Which Way Is North?
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Planet Positions: 1 Planet Positions
Planet Positions: 1 Planet Positions As the planets orbit the Sun, they move around the celestial sphere, staying close to the plane of the ecliptic. As seen from the Earth, the angle between the Sun and a planet -- called the elongation -- constantly changes. We can identify a few special configurations of the planets -- those positions where the elongation is particularly noteworthy. The inferior planets -- those which orbit closer INFERIOR PLANETS to the Sun than Earth does -- have configurations as shown: SC At both superior conjunction (SC) and inferior conjunction (IC), the planet is in line with the Earth and Sun and has an elongation of 0°. At greatest elongation, the planet reaches its IC maximum separation from the Sun, a value GEE GWE dependent on the size of the planet's orbit. At greatest eastern elongation (GEE), the planet lies east of the Sun and trails it across the sky, while at greatest western elongation (GWE), the planet lies west of the Sun, leading it across the sky. Best viewing for inferior planets is generally at greatest elongation, when the planet is as far from SUPERIOR PLANETS the Sun as it can get and thus in the darkest sky possible. C The superior planets -- those orbiting outside of Earth's orbit -- have configurations as shown: A planet at conjunction (C) is lined up with the Sun and has an elongation of 0°, while a planet at opposition (O) lies in the opposite direction from the Sun, at an elongation of 180°. EQ WQ Planets at quadrature have elongations of 90°. -
Sun Tool Options
Sun Study Tools Sophomore Architecture Studio: Lighting Lecture 1: • Introduction to Daylight (part 1) • Survey of the Color Spectrum • Making Light • Controlling Light Lecture 2: • Daylight (part 2) • Design Tools to study Solar Design • Architectural Applications Lecture 3: • Light in Architecture • Lighting Design Strategies Sun Tool Options 1. Paper and Pencil 2. Build a Model 3. Use a Computer The first step to any of these options is to define…. Where is the site? 1 2 Sun Study Tools North Latitude and Longitude South Longitude Latitude Longitude Sun Study Tools North America Latitude 3 United States e ud tit La Sun Study Tools New York 72w 44n 42n Site Location The site location is specified by a latitude l and a longitude L. Latitudes and longitudes may be found in any standard atlas or almanac. Chart shows the latitudes and longitudes of some North American cities. Conventions used in expressing latitudes are: Positive = northern hemisphere Negative = southern hemisphere Conventions used in expressing longitudes are: Positive = west of prime meridian (Greenwich, United Kingdom) Latitude and Longitude of Some North American Cities Negative = east of prime meridian 4 Sun Study Tools Solar Path Suns Position The position of the sun is specified by the solar altitude and solar azimuth and is a function of site latitude, solar time, and solar declination. 5 Sun Study Tools Suns Position The rotation of the earth about its axis, as well as its revolution about the sun, produces an apparent motion of the sun with respect to any point on the altitude earth's surface. The position of the sun with respect to such a point is expressed in terms of two angles: azimuth The sun's position in terms of solar altitude (a ) and azimuth (a ) solar azimuth, which is the t s with respect to the cardinal points of the compass. -
Equatorial and Cartesian Coordinates • Consider the Unit Sphere (“Unit”: I.E
