 she found the innkeeper’s family to be well read and musically gifted. Their youngest son, Thomas, was ‘a most lovely boy of 10 years of age, who seems to be not merely the wonder of their family, but of the times for his astonishing skill in drawing'. The actor David Garrick, a regular at the Bear, was equally impressed by Tommy’s acting skills and he foresaw his future success ‘poised between the pencil and the stage’. The child regularly attended performances at the Theatre Royal in Bath with his father, an aspiring thespian and poet who would return actors’ hospitality in the green room with a welcome at the Bear. This ensured that Lawrence’s reputation as a rising star spread through the literary and artistic networks of Bath and Wiltshire. Head of Minerva Drawn at Oxford by Master Lawrence at the Age of 11 Years (1779) 2. -
Soldiers & Colonists
SOLDIERS & COLONISTS Imperial Soldiers as Settlers in Nineteenth-Century New Zealand John M. McLellan A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in History Victoria University of Wellington 2017 i Abstract The approximately 18,000 imperial troops who arrived in New Zealand with the British regiments between 1840 and 1870 as garrison and combat troops, did not do so by choice. However, for the more than 3,600 non-commissioned officers and rank and file soldiers who subsequently discharged from the army in New Zealand, and the unknown but significant number of officers who retired in the colony, it was their decision to stay and build civilian lives as soldier settlers in the colony. This thesis investigates three key themes in the histories of soldiers who became settlers: land, familial relationships, and livelihood. In doing so, the study develops an important area of settler colonialism in New Zealand history. Discussion covers the period from the first arrival of soldiers in the 1840s through to the early twentieth century – incorporating the span of the soldier settlers’ lifetimes. The study focuses on selected aspects of the history of nineteenth-century war and settlement. Land is examined through analysis of government statutes and reports, reminiscences, letters, and newspapers, the thesis showing how and why soldier settlers were assisted on to confiscated and alienated Māori land under the Waste Lands and New Zealand Settlement Acts. Attention is also paid to documenting the soldier settlers’ experiences of this process and its problems. Further, it discusses some of the New Zealand settlements in which military land grants were concentrated. -
Cavendish Square
DRAFT CHAPTER 7 Cavendish Square Peering over the railings and through the black trees into the garden of the Square, you see a few miserable governesses with wan-faced pupils wandering round and round it, and round the dreary grass-plot in the centre of which rises the statue of Lord Gaunt, who fought at Minden, in a three- tailed wig, and otherwise habited like a Roman Emperor. Gaunt House occupies nearly a side of the Square. The remaining three sides are composed of mansions that have passed away into dowagerism; – tall, dark houses, with window-frames of stone, or picked out of a lighter red. Little light seems to be behind those lean, comfortless casements now: and hospitality to have passed away from those doors as much as the laced lacqueys and link-boys of old times, who used to put out their torches in the blank iron extinguishers that still flank the lamps over the steps. Brass plates have penetrated into the square – Doctors, the Diddlesex Bank Western Branch – the English and European Reunion, &c. – it has a dreary look. Thackeray made little attempt to disguise Cavendish Square in Vanity Fair (1847–8). Dreariness could not be further from what had been intended by those who, more than a century earlier, had conceived the square as an enclave of private palaces and patrician grandeur. Nor, another century and more after Thackeray, is it likely to come to mind in what, braced between department stores and doctors’ consulting rooms, has become an oasis of smart offices, sleek subterranean parking and occasional lunch-hour sunbathing. -
