Charles E. Vawter and Representations of Progressive Education
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ABSTRACT Title of Thesis: RACE, RELIGION, and CLASS: THE
ABSTRACT Title of Thesis: RACE, RELIGION, AND CLASS: THE THOUGHT OF REVEREND GEORGE FREEMAN BRAGG, JR., Stanley Jenkins Jr., Master of Arts, March 2019 Thesis Chair: Debra N. Ham, Ph.D. Department of History George Freeman Bragg (1863-1940) was a black Episcopal priest and civil rights activist during the Progressive Era in America. He was also a brilliant yet complicated man whose thoughts and opinions were in tension with one another. Bragg’s writings are not one dimensional and lend themselves to various interpretations. Hence, it is possible to view him as either an accommodationist, a man imbued with a racial consciousness or an unwieldy blend of both. However, much of the available literature on Bragg presents a one-dimensional portrait of him. Celebrating his many civil rights struggles, these portraits ignore the sometimes contradictory and complex nature of his thought. Indeed, Bragg bears witness to historian Wilson J. Moses’s contention that all serious prolonged thinking eventually results in contradiction. Hence, the following thesis will critically examine the writings of Bragg in an effort to flesh out the complex character of his thought. It will also attempt to provide a workable explanation to explain the same. The writings of Bragg were not the only sources used to examine his thought. The works of historians Wilson J. Moses, Kevin K. Gaines, and Evelyn Higginbotham that focused on black elites, racial uplift ideology, and classism were indispensable to this study. Notwithstanding, there were a plethora of primary and secondary sources that undergirded this study and helped to socially contextualize and interrogate Bragg’s complex thought. -
Slavery on Exhibition: Display Practices in Selected Modern American Museums
Slavery on Exhibition: Display Practices in Selected Modern American Museums by Kym Snyder Rice B.A. in Art History, May 1974, Sophie Newcomb College of Tulane University M.A. in American Studies, May 1979, University of Hawaii-Manoa A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2015 Dissertation directed by Teresa Anne Murphy Associate Professor of American Studies The Columbian College of Arts and Sciences of The George Washington University Certifies that Kym Snyder Rice has passed the Final Examination for the degree of Doctor of Philosophy as of November 22, 2014. This is the final approved form of the dissertation. Slavery on Exhibition: Display Practices in Selected Modern American Museums Kym Snyder Rice Dissertation Research Committee: Teresa Anne Murphy, Associate Professor of American Studies, Dissertation Director Barney Mergen, Professor Emeritus of American Studies, Committee Member Nancy Davis, Professorial Lecturer of American Studies, Committee Member ii © Copyright 2015 by Kym Snyder Rice All rights reserved iii Acknowledgements This dissertation has taken many years to complete and I have accrued many debts. I remain very grateful for the ongoing support of all my friends, family, Museum Studies Program staff, faculty, and students. Thanks to each of you for your encouragement and time, especially during the last year. Many people contributed directly to my work with their suggestions, materials, and documents. Special thanks to Fath Davis Ruffins and Elizabeth Chew for their generosity, although they undoubtedly will not agree with all my conclusions. -
Book 15 Page 98 July 18, 2001
VIRGINIA: AT THE REGULAR MEETING OF THE DINWIDDIE COUNTY BOARD OF SUPERVISORS HELD IN THE BOARD MEETING ROOM OF THE PAMPLIN ADMINISTRATION BUILDING IN DINWIDDIE COUNTY, VIRGINIA, ON THE 18th DAY OF JULY; 2001, AT 2:00 P.M. PRESENT: 'HARRISON A. MOODY, CHAIRMAN (absent) ELECTION DISTRICT #1 EDWARD A. BRACEY, JR. VICE-CHAIR ELECTION DISTRICT #4 DONALD L. HARAWAY ELECTION DISTRICT #2 ROBERT L. BOWMAN, IV ELECTION DISTRICT #3 AUBREY S. CLAY, , ELECTION DISTRICT #5 OTHER: DANIEL SIEGEL COUNTY ATIORNEY' IN RE: CALL TO ORDER - INVOCATION - PLEDGE OF ALLEGIANCE Mr. Edward A. Bracey, Vice-Chair, called the regular meeting to order at 2:00 P.M. followed by the Lord's Prayer and the Pledge of Allegiance. IN RE: AMENDMENTS TO THE AGENDA Mr. Bracey asked if there were any amendments to the Agenda. ' Mr. R. Martin Long, County Administrator, stated there were three additions needed on the agenda under Ite'm 12 - Closed Session add; Personnel § 2.1-344 A.1' of the Code of Virginia, for Employment; Administration; Buildings and Grounds. Upon Motion of Mr. Clay, Seconded by Mr. Haraway, Mr. Bowman, Mr. Haraway, Mr. Clay, Mr. Bracey voting "Aye", the above, amendment(s) were _ 'approved. IN RE: MINUTES Upon Motion of Mr. Clay, Seconded by Mr. Haraway, Mr. Bowman, Mr. Haraway Mr. Clay, Mr. Bracey voting "Aye", ' BE IT RESOLVED by the Board of Supervisors of Dinwiddie County, Virginia,' that the minutes of the June 11, 2001 Continuation Meeting, June 20, 2001 Regular Meeting, and July 5,2001 Regular Meeting are hereby approved. ' IN RE: CLAIMS Upon Motion of Mr. -
Ed 322 064 Title Institution Pub Date Pub Type Edrs Price
DOCUMENT RESUME ED 322 064 SO 030 096 TITLE National Endowment for the Humanities: 24th Annual Report. INSTITUTION National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 89 NOTE 194p. PUB TYPE Reports - Descriptive (141) -- Books (010) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Annual Reports; FederalPrograms; *Grants; *Humanities; HumanitiesInstruction; *Public Agencies IDENTIFIERS *National Endowment forthe Humanities ABSTRACT The National Endowment for the Humanities was established in 1965 as an independent, grant-making agency of the U.S. government. The Endowment supports scholarly research, education, and public programs in the humanities. This report lists federal funds obligated for grants made in fiscal year 1989 through the Endowment's five divisions: Education Programs, Fellowships and Seminars, General Programs, Research Programs, and State Programs; and two offices: the Office of Challenge Grants and the Office of Preservation. Grant listings are preceded by a brief introduction describing the nature and purposes of the programs administered by each division. The grants themselves are listed in alphabetical order according to each grant-making program. Among the other materials presented in the report are a list of Endowment panelists in fiscal year 1959, the recipients of the Charles Frankel Prize, and the financial report for fiscal year 1989. (DB) ********************************************************************* Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** ILY1.01 SO NATIONAL ENDOWMENT FOR THE HUMANITIES 24TH ANNUAL REPORT 1989 BEST COPY AVAILABLE National Endowment for the humanities Washington, D.C. 20506 ISSN 8755-5492 4 NATIONAL ENDOWMENT FOR THE HUMANITIES 24TH ANNUAL REPORT 1989 2 ik:A' .-°\ It1)71:14q4, ! s' : 9, ce4.4,1 0.4,4T,-....41 .T , bi: ti, . -
Like Nixon to China: the Exhibition of Slavery in the Valentine Museum and the Museum of the Confederacy
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2009 Like Nixon to China: The Exhibition of Slavery in the Valentine Museum and the Museum of the Confederacy Meghan Theresa Naile Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1972 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. “Like Nixon Going to China”: The Exhibition of Slavery in the Valentine Museum and the Museum of the Confederacy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History at Virginia Commonwealth University. by: Meghan Theresa Naile Director: Dr. John Kneebone Professor, Department of History Virginia Commonwealth University Richmond, Virginia December 2009 Acknowledgement The author would like to express gratitude to several individuals. I would like to thank the staffs at the Valentine Richmond History Center and the Museum of the Confederacy for all of their friendly help and expertise. I would like to thank the professionals who took time out of their busy schedules to discuss this topic with me: Mr. Gregg Kimball, Mr. John Coski, Mr. Edward D.C. Campbell, Ms. Kym Rice and Mr. Dylan Pritchett. I thank my advisor Dr. Kneebone for his constant encouragement, direction, ideas and patience. I would like to express my tremendous gratitude to my father and my stepmother and their constant support of my education. -
HSE Social Studies Curriculum Unit Descriptions UNIT ONE: Colonialism and the Road to Revolution
HSE Social Studies Curriculum Unit Descriptions UNIT ONE: Colonialism and the Road to Revolution Content Covered in Lesson Plan 1 he origins of the United States are often taught as a tale of heroics— Toppressed colonists revolt against an unreasonable English king, somehow conceiving of noble ideals of freedom and equality all on their own. The lessons in this unit focus on economic factors and incentives for colonialism. They also seek to introduce students to Enlightenment figures and ideas so that students understand that the ideas made so famous by the Declaration of Independence—equality, freedom—had their origins in thinking quite prevalent in Europe at the time. In other words, Thomas Jefferson did not think this up all by himself. Before diving into all of this content, students need to feel motivated and understand the rationale behind the approach. The very first activity, therefore, centers upon a text that discussed the “brain science” justification for learning content. It’s best to find out what students know about major events in U.S. history before embarking on a series of lessons. In Lesson One, students brainstorm major events they know about and predict where each event belongs on a timeline. The class’s knowledge is pooled, and the teacher finds out what students already know. The timeline introduced in the first lesson will be returned to continually throughout the curriculum, so that students can situate the particular events they are learning about within a larger frame. I try to use maps as often as possible so that students become familiar with the world and U.S. -
