The Man Behind the Sword Transcript
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The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
The Rise of the New Hyborian Legion, Part Ten
REHeapa Winter Solstice 2020 THE RISE OF THE NEW HYBORIAN LEGION, PART TEN By Lee A. Breakiron As we saw in our first installment [1], the Robert E. Howard United Press Association (REHupa) was founded in 1972 by a teen-aged Tim Marion as the first amateur press association (apa) devoted to Howard. By mid-1986, the regular membership stood at only 17, but Mailings were about 150 pages in length and rising. L. Sprague de Camp, Glenn Lord, and Karl Edward Wagner were honorary members. Copies were no longer being archived at Ranger, Tex., Junior College. Former, longtime REHupan James Van Hise wrote the first comprehensive history of REHupa through Mailing #175. [2] Like him, but more so, we are focusing only on noteworthy content, especially that relevant to Howard. Here are the highlights of Mailings #91 through #95. Mailings in the #80s and #90s were often distinguished by the long contributions of Rusty Burke, Vern Clark, and Steve Trout, whose zines boasted many long, thought-provoking Mailing Comments. Mailing #91 came to be called the Lost Mailing because it was scheduled to be issued in May, 1988, but didn’t come out until May, 1989 after #92, because Official Editor (OE) Mark Kimes, whose first Mailing (#90) had come out late, inexplicably vanished with all the zines slated for #91, as well as with the apa treasury, supplies, and stapler. [He is still living in Shreveport, La.] Emergency Officers Bill Cavalier and Clark interceded, putting out #92 in July and #93 in September. Later Clark reconstructed what he could of #91 (material that wasn’t already used in #92) and put it out a whole year late. -
Monty Haul a 5Th Edition ‘Zine with a 1St Edition Vibe
Monty Haul A 5th Edition ‘Zine With a 1st Edition Vibe MARCH 2020 Vol 1 #0 TABLE OF CONTENTS Welcome to Monty Haul: Do You Kids Want Snacks? 3 Critical Hits: An Alternate System 9 Familiars: An Old School Compromise 14 Interlude: My Balkanized World 18 Cleric Domains for City Campaigns 22 The Divine Archeologist: A Rogue Archetype 27 New Backgrounds for your City-State 35 The Noble House Random Generator 58 Written by Mark Finn Artwork by Henry Justice Ford (Cover), Richard Dadd (9), Albert Robida (14, 27, 64), Arthur Rackham (15-17, 34), Howard Pyle (22, 24, 42, 69), Hans Baldung Grien (26), Elizabeth Shippen Green-Elliot (29, 33), Paul Gavarni (37), John Tenniel (39), Hans Holbein (40), Kenny Meadows (58, 61, 62), John Pettie (43), Henry C Selous (46, 50, 54), Louis Rhead (48), John Gilbert (47, 52, 57), G.F. Sargent (61), William Winter (66), John Jackson (engraver, 71), and a few talented printmakers from over a hundredSample years ago whose names are sadly lost to the vagariesfile of time. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, the dragon ampersand, and all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All other original material in this work is copyright 2020 by Mark Finn and published by Monkeyhaus Design Works. Sample file Welcome to Monty Haul Do You Kids Want Any Snacks? Part 1: A Little background Okay, so, I’m making a ‘zine. Again. My name is Mark Finn. -
The Nemedian Chroniclers #21 [SS16]
REHeapa Summer Solstice 2016 By Lee A. Breakiron LET THERE BE UPDATES The Howard Collector Glenn Lord published 18 issues of his ground-breaking REH fanzine between 1961 and 1973, which we reviewed before. [1] He put out a 19th number (Vol. 4, #1) in summer, 2011, in the same 5 ½ x 8 ¾ format with light gray textured softcovers and 52 pages for $20.00. The volume contains the original version of “Black Canaan” (first published in 2010 by the Robert E. Howard Foundation), an untitled verse, an untitled Breckinridge Elkins fragment, and a drawing, all by Howard from Lord’s collection. Critic Fred Blosser contributes reviews of Steve Harrison’s Casebook and Tales of Weird Menace, both edited by REHupan Rob Roehm and published in 2011 by the Foundation, as well as El Borak and Other Desert Adventures (2010) and Sword Woman and Other Historical Adventures (2011), both edited by REHupan Rusty Burke and published by Del Rey. Blosser observes that the detective-type stories in the first two books tend to be better the more REH concentrates on action and weirdness rather than sleuthing. Blosser thinks highly of the last two, but wishes that Burke had not corrected Howard’s French spellings. THC #19 won Lord the 2012 Robert E. Howard Foundation (“Aquilonian”) Award for Outstanding Periodical. [2] A projected 20th issue, to include the original version of “Crowd-Horror,” was never published (“Crowd- Horror” would be published in 2013 in The Collected Boxing Fiction of Robert E. Howard: Fists of Iron), since Lord died of a heart attack December 31, 2011 at age 80. -