Coordinate Transforms Equatorial and Cartesian Coordinates • Consider the unit sphere (“unit”: i.e. declination the distance from the center of the (δ) sphere to its surface is r = 1) • Then the equatorial coordinates Equator can be transformed into Cartesian coordinates: right ascension (α) – x = cos(α) cos(δ) – y = sin(α) cos(δ) z x – z = sin(δ) y • It can be much easier to use Cartesian coordinates for some manipulations of geometry in the sky Equatorial and Cartesian Coordinates • Consider the unit sphere (“unit”: i.e. the distance y x = Rcosα from the center of the y = Rsinα α R sphere to its surface is r = 1) x Right • Then the equatorial Ascension (α) coordinates can be transformed into Cartesian coordinates: declination (δ) – x = cos(α)cos(δ) z r = 1 – y = sin(α)cos(δ) δ R = rcosδ R – z = sin(δ) z = rsinδ Precession • Because the Earth is not a perfect sphere, it wobbles as it spins around its axis • This effect is known as precession • The equatorial coordinate system relies on the idea that the Earth rotates such that only Right Ascension, and not declination, is a time-dependent coordinate The effects of Precession • Currently, the star Polaris is the North Star (it lies roughly above the Earth’s North Pole at δ = 90oN) • But, over the course of about 26,000 years a variety of different points in the sky will truly be at δ = 90oN • The declination coordinate is time-dependent albeit on very long timescales • A precise astronomical coordinate system must account for this effect Equatorial coordinates and equinoxes • To account -
Announces: the SHADOW Composed and Conducted By
Announces: THE SHADOW Composed and Conducted by JERRY GOLDSMITH Intrada Special Collection Volume ISC 204 Universal Pictures' 1994 The Shadow allowed composer Jerry Goldsmith to put his imprimatur on the darkly gothic phase of the superhero genre that developed in the 1990s. Writing for a large orchestra, Goldsmith created a score that found the perfect mix between heroism and menace and resulted in one of his longest scores. Goldsmith’s main title music introduces many of the score’s core elements: an unnerving pitch bend, played by synthesizers; a grandly powerful brass melody for the Shadow; and a bouncing electronic figure that will become a key rhythmic device throughout the score. Goldsmith’s classic sounding Shadow theme and the score’s large scale orchestrations complemented the film’s period setting and lavish look, while the composer’s trademark electronics helped better position the film for a contemporary audience. When the original soundtrack for The Shadow was released in 1994, it presented only a fraction of Jerry Goldsmith’s hour-and-twenty-minute score, reducing the composer’s wealth of action material to two cues and barely hinting at the complete score’s range and scope. In particular, Goldsmith’s elegant and haunting love theme—one of his best of the ’90s—plays only briefly at the very end of the album. This premiere presentation of the complete score represents one of the most substantial restorations of a Goldsmith soundtrack, illuminated by the fact that just 30 minutes of the full 85-minute score appeared on the original 1994 soundtrack album. -
1 Living Beside the Shadow of Death by Grace Lukach It's Hard to Say
1 Living Beside The Shadow of Death By Grace Lukach It’s hard to say when my Grandpa really began to die. Complications from an elective back surgery in 2001 forced him to spend two hundred non-consecutive days of the next year institutionalized—either in the hospital, nursing home, or in-house rehabilitation center. On three separate occasions he was put on a ventilator and for nearly nineteen of those two hundred days he relied on this machine to live. It seemed as though he were dying, but somehow, after all those months of suffering, he recovered his strength and returned home. He had escaped the clutches of death. And though he never again walked independently and would dream of physical activities as simple as driving, he was able to share monthly meals with old co-workers, attend weekly mass, and watch his children—and their children—grow up for six more years. Because of modern medicine, my Grandpa experienced six more years of being alive. But then my Grandpa fell and broke his hip. Back in the hospital, he was intubated and extubated and intubated again. A permanent pacemaker was implanted as well as a dialysis port, a tracheotomy, and a feeding tube. He was on and off the ventilator. Death was the enemy and everyone was fighting with every bit of energy they could muster, but nothing could keep him alive this time. After four months in the hospital, my Grandpa finally died. My Grandma’s journey to death is much clearer. She was a fighter who had regained full mobility after suffering a debilitating stroke that paralyzed her right side at the age of fifty-four. -
