Hymie the ROBOT By: Xavier Susana Artificial Intelligence G-Period
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Premiere Props • Hollyw Ood a Uction Extra Vaganza VII • Sep Tember 1 5
Premiere Props • Hollywood Auction Extravaganza VII • September 15-16, 2012 • Hollywood Live Auctions Welcome to the Hollywood Live Auction Extravaganza weekend. We have assembled a vast collection of incredible movie props and costumes from Hollywood classics to contemporary favorites. From an exclusive Elvis Presley museum collection featured at the Mississippi Music Hall Of Fame, an amazing Harry Potter prop collection featuring Harry Potter’s training broom and Golden Snitch, to a entire Michael Jackson collection featuring his stage worn black shoes, fedoras and personally signed items. Plus costumes and props from Back To The Future, a life size custom Robby The Robot, Jim Carrey’s iconic mask from The Mask, plus hundreds of the most detailed props and costumes from the Underworld franchise! We are very excited to bring you over 1,000 items of some of the most rare and valuable memorabilia to add to your collection. Be sure to see the original WOPR computer from MGM’s War Games, a collection of Star Wars life size figures from Lucas Film and Master Replicas and custom designed costumes from Bette Midler, Kate Winslet, Lily Tomlin, and Billy Joel. If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of our staff members, please call us to register at (866) 761-7767. We hope you enjoy the Hollywood Live Auction Extravaganza V II live event and we look forward to seeing you on October 13-14 for Fangoria’s Annual Horror Movie Prop Live Auction. -
Rethinking the Fourth Amendment in the Age of Supercomputers, Artificial Intelligence, and Robots
Volume 119 Issue 3 Article 4 April 2017 Rethinking the Fourth Amendment in the Age of Supercomputers, Artificial Intelligence, and Robots Melanie Reid Lincoln Memorial University School of Law Follow this and additional works at: https://researchrepository.wvu.edu/wvlr Part of the Constitutional Law Commons, Fourth Amendment Commons, Law Enforcement and Corrections Commons, and the Science and Technology Law Commons Recommended Citation Melanie Reid, Rethinking the Fourth Amendment in the Age of Supercomputers, Artificial Intelligence, and Robots, 119 W. Va. L. Rev. (2017). Available at: https://researchrepository.wvu.edu/wvlr/vol119/iss3/4 This 2017 Evolving Investigative Technologies and the Law Symposium is brought to you for free and open access by the WVU College of Law at The Research Repository @ WVU. It has been accepted for inclusion in West Virginia Law Review by an authorized editor of The Research Repository @ WVU. For more information, please contact [email protected]. Reid: Rethinking the Fourth Amendment in the Age of Supercomputers, Art RETHINKING THE FOURTH AMENDMENT IN THE AGE OF SUPERCOMPUTERS, ARTIFICIAL INTELLIGENCE, AND ROBOTS by Melanie Reid* I. IN TRODU CTION ............................................................................. 864 II. M EET OFFICER "JOE ROBOTO". ................................................... 868 A. Issue #1: Officer Joe Roboto Will Be Smarter, Faster,and More Efficient than Its Human Counterparts....................... 871 B. Issue #2: Officer Joe Roboto Signifies a GreaterIntrusion into Our P rivate L ives .................................................................. 872 C. Issue #3: Officer Joe Roboto's Easy Access to an Endless DatabaseRequires a Complete Rethinking of CurrentFourth A m endment D octrine ............................................................ 873 III. A TYPICAL DAY IN THE LIFE OF OFFICER JOE ROBOTO .............. -
Ethics for Digital Journalists
ETHICS FOR DIGITAL JOURNALISTS The rapid growth of online media has led to new complications in journalism ethics and practice. While traditional ethical principles may not fundamentally change when information is disseminated online, applying them across platforms has become more challenging as new kinds of interactions develop between jour- nalists and audiences. In Ethics for Digital Journalists , Lawrie Zion and David Craig draw together the international expertise and experience of journalists and scholars who have all been part of the process of shaping best practices in digital journalism. Drawing on contemporary events and controversies like the Boston Marathon bombing and the Arab Spring, the authors examine emerging best practices in everything from transparency and verifi cation to aggregation, collaboration, live blogging, tweet- ing, and the challenges of digital narratives. At a time when questions of ethics and practice are challenged and subject to intense debate, this book is designed to provide students and practitioners with the insights and skills to realize their potential as professionals. Lawrie Zion is an Associate Professor of Journalism at La Trobe University in Melbourne, Australia, and editor-in-chief of the online magazine upstart. He has worked as a broadcaster with the Australian Broadcasting Corporation and as a fi lm journalist for a range of print publications. He wrote and researched the 2007 documentary The Sounds of Aus , which tells the story of the Australian accent. David Craig is a Professor of Journalism and Associate Dean at the University of Oklahoma in the United States. A former newspaper copy editor, he is the author of Excellence in Online Journalism: Exploring Current Practices in an Evolving Environ- ment and The Ethics of the Story: Using Narrative Techniques Responsibly in Journalism . -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