University of Warwick Institutional Repository
CORE Metadata, citation and similar papers at core.ac.uk Provided by Warwick Research Archives Portal Repository University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/57063 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. GEORGE VERNON AND THE BUILDING OF SUDBURY HALL, DERBYSHIRE Punching above his weight? Covering document submitted as part of the requirement for the degree of PhD by published work Cherry Ann Knott Department of History University of Warwick December 2012 GEORGE VERNON AND THE BUILDING OF SUDBURY HALL, DERBYSHIRE Punching above his Weight? CONTENTS Introduction 3 1. Redating Sudbury Hall 4 2. Revising approaches to seventeenth-century architectural history 6 3. Influences and choices 10 4. Implementation 17 5. The plan – public and private spheres 21 6. Conspicuous consumption 26 7. Vernon marriage strategies 34 8. Gender, management and family dynamics 40 Conclusions 49 Bibliography 51 Appendices i. Publications 58 ii. Background 59 iii. Declaration 60 2 GEORGE VERNON AND THE BUILDING OF SUDBURY HALL, DERBYSHIRE Punching above his Weight? Introduction My case study of the building of Sudbury Hall, Derbyshire, is a landmark volume within the fields of architectural and social history in the context of the development of houses of English landed gentry in the seventeenth century. -
Men of Progress, 1898
Menf o Progress Biographical S ketches and Portraits OF Leaders i n Business and Professional Life INND A OF THE COMPILED U NDER THE SUPERVISION OF RICHARD H ERNDON EDITEDY B RICHARD B URTON BOSTON NEW E NGLAND MAGAZINE 1898 M5"3 Copvright, 1 897 uv RICHARD H ERNDON 7TKTrcq H lSTORICAC-1 • C. ALFRED M UDOE * SON, PRINTERS, BOSTON. MENF O PROGRESS. ALLEN, I saac Almarin, Jr., Architect, Hartford, a d escendant of Captain Ephraim Pease, who was born in Enfield street, Enfield, Connecticut, entertained General Washington at his house in May 22, 1859, son of Isaac Almarin and Harriet Enfield. His father's mother Mary (Pease) Allen Jane (Carrier) Allen. He is an only son; of his was also a descendant of Captain Ephraim Pease. four sisters, but one is now living — Elizabeth A letter from General Washington referring to the Ingraham (Allen) Burns, wife of Louis Burns of hospitality of Captain Pease, is still preserved by Pittsfield, Massachusetts. The other three sisters died while young. His father is a well-to-do farmer of Enfield, and his grandfather, Chauncey Allen, was an extensive farmer and dealer in leaf tobacco, who died at the age of eighty-nine, leaving a large property. Isaac Allen, brother of Chaun cey, moved from Enfield to Clarkson, Monroe county, New York, and became an extensive farmer there. At the age of eighteen he was a Colonel in the War of 1812. The genealogy of the family is traced back many generations in the Allen gene alogy, which has been published. On his mother's side he is descended from John Hancock, the signer of the Declaration of Independence. -
Correspondence of the Family of Hatton
CORRESPONDENCE OF THE FAMILY OF HATTON. f SIR CHRISTOPHER HATTON a TO ALICE FANSHAW. BES Abont A D 1601 SWEETE M ALES, C - - -] As I never liked ye amorous gallants of our tyme y* make a traffique of lovinge and a trade of dissemblinge, lovinge whom ere they see, and ownlie lovinge whilst they see; soe am I not composed of soe hard a mettle but y* fine beautie can pearce, and compleatc perfections ravish, my admiringe soule. Hithertoe have I beene good tutor to my owne youthfull fancies, makinge keepe whom (home) in a plain whomly breast; but, since of late yr beauty procured them a litle liberty, they are fiowne abroade and have burnte theire winges in affections flame, soe y* I feare they will never flye whome againe. I have ofte observed it -to bee ye effect of base and a dull discerninge eie to dote upon every obiect without distinction, and have markt it out as true property of y° fierie soule to honour chast * Sir Christopher Hatton, K.B., cousin of the Chancellor, and successor to his estate on the