The Black Press, African American Celebrity Culture, and Critical Citizenship in Early Twentieth Century America, 1895-1935
LOOKING AT THE STARS: THE BLACK PRESS, AFRICAN AMERICAN CELEBRITY CULTURE, AND CRITICAL CITIZENSHIP IN EARLY TWENTIETH CENTURY AMERICA, 1895-1935 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY OF MEDIA AND COMMUNICATION by Carrie Teresa May 2014 Examining Committee Members: Carolyn Kitch, Advisory Chair, Media and Communication Susan Jacobson, Journalism & Mass Communication, Florida International University Andrew Mendelson, Media and Communication Linn Washington, External Member, Journalism ABSTRACT Through the development of entertainment culture, African American actors, athletes and musicians increasingly were publicly recognized. In the mainstream press, Black celebrities were often faced with the same snubs and prejudices as ordinary Black citizens, who suffered persecution under Jim Crow legislation that denied African Americans their basic civil rights. In the Black press, however, these celebrities received great attention, and as visible and popular members of the Black community they played a decisive yet often unwitting and tenuous role in representing African American identity collectively. Charles M. Payne and Adam Green use the term “critical citizenship” to describe the way in which African Americans during this period conceptualized their identities as American citizens. Though Payne and Green discussed critical citizenship in terms of activism, this project broadens the term to include considerations of community- building and race pride as well. Conceptualizing critical citizenship for the black community was an important part of the overall mission of the Black press. Black press entertainment journalism, which used celebrities as both “constellations” and companions in the fight for civil rights, emerged against the battle against Jim Crowism and came to embody the spirit of the Harlem Renaissance. -
African American History at Colonial Williamsburg
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1999 African American History at Colonial Williamsburg Nicole Carroll College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, African History Commons, and the Cultural Resource Management and Policy Analysis Commons Recommended Citation Carroll, Nicole, "African American History at Colonial Williamsburg" (1999). Dissertations, Theses, and Masters Projects. Paper 1539626197. https://dx.doi.org/doi:10.21220/s2-zfv4-2s72 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. AFRICAN AMERICAN HISTORY AT COLONIAL WILLIAMSBURG A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Nicole Carroll 1999 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Nicole Carroll Approved, May 1999 Grey Gundaker ----- Barbara Carson Richard Low] TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv ABSTRACT V INTRODUCTION 2 CHAPTER I. MULTICULTURAL INCLUSION IN 4 THE MUSEUM FIELD AND AT COLONIAL WILLIAMSBURG CHAPTER II. 1985 “BECOMING AMERICANS:” 15 RE-INTERPRETATIONS AT COLONIAL WILLIAMSBURG CHAPTER III. CRITICISM, DISCUSSION, AND 23 SUGGESTIONS CHAPTER IV. SELECTIVE EXHIBITION PRACTICES 33 AT COLONIAL WILLIAMSBURG CHAPTER V. THE LEGACY OF SILENCES BY TILLIE OLSEN 46 CHAPTER VI. -
Black Music, Racial Identity and Black Consciousness In
BLACK MUSIC, RACIAL IDENTITY, AND BLACK CONSCIOUSNESS IN THE SPIRITUALS AND THE BLUES ……………………………………………………………………………………………… A Thesis Submitted to The Temple University Graduate Board …………………………………………………………………………………………........ In Partial Fulfillment of the Requirements for the Degree of Master of Arts …………………………………………………………………………………………….... by Diallo Mamadou D. May 2013 Thesis Approvals: Molefi Kete Asante, Thesis Advisor, African American Studies Department, Temple University Diane Turner, Committee Member, Charles L. Blockson Afro-American Collection, Temple University Abstract African American Music has always served to document the history of enslaved Africans in America. It takes its roots in African spirituality and originally pervades all aspects of African life. That Music has been transformed as soon as it got on this side of the Atlantic Ocean in a context of slavery and oppression. As historical documents, Black Music has served African Americans to deal with their experience in America from slavery to freedom. This work studies how Black Spirituals and the Blues have played a tremendous role in building an African American identity and in raising race consciousness in an oppressed people in a perpetual quest for freedom and equal rights in America. i Acknowledgements There are certain individuals with whom I have interacted with through these years and who have provided me with inspiration and encouragement during my quest for documenting and preserving information about the history of the music of African American people. After having spent many years researching and assembling information on the history of Black people in America and working on the archives of Molefi Kete Asante Institute as well as of the Charles L. Blockson Afro-American Collection, I have arrived at the point where I feel that the interest and the loyalty of African-centered people will help me better direct my research into the twenty-first century and towards posterity with a new perspective. -