TODAY's EVENTS Mythbuster Delights FABTECH
DAY 4 THURSDAY NOVEMBER 14, 2019 THE OFFICIAL FABTECH PUBLICATION NORTH AMERICA’S LARGEST METAL FORMING, FABRICATING, WELDING AND FINISHING EVENT SHOW DAILY TODAY’S EVENTS Mythbuster Delights FABTECH FABTECH attendees were treated to an While all of this was lots of fun, he said it was For Imahara, that adventure began with his Leadership Exchange: outstanding keynote yesterday from anima- all in the name of science. first Lego set, given to him by his parents at tronics engineering expert Grant Imahara, age three. Little did his mom and dad know 21st Century Workforce Imahara reflected on the tools and ma- a former host on DiscoveryChannel’s Myth- what they had unleashed. He used it con- — Building Tomorrow’s chines that he designed and built on his Busters. He told tales of how he used his stantly to find new ways to build things with Workforce science-based reality TV show. He made the electronics and robotics expertise during his limited resources. 11:00 AM – 12:00 PM point that the activities of his former line of time on that show, as well as his nine years Lakeside Center Ballroom work present many similarities to that of en- “Lego is an amazing tool for innovation; it working behind the scenes creating special gineers, fabricators, and software developers. makes you figure out how to use what you Smart Manufacturing Hub effects for blockbuster after blockbuster. have to make what you don’t have,” he said. Sessions All Day He is currently consulting for Walt Disney “I want to share some of the things I’ve During Show Hours Imagineering, working on next-generation learned from 10 years of Mythbusting that are The Lego of his day was quite different to that Booth A4138 robots to go into Disney’s theme parks applicable to problem solving in many other of today. -
ACTIVITY 1 Join the Crew
REPRODUCIBLE ACTIVITY ACTIVITY 1 Join the Crew After crash-landing on an alien planet, the Robinson family fights against all odds to survive and escape. In this activity, you’ll find out more about the members of the Robinson family. Season 1 is now streaming on Netflix, and Season 2 premieres later this year. Part 1: Read the information • Maureen Robinson: Smart, brave, bright, has a desire to constantly prove below, and then use the details to fill in adventurous, and strong-willed, her courage, and can be stubborn. the character traits and talents table. Maureen, the mother, is the mission • Penny Robinson: Penny, age 15, is a Remember that a character trait is an commander. A brilliant aerospace well-trained mechanic. She is cheerful, aspect of a character’s personality. engineer, she loves her family fiercely outgoing, witty, and brave. She has and would do anything for them. The Netflix reimagining of the 1960s a talent for problem-solving, and is television series “Lost in Space” features • John Robinson: Her husband, John, somewhat of a daredevil. the Robinson family who have joined is a former Navy Seal and has been • Will Robinson: Will, age 11, is kind, Mission 24. They are leaving Earth with absent for much of the children’s cautious, creative, and smart. He forms several others aboard the spacecraft childhood. He is tough and smart, but a tight bond with an alien robot that he Resolute destined for the Alpha emotionally distant. saves from destruction during a forest Centauri system, where a planet is being • Judy Robinson: Judy, age 18, serves fire. -
Pdf • Cynthia Breazeal
© copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Human{Robot Interaction An Introduction Christoph Bartneck, Tony Belpaeme, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, Selma Sabanovi´cˇ This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Contents List of illustrations viii List of tables xi 1 Introduction 1 1.1 About this book 1 1.2 Christoph -
Forbidden Planet: Film Score for Full Orchestra
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 12-2003 Forbidden Planet: Film Score for Full Orchestra Tim Perrine Butler University Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Composition Commons Recommended Citation Perrine, Tim, "Forbidden Planet: Film Score for Full Orchestra" (2003). Graduate Thesis Collection. 400. https://digitalcommons.butler.edu/grtheses/400 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Name of candidate: (111f:£tz£Zt8\lf:.- ····························································································· Oral examination: Date ..................... l.. ? ....... 1J?.g~.~.?.~.~ ..... ?:gO 3 Committee: Thesis title: .......... f .. O..~.~. .LP..P.f .. N. ......1?.~~g.) ······················'91 () (6"~$f:F,._ ............. · Thesis approved in final form: Date ................ }..fJ... ..... P.£..~.J?~...... '?:PP.~ ........ Major Professor .. ........ ........ z.{;:.f:VF.~f.f?.- STRANGE PLANET ~ FAMILIAR SOUNDS RE-SCORING FORBIDDEN PLANET Tim Perrine, 2003 Master,s Thesis Paper Prologue The intent of my master's thesis is two-fold. First, I wanted to present a large- scale work for orchestra that showcased the skills and craft I have developed as a composer (and orchestrator) to date. Secondly, since my goal as a composer is to work in Hollywood as a film composer, I wanted my large-scale work to function as a film score, providing the emotional backbone and highlighting action for a major motion picture. In order to achieve this, I needed a film that was both larger-than-life and contained, in my opinion, an easily replaceable score (or no score at all). -
