DOCSLIB.ORG

Festival Internacional De Guitarra “Arroyo De La Luz”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Festival Internacional De Guitarra “Arroyo De La Luz” FESTIVAL INTERNACIONAL DE GUITARRA “ARROYO DE LA LUZ” (Norba Caesarina) DEL 1 AL 5 DE SEPTIEMBRE DE 2021. La Asociación de guitarra clásica de Extremadura “Ángel Iglesias” cuenta con una amplia experiencia de más de 16 años organizando eventos culturales en nuestra comunidad autónoma; como el Concurso de composición Hispano-Luso “Ciudad de Badajoz”, el Encuentro Internacional de guitarra clásica “Norba Caesarina”, el Festival infantil y juvenil “Ángel Iglesias”, además de ciclos de conciertos didácticos, publicaciones, investigación etc… comienza este nuevo proyecto con toda las ilusiones puestas en algo que creemos va a crecer año tras año y va a hacer de la localidad e Arroyo de la luz y de la Mancomunidad Tajo-Salor un lugar de referencia cultural internacional en el mundo de la guitarra clásica. El festival contará con los siguientes apartados: 1) CICLO DE CONCIERTOS: El horario de los conciertos será a las 21 horas todos con entrada libre previa reserva por email o en la Universidad Popular de Arroyo de la luz. Día 1 de septiembre (miércoles). Cine de Verano. Isabel Mendo. (Joven guitarrista arroyana ganadora de numerosos premios y actualmente estudia grado superior en el conservatorio superior de las Islas Baleares con el profesor Pedro Mateo). Día 2 de septiembre (jueves). Cine de Verano. Javier Lucío. (Guitarrista cacereño de importante trayectoria ganador de varios premios de interpretación). Día 3 de septiembre (viernes). Cine de Verano. Barbora Kubíková. (Prestigiosa y joven guitarrista de república Checa ganadora de importantes premios internacionales y alumna destacada del prestigioso guitarrista Ricardo Gallén en Weimar) Día 4 de septiembre (sábado). Convento de San Francisco. Exteriores. Ricardo Gallén. (El maestro Ricardo Gallén que nos acompaña desde los primeros proyectos de nuestra asociación es sin duda uno de los más importantes guitarristas de su generación y en la actualidad muchos son los compositores que dedican sus obras a su persona, una importante escuela de guitarra en Europa está saliendo de su aula en la cátedra de Weimar) Día 5 de septiembre (domingo). Convento de San Francisco. Exteriores David Martínez. (Uno de los más destacados guitarristas españoles de la actualidad, con una gran trayectoria internacional y ganador de algunos de los más prestigiosos premios de interpretación). 2) CLASES MAGISTRALES: Habrá clases magistrales de guitarra todos los días desde el miércoles 1 de septiembre al domingo 5 de septiembre. 1) Clases gratuitas para los alumnos de guitarra de la escuela de música de Arroyo de la luz. (ofrecidas por Isabel Mendo y Javier Lucío) 2) Clases gratuitas para los alumnos de guitarra de Arroyo de la luz que cursan guitarra en el Conservatorio profesional de música “Hermanos Berzosa” ofrecidas por Isabel Mendo, Javier Lucío e Barbora Kubínová. 3) Clases magistrales en número de alumnos limitado mediante matrícula de activo, para los profesores David Martínez y Ricardo Gallén. 4) Clases magistrales como oyentes gratuitas para los alumnos de la escuela de música de Arroyo de la luz y para los alumnos de guitarra del conservatorio de Cáceres de Arroyo de la luz. 5) 3) ENTREVISTAS: Se realizarán una serie de entrevistas a los distintos concertistas y profesores que participan en el festival siguiendo sus inicios, su trayectoria, los futuros proyectos profesionales, sus consejos sobre el estudio, la técnica, el repertorio etc… con entrada libre para todos los amantes de la música y en especial de la guitarra. Con preguntas del público asistente. 