GAME DEVELOPERS a One-Of-A-Kind Game Concept, an Instantly Recognizable Character, a Clever Phrase— These Are All a Game Developer’S Most Valuable Assets
HOLLYWOOD >> REVIEWS ALIAS MAYA 6 * RTZEN RT/SHADER ISSUE AUGUST 2004 THE LEADING GAME INDUSTRY MAGAZINE >>SIGGRAPH 2004 >>DEVELOPER DEFENSE >>FAST RADIOSITY SNEAK PEEK: LEGAL TOOLS TO SPEEDING UP LIGHTMAPS DISCREET 3DS MAX 7 PROTECT YOUR I.P. WITH PIXEL SHADERS POSTMORTEM: THE CINEMATIC EFFECT OF ZOMBIE STUDIOS’ SHADOW OPS: RED MERCURY []CONTENTS AUGUST 2004 VOLUME 11, NUMBER 7 FEATURES 14 COPYRIGHT: THE BIG GUN FOR GAME DEVELOPERS A one-of-a-kind game concept, an instantly recognizable character, a clever phrase— these are all a game developer’s most valuable assets. To protect such intangible properties from pirates, you’ll need to bring out the big gun—copyright. Here’s some free advice from a lawyer. By S. Gregory Boyd 20 FAST RADIOSITY: USING PIXEL SHADERS 14 With the latest advances in hardware, GPU, 34 and graphics technology, it’s time to take another look at lightmapping, the divine art of illuminating a digital environment. By Brian Ramage 20 POSTMORTEM 30 FROM BUNGIE TO WIDELOAD, SEROPIAN’S BEAT GOES ON 34 THE CINEMATIC EFFECT OF ZOMBIE STUDIOS’ A decade ago, Alexander Seropian founded a SHADOW OPS: RED MERCURY one-man company called Bungie, the studio that would eventually give us MYTH, ONI, and How do you give a player that vicarious presence in an imaginary HALO. Now, after his departure from Bungie, environment—that “you-are-there” feeling that a good movie often gives? he’s trying to repeat history by starting a new Zombie’s answer was to adopt many of the standard movie production studio: Wideload Games. -
Superman: the Shadow Masters Free Download
SUPERMAN: THE SHADOW MASTERS FREE DOWNLOAD Paul Kupperberg,Rick Burchett | 48 pages | 01 Feb 2014 | Capstone Press | 9781434227683 | English | Mankato, United States DC Comics: Superman William Kowalk rated it really liked it Apr 14, Issue ST. As he searches for clues, electrical transformers beneath the street suddenly explode! Aisha rated it liked it Nov 30, This website uses cookies so you can place orders and we can provide the most secure and effective website Superman: The Shadow Masters. Cosmic Bounty Hunter by Blake A. Nothing but Net by Jake Maddox. Add links. It's Acrata, a super heroine who can teleport through shadows. Books Capstone 4D Our Imprints. Preview — Superman by Paul Kupperberg. Availability: Backorder. View Print Catalog. Views Read Edit View history. Superman isn't convinced. Mimi marked it as to-read May 14, Superman and Acrata must stop him from casting an evil shadow over Earth. Ps too short but good. Artist Rick Burchett. Jinuka rated it really liked it Sep 29, This item is currently not available, but we will special Superman: The Shadow Masters a copy from our supplier if you choose to backorder it from us today. Clark quickly changes into his alter ego, Superman, Superman: The Shadow Masters locates the problem. If the Man of Steel isn't careful, it'll be Superman: The Shadow Masters out for him as well. Meteor of Doom by Paul Kupperberg. History Leadership Imprints. Olivia Hutchings added it Jul 08, Soon, he discovers an unexpected passenger aboard the spacecraft. The Deadly Dream Machine by J. Publisher Capstone Press. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Lecture 6: Where Is the Sun?