Black Readjusters and the Founding of Virginia State University
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 A Bold Promise: Black Readjusters and the Founding of Virginia State University Leigh Alexandra Soares College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, African History Commons, Other Education Commons, and the United States History Commons Recommended Citation Soares, Leigh Alexandra, "A Bold Promise: Black Readjusters and the Founding of Virginia State University" (2012). Dissertations, Theses, and Masters Projects. Paper 1539626691. https://dx.doi.org/doi:10.21220/s2-r9nh-jg79 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A Bold Promise: Black Readjusters and the Founding of Virginia State University Leigh Alexandra Soares Newton, Massachusetts Bachelor of Arts, Duke University, 2010 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts Department of History The College of William and Mary May 2012 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Q h d m A ia. A m A jiA - Leigh Alexandra Soares Approved bV the Committee, Manph 2012 Committee Chair Professor Melvin Ely./tistory The College of Williarrr& Mary Associate Professor Robert Vinson, History The College of William & Mary Associate Professor LairffieKoloski, History The College of William & Mary ABSTRACT PAGE This thesis examines the active role of Virginia’s African American population in the Readjuster Party, which dominated state politics from 1880 to 1884. -
Tina Poole, "Black College Presidents After Brown"
Copyright. Tina Pooles and the Virginia Center for Digital History, University of Virginia. 2005. This work may not be published, duplicated, or copied for any purpose without permission of the author. It may be cited under academic fair use guidelines. Black College Presidents After Brown Tina Poole University of Virginia May 2005 1 Copyright. Tina Pooles and the Virginia Center for Digital History, University of Virginia. 2005. This work may not be published, duplicated, or copied for any purpose without permission of the author. It may be cited under academic fair use guidelines. The Brown v. Board of Education decision handed down on May 9, 1954 forever changed the face of education. Although other Supreme Court decisions initiated desegregation at institutions of higher learning, Brown had a significant impact on black colleges and universities. Brown called into question the overall legitimacy of educational institutions whose existences were based primarily on race.1 Yet it seemed to some that the HBCU might be or become an anachronism, and as a result, Historically Black Colleges and Universities (HBCU’s) faced growing opposition. The college presidents of Virginia State College, Virginia Union University, and Hampton Institute all felt pressure to defend their institutions against the charge that their schools were no longer necessary because predominately white colleges and universities were open for integration. But competition for students and money among the HBCU’s hindered the schools’ abilities to present a unified front. Even at a time when the Civil Rights Movement mobilized and united student activists, black college presidents in Virginia remained divided in their promotion of black education. -
The Struggle Toward Equality in Higher Education:The Impact of the Morrill Acts on Race Relations in Virginia, 1872-1958
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 The Struggle toward Equality in Higher Education:The Impact of the Morrill Acts on Race Relations in Virginia, 1872-1958 Nicholas Betts Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3052 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Nicholas A. Betts 2013 All Rights Reserved The Struggle toward Equality in Higher Education: The Impact of the Morrill Acts on Race Relations in Virginia, 1872-1958 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University By Nicholas A. Betts Bachelor of Arts, Virginia Commonwealth University, 2011 Director: Dr. John T. Kneebone Department Chair and Associate Professor, Virginia Commonwealth University Department of History Virginia Commonwealth University Richmond, Virginia April, 2013 Acknowledgements First I would like to thank my thesis advisor Dr. John T. Kneebone for his help and encouragement throughout the process. I would also like to give a special thank you to Dr. Brian Daugherity and Dr. Katherine D. Walker for their insightful comments, which helped me to improve my Thesis. I would like to thank all of the excellent professors, whom I have not yet mentioned, that have helped me to improve my writing skills while I was enrolled in the Master of Arts program for History at Virginia Commonwealth University, including: Dr.