4) CONFERENCIAS: Se ofrecerán una serie de conferencias relacionadas con la guitarra en la historia, figuras relevantes del mundo de la guitarra clásica, lo métodos de guitarra a través de la historia, la evolución organológica del instrumento. PARTICIPACIÓN ALUMNOS DE GUITARRA DE ARROYO DE LA LUZ. Los alumnos tanto de la escuela municipal de música como los alumnos del Conservatorio de Cáceres de Arroyo de la luz, participarán en recitales durante de la semana del festival, que pueden ser en el Hogar del Pensionista, asociación de amas de casa, etc…. 5) CONCURSO DE INTERPRETACIÓN INTERNACIONAL Dados las condiciones de situación de pandemia que estamos padeciendo a nivel mundial, optamos nuevamente por hacer el concurso internacional de interpretación de guitarra clásica de manera online mediante vídeos (tal y como se hizo el año pasado en el último Encuentro “Norba Caesarina”). El jurado estará constituido por los profesores que participan en el festival, más otras figuras relevantes del mundo de la música y la guitarra de prestigio internacional. Las bases se publicarán en la web. Habrá tres premios: PREMIOS DEL CONCURSO 1er Premio: Guitarra del luthier FERNANDO MAZZA Valorada en 6000 euros. NOVEDAD: Premio especial KNOBLOCH : consistente en grabación de un vídeo Profesional de una obra compuesta especialmente para este concurso por el prestigioso compositor y guitarrista SERGIO ASSAD. Un concierto remunerado en la próxima edición del Festival de Arroyo de la luz en 2022 1.500 € en efectivo ------------------------------------------------ 2º Premio: 1.500 € en efectivo. Un concierto remunerado para la Asociación musical cacereña ------------------------------------------------ 3º. Premio: 1000 € en efectivo. ------------------------------------------------ El jurado estará compuesto por profesores y músicos de prestigio internacional y amplia experiencia. Entre otros Ricardo Gallén, David Martínez, Anabel Montesinos y Pedro Mateo El fallo del jurado será inapelable. (Los premios en metálico estarán libres de impuestos siendo por cuenta de la organización el pago de los mismos a la Hacienda pública) BIOGRAFÍA DE LOS CONCERTISTAS: ISABEL MENDO Isabel Mendo Collado nace en Arroyo de la Luz, Cáceres en 1999. Comienza sus estudios musicales en la escuela de música de su localidad natal, bajo la tutela de Jacinto Sánchez, con quien posteriormente estudió en el Conservatorio Oficial de Música Hermanos Berzosa de Cáceres. Actualmente cursa estudios superiores de interpretación de guitarra clásica, con Pedro Mateo, en el Conservatori Superior de ses Illes Balears, en Palma de Mallorca. A lo largo de estos años ha asistido a varios concursos nacionales e internacionales obteniendo algunos premios, destacando el Primer Premio en la modalidad infantil (2012), Segundo Premio en la modalidad juvenil (2013), Segundo Premio en la modalidad juvenil (2014) y Primer Premio en la modalidad juvenil y Premio al mejor Intérprete Extremeño (2015) dentro del concurso del Festival Infantil y Juvenil de Guitarra Clásica “Ángel Iglesias”. Segundo Premio en el XIII Concurso de Jóvenes Intérpretes de Extremadura (2013) y Primer Premio en el XIV Concurso de Jóvenes Intérpretes de Extremadura (2014). Mención de Honor en el VI Concurso de Guitarra “Juan Crisóstomo de Arriaga” en Bilbao (2017). También ha participado en el Concurso Internacional de Música Cidade de Almada (2014), en el IX Concurso Luso-Espanhol de Fafe (2015) y en el concurso Internacional de Guitarra Ciudad de Coria (2018). Durante sus estudios, habitualmente Isabel participa activamente en numerosos cursos y festivales de guitarra destacando el Encuentro Internacional de Guitarra Clásica “Norba Caesarina” en Cáceres, Curso Internacional de Guitarra “Ciudad de Nájera” en La Rioja, el Curso Internacional de Plectro y Guitarra “Pedro Chamorro” en Madrid o en el Festival Internacional de guitarra Ciudad de Coria, en Extremadura. Ha