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Carl Jackson- Musical Dream Maker
Carl Jackson- Musical Dream Maker By Lee Kotick Carl Jackson is a musical architect, bridge builder, and dreamer. He’s a one of a kind man; a humble networker who enriches others’ lives. Jackson’s mantra is, “With each dream that becomes a reality, a new dream lies ahead.” Many of his dreams have come true. He’s not just a gifted musical producer, but a most influential guy who perhaps is singularly responsible for the creation of one of the major bridges between bluegrass and country from the 1960s to the present. His feet are firmly planted in both genres. Jackson’s humility would cause him to disagree with such homage. Make no mistake, bluegrass and country go together other like ham and eggs. Jackson’s body of work in bluegrass and country is unrivaled for its time period. Just as Glen Campbell and Jim and Jesse took a young banjo playing Jackson under their wings, he in turn takes on talented young artists, nurtures them and teaches them to fly on their own. As a good song must have a great title, so must dreams be built on bridges providing artists connections between episodes of their dreams. While he’s fulfilled many of his own dreams, Jackson is called to make others’ dreams come true. Our country’s greatest artists want to be affiliated with Jackson’s projects, and to a person, they clearly love and admire him. This is a man who has reached the epitome of musical production in our genres. The Man Jackson was born in 1953 in a small clinic above the Strand Theatre in Louisville, MS. -
ALÍ ARANGO Guitar Recital
Laureate Series • Guitar Alí Arango 2014 Winner ‘Alhambra’ International Guitar Competition GUITAR RECITAL BROUWER • CLERCH • DEL PUERTO • ARANGO • DE LUCÍA Alí Arango Alí Arango: Guitar Recital Guitar Recital This selection presents a wide variety of music from eighteen I wrote Danza Característica around Cuban eminent guitarists who are also distinguished composers. themes. I have always felt a desire to transcend the mere Historically the acknowledged great guitarists of history repetition of popular dances…Where do we see the Leo Brouwer (b. 1939): prior to the twentieth century were players who invariably transcendence of the dance? In Ravel’s marvellously Danzas Rituales y Festivas (First Series) (2012-2014) 15:17 performed their own works. This tradition has not been ostentatious fantasy La Valse. This is my concept in the 1 I. Danza de los Altos Cerros 4:15 lost even if an important aspect of Andrés Segovia’s Ritual and Festive Dances without intending to dilute the 2 II. Habanera Trunca 5:21 mission in the twentieth century was to encourage popular feeling inherent in the folklore heritage.’ 3 III. Guajira 5:41 composers who were not guitarists to write for the El Decamerón Negro (The Black Decameron) (1981) instrument (a movement continued by Julian Bream and refers to a collection of African stories by Leo Frobenius Brouwer: El Decamerón Negro (1981) 17:44 John Williams, among others). From such activities a (1873-1938), German ethnologist, archaeologist, and 4 I. Balada de la Doncella Enamorada 6:57 quantity of high quality music was created. traveller. Brouwer’s representation of one of the legends 5 II. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Rossini Propició El Futuro De La Ópera
www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama. -
Brussels Guit Progr Color High
KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar www.brusselsartsplatform.be Laboratory Rethinking the six-string Icon 27, 28 & 29 April 2018 KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar Laboratory Rethinking the Six-String Icon An initiative of guitar professor Antigoni Goni, the KCB Research Department, and Brussels Arts Platform 27, 28 & 29 April 2018 KONINKLIJK CONSERVATORIUM BRUSSEL Dear friends and music lovers, It is with great pride and joy that we present to you the Brussels Guitar Laboratory. From the 27th to the 29th of April, our inspiring, innovative, and daring doctoral students will share with you their research journeys, through which curiosity, passion, and creativity have been their compass. In their hands our instrument unfolds its full potential, which is bound to surprise even the most seasoned aficionado. Join us for three days of recitals and workshops to feel the thrill of discovery and be transported by the guitar’s unique allure. Antigoni Goni Professor of Guitar Koninklijk Conservatorium Brussel Brussels Guitar Laboratory | 3 KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar Laboratory Rethinking the Six-String Icon After decades as a popular icon, shedding new light on the guitar should cast some interesting shadows. In a series of concerts and workshops, PhD students and researchers of the Brussels Royal Conservatory’s guitar studio beat unconventional tracks to and from their beloved instrument. Gut strings, motion sensors, excavations of mechanical debris, imagined bows, and symbiotic choreography. -
Guitar Soundings, V.58
Guitar Soundings A PUBLICATION OF THE SEATTLE CLassIC GUITAR SOCIETY Volume 58, Number #2 Established 1958 March/April 2017 SCGS 2016–2017 INTERNATIONAL CONCERT SERIES PRESENTS ANTigONI GONI All performances take place at the Illsley Ball Nordstrom Recital Hall at Benaroya Hall, 7:30 PM ANTIGONI GONI (GREECE) – SATURDAY, MAY 6TH, 7:30 PM SCGS is thrilled to bring Antigoni Goni to our International Con- cert Series for the first time! The Greek guitarist Antigoni Goni enjoys a truly international career, having performed extensively in Europe, Russia, North and South America and the far East, both as a recitalist and soloist. Antigoni Goni’s career blossomed in the mid ‘90s when she added to her long list of competition prizes the First Prize of the Guitar Foundation of America Competition, becoming thus the first and only Greek to ever win it. Her victory resulted in some 65 concerts in North America and a contract with Naxos Records, for whom she has recorded three highly successful CDs. Antigoni Goni regularly performs in concert halls such as the Con- certgebouw in Amsterdam, the Covent Garden and the Wigmore Hall in London, Gasteig Hall in Munich, the Athens Megaron and the Odeon of Herodes Atticus in Acropolis (Athens) as well as the Philharmonic and the Cappella Sale in St. Petersburg and the Bolshoi Theater in Moscow. Across the Atlantic her US engagements bring Ms. Goni every year to concert halls such as the Weill Recital Hall in Carnegie Hall, Alice Tully Hall and the Juilliard Theater in New York City, Spivey Hall in Atlanta, Benaroya Hall in Seattle and Herbst Theatre in San Francisco. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Rigoletto, Composes by Verdi: with an English Version, and the Music of the Principal Airs
No. 34. The only Edition that contains the Music and correct Words. RIGOLETTO, COMPOSES BY VERDI: WITH AN ENGLISH VERSION, AND THE MUSIC OF THE PRINCIPAL AIRS IjIBfipf l^g UNIFORM WITH THIS, IN FOREICN AND ENCLISH, With the Number of Pieces of Music printed in each. No. No. 1 Le Peophete with 9 Pieces 22 Fidklio with 5 Pieces 43 Crispino e la Comare 7 2 Noema 1- Pieces 23 L' Elisiee d'Amore 9 Pieces 44 Luisa Miller 14 3 IlBaebierediSivigliaH Pieces 24 Les Huguenots 10 Pieces 45 Marta 10 4 Otello 8 Pieces 25 I Puritani io Pieces 46 Zampa 8 5 Lucrezia Borgia 15 Pieces 20 Romeo e Giulietta 7 Pines 47 Macbeth 12 La Cekebbntola 10 Pieces 27 La Gazza Ladra 11 Pieces 48 II Giuramento 15 7 Linda di Chamouni ...10 Pieces 2S PiPEi.io (German) 5 Pieces 40 Matrimonio Segreto 10 8 Lek Fbeischtjtz (Hal.) 10 Pieces 2» Der FREiscnuiz (Ger.) lo Pieces 50 Orfeo e Eurydice 8 9 LUCIA DI LamMEEMOOR 10 Pieces so II Seraglio (German)... 