death of his cousin Sir William Newport-Hatton in 1597. He married the lady to whom he addresses this letter, Alice, daughter of Thoni;^ Fanshaw, of Ware Park, co. Herts., who died in 1623. Sir Christopher died K> September, 1619. CAMD. SOC. B 2 HATTON CORRESPONDENCE. beauty where ever it harbers, and to love y° verie windowes of y* house where soe faire a guest as vertue soiourneth. In which sole regarde my iudgment and affection, of olde enimyes, provinge true friends, are resolved for ever to dwell together, my affection commendinge my iudgment for soe faire a choice, my iudgment applaudinge my affection for her eager persute of soe woorthy a game. -
Liotard, Lady Anne Somerset and Lady Hawke
Neil Jeffares, Pastels & pastellists Two English portraits by Liotard: Lady Anne Somerset and Catherine, Lady Hawke NEIL JEFFARES1 Jean-Étienne Liotard Lady Anne Somerset, later Countess of NORTHAMPTON (1741–1763) Zoomify Pastel on vellum, 61 x 47 cm 1755 Trustees of the Chatsworth Settlement PROVENANCE: Countess of Lichfield, née Dinah Frankland (c.1719–1779), until 1779; given by her executor, Lady Pelham, later Countess of Chichester, née Anne Frankland (1734–1813), to Elizabeth, Duchess of Beaufort (1719–1799), mother of the sitter; bequeathed under the Duchess of Beaufort’s will, 1799, to her son, the 5th Duke of Beaufort; by descent to David, 11th Duke of Beaufort; acquired by James Fairfax, Sydney, 1986; New York, Christie’s, 25 January 2012, Lot 134 reproduced, attributed to Liotard; acquired by the Duke of Devonshire for Chatsworth EXHIBITED: Jean-Étienne Liotard, Edinburgh, Scottish National Gallery; London, Royal Academy of Arts, 2015–16, no. 45 LITERATURE: Truffle hunt with Sacheverell Sitwell, London, 1953, p. 7; Catherin Fisher, “James Fairfax: a remarkable collector of old masters”, Apollo, CXXXVIII/388, .VI.1994, pp. 3–8 (“looking fetching and virginal with her rosebud cheeks”), repr. p. 8; Neil Jeffares, Dictionary of pastellists before 1800, London, 2006 (“Jeffares 2006”), p. 349 repr., and online editions; Marcel Roethlisberger & Renée Loche, Liotard, Doornspijk, 2008 (“R&L”) R49, rejected, fig. 820; Neil Jeffares, review of M. Roethlisberger & R. Loche, Liotard, Burlington magazine, CLI/1274, .V.2009, pp. 322–23, “no alternative to Liotard is convincing”; Terry Ingram, “Fairfax portrait yields double the money”, Australian financial review, 2 February 2012, p. 57; Marcel Roethlisberger, “Liotard mis à jour”, Zeitschrift für schweizerische Archäologie und Kunstgeschichte, LXXI/2-3, 2014, p. -
Annual Report 2002
2002 ANNUAL REPORT NATIONAL GALLERY OF ART WASHINGTON, D C. BOARD OF TRUSTEES Robert F. Erburu AUDIT COMMITTEE TRUSTEES' COUNCIL Sally Engelhard Pingree (as of 30 September 2002) Chairman (as of 30 September 2002) Diana C. Prince Robert F. Erburu Mitchell P. Rales Chairman Victoria P. Sant, Chair Catherine B. Reynolds Paul H. O'Neill La Salle D. Leffall Jr., Vice Chair Sharon Percy Rockefeller Robert H. Smith The Secretary of the Treasury Leon D. Black President Robert M. Rosenthal Robert H. Smith W. Russell G. Byers Jr. Roger W. Sant Julian Ganz, Jr. Calvin Cafritz B. Francis Saul II David 0. Maxwell William T. Coleman Jr. Thomas A. Saunders III Victoria P. Sant Edwin L. Cox Julian Ganz, Jr. Albert H. Small — James T. Dyke James S. Smith FINANCE COMMITTEE Mark D. Ein Ruth Carter Stevenson Edward E. Elson Roselyne C. Swig Robert H. Smith Doris Fisher Chairman Frederick A. Terry Jr. David 0. Maxwell Aaron I. Fleischman Paul H. O'Neill Joseph G. Tompkins Juliet C. Folger The Secretary of the Treasury John C. Whitehead John C. Fontaine Robert F. Erburu John Wilmerding Marina K. French Julian Ganz, Jr. Dian Woodner Morton Funger David 0. Maxwell Nina Zolt 1 Victoria P. Sant Lenore Greenberg Victoria P. Sant Rose Ellen Meyerhoff Greene EXECUTIVE OFFICERS ART AND EDUCATION Frederic C. Hamilton (as of 30 September 2002) COMMITTEE Richard C. Hedreen Teresa F. Heinz Robert H. Smith William H. Rehnquist i: Raymond J. Horowitz President The Chief Justice Robert H. Smith of the United States Chairman Robert J. Hurst Earl A.