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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS JOURNEY AS ALLEGORY OF READING IN THE DRAMATIC MONOLOGUES OF ROBERT BROWNING SONG SIEW KEE GERALDINE (GERALDINE SONG) NATIONAL UNIVERSITY OF SINGAPORE 2010 JOURNEY AS ALLEGORY OF READING IN THE DRAMATIC MONOLOGUES OF ROBERT BROWNING SONG SIEW KEE GERALDINE B.A. (Hons.), University of London M.A., National University of Singapore A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2010 ACKNOWLEDGMENTS I owe one man this entire thesis: John William Phillips, my supervisor, who introduced me to the works of Paul de Man many years ago. I am indebted to him for his guidance in helping me project my thesis. He is my constant reminder of Shelley’s claim that ‘[p]oets are the unacknowledged legislators of the world’ and that poets are not the only unacknowledged legislators of the world. I especially appreciate his total support for my thesis while granting me the utmost freedom in charting its trajectory. I am grateful to Paul Bruthiaux who edited and proofread this final draft. I also acknowledge my friends: Lim Lee Ching, for being there almost 24/7, reading chapters one, six and twelve, talking cock, swearing in Hokkien and Singlish, putting up with my tears and fears, and for the boozing good times. Koh Siew Tin, for regulating my period, irrigating my colon and averting com(m)a, and without whose help this thesis knows not the functions of punctuation. Jeff Twitchell-Waas, my metonymic link to Robert Browning. Tamy Silvia Wagner, the silent rhythm to the deafening beat. Yasmeen Merchant, who panicked with me all the way. Neil Murphy, who always believed. ii CONTENTS Acknowledgments ii Contents iii Summary v Abbreviations vii Chapter One Introduction 1 PART I THE JOURNEY POEMS: MOVEMENT AND STASIS Chapter Two ‘How They Brought the Good News from Ghent to Aix’ 26 Chapter Three ‘The Pied Piper of Hamelin’ 44 Chapter Four ‘Childe Roland to the Dark Tower Came’ 69 PART II THE ART POEMS: STASIS AND MOVEMENT Chapter Five ‘Andrea del Sarto’ 96 Chapter Six ‘My Last Duchess’ 118 Chapter Seven ‘Fra Lippo Lippi’ 141 PART III THE RING AND THE BOOK : METAPHOR AND METONYMY Chapter Eight Art, Stasis and Entrapment 168 Chapter Nine Journey, Movement and Flight 185 Chapter Ten Journey as Metaphor and Metonymy 209 Chapter Eleven Allegory of Reading Browning: Journey from the Book to the Ring 231 Chapter Twelve Conclusion 243 iii BIBLIOGRAPHY List of Works Cited 264 List of Works Consulted 275 iv SUMMARY The symbolic and the figurative are two necessary features in allegory. As such, an allegory of reading Robert Browning’s dramatic monologues insists on the close reading of metaphor. My thesis demonstrates an alternative allegorical reading – one that is based on close reading of metaphor and metonymy. This is done by addressing the journey as a trope so that it can be apprehended as metaphor and more importantly as metonymy. My research explores the journey as a trope that provides the trajectory from the literal to the figural; from metonymy to metaphor. In Allegories of Reading , Paul de Man posits that the ‘mastery of metaphor over metonymy owes its persuasive power to the use of metonymic structures’ (15). He also believes that in passages where there is ‘superiority of the “symbolic” metaphor over the “literal” prosaic, metonymy is reasserted in terms of chance and necessity’ (70). My study of Robert Browning’s dramatic monologues offers possibilities of dislodging the metaphor from this perceived superior position. This is done by deploying a modified version of de Man’s ‘relay of tropes’ when addressing journey as metaphor and metonymy. The transition from metonymy to metaphor is a journey all on its own, and the most significant instance is how Browning transforms the concrete ‘Old Yellow Book’ into an abstract metaphor, the Ring. Browning’s sojourn to Florence produces a parallel, allegorical journey of Browning’s creative process. Browning and his critics do not mention metonymy when discussing the Ring figure in the poem; instead they refer to the Ring as a metaphor, and none of them, including Browning himself, have examined the metonymic thrust behind the metaphor. My position is that Browning’s poems overturn the rules of synecdoche and metonymy by transforming them into metaphors through a series of substitutions and v displacements, those that de Man refers to as the ‘relay of tropes’. The relay is possible through the reading of the poems. During reading, the poems reveal the unreadability – and unwriteability of that reading. The Ring metaphor is the strongest metaphor for Browning’s art, and the trajectory from the ‘Old Yellow Book’ to the Ring metaphor goes through several levels: first as the actual book, which is then referred to as the Book in the poem. The Book helps unravel the story, and ‘alloyed’ by Browning’s creativity, the poem is shaped. The Ring itself appears nowhere in the poem, not even as a metaphor for Pompilia’s story or Guido’s trial, but as a metaphor for Browning’s art. It is a deeply embedded metaphor because it represents the composition of the poem itself and is Browning’s own journey as he writes his longest poem. The trajectory from the purely concrete and literal (the Book) to purely abstract metaphor (the Ring) is a journey that begins with metonymy (Browning’s chance find in Florence) and ends with the Ring metaphor. Thus, throughout this thesis, close metonymic reading is deployed, together with the application of de Man’s transfer of tropes, to open a space for comprehending the journey as trope and allegory of reading Browning’s poetry. This thesis eventually presents the possibility of the journey functioning as an allegory of Browning’s aesthetic demonstration that metonymy is indeed the driving force behind the power of metaphor. To present this position, this thesis begins with the simplest, most literal of journeys in the initial discussion, and, thrust by de Manian ‘chance and necessity’, is eventually led to apprehending the journey as allegory of reading the dramatic monologues of Robert Browning. (578 words) vi Abbreviations AR : Paul de Man. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust . BI : Paul de Man. Blindness and Insight . Essays in the Rhetoric of Contemporary Criticism . RB : Robert Browning. The Ring and the Book . LOTR : J. R. R. Tolkien. The Lord of the Rings. vii I dedicate this thesis to two women: She whom I care about deeply, who took Robert Browning away from me and Suchen Christine Lim who returned Browning back to me. viii Chapter One Introduction Paying attention: almost anyone can do it; and it’s not requisite for reading, but reading well? At any rate, attention, properly paid, will, over time, with personally productive tendencies or habits of focus and repetitions of thought remembered into generally applicable patterns, beget method. We have now reached close reading good and proper. (Andrew DuBois, Close Reading 2) The reviews of yearly publications on the poetry of Robert Browning in the 21 st century are attended to mainly by two Browning scholars, Mary Ellis Gibson (up to 2004) and Britta Martens (2006 onwards). I will therefore draw up a short summary of the general topics discussed in the last decade so as to set the parameters within which my thesis is situated. The decade’s publications can be divided into two very broad areas: a small group whose work involves editing and annotating Browning’s poetry, and a larger group, which contribute to scholarship through critical engagement with his poetry. The second group can be subdivided into two smaller groups: one critically explores themes in Browning’s poetry while the other deploys the use of critical methodologies from which to interpret Browning’s poetry. It is in this latter group that my thesis is situated, and thus I will allocate more space to its summary, following my short review of the decade’s publications. Gibson and Martens note that Browning scholars have been sustaining the effort to promote Browning’s poetry as readable texts, and this is seen in the recent publications of anthologies of his primary works. All of these works contain new 1 introductions and new or added annotations. The most substantial and complete of these works is the Longman series in three volumes edited by John Woolford, Daniel Karlin and Joseph Phelan, entitled The Poems of Robert Browning . The third and final volume was released in 2007, and all three volumes cover every poem Browning wrote. Stefan Hawlin and T.A.J. Burnett devoted their efforts to Browning’s longest work, The Ring and the Book , completing the publication of The Poetical Works of Robert Browning: The Ring and the Book in 2004. This was also published in three volumes by Clarendon Press. Of note too is the Oxford University Press publication of The Major Works in 2005, edited and annotated by Adam Roberts, with an introduction by Daniel Karlin. The thematic publications can be divided into several categories according to whether they address the personal and the biographical, the religious and the spiritual, and art and aesthetics. At the turn of the century, Martin Garret published two books that deal with the Brownings’ personal lives: Elizabeth Barrett Browning and Robert Browning: Interviews and Recollections in 2000 and A Browning Chronology in 2001, which also covers Barrett-Browning. In 2006, Philip Kelley, Scott Lewis and Ed Hayes published The Browning Correspondence . There are also critics who address religious issues, such as Christopher Keirstead, who discusses Victorian attitudes towards Catholicism and the Franco-Prussian war in ‘Stranded at the Border: Browning, France and the Challenge of Cosmopolitanism in Red Cotton Night-Cap Country ’ ( Victorian Poetry 43.4, 2005).

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