recibido clases magistrales de guitarristas de renombre internacional como Ricardo Gallén, Carlo Marchione, Iliana Matos, Tal Hurwitz, Mabel Millán, Marcos Socías, David Martínez, José Luis Rodrigo, Alí Arango, Anabel Montesinos, Thomas Offermann o Álvaro Pierri entre otros. JAVIER LUCÍO Javier Lucío García nace en Cáceres en 1992. Recibe su formación musical en el Conservatorio Oficial de Música “Hermanos Berzosa” de Cáceres, donde obtiene el Premio Extraordinario de Finalización de las Enseñanzas Profesionales de Música. Continúa su desarrollo en el Conservatorio Superior de Música “Manuel Castillo” de Sevilla bajo la tutela de Antonio Duro, obteniendo el Premio Extraordinario Fin de Carrera al finalizar los estudios. Actualmente reside en Colonia, donde realiza el Máster en Interpretación Musical con el maestro Roberto Aussel. Paralelamente ha tomado clases y cursos de perfeccionamiento con maestros como Zoran Dukic, Carlo Marchione, Álvaro Pierri, Marco Socías, Ricardo Gallén, Joaquín Clerch, Álex Garrobé, Margarita Escarpa y Carles Trepat entre otros. Ha sido galardonado en concursos como intérprete solista, logrando el primer premio en el Concurso XI de “Jóvenes Músicos de Extremadura” (Almendralejo), segundo premio en el V Concurso de Guitarra “Juan Crisóstomo de Arriaga” (Bilbao), tercer premio en el “III Concurso internacional de Guitarra Alhambra para Jóvenes”(Valencia), así como el Premio de Extremadura en el XIX Festival Internacional de la Guitarra “Ciudad de Coria” y finalista en el XII Twents Guitarfestival (Holanda). Ha tocado en numerosas salas de ámbito nacional e internacional como solista y miembro de variadas agrupaciones camerísticas. También ha colaborado como músico invitado en agrupaciones como la Internationale Ensemble Modern Akademie of Frankfurt (IEMA) y Curious Chamber Players of Stockholm. BARBORA KUBÍKOVÁ Barbora Kubíková (nacida el 18 de mayo de 1998 en České Budějovice, República Checa) es una de las guitarristas con más destacadas de su generación. Comenzó a tocar la guitarra clásica a los seis años, guiada primero por Zlata Paulová y luego
Load more

Recommended publications
  • ALÍ ARANGO Guitar Recital
    Laureate Series • Guitar Alí Arango 2014 Winner ‘Alhambra’ International Guitar Competition GUITAR RECITAL BROUWER • CLERCH • DEL PUERTO • ARANGO • DE LUCÍA Alí Arango Alí Arango: Guitar Recital Guitar Recital This selection presents a wide variety of music from eighteen I wrote Danza Característica around Cuban eminent guitarists who are also distinguished composers. themes. I have always felt a desire to transcend the mere Historically the acknowledged great guitarists of history repetition of popular dances…Where do we see the Leo Brouwer (b. 1939): prior to the twentieth century were players who invariably transcendence of the dance? In Ravel’s marvellously Danzas Rituales y Festivas (First Series) (2012-2014) 15:17 performed their own works. This tradition has not been ostentatious fantasy La Valse. This is my concept in the 1 I. Danza de los Altos Cerros 4:15 lost even if an important aspect of Andrés Segovia’s Ritual and Festive Dances without intending to dilute the 2 II. Habanera Trunca 5:21 mission in the twentieth century was to encourage popular feeling inherent in the folklore heritage.’ 3 III. Guajira 5:41 composers who were not guitarists to write for the El Decamerón Negro (The Black Decameron) (1981) instrument (a movement continued by Julian Bream and refers to a collection of African stories by Leo Frobenius Brouwer: El Decamerón Negro (1981) 17:44 John Williams, among others). From such activities a (1873-1938), German ethnologist, archaeologist, and 4 I. Balada de la Doncella Enamorada 6:57 quantity of high quality music was created. traveller. Brouwer’s representation of one of the legends 5 II.