THE RISE of the NEW HYBORIAN LEGION, PART EIGHT by Lee A
REHeapa Vernal Equinox 2020 THE RISE OF THE NEW HYBORIAN LEGION, PART EIGHT By Lee A. Breakiron As we saw in our first installment [1], the Robert E. Howard United Press Association (REHupa) was founded in 1972 by a teen-aged Tim Marion as the first amateur press association (apa) devoted to Howard. Brian Earl Brown became Official Editor (OE) by 1977 and put in a lot of work guiding the organization, though not always competently. The Mailings at that time were in a real doldrums due to the paucity of REH-related content and the lack of any interest by Brown to do anything about it. In the early 1980s, Rusty Burke, Vernon Clark, and Graeme Flanagan started pushing for more Howard-related content, with Burke finally wresting away the editorship from Brown, as we saw last time. By mid-1984, the regular membership stood at only 23 and Mailings were down to about 130 pages in length. Post-Brown Mailings were not as big or as prompt as they had been, but were of higher quality in content and appearance, with some upswing in REH-related content and marked by more responsive and less contentious administration. L. Sprague de Camp, Glenn Lord, Karl Edward Wagner, and Everett Winne were honorary members, and copies were being archived at Ranger, Tex., Junior College. Former, longtime REHupan James Van Hise wrote the first comprehensive history of REHupa through Mailing #175. [2] Like him, but more so, we are focusing only on noteworthy content, especially that relevant to Howard. Here are the highlights of Mailings #71 through #80. -
Barbarians of Lemuria
Barbarians of Lemuria Barbarians of Lemuria Sword & Sorcery Role-playing Game Sample file “It is a savage age of sorcery and bloodshed, where strong men and beautiful women, warlords, priests, magicians and gladiators battle to carve a bloody path leading to the Throne of Lemuria. It is an age of heroic legends and valiant sagas too. And this is one of them…” The Crimson Edda i Acknowledgments Game design Simon Washbourne Artwork Cover: John Grumph Lemuria Map: Gill Pearce Interior: John Grumph, Keith Vaughn, Matthew Vasey Logo: Jerry Grayson Special thanks Michael Hill, Timothy Harper, Keith Vaughn, Mike Richards, Colin Chapman, Cameron Smith, Rich Spainhour, David Kot, Playtesters Annette Washbourne, Mark George, Alyson George, Nigel Uzzell, Janine Uzzell, Gary Collett, Leigh Wakefield, Ian Greenwood, Paul Simonet, Mike Richards, Alison Richards, Phil Ratcliffe, Robert Watkins, Rob Irwin, Michael Hill, members of IWARPUK. Influences Lin Carter: Thongor of Lemuria Robert. E. Howard: Conan the Barbarian, King Kull & Bran Mac Morn John Jakes: Brak the Barbarian C.L Moore: Jirel of Joiry Michael Moorcock: Elric of Melnibone Fritz Leiber: Fafhrd & The Grey Mouser Clark Ashton Smith: The Zothique Cycle and very many others Copyright notice Barbarians of Lemuria is Simon Washbourne Sample file BARBARIANS OF LEMURIA IS NOW AVAILABLE IN PRINT FROM CUBICLE 7 ENTERTAINMENT! ii Barbarians of Lemuria Contents Introduction The age of the sorcerer-kings ........................................................................................ Page -
Interview with Professor Mike Perschon, Macewan University
Focus on German Studies 22 Interview with Professor Mike Perschon, MacEwan University Alex Hogue University of Cincinnati May, 2015 Your dissertation focuses on understanding steampunk as an aesthetic that transcends media and genre. How did you become interested in steampunk and what lead you to pursue this research direction? When I entered my PhD, one of the professors said, “You are not here to do your life’s work. You are here to get a degree – then you do your life’s work.” That was great advice, because it’s very easy for people to never finish their dissertation because they’ve become emotionally invested in it at some level of perfectionism. I had already chosen steampunk as my topic when I heard that advice, but it reinforced my decision. I first heard of steampunk when I was working on a paper on alternate history during my MA course work, when I read Steffan Hantke’s I wish I could say I had some deep, rigorous purpose, but the decision to pursue steampunk as a research direction was entirely mercenary. I was looking for something to study where there hadn’t been much done in the way of secondary literature, so I could be part of the first wave of scholarship on my topic. There was only one article on steampunk in the University of Alberta’s database in late summer of 2008, and when my thesis advisor for my MA said she’d sign on for my PhD if I did steampunk, it was a pretty easy decision. Plus, I had seen people writing dissertations on what I’d call more traditional topics while I was working on my MA, and they didn’t look like they were enjoying themselves. -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
Ebook Download Conan Chronicles Epic Collection
CONAN CHRONICLES EPIC COLLECTION: THE BATTLE OF SHAMLA PASS PDF, EPUB, EBOOK Tim Truman | 472 pages | 14 Jan 2020 | Marvel Comics | 9781302921910 | English | New York, United States Conan Chronicles Epic Collection: The Battle Of Shamla Pass PDF Book Cail marked it as to-read Nov 02, This is the company that is ambushed and destroyed in the infamous Battle of Shamla Pass. Thanks for telling us about the problem. Want to Read saving…. In this article: Conan the Barbarian , Marvel. Combining Orders If you submit more than one order, we will automatically combine your orders and refund any excess shipping eBay charged you as long as we have not already processed your previous order. But what grotesque horrors await him in the Hall of the Dead? Sign up. This will likely increase the time it takes for your changes to go live. Then, a lingering curse follows Conan on his journey back to his homeland - and great darkness lies ahead in a doomed city! Consider supporting us and independent comics journalism by becoming a patron today! We are currently experiencing delays in processing and delivering online orders. View Product. Ernest Elias marked it as to-read Jun 03, Presenting all-action adaptations of classic Robert E. Contact Us for more info. Dec 28, Alex rated it it was amazing. Then he becomes the General of the Army for Princess Yasmela and eventually becomes the Lord of Amalr The fourth volume of the Epic Collection continues in the fine tradition of excellent story telling and great artwork of the previous volumes. -
Conan the Barbarian ______
In Defense of Conan the Barbarian ___________________________________ The Anarchism, Primitivism, & Feminism of Robert Ervin Howard Robert E. Howard has been the subject of numerous media, including several biographies and a movie. He is known and well-remembered as the creator of Conan the Cimmerian Kull of Atlantis, and the Puritan demon-hunter, Solomon Cane. His most famous creation by far, Conan has secured an immoveable foothold in the popular consciousness, and has created an enduring legacy for an author whose career lasted just over a decade. Unfortunately, due mostly to the Schwarzenegger films of the 80s, this legacy- the image of Conan in the public mind- is an undue blemish on a complex, intelligent character, and on Howard himself. In Defense of Conan the Barbarian seeks to invalidate these stereotypes, and to illuminate the social, political, economic, and ethical content of the Howard's original Conan yarns. ANTI-COPYRIGHT 2011 YGGDRASIL DISTRO [email protected] a new addition to Hyborian Scholarship by: yggdrasildistro.wordpress.com Please reprint, republish, & redistribute. ROWAN WALKINGWOLF "Barbarism is the natural state of mankind. Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph." "Is it not better to die honorably than to live in infamy? Is death worse than oppression, slavery, and ultimate destruction?" skeptical questions posed by José Villarrubia's in the beginning of Conan the Barbarian. Conan the Cimmerian. Conan, King of this essay: Aquilonia. Call him what you will, most everyone in contemporary Western society is familiar with this pulp icon to "I have often wondered..."What is the appeal of Conan the some extent.