Forbidden Planet” (1956): Origins in Pulp Science Fiction
“Forbidden Planet” (1956): Origins in Pulp Science Fiction By Dr. John L. Flynn While most critics tend to regard “Forbidden Planet” (1956) as a futuristic retelling of William Shakespeare’s “The Tempest”—with Morbius as Prospero, Robby the Robot as Arial, and the Id monster as the evil Caliban—this very conventional approach overlooks the most obvious. “Forbidden Planet” was, in fact, pulp science fiction, a conglomeration of every cliché and melodramatic element from the pulp magazines of the 1930s and 1940s. With its mysterious setting on an alien world, its stalwart captain and blaster-toting crew, its mad scientist and his naïve yet beautiful daughter, its indispensable robot, and its invisible monster, the movie relied on a proven formula. But even though director Fred Wilcox and scenarist Cyril Hume created it on a production line to compete with the other films of its day, “Forbidden Planet” managed to transcend its pulp origins to become something truly memorable. Today, it is regarded as one of the best films of the Fifties, and is a wonderful counterpoint to Robert Wise’s “The Day the Earth Stood Still”(1951). The Golden Age of Science Fiction is generally recognized as a twenty-year period between 1926 and 1946 when a handful of writers, including Clifford Simak, Jack Williamson, Isaac Asimov, John W. Campbell, Robert Heinlein, Ray Bradbury, Frederick Pohl, and L. Ron Hubbard, were publishing highly original, science fiction stories in pulp magazines. While the form of the first pulp magazine actually dates back to 1896, when Frank A. Munsey created The Argosy, it wasn’t until 1926 when Hugo Gernsback published the first issue of Amazing Stories that science fiction had its very own forum. -
Captain Marvel
Roy Thomas’On-The-Marc Comics Fanzine AND $8.95 In the USA No.119 August 2013 A 100th Birthday Tribute to MARC SWAYZE PLUS: SHELDON MOLDOFF OTTO BINDER C.C. BECK JUNE SWAYZE and all the usual SHAZAM! SUSPECTS! 7 0 5 3 6 [Art ©2013 DC7 Comics Inc.] 7 BONUS FEATURE! 2 8 THE MANY COMIC ART 5 6 WORLDS OF 2 TM & © DC Comics. 8 MEL KEEFER 1 Vol. 3, No. 119 / August 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek William J. Dowlding Cover Artists Marc Swayze Cover Colorist Contents Tom Ziuko Writer/Editorial: Marc Of A Gentleman . 2 With Special Thanks to: The Multi-Talented Mel Keefer . 3 Heidi Amash Aron Laikin Alberto Becattini queries the artist about 40 years in comics, illustration, animation, & film. Terrance Armstard Mark Lewis Mr.Monster’sComicCrypt!TheMenWhoWouldBeKurtzman! 29 Richard J. Arndt Alan Light Mark Arnold Richard Lupoff Michael T. Gilbert showcases the influence of the legendary Harvey K. on other great talents. Paul Bach Giancarlo Malagutti Comic Fandom Archive: Spotlight On Bill Schelly . 35 Bob Bailey Brian K. Morris Alberto Becattini Kevin Patrick Gary Brown throws a 2011 San Diego Comic-Con spotlight on A/E’s associate editor. Judy Swayze Barry Pearl re: [correspondence, comments, & corrections] . 43 Blackman Grey Ray Gary Brown Warren Reece Tributes to Fran Matera, Paul Laikin, & Monty Wedd . -
Alternate Americas: Science Fiction Film and American Culture
Alternate Americas: Science Fiction Film and American Culture M. Keith Booker PRAEGER Alternate Americas Science Fiction Film and American Culture F M. Keith Booker Library of Congress Cataloging-in-Publication Data Booker, M. Keith. Alternate Americas : science fiction film and American culture / M. Keith Booker. p. cm. Includes bibliographical references and index. ISBN 0–275–98395–1 (alk. paper) 1. Science fiction films—United States—History and criticism. I. Title. PN1995.9.S26B56 2006 791.43'615—dc22 2005032303 British Library Cataloguing in Publication Data is available. Copyright # 2006 by M. Keith Booker All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005032303 ISBN: 0–275–98395–1 First published in 2006 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 For Benjamin Booker Contents Introduction 1 1 F The Day the Earth Stood Still 27 2 F Forbidden Planet 43 3 F Invasion of the Body Snatchers 59 4 F 2001: A Space Odyssey 75 5 F Planet of the Apes 91 6 F Star Wars 109 7 F Close Encounters of the Third Kind 125 8 F Alien 141 9 F E.T. the Extra-Terrestrial 157 10 F Blade Runner 171 11 F The Terminator 187 12 F Robocop 203 13 F The Abyss 219 viii u Contents 14 F Independence Day 233 15 F The Matrix 247 Conclusion: Science Fiction Film and American Culture 265 Index 269 Photo essay follows chapter 7. -
Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture