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G410020002/A N/A Client Ref
Solicitation No. - N° de l'invitation Amd. No. - N° de la modif. Buyer ID - Id de l'acheteur G410020002/A N/A Client Ref. No. - N° de réf. du client File No. - N° du dossier CCC No./N° CCC - FMS No./N° VME G410020002 G410020002 RETURN BIDS TO: Title – Sujet: RETOURNER LES SOUMISSIONS À: PURCHASE OF AIR CARRIER FLIGHT MOVEMENT DATA AND AIR COMPANY PROFILE DATA Bids are to be submitted electronically Solicitation No. – N° de l’invitation Date by e-mail to the following addresses: G410020002 July 8, 2019 Client Reference No. – N° référence du client Attn : [email protected] GETS Reference No. – N° de reference de SEAG Bids will not be accepted by any File No. – N° de dossier CCC No. / N° CCC - FMS No. / N° VME other methods of delivery. G410020002 N/A Time Zone REQUEST FOR PROPOSAL Sollicitation Closes – L’invitation prend fin Fuseau horaire DEMANDE DE PROPOSITION at – à 02 :00 PM Eastern Standard on – le August 19, 2019 Time EST F.O.B. - F.A.B. Proposal To: Plant-Usine: Destination: Other-Autre: Canadian Transportation Agency Address Inquiries to : - Adresser toutes questions à: Email: We hereby offer to sell to Her Majesty the Queen in right [email protected] of Canada, in accordance with the terms and conditions set out herein, referred to herein or attached hereto, the Telephone No. –de téléphone : FAX No. – N° de FAX goods, services, and construction listed herein and on any Destination – of Goods, Services, and Construction: attached sheets at the price(s) set out thereof. -
Introduction to Screenwriting 1: the 5 Elements
Introduction to screenwriting 1: The 5 elements by Allen Palmer Session 1 Introduction www.crackingyarns.com.au 1 Can we find a movie we all love? •Avatar? •Lord of the Rings? •Star Wars? •Groundhog Day? •Raiders of the Lost Ark? •When Harry Met Sally? 2 Why do people love movies? •Entertained •Escape •Educated •Provoked •Affirmed •Transported •Inspired •Moved - laugh, cry 3 Why did Aristotle think people loved movies? •Catharsis •Emotional cleansing or purging •What delivers catharsis? •Seeing hero undertake journey that transforms 4 5 “I think that what we’re seeking is an experience of being alive ... ... so that we can actually feel the rapture being alive.” Joseph Campbell “The Power of Myth” 6 What are audiences looking for? • Expand emotional bandwidth • Reminder of higher self • Universal connection • In summary ... • Cracking yarns 7 8 Me 9 You (in 1 min or less) •Name •Day job •Done any courses? Read any books? Written any screenplays? •Have a concept? •Which film would you like to have written? 10 What’s the hardest part of writing a cracking screenplay? •Concept? •Characters? •Story? •Scenes? •Dialogue? 11 Typical script report Excellent Good Fair Poor Concept X Character X Dialogue X Structure X Emotional Engagement X 12 Story without emotional engagement isn’t story. It’s just plot. 13 Plot isn’t the end. It’s just the means. 14 Stories don’t happen in the head. They grab us by the heart. 15 What is structure? •The craft of storytelling •How we engage emotions •How we generate catharsis •How we deliver what audiences crave 16 -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Federal Register/Vol. 68, No. 49/Thursday, March 13
11974 Federal Register / Vol. 68, No. 49 / Thursday, March 13, 2003 / Rules and Regulations a designee, and is a thorough review of DEPARTMENT OF TRANSPORTATION LIBRARY OF CONGRESS the case. The formal review determination shall be based on the Saint Lawrence Seaway Development 36 CFR Part 704 information, upon which the initial Corporation determination and/or reconsideration National Film Preservation Board; determination was based, and any 33 CFR Part 401 1994–2002 Films Selected for Inclusion additional information the appealing in the National Film Registry party may submit or OCHAMPUS may [Docket No. SLSDC 2002–13698] AGENCY: National Film Preservation obtain. Board, Library of Congress. (3) Timeliness of formal review RIN 2135–AA15 ACTION: Final rule. determination. The Chief, Office of SUMMARY: The Librarian of Congress is Appeals and Hearings, OCHAMPUS, or Seaway Regulations and Rules: publishing the following list of films a designee normally shall issue the Automatic Identification System formal review determination no later selected from 1994–2002 for inclusion in the National Film Registry in the than 90 days from the date of receipt of AGENCY: Saint Lawrence Seaway Library of Congress pursuant to section the request for formal review by the Development Corporation, DOT. OCHAMPUS. 103 of the National Film Preservation (4) Notice of formal review ACTION: Final rule; correction. Act of 1996. The films are published to determination. The Chief, Office of notify the public of the Librarian’s Appeals and Hearings, OCHAMPUS, or SUMMARY: In the Saint Lawrence Seaway selection of twenty-five films selected in a designee shall issue a written notice Development Corporation (SLSDC) final each of these years deemed to be of the formal review determination to rule amending the Seaway regulations ‘‘culturally, historically or aesthetically the appealing party at his or her last and rules (33 CFR part 401) published significant’’ in accordance with known address. -