4.430 Daylighting Massachusetts Institute of Technology Christoph Reinhart Department of Architecture 4.430 Where is the sun? Building Technology Program Goals for This Week Where is the sun? Designing Static Shading Systems MIT 4.430 Daylighting, Instructor C Reinhart 1 1 MISC Meeting on group projects Reduce HDR image size via pfilt –x 800 –y 550 filne_name_large.pic > filename_small>.pic Note: pfilt is a Radiance program. You can find further info on pfilt by googeling: “pfilt Radiance” MIT 4.430 Daylighting, Instructor C Reinhart 2 2 Daylight Factor Hand Calculation Mean Daylight Factor according to Lynes Reinhart & LoVerso, Lighting Research & Technology (2010) Move into the building, design the facade openings, room dimensions and depth of the daylit area. Determine the required glazing area using the Lynes formula. A glazing = required glazing area A total = overall interior surface area (not floor area!) R mean = area-weighted mean surface reflectance vis = visual transmittance of glazing units = sun angle 3 ‘Validation’ of Daylight Factor Formula Reinhart & LoVerso, Lighting Research & Technology (2010) Graph of mean daylighting factor according to Lynes formula v. Radiance removed due to copyright restrictions. Source: Figure 5 in Reinhart, C. F., and V. R. M. LoVerso. "A Rules of Thumb Based Design Sequence for Diffuse Daylight." Lighting Research and Technology 42, no. 1 (2010): 7-32. Comparison to Radiance simulations for 2304 spaces. Quality control for simulations. LEED 2.2 Glazing Factor Formula Graph of mean daylighting factor according to LEED 2.2 v. Radiance removed due to copyright restrictions. Source: Figure 11 in Reinhart, C. F., and V. -
Light & Shadows
BIG IDEAS LIGHT & SHADOWS • Shadows are created SHADOWS when light is blocked. Very young children think of shadows as actual objects. But by grade school, most kids will understand that a shadow is a • Shadows change shape phenomenon caused by blocking light. Most, however will not be and size, depending on able to articulate the relationship between the location of the light the location of the light and the size and shape of the shadow. This exploration will give and the object. them a chance to develop an intuitive sense of light and shadow. Set up each group of students with one Light Blox with the slit caps removed, and the worksheet for Activity 5: Shadows. Have WHAT YOU’LL NEED students complete the worksheets and then hold a classroom conversation that incorporates student’s findings and covers the • The Shadows worksheet main discussion points. • Light Blox • A piece of plain white You can extend the exploration by inviting students to make paper predictions about what they think will happen before they explore on their own. • A pencil or pen • A mirror stand MAIN DISCUSSION POINTS • A shadow “grows” in the same direction as the light travels. If you point the light from left to right, the shadow appears RELATED PRODUCTS Click the below to be taken right to the right of the object. If you point the light from right to to the product page. left, the shadow appears to the left of the object. Light Blox • A shadow gets bigger as the light moves further from the object - just like the light got “bigger” as it moved further from the wall in activity 1. -
What the Shadows Know 99
What the Shadows Know 99 What the Shadows Know: The Crime- Fighting Hero the Shadow and His Haunting of Late-1950s Literature Erik Mortenson During the Depression era of the 1930s and the war years of the 1940s, mil- lions of Americans sought escape from the tumultuous times in pulp magazines, comic books, and radio programs. In the face of mob violence, joblessness, war, and social upheaval, masked crusaders provided a much needed source of secu- rity where good triumphed over evil and wrongs were made right. Heroes such as Doc Savage, the Flash, Wonder Woman, Green Lantern, Captain America, and Superman were always there to save the day, making the world seem fair and in order. This imaginative world not only was an escape from less cheery realities but also ended up providing nostalgic memories of childhood for many writers of the early Cold War years. But not all crime fighters presented such an optimistic outlook. The Shad- ow, who began life in a 1931 pulp magazine but eventually crossed over into radio, was an ambiguous sort of crime fighter. Called “the Shadow” because he moved undetected in these dark spaces, his name provided a hint to his divided character. Although he clearly defended the interests of the average citizen, the Shadow also satisfied the demand for a vigilante justice. His diabolical laughter is perhaps the best sign of his ambiguity. One assumes that it is directed at his adversaries, but its vengeful and spiteful nature strikes fear into victims, as well as victimizers. He was a tour guide to the underworld, providing his fans with a taste of the shady, clandestine lives of the criminals he pursued.