    [Show full text]
  • Eliot Fisk) Der Aus Kuba Stammende Gitarrist Wurde Am 8
    „Joaquín Clerch ist sicherlich einer der führenden, wenn nicht der führende Gitarrist seiner Generation weltweit.“ (Eliot Fisk) Der aus Kuba stammende Gitarrist wurde am 8. August 1965 in Havanna geboren, wo er Jahre später eine der höchsten künstlerischen Auszeichnungen der kubanischen Regierung, „La orden por la cultura nacional“, erhielt. Ebendort in Kuba studierte er Gitarre, Musik und Komposition und schloss seine Studien an der Hochschule der Künste im Jahre 1989 ab. Ab 1990 setzte Joaquín Clerch seine Studien an der Universität Mozarteum in Salzburg fort: er studierte Gitarre bei Eliot Fisk und Alte Musik bei Anthony Spiri und Nikolaus Harnoncourt. „Joaquín Clerch ist ein außergewöhnlich begabter Musiker. Abgesehen von seinem technisch hervorragenden und sehr poetischen Gitarrenspiel ist auch seine geistige Auseinandersetzung mit den Problemen der Aufführungspraxis und des Musizierens außerordentlich.“ (Nikolaus Harnoncourt.) 1991 schloss er seine Studien in Salzburg mit Auszeichnung ab und erhielt vom Österreichischen Bundesministerium für Wissenschaft und Forschung den Würdigungspreis für besondere künstlerische Leistungen. Im selben Jahr begann er seine internationale Lehrtätigkeit. Zunächst als Assistent von Prof. Fisk im Salzburger Mozarteum, und dann als Dozent an der Musikhochschule München. Seit 1999 ist er Professor für Gitarre an der Robert-Schumann-Musikhochschule Düsseldorf. „Einige Menschen sind für die Musik geboren. So jemand war Mozart und so jemand ist der kubanische Gitarrist und Komponist Joaquín Clerch.“ (Klassieke Zaken) Lehre Er gehört zu den führenden Gitarrenlehrern. Seine Studenten erhielten zahlreiche internationale Auszeichnungen und Preise in den wichtigsten Wettbewerben, darunter auch den renommierten Francisco Tárrega Wettbewerb, bei dem seine Schüler vier Jahre hintereinander den 1.Preis gewannen (2004- 2007). Zahlreiche seiner Schüler sind an der Spitze der Gitarrenszene und lehren an Konservatorien und Musikschulen weltweit.
    [Show full text]
  • EVIVA ESPAÑA Mi 27
    Generalmusikdirektor Axel Kober PROGRAMM 4. Philharmonisches Konzert EVIVA ESPAÑA Mi 27. / Do 28. November 2019, 20.00 Uhr Philharmonie Mercatorhalle Duisburger Philharmoniker Axel Kober Dirigent Joaquín Clerch Gitarre Ermöglicht durch Kulturpartner Gefördert vom 4. Philharmonisches Konzert Eviva España Mittwoch, 27. November 2019, 20.00 Uhr Donnerstag, 28. November 2019, 20.00 Uhr Philharmonie Mercatorhalle Im ausgehenden 19. Jahrhundert fanden Elemente der Joaquín Clerch Gitarre spanischen Folklore verstärkt Eingang in die Kunstmusik. Man Duisburger Philharmoniker denkt an das Schlagen der Gitarren und das Klappern der Kas- tagnetten, man findet die typischen Tanzformen und Gesänge. Axel Kober Spanische Musik gilt als äußerst vital oder tief melancholisch, Leitung sie ist stark rhythmisch oder melodisch geprägt. Sie besitzt einen besonderen Farbenreichtum, und mit weit auseinander Programm liegenden Extremen spricht sie emotional unmittelbar an. Die Faszination spanischer Musik ist verständlich, doch wa- ren längst nicht alle Komponisten von spanischer Musik auch Emmanuel Chabrier (1841-1894) Spanier. Der Franzose Emmanuel Chabrier verarbeitete in sei- „España“, Rhapsodie für Orchester (1883) nem bekanntesten Orchesterwerk Eindrücke einer Spanienrei- se, und als „España“ 1883 in Paris uraufgeführt wurde, hatte Georges Bizets Oper „Carmen“ nach anfänglichem Misserfolg Joaquín Rodrigo (1901-1999) erst seit wenigen Jahren die Bühnen der Welt erobert. Concierto de Aranjuez Doch auch spanische Komponisten traten den Siegeszug für Gitarre und Orchester (1939) oft fern ihrer Heimat an. Es zeigt sich, dass vor allem die fran- I. Allegro con spirito – zösische Hauptstadt die Musiker beflügelte. In der Seine-Met- II. Adagio – III. Allegro gentile ropole fand das Exotische besondere Aufmerksamkeit, außer- dem sicherte die impressionistische Orchesterbehandlung den Pause Partituren ihren raffinierten Farbenreichtum.