January 2002 Airport Statistics
DENVER INTERNATIONAL AIRPORT TOTAL OPERATIONS AND TRAFFIC SEPTEMBER 2008 SEPTEMBER YEAR TO DATE % OF % OF % GRAND % GRAND INCR./ INCR./ TOTAL INCR./ INCR./ TOTAL 2008 2007 DECR. DECR. 2008 2008 (9) 2007 (10) DECR. DECR. 2008 OPERATIONS (1) Air Carrier 36,143 36,633 (490) -1.3% 73.2% 350,083 338,423 11,660 3.4% 73.4% Air Taxi 12,742 13,106 (364) -2.8% 25.8% 122,778 122,486 292 0.2% 25.8% Military 23 11 12 109.1% 0.0% 131 109 22 20.2% 0.0% General Aviation 489 462 27 5.8% 1.0% 3,698 4,214 (516) -12.2% 0.8% TOTAL 49,397 50,212 (815) -1.6% 100.0% 476,690 465,232 11,458 2.5% 100.0% PASSENGERS (2) Internationals (3) In 78,534 83,701 (5,167) -6.2% 881,319 843,215 38,104 4.5% Out 79,186 78,769 417 0.5% 864,407 814,756 49,651 6.1% TOTAL 157,720 162,470 (4,750) -2.9% 3.9% 1,745,726 1,657,971 87,755 5.3% 4.4% Majors (4) In 1,583,124 1,525,371 57,753 3.8% 15,443,756 14,791,436 652,320 4.4% Out 1,611,962 1,558,364 53,598 3.4% 15,528,860 14,886,826 642,034 4.3% TOTAL 3,195,086 3,083,735 111,351 3.6% 79.5% 30,972,616 29,678,262 1,294,354 4.4% 78.7% Nationals (5) In 27,646 24,047 3,599 15.0% 275,811 297,096 (21,285) -7.2% Out 29,117 25,362 3,755 14.8% 272,729 295,836 (23,107) -7.8% TOTAL 56,763 49,409 7,354 14.9% 1.4% 548,540 592,932 (44,392) -7.5% 1.4% Regionals (6) In 305,107 327,687 (22,580) -6.9% 3,025,288 3,002,081 23,207 0.8% Out 302,253 326,562 (24,309) -7.4% 3,036,770 3,002,599 34,171 1.1% TOTAL 607,360 654,249 (46,889) -7.2% 15.1% 6,062,058 6,004,680 57,378 1.0% 15.4% Supplementals (7) In 415 603 (188) -31.2% 4,833 11,726 (6,893) -58.8% Out -
South Carolina Department of Commerce Division of Aeronautics
Prepared for: South Carolina Department of Commerce Division of Aeronautics Prepared by: Talbert & Bright, Inc. 5.3.3.1 Finding and Conclusion .................................................................................................................. 28 TABLE OF CONTENTS 6.0 SPECIAL USE AIRSPACE .......................................................................................................................... 29 6.1 New Special Use Areas ................................................................................................................................... 34 1.0 INTRODUCTION .......................................................................................................................................... 1 6.2 Civilian Airport and Airways Use and MOA .............................................................................................. 34 1.1 Goals and Objectives of the Airports System Plan ..................................................................................... 1 6.2.1 Gamecock I MOA ............................................................................................................................... 35 6.2.2 Fort Jackson Range R-6001 A & B ................................................................................................... 35 2.0 FORECAST METHODOLOGY ................................................................................................................. 3 6.2.3 Poinsett Weapons Range R-6002 A, B, & C .................................................................................. -
1 What Follows Is a List of Films That Are
Telephone: 416.769.3320 Email: [email protected] Web: www.proactroslab.com What follows is a list of films that are essential for professional actors to have seen THIS IS A LIST FOR ACTORS ONLY 2001: A Space Odyssey (1968) The Bridge on the River Kwai (1957) A Clockwork Orange (1971) Bringing up Baby (1938) A Beautiful Mind (2001) Boyz N the Hood (1991) A Star is Born (1954) Broadcast News (1987) A Streetcar Named Desire (1951) Bus Stop (1956) The Accused (1988) Butch Cassidy and the Sundance Kid (1969) Ace in the Hole (1951) The Caine Mutiny (1954) Adam's Rib (1950) Carrie (1976) Adaptation (2002) Casablanca (1943) African Queen (1951) Cat on a Hot Tin Roof (1958) All About Eve (1950) Chinatown (1974) All Quiet on the Western Front (1929) Citizen Kane (1941) Almost Famous (2000) City Lights (1930) Alfie (1966) Close Encounters of the Third Kind (1977) American Beauty (1999) The Conversation (1974) American Graffiti (1973) Dances with Wolves (1990) Amadeus (1984) Days of Heaven (1978) Annie Hall (1977) Das Boot (1982) All Quiet on the Western Front (1929) Dead Man Walking (1995) Apocalypse Now (1979) Death of a Salesman (1951) The Asphalt Jungle (1950) Deer Hunter (1978) Atlantic City (1981) Diner (1982) Bad Day at Bad Rock (1955) Dinner at Eight (1933) Barton Fink (1991) Dirty Harry (1971) Basic Instinct (1992) Do the Right Thing (1989) Ben-Hur (1959) Doctor Zhivago (1965) Being John Malcovich (1999) Dog Day Afternoon (1975) The Big Carnival/Ace in the Hole (1951) Double Indemnity (1944) The Big Chill (1983) Dr. -
NEW YORK FILM ACADEMY the Most Hands-On Intensive Programs in the World
NEW YORK FILM ACADEMY The Most Hands-On Intensive Programs in the World WWW.NYFA.EDU | +7-964-557-76-68 NEW YORK FILM ACADEMY The Most Hands-On Intensive Programs in the World WHAT MAKES US DIFFERENT? Our programs are based on the philosophy of “learning by doing”. Every curriculum stems from that belief. We offer an intensive, hands-on, total immersion approach to learning. WWW.NYFA.EDU | +7-964-557-76-68 NEW YORK FILM ACADEMY The Most Hands-On Intensive Programs in the World THE NEW YORK FILM ACADEMY PHILOSOPHY "A top quality professional education should be accessible to anyone with the talent, drive and ambition" • International school with programs all over the world and a diverse student population • Learn by doing from day one, by making your own projects in hands-on, intensive programs • Unparalleled programs in Filmmaking, Acting for Film, Photography, Documentary Filmmaking, Producing, Screenwriting, Cinematography, Broadcast Journalism, Musical Theatre, Game Design, 3D Animation WWW.NYFA.EDU | +7-964-557-76-68 NEW YORK FILM ACADEMY The Most Hands-On Intensive Programs in the World NEW YORK FILM ACADEMY STUDENTS 50% of our student body is international, representing more than 76 countries around the world. WWW.NYFA.EDU | +7-964-557-76-68 NEW YORK FILM ACADEMY The Most Hands-On Intensive Programs in the World THE NEW YORK FILM ACADEMY FACULTY All of our instructors are professionals who work in the industry as directors, actors, producers, cinematographers, screenwriters, editors, animators, etc. Our faculty hold MFAs from the -
Easy Rider and the Hollywood Renaissance
THE HOLLYWOOD RENAISSANCE DEFINED • Late-1960s to mid- to late-1970s • Also called “The New Hollywood” • Characterized by studio production/distribution of significant number of films seen as innovative in content and style • Social context of frequent social upheavals (Vietnam protests, civil rights movements, student protests on college campuses, assassination of political and civil rights figures) that led to wide-spread questioning of “American” values and identity. • Made by directors with film school training and thus familiarity with film technique, history styles and theory (Coppola, Malick, Milius, Scorsese, Schrader, Lucas, Spielberg) STYLE AND CONTENT OF HR FILMS • Alienation/rebellion of young that frequently ends in death or disillusionment • Frank depictions of sex, violence and drug use • Political and social critique • “It is possible, at the risk of some simplification, to divide the social context of the Hollywood Renaissance into two main currents. One . celebrates aspects of 1960s rebellion. The other explores or manifest elements of a darker mood in which alienation leads toward fear and disillusion” (Geoff King. New Hollywood Cinema: An Introduction. 18). • Narratives that incorporated some characteristics of art cinema • Handheld, moving camera • Jump cuts SELECTED FILMS • Alice Doesn’t Live Here Anymore (Scorsese • The Getaway (Peckinpah 1972) 1974) • The Godfather/The Godfather: Part II • Alice’s Restaurant (Penn 1969) (Coppola 1972/1974) • American Graffiti (Lucas 1974) • The Last Picture Show (Bogdanovich 1971) -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
English 720.001 (23163) – Special Topics: Films of the 60S & 70S
English 720.001 (23163) – Special Topics: Films of the 60s & 70s Gerald Duchovnay Spring 2016 TR 2-4:20, HL 203 G. Duchovnay: Office: Hall of Languages, 326 / Office Hours: TR, 12:15-1:45, 4:30-5:00. Other times by appointment. Telephone: (903) 886-5265 Fax 903 886 5980 e-mail: [email protected] . Course Description: English 720 for this semester will exam aspects of U.S. film history of the 60s and 70s, with glances at international influences on the period and considerations of relevant history and culture. In the U. S. and abroad, the 60s and the 70s produced hundreds, if not thousands, of feature films and documentaries that entertained or educated, or both. These films also dealt with and created myths, Hollywood being one of the great mythmakers of our culture. As we consider aspects of the "aesthetics" of film, we will also consider how the films reflect the diverse ideology and culture of the U.S., how they were impacted by international influences, how they are important in film history, and how these films are still be influencing our lives and movies. No background in film studies or filmmaking is needed for this course. We meet only twice a week and will need to make very good use of all available class time. The presentations will involve some lecturing, but primarily we will discuss what you are reading and seeing. Many of the films of the 60s and 70s (the 70s often described as the finest decade of U.S. filmmaking) are reflections or reactions to prior decades, so history and culture are important to our understanding of these films and their times. -
Drama Movies
Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.