7 Pieces > 51 Ballo in Maschera ...12 10 Don Pasquale 6 Pieces 31 Die Zaubeeflote (Ger) 10 Pieces ! 52 I Lombardi 14 11 La Favorita 8 Pieces 32 II Flauto Magico (Ita) 10 Pieces 63 La Forza del Destino 9 12 Medea (Mayer) 10 Pieces 33 II Trovatore 16 Pieces 64 Don Bucefalo 4 18 ]>cm Giovanni 11 Pieces 34, KlGOLETTO 10 Pieces 55 L'Italiana in Algeri... 8 | 50 Precauzioni 8 1 1 Semiramide 10 Pieces 35 Guglielmo Teli. 6 Pieces Le là Kunani 10 Pieces 30 La Traviata 12 Pieces 57 La Donna del Lago ...li Pieces I 8 Pieces 58 Orphee aux Enfees, Fr 9 l'ieres 16 Koiikkto II Diavolo .. -
The Duality of the Composer-Performer
The Duality of the Composer-Performer by Marek Pasieczny Submitted for the Degree of Doctor of Philosophy School of Arts Faculty of Arts and Social Sciences Supervisors: Prof. Stephen Goss ©Marek Pasieczny 2015 The duality of the composer-performer A portfolio of original compositions, with a supplementary dissertation ‘Interviews Project: Thirteen Composers on Writing for the Guitar’. Abstract The main focus of this submission is the composition portfolio which consists of four pieces, each composed several times over for different combinations of instruments. The purpose of this PhD composition portfolio is threefold. Firstly, it is to contribute to the expansion of the classical guitar repertoire. Secondly, it is to defy the limits imposed by the technical facilities of the physical instrument and bring novelty to its playability. Third and most importantly, it is to overcome the challenges of being a guitarist-composer. Due to a high degree of familiarity with the traditional guitar repertoire, and possessing intimate knowledge of the instrument, it is often difficult for me as a guitarist-composer to depart from habitual tendencies to compose truly innovative works for the instrument. I have thus created a compositional approach whereby I separated my role as a composer from my role as a guitarist in an attempt to overcome this challenge. I called it the ‘dual-role’ approach, comprising four key strategies that I devised which involves (1) borrowing ‘New Music’ practices to defy traditionalist guitar tendencies which are often conservative and insular; (2) adapting compositional materials to different instrumentations; and expanding on (3) the guitar technique as well as; (4) the guitar’s inventory of extended techniques. -
2008 Convention Program Book
F6 Flute,HighWinds 36th Annual National Flute Association Convention August 7-10,2008 Kansas City, MO 2 nfaonline.org JIM WALKER DEPENDS ON YAMAHA. Congratulations on receiving the National Flute Association Lifetime Achievement Award ©2008 Yamaha Corporation of America. All rights reserved. www.yamaha.com nfaonline.org 3 2 Shaker Road #D107 · Shirley, MA 01464 USA www.burkart.com See us at booths 209 & 211 4 nfaonline.org Welcome to Kansas City, F6 Flute—High Winds!— the 36th annual convention of the National Flute Association our officers, board of directors, CEO Phyllis YPemberton, and her staff welcome you and are delighted that you are here. We look forward to greeting each of you! We are grateful to program chair Jonathan Patti Adams Keeble, who has spent the past two years creating this high-energy whirlwind of events for all of us to enjoy. His imaginative planning, organizational skills, and great humor through it all have been wondrous to behold. We thank him, the local volunteer committee in Kansas City, and all of the NFA’s innumerable and indefatigable volunteer committees who, with their remarkable work throughout the year, have made this convention possible. Have you ever experienced the exhibit hall at our conventions? It is an amazing F6 vortex of sights and sounds, with displays from the world’s finest flute manufacturers, music publishers, and innovators. These exhibitors are showcasing for you the latest technological marvels of our industry, and we are grateful to each of them for their participation. In the exhibit hall, you’ll also find my N’Awlins neighbors, exhibits manager extraordinaire, Jim Magee, and his assistant, Patti McCleney. -
THE LONG ISLAND GUITAR FESTIVAL MARCH 31 – April 4 Harris Becker, Festival Director 2004
THE LONG ISLAND GUITAR FESTIVAL MARCH 31 – April 4 Harris Becker, Festival Director 2004 C.W. POST CAMPUS LONG ISLAND UNIVERSITY THE 12TH ANNUAL LONG ISLAND GUITAR FESTIVAL IS MADE POSSIBLE BY THE GENEROSITY OF THE FOLLOWING CONTRIBUTORS: The Augustine Foundation The D’Addario Foundation for the Performing Arts SPONSORS “Cohen, Soden & Gnadt/ Long Island Classical Guitar Society Eye Vision Associates” ADVERTISERS Solar Pool Enclosures Luthier Music Corp. of New York, Inc. Dennis Rief Agency The Classical Guitar Store Thomas Bazzolo Lisa de Grande New York Classical Sound Beach Music Guitar Society National Guitar Workshop Korg LONG ISLAND GUITAR FESTIVAL SCHEDULE OF EVENTS Wednesday, March 31 8:00 p.m. Concert, “New and Old Works for Guitar” including the New York Premiere of “Maurits 2004and Stella” (A Love Story through Letters and Poems) by David Gilbert featuring Rosana Marreco, soprano, Trey Cassels, tenor, Raymond Ayers, baritone, Mark Longo, flute, Maureen Hynes, cello, Harris Becker and Pasquale Bianculli, guitars, David Gilbert, conductor Thursday, April 1 3:30 p.m. Master Class with Cem Duruöz 8:00 p.m. Concert, Cem Duruöz, guitar Friday, April 2 2:00 p.m. “An Introduction to Notation Software for Guitarists,” John Meschi 8:00 p.m. Concert, Ronn McFarlane, lute Saturday, April 3 9:30 a.m. Master Class with Ronn McFarlane 11:30 a.m. “Recording and Editing Software for Guitarists,” John Meschi 12:00 p.m. Concert, Emerging Artist Showcase, Adam Brown, guitar 1:00 p.m. Lunch Break/Open Rehearsal for Festival Ensemble 2:00 p.m. Concert, Frank Vignola, jazz guitar, “The Frank and Joe Show” with Frank Vignola and Ken Smith, guitars, Joseph Ascione, drums, Chuck Ferruggia and Ferdinand Zuker, percussion and Gary Mazzroppi, bass 3:30 p.m. -
Themed Cruises 2020 Golf · Classical Music · Winter
FEATURING SPECIAL PROGRAMS ON BOARD AND ASHORE THEMED CRUISES 2020 GOLF · CLASSICAL MUSIC · WINTER 1 Indulge your passions! Bond with other travelers over shared passions! 2 Golf Cruises RHINE · DANUBE · SEINE ..................4 — 9 RHINE: 8 days Basel — Amsterdam .................. 4 DANUBE: 8 days Budapest — Passau ................... 5 SEINE: 8 days Paris — Le Havre — Paris ............ 6 Dates and rates ...................................................... 7 Included Golf Clubs (Rhine, Danube, Seine) ................................... 8—9 All Golf cruises are conceived for a number of participants between 20 and 40. Classical Music Cruises RHINE · DANUBE ............................10 — 17 RHINE: 8 days Amsterdam — Basel .................10 DANUBE: 8 days Passau — Budapest — Passau .... 11 Onboard music experts (Rhine, Danube) ..........12 Dates and rates ....................................................13 Musicians Line-up (Rhine) ............................14—15 Musicians Line-up (Danube) ........................16—17 Winter Cruises RHINE · DANUBE ........................... 18 — 27 MAGIC OF ADVENT ..............................19—21 5 days Cologne — Strasbourg ..............................19 5 days Strasbourg — Cologne ..............................19 7 days Vienna — Nuremberg ................................20 Dates and rates ....................................................21 CHRISTMAS CRUISES ...........................22 — 24 7 days Cologne — Strasbourg — Cologne ............22 7 days Passau — Bratislava — Passau