    [Show full text]
  • Interview with Mel Bay's Guitar Sessions Webzine
    Interview with Mel Bay's Guitar Sessions Webzine Artist Interview: Johannes Tonio Kreusch by Stephen Rekas I'm quite sure that German guitarist/composer Johannes Tonio Kreusch will prove to be one of the major European guitar pedagogue/performers of his generation. He seems to do it all - teaching and playing solo and ensemble music in various styles on nylon and steel strings. In the following interview, readers will quickly recognize both his depth and humility as an individual and as a musician. I am proud to present this interview with Johannes Tonio Kreusch. PERSONAL/BIOGRAPHICAL I'm very grateful, that I had the opportunity to develop love and passion for music from an Guitar Sessions: Who or what events inspired early age. Music was always around in my you to play the guitar? Was music a part of parents' house. Everybody played an instrument your household when growing up? and we often played together. But I'm also thankful that I did not have to live through the Johannes Tonio Kreusch: I first started to play "you have to practice" thing, but rather grew up the piano when I was about 5 or 6 years old. My in an ambience that showed me that music is mother is a professionally trained classical something to enjoy, and that the work one has to pianist and since my brother, who later also invest in order to learn a piece or to get over a became a professional musician, played the technical problem will be paid back by moments piano as well, I wanted to play the piano too - of joy and enthusiasm when your are finally but later I longed for another instrument.
    [Show full text]
  • Laureate Series • Guitar Musikhochschule in Düsseldorf with Joaquín Clerch
    570191bk USA 9/6/06 3:39 pm Page 4 Michalis Kontaxakis Michalis Kontaxakis is considered today to be one of the leading young Greek guitarists. He studied the guitar with Vassilis Mastorakis, graduated from Costas Cotsiolis’s class, and also studied at the Robert Schumann Laureate Series • Guitar Musikhochschule in Düsseldorf with Joaquín Clerch. After winning many other international prizes, in 2005 he became the first Greek musician to take first prize in the prestigious International Francisco Tárrega Guitar Competition. He now appears in solo recitals, in a duo with the noted Croatian guitarist Dejan Ivanovic, and in a variety of chamber music ensembles across Europe in major concert halls and at the most important guitar festivals. His activities also include performances with many European orchestras and regular collaboration with the Jean Piaget Institute in Lisbon, where he often gives master-classes. He lives and teaches the guitar in Athens. Michalis Kontaxakis Many thanks to Vassilis Mastorakis, Alkis, my family and Elisavet for her tolerance. A big thanks to Costas Cotsiolis for his help and support, and to Norbert and Bonnie for the excellent work they do. Special thanks to Joaquín Clerch First Prize: for trusting his music to me, and finally, I would like to thank Certamen Internacional de Guitarra ‘Francisco Tárrega’. This recording is dedicated to the memory of Yiannis Metzakis (1962-2005). 2005 Tárrega International Guitar Competition, Benicásim GUITAR RECITAL M. PONCE A. KHACHATURIAN F. TÁRREGA E. KRENEK J. CLERCH 8.570191 4 570191bk USA 9/6/06 3:39 pm Page 2 Michalis Kontaxakis: Guitar Recital music so alien to his style and apparently lost his copy composer, exploring the possibilities of serialism and of the work.
    [Show full text]
  • GUITAR FESTIVAL SYMPHONY GALA Presented by Adelaide Symphony Orchestra & Adelaide Festival Centre ADELAIDE TOWN HALL  13 AUGUST 7PM TWO WORLD PREMIERE PIECES
    GUITAR FESTIVAL SYMPHONY GALA Presented by Adelaide Symphony Orchestra & Adelaide Festival Centre ADELAIDE TOWN HALL 13 AUGUST 7PM TWO WORLD PREMIERE PIECES Stellar Soloists, Stunning Premieres Guitar Festival Symphony Gala, featuring Adelaide Symphony Orchestra, boasts world premieres of new works from esteemed Cuban composer Leo Brouwer and Australia’s Andrew Ford. Brouwer’s commission, Austral* for guitar and chamber orchestra, is entrusted to the glorious hands of Spain’s Ricardo Gallén, while Ford’s Raga†, a concerto for electric guitar, was written for the multi-genre Australian guitar firebrand, Zane Banks. The concert commences with soloists Karin Schaupp, Aleksandr Tsiboulski, Leonard Grigoryan and Ken Murray delivering Joaquín Rodrigo’s joyously festive Concierto andaluz for four guitars. “(The ASO is) one of the country’s finest” – THE AUSTRALIAN “I believe Ricardo Gallén is one of the most important classical guitarists in our world today” – CLASSICAL GUITAR REVIEW “Banks gives a masterful interpretation… subtly twisting the shapes through tonal shifts” – LIMELIGHT MAGAZINE “…Schaupp lives up to her reputation as one of the world’s most accomplished classically trained guitarists” – SYDNEY MORNING HERALD “Tsiboulski is little short of a magician [...] producing astonishing varieties of tone from the lute-like early music to virtuoso feats of contemporary dexterity...” – THE ADVERTISER “Ken Murray is a guitarist of rare musicianship” – CLASSIKON CONDUCTOR Benjamin Northey REPERTOIRE Joaquín Rodrigo – Conceierto andaluz Leo Brouwer – Austral for guitar and chamber orchestra (World Premiere) Maurice Ravel – Mother Goose: Suite Andrew Ford – Raga (World Premiere) ADELAIDE SYMPHONY ORCHESTRA The Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation and plays a major role in Adelaide’s cultural vibrancy – and 2016 marks the ASO’s 80th anniversary.
    [Show full text]
  • Download Booklet
    572064 bk Aguirre US 11/6/08 10:44 Page 5 flamenco-like contrast between strummed chords and contemporaries. Carnival of Venice is the title of various Rafael Aguirre Min˜ arro scale passages, the latter becoming ever faster and more compositions based on a melody which Paganini heard brilliant in improvisatory style, but reflective elements in Venice at the beginning of the nineteenth century and Born in Málaga in 1984, Rafael Aguirre began his musical studies at the age of seven in Málaga Conservatory. He Laureate Series • Guitar reminiscent of Piazzolla also play a part. The work ends made famous by performing it frequently. Massé’s studied with Teresa García de Candido, Manuel Jesús Pérez Vela, Miguel Tojar and Javier Chamizo, always with a brief reference to Villa-Lobos’s Etude No. 7. opera La Reine Topaze (1856) used the theme as a vocal receiving the highest marks, and attended master-classes with Joaquín Clerch, Leo Brouwer, David Russell, Manuel Historically Francisco Tárrega is of immense air with variations and Ambroise Thomas’s opera Le Barrueco and Roberto Aussel. Winner of the Pujol, Arcas, Tárrega, Sor and Guerrero international competitions, he significance in the development of the guitar over the Carnaval de Venise (1857) based the overture on the has played with the Málaga Young Philharmonic, the Robert Schumann Hochschule Symphony Orchestra, Almería last two centuries, in terms of both technical innovations same motif. The violinist, Heinrich Ernst (1814-1865) Symphony Orchestra, the Valencia Collegium Instrumentale and the Andalusian Youth Orchestra. Since 2004 he and compositions. His advocacy of the new concepts of also wrote a Carnival of Venice modelled on Paganini’s has been studying with Joaquín Clerch at the Robert Schumann Hochschule in Düsseldorf.
