2003-2004 Annual Report (Complete Report)
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism
Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism By Matthew W. Horton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Dr. Na’ilah Nasir, Chair Dr. Daniel Perlstein Dr. Keith Feldman Summer 2019 Working Against Racism from White Subject Positions Matthew W. Horton 2019 ABSTRACT Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism by Matthew W. Horton Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory University of California, Berkeley Professor Na’ilah Nasir, Chair This dissertation is an intervention into Critical Whiteness Studies, an ‘additional movement’ to Ethnic Studies and Critical Race Theory. It systematically analyzes key contradictions in working against racism from a white subject positions under post-Civil Rights Movement liberal color-blind white hegemony and "Black Power" counter-hegemony through a critical assessment of two major competing projects in theory and practice: white anti-racism [Part 1] and New Abolitionism [Part 2]. I argue that while white anti-racism is eminently practical, its efforts to hegemonically rearticulate white are overly optimistic, tend toward renaturalizing whiteness, and are problematically dependent on collaboration with people of color. I further argue that while New Abolitionism has popularized and advanced an alternative approach to whiteness which understands whiteness as ‘nothing but oppressive and false’ and seeks to ‘abolish the white race’, its ultimately class-centered conceptualization of race and idealization of militant nonconformity has failed to realize effective practice. -
Puzzled Eureka Street Cryptic Crossword No
s\) ~ ~ b:c i~ ug h e,\J i z a~r\AJevr 1) Th e Kakapo parrot is found in New Zea land. 2) Lichenostomus melanop s, or Yellow tufted honeyeater. NB: Victoria's official bird emblem is th e helmeted honeyeater, Lichenostomus melanops cassidix. 20) Bru ce Armstrong is better know for his huge 'chainsaw' sculp 3) Dog Monday. tures of animals, such as his huge eaglehawk Bunjil w hi ch over 4) M ari anne Faithful!. looks th e Docklands, M elbourn e. 5) Bridge (th e World Tea m O lympiad). 21) The Golden Sec tion . 6) (i) M ichae l and Patrick Ca nn y. 22) (i) Th e remains are those of Lord Nelson (1758-1805); (ii ) Michae l Ca nny. (ii ) th e ca rdinal was Ca rdinal Wolsey (1473 - 1530); and (iii) 19 (M ichae l) and 22 (Patri ck). (iii) th e artist was Giovann i da M aian o. (iv) John Hines was shot and kil led. 23) Edouard M anet (1832-83) and th e offe nding pain ting was hi s 7) Lazza ro Spallanza ni, in Italy 1765. reclining nude fi gure O lympia (1863). 8) 250 mil es or around 402.33 600 kilometres . 24) If 1+2+ ... +2 n is prime, th en 2n (1+2+ ... +2 n) is perfect. The 9) (i) M onaco-population per sq km- 16,35 0. quote is from Euclid's Elements, IX.36, 300BC (ex tra poin t) . (ii) Mongoli a-population per sq km- 1.8. 25) Robert Record e (c. -
Submission on the Australian Broadcasting Corporation's Commitment to Reflecting and Representing Regional Diversity
Submission on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity Dear Sir/ Madam, I welcome this opportunity to comment on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity within the terms of reference as set out by the Environment and Communications References Committee. Regional diversity and national identity will be diminished with the loss of the ABC Tasmanian Production Unit. Programs of high quality reflecting and representing regional diversity have been produced in Tasmania and include Auction Room, the extremely popular “Collectors” and “Gardening Australia” when it was hosted by Peter Cundall. These Tasmanian programs enabled national viewers to enjoy and appreciate the state’s distinctive heritage and culture. The Tasmanian bushfires were best reported by local journalists who have a personal understanding of the state; its people and conditions. The decision to cut ABC production in Hobart has met with opposition from 12 Federal Senators and the Premier, Lara Giddings who is unable to match funding from the State budget for Screen Tasmania to offset ABC cuts as requested by the ABC’s Managing Director (ABC, 2012)1. Similarly, Western Australia also has limited ABC production with the cessation of “Can We Help?” enjoyed by viewers over six years. The decline, according to Cassellas (2012), has been evident since 1985 when WA had a low but reasonable 7.8 per cent of ABC’s staff compared with just 5.4 per cent in 20122. Now the WA studio is mainly unused or hired out to companies like Screen West. By comparison, NSW had 49.2 per cent of the ABC’s staff last year. -
ABC Radio Melbourne Announces 2019 Line-Up the 2019 Program
ABC Radio Melbourne announces 2019 line-up The 2019 program year for ABC Radio Melbourne sees fresh voices and long-time favourites return to the airwaves on Monday 21 January. Melbourne will wake up with Jacinta Parsons & Sami Shah from 5.30am – 7.45am, while Mornings icon Jon Faine returns along with the popular Conversation Hour. From 12.30pm – 2pm, expect a great mix of music, art and culture as Myf Warhurst returns. Richelle Hunt will keep you entertained with a fresh take on weekday Afternoons and as co-host of The Friday Revue with the inimitable Brian Nankervis. Walkley-winning journalist Raf Epstein is back behind the wheel of Drive between 4pm - 6.30pm, ahead of current affairs program PM at 6.30pm. Master wordsmith and crossword guru David Astle will present Evenings in 2019, picking up the baton from Lindy Burns, who announced last month that she wouldn’t be returning to the station in 2019 due to family reasons. After ten years presenting Saturday Breakfast and Saturday Mornings, Hilary Harper is moving to a new role at ABC Radio National as host of the flagship social affairs program Life Matters. ABC Radio Melbourne is thrilled to welcome Libbi Gorr as the new voice of Weekends, as she brings her trademark warmth and humour to both Saturday and Sunday Mornings. Nightlife with Philip Clark / Sarah Macdonald and Overnights with Trevor Chappell / Rod Quinn all return in 2019. ABC Radio Melbourne Manager Dina Rosendorff said: “We’re looking forward to consolidating the line-up changes we made last year, bringing depth and distinctiveness to everything we do, connecting with the community and delivering some great listening across the week.” -ENDS- For media inquiries, contact: Kat Lindsay, Marketing Manager, ABC Regional & Local (VIC & TAS), P: (03) 8646 1603 E: [email protected] . -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -