Horny Toads and Ugly Chickens: a Bibliography on Texas in Speculative Fiction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Chupacabra Mystery
SI May June 11 CUT_SI new design masters 3/25/11 11:29 AM Page 45 Slaying the Vampire Solving the Chupacabra Mystery The mysterious vampire beast el chupacabra is said to have terrorized people around the world since at least 1995. A five-year skeptical investigation reveals the surprising origin of this monster, finding that there’s more to this vampire than meets the eye. BENJAMIN RADFORD approximately four-feet tall that had igfoot, the mysterious creature said to roam the thin arms and legs with three fingers or North American wilderness, is named after what it toes at the end of each (Corrales 1997). leaves behind: big footprints. Bigfoot’s Hispanic It had no ears or nose but instead two B small airholes and long spikes down its cousin, el chupacabra, is also known for what it leaves behind: back (see figure 1). When the beast was dead animals mysteriously drained of blood. Goats are said later reported in other countries, it took to be its favorite prey (chupacabra means goat sucker in Span- on a very different form (see figure 2). A few were found dead (for example, in ish), and it is the world’s third best-known mystery creature Nicaragua and Texas), and the carcasses (after Bigfoot and the Loch Ness monster). turned out to be small four-legged an- imals from the Canidae family (such as El chupacabra first appeared in 1995 mense confusion and contradiction” dogs and coyotes). after Madelyne Tolentino, an eyewit- surrounding el chupacabra, making it The next step was identifying and ness in Puerto Rico, provided a detailed “almost impossible to distinguish fact analyzing the central claims about el description of the bloodsucker. -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
SFRA Newsletter Published Ten Times a Vear Iw the Science Fiction Research Associa Tion
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-1989 SFRA ewN sletter 165 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 165 " (1989). Digital Collection - Science Fiction & Fantasy Publications. Paper 110. http://scholarcommons.usf.edu/scifistud_pub/110 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The SFRA Newsletter Published ten times a vear Iw The Science Fiction Research Associa tion. C:opyrightf'.' 1l)8~ by the SFRA. Address editorial correspon dence to SFRA Newslcller. English Dept., Florida Atlantic University, Boca Raton. FL ::n,n I (Tel. 407-3()7-3838). Editor: Robert A. Collins: Associate Editor: Catherine Fischer: R('l'iCiv Editor: Rob Latham: Fillll Editor: Ted Krulik; Book Neil'S Editor: Martin A. Schneider: EditOlial Assistant: .Jeanette Lawson. Send changes of address to the Secretary. enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA Thomas D. Clare son (1970-76) SFRA Executive Arthur o. Lewis,.Jr. (1977-78) Committee .Joe De Bolt (1979-80) .J ames Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (J985-8() President Elizabeth Anne Hull Past EditOl'S of the Newsletter Liberal Arts Division Fred Lerner (1971-74) William Rainey Harper College Beverly Friend (1974-78) Palatine. -
Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
Readercon 30 Pocket Guide
Readercon 30 Cover artVess courtesyCover of Charles Pocket program guide READERCON 30 July 11–14, 2019 Quincy, Massachusetts Guests of Honor Guest of Honor Guest of Honor Memorial Guest of Honor Tananarive Due Stephen Graham Edward Bryant Jones And celebrating the 2018 Cordwainer Smith Award winner: Frank M. Robinson VOLUNTEER AT CON AND EARN EXCLUSIVE READERCON STUFF! Readercon is entirely volunteer-run. Our vol- unteers help with Registration and Informa- tion, keep an eye on the programming, staff the Con Suite, and do about a million more things both before and during the con. If interested, go to Information — the person there will gladly assist you. You can volunteer at con, or join our staff to help with next year! Tote bag is for illustration only; current volunteer rewards may differ. ii PROGRAM GUIDE Unless otherwise noted, all items fill a 60-minute program slot, except for readings, which fill a 30-minute slot. All items begin 5 minutes after and end 5 minutes before the times given. Participants and attendees are urged to arrive as promptly as possible. Bold panelists are leaders/ moderators. Please note that the final schedule may have changed since this guide was printed. Please check the program grid or the online listing for the most up-to-date information. See readercon.org/program We will be providing communication access real-time translation (CART) support for some Saturday afternoon and evening program items, including the Guest of Honor interviews. These are marked in the guide with CART after the title. Salon 3 and Salon 4 are the only rooms with microphones. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
WG Sebald and Outsider
Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Winfried Kudszus, Chair Professor Anton Kaes Professor Anne Nesbet Spring 2014 Abstract Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler Doctor of Philosophy in German and the Designated Emphasis in Film Studies University of California, Berkeley Professor Winfried Kudszus, Chair This study focuses on a major aspect of literature and culture in the later twentieth century: the intersection of psychiatry, madness and art. As the antipsychiatry movement became an international intervention, W. G. Sebald’s fascination with psychopathology rapidly developed. While Sebald collected many materials on Outsider Artists and has several annotated books on psychiatry in his personal library, I examine how Sebald’s thought and writings, both academic and literary, were particularly influenced by Ernst Herbeck’s poems. Herbeck, a diagnosed schizophrenic, spent decades under the care of Dr. Leo Navratil at the psychiatric institute in Maria Gugging. Sebald became familiar with Herbeck via the book, Schizophrenie und Sprache (1966), in which Navratil analyzed his patients’ creative writings in order to illustrate commonalities between pathological artistic productions and canonical German literature, thereby blurring the lines between genius and madness. In 1980, Sebald travelled to Vienna to meet Ernst Herbeck and this experience inspired him to compose two academic essays on Herbeck and the semi-fictionalized account of their encounter in his novel Vertigo (1990). -
Fall & Winter 2011
Vol. XXX, NO. 2 © Historic Jefferson Foundation Published by Historic Jefferson Foundation, Jefferson, Texas Fall/Winter 2011 Welcome to Jefferson Courtesy Photo by Stephanie Lester Candlelight 2011 12 Jefferson’s ties Home Tours Calendar o-f Events to the Civil War Page 16-17 Page 30 Page 5 Page 2 Jeffersonian Fall/Winter 2011 Fall/Winter 2011 Jeffersonian Page 3 Fall/Winter 2011 Jeffersonian Bed & BreakfastBrreakfast A Publication of Historic Jefferson Foundation 2011 Historic Jefferson Foundation Officers President: Laura Omer Miller Vice-President: Skip Torrans KingKing Beds TTexTexasexas sizsizee frfrontont pporchoorch & gazgazeboebo Treasurer: Sam Ayer PPrivaterrivivate BathBathss ovoverlookingerlooking flowflowerer anandd bubutterflytterrflyfly gargardens.dens. Secretary: Georgette Freeman FFirFireplacesireplaces Off strstreeteet pprivaterivatte pparking.arkinng.g. PPrivaterrivivate BalconBalconiesies CCloselose to SShopshops & RestauRestaurantsrants Board Members FFullull BrBreakfasteakfast TTolloll FFrFree:ree: 8877-665-292977-665-2929 Cathey Brannon Merlene Meek Local: 9903-665-292903-665-2929 Beth Crawford Mary Nash PamPam & Bob ThomasThoomas Jeff Campbell Pam Thomas OwnersOwners andand InnkeepersInnkeepeers 206206 EastEast DeltaD StreetStreet Bill DeWare Mitchel Whitington JJefferJefferson,efferson, TexasTTexexas 7756575657 Joe Lee Website:Website: www.deltastreetinn.comwwwww.deltastrtreetinn.com • email: [email protected]@@deltastreetinn.com Copyright 2011 - Historic Jefferson Foundation Texas Treasures 'SQJSVXEFPI'S^]ERH4VMZEXI -
Franz A. Birgel Muhlenberg College
Werner Herzog's Debt to Georg Buchner Franz A. Birgel Muhlenberg College The filmmaker Wemcr Herzog has been labeled eve1)1hing from a romantic, visionary idealist and seeker of transcendence to a reactionary. regressive fatalist and t)Tannical megalomaniac. Regardless of where viewers may place him within these e:-..1reme positions of the spectrum, they will presumably all admit that Herzog personifies the true auteur, a director whose unmistakable style and wor1dvie\v are recognizable in every one of his films, not to mention his being a filmmaker whose art and projected self-image merge to become one and the same. He has often asserted that film is the art of i1literates and should not be a subject of scholarly analysis: "People should look straight at a film. That's the only \vay to see one. Film is not the art of scholars, but of illiterates. And film culture is not analvsis, it is agitation of the mind. Movies come from the count!)' fair and circus, not from art and academicism" (Greenberg 174). Herzog wants his ideal viewers to be both mesmerized by his visual images and seduced into seeing reality through his eyes. In spite of his reference to fairgrounds as the source of filmmaking and his repeated claims that his ·work has its source in images, it became immediately transparent already after the release of his first feature film that literature played an important role in the development of his films, a fact which he usually downplays or effaces. Given Herzog's fascination with the extremes and mysteries of the human condition as well as his penchant for depicting outsiders and eccentrics, it comes as no surprise that he found a kindred spirit in Georg Buchner whom he has called "probably the most ingenious writer for the stage that we ever had" (Walsh 11).