    [Show full text]
  • Gaëlle Solal
    Canterbury Guitar Society Chairperson: Miles Roberts, Secretary/Treasurer: John Kemp, 61, Chipstead Lane, Chipstead, Sevenoaks, Kent TN13 2AJ 55, South St., Whitstable, Kent CT5 3EA Tel: 01732 453523 Email: [email protected] Tel: 01227 265503 Email: [email protected] Gaëlle Solal FRIENDS MEETING HOUSE, CANTERBURY Monday 16th June 2014 7.30pm Gaëlle Solal Born in Marseilles (France) in 1978, Gaëlle began the study of the guitar at age of 6 with René Bartoli. At 14, she won three gold medals at the Conservatoire de Marseilles and, as the best student of all instruments, was awarded the Prix de la Ville de Marseille. She has studied with Alberto Ponce at Conservatoire Supérieur de Musique de Paris, Roberto Aussel at Musikhochscule Köln and Alvaro Pierri at Université du Québec à Montréal. She has enjoyed participating in master classes with legendary guitarists including Antigoni Goni, Pepe Romero, Roland Dyens, Oscar Ghiglia, Leo Brouwer, Alvaro Pierri and Joaquin Clerch. Her list of prizes ot international competitions includes: 1st Grand Prix at Alessandria Competition, 1st Prize in Locquémeau, 1st Prize in Savona, 1st Prize in Sernancehle, Finalist at Concert Artists Guild New York, Honor Diplom at Accademia Chigiana and 2nd Prize at Guitar Foundation of America. She has performed in the Festival d'Ile de France, Noches en los Reales Alcázares in Sevilla, Festival dAvignon, Festival Montpellier- Radio France and at Salle Cortot (Paris), Zellerbach Hall (Berkeley), Tsuda Hall, Nikkei Hall, Oji Hall in Tokyo, Merkin Concert Hall (NY), and the Guitar Foundation of American Convention in Columbus (GA). She recorded for NHK, France Musiques, RFI, and RAI.
    [Show full text]
  • IGRC Conference 18Th - 23Rd March 2016
    IGRC Conference 18th - 23rd March 2016 Abstracts and Biographies SATURDAY 19th MARCH 2016 Session 1 – 9.00 am to 10.30 am Papers in TB18 Benjamin Bruant (IGRC, University of Surrey) Andrès Segovia’s collaboration with Mario Castelnuovo-Tedesco (MCT): Case study - Passacaglia opus 180 The Passacaglia, opus 180, was composed by Mario Castelnuovo-Tedesco in 1956 and is dedicated to Andrès Segovia, who never played or recorded it. The score was published in 1970 by Berben, a publishing house which had never previously worked with Andrès Segovia. The score was revised and fingered in 1968 by the guitarist and musicologist Angelo Gilardino. We can therefore question if Segovia had any influence on the piece, during the compositional, editing or publication process. When the immediate answer would seem to be that Segovia’s influence on the piece is limited or even non-existent, the newly discovered correspondences between the composer and the guitarist refute this hypothesis. This case study, based on analysis of the manuscript score as well as study of the correspondences between Segovia and MCT, aims to define the role of Segovia in the compositional process, to question the value of the publication of the Passacaglia and to assess the importance of historical information contained in the MCT/Segovia correspondences. Born in Le Havre (France), Benjamin Bruant began his musical study at the age of seven in his hometown. After getting a bachelor degree in Physics, he moved to Paris in order to improve his music knowledge. He studied with Pedro Ibanez at the Conservatoire Nationale de Region of Paris for three years.
    [Show full text]
  • Advance Program Notes
    Advance Program Notes National Symphony Orchestra of Cuba Enrique Pérez Mesa, conductor Featuring Yekwon Sunwoo, 2017 Van Cliburn International Piano Competition gold medalist, piano Wednesday, March 21, 2018, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. National Symphony Orchestra of Cuba Enrique Pérez Mesa, conductor Yekwon Sunwoo, 2017 Van Cliburn International Piano Competition gold medalist, piano 1812 Overture Piotr Ilyich Tchaikovsky (1840-1893) Three Poems Amadeo Roldán (1900-1939) Piano Concerto in A-minor, op. 16 Edvard Grieg (1843-1907) Yekwon Sunwoo, piano INTERMISSION The Three-Cornered Hat Manuel de Falla (1876-1946) Symphony no. 7 in A Major, op. 92 Ludwig van Beethoven (1770-1827) Poco Sostenuto—Vivace Allegretto Presto—Assai meno presto Allegro con brio YEKWON SUNWOO APPEARS BY ARRANGEMENT WITH THE CLIBURN Program Notes 1812 OVERTURE PIOTR ILYICH TCHAIKOVSKY (1840-1893) The breakup of Piotr Ilyich Tchaikovsky’s marriage in the late 1870s was cause for much gossip in Moscow. The focus of the chatter centered on his sexuality, of course, and it confirmed for him the need to escape the rigidity of his life at the conservatory. Tchaikovsky believed a “breakup” with the Russian capital city was also necessary if he was to recapture the compositional confidence of his younger days. There are few works in the historical catalogue of symphonic music that can genuinely rival the current popularity of Tchaikovsky’s 1812 Overture. Even so, given its legacy of populist immediacy over philosophical depth, it is hard to believe that he would have composed such a work during his self-imposed exile/renaissance.
    [Show full text]
  • Festival 21 New Works for Guitar Frank Wallace Artistic Director April 16, 2011
    The Boston Classical Guitar Society presents Festival 21 new works for guitar Frank Wallace artistic director April 16, 2011 with Nathan Kolosko Maarten Stragier Olson/De Cari Duo Rafael Aguirre and BCGS Community Guitar Orchestra, Scott Borg, director Keene State College Guitar Orchestra, José Lezcano, director Timberlane High School Guitar Orchestra, John Zevos, director in the world première of Scott Borg’s A Journey through Eastern Villages and Members of the Society: Back Bay Guitar Trio, Aaron Largt-Caplan, Jose Lezcano, and Robert Margo with Wendy Silverberg Gordon Chapel, 645 Boylston Street (daytime events) First Lutheran Church, 299 Berkeley Street (evening concert) Festival 21 is made possible with a major grant from the Augustine Foundation and is funded in part by a grant from the MetLife Creative Connections program of Meet the Composer, Inc. and the New England Foundation for the Arts with additional support from the six New England state arts agencies and the National Endowment for the Arts. Special thanks to D'Addario Musical Foundation. Keene State College and Timberlane Regional High School. www.bostonguitar.org Boston Classical Guitar Society, Daniel Acsadi director 1 2 Schedule Events, 10:00 am – 4:00 pm Gordon Chapel, Old South Church, 645 Boylston Ave., Boston 10:00 am Open Rehearsal BCGS Community Guitar Orchestra with Keene State College and Timberlane High School Guitar Orchestras, Scott Borg directing 11:00 am Lecture/Demo and Workshop. .page 4 Nathan Kolosko, “prepared guitar” techniques 1:15 pm Concert. .page 5 Maarten Stragier, 21st century solo guitar, new commissions 2:15 pm Concert. .page 6 Olson/De Cari Duo, 21st century song, new commissions 3:15 pm Coffee Break with Keene State College Guitar Orchestra, Jose Lezcano, director 4:00 pm Members’ Concert.
    [Show full text]
  • Leo BROUWER Music for Bandurria and Guitar
    Leo BROUWER Music for Bandurria and Guitar Pedro Chamorro, Bandurria Pedro Mateo González, Guitar Leo Brouwer (b. 1939) The sonata offers tribute both to Odair Assad and the Hernández, in her biography of Brouwer, recommends Music for Bandurria and Guitar immense vistas of Brazil. The second movement, El Gran that ‘careful attention should be given to Micropieza No. 4 Sertão, refers to the great outback, the semi-arid region in since this piece contains some of the most successful Leo Brouwer from Havana, Cuba, is universally involving intricate rhythmic effects. Though the rhythms are north-eastern Brazil close to the equator. Toccata polyphonic effects the composer has achieved’. acknowledged as one of the most challenging and traditional the mood is modern with more than a hint of Nordestina celebrates the municipality of the state of No. 5 takes the form of a theme with variations on the innovative of contemporary composers. His prolific output dissonance. The movement ends with a suddenly reflective Bahia in the northern region of Brazil. French children’s song, Frère Jacques. This involves ranges from solo guitar pieces to symphonic works, chordal sequence. Micropiezas, completed in August 1957, were various styles and tempi from the comparatively including concertos, chamber music, and many film Víctor Jara (1932-1973), Chilean singer and dedicated to Darius Milhaud. The first four movements traditional (as at the opening) to flamenco type scores. Brouwer’s guitar works have developed over four songwriter, theatre director, teacher, poet, and political were published by Max Eschig in 1973, though the fifth embellishment, from markings such as tranquillo (just decades through various styles embracing the avant- activist, became a martyr for his beliefs when during came into print only in 1985.
    [Show full text]