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CANTA EL PIANO Char Ese Registro Neoyorkino De 1946 Dirigido Por El Propio Milhaud
AÑO XXI - Nº 203 - Diciembre 2005 - 6,30 € 2 OPINIÓN DOSIER CON NOMBRE Veinte años de música en PROPIO España 113 6 Introducción Elisabeth Schwarzkopf Javier Alfaya 114 Arturo Reverter Gestión Santiago Martín Bermúdez 116 8 AGENDA Auditorios José Luis Carles y Cristina Palmese 122 16 ACTUALIDAD Musicología Paulino Capdepón Verdú 126 NACIONAL Educación Pedro Sarmiento 130 42 ACTUALIDAD Composición INTERNACIONAL José Luis García del Busto 134 Ópera 58 ENTREVISTA Arturo Reverter 136 Interpretación Rinaldo Alessandrini Enrique Martínez Miura 140 “La música de Bach es absolutamente Discos perfecta” Juan Manuel Viana 144 María Sánchez-Archidona Jazz Pablo Sanz 148 64 Discos del mes ENCUENTROS SCHERZO DISCOS Ian Bostridge 65 Sumario Juan Antonio Llorente 152 LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón Verdú, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Patrick Dillon, Pedro Elías Mamou, Matthias Exner, José Luis Fernández García, Jorge Fernández Guerra, Fernando Fraga, Joaquín García, José Antonio García García. José Luis García del Busto, Mario Gerteis, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Cristina Palmese, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, Justo Romero, Stefano Russomanno, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Bernard Haitink
Sunday 15 October 7–9.05pm Thursday 19 October 7.30–9.35pm Barbican Hall LSO SEASON CONCERT BERNARD HAITINK Thomas Adès Three Studies from Couperin HAITINK Mendelssohn Violin Concerto Interval Brahms Symphony No 2 Bernard Haitink conductor Veronika Eberle violin Sunday 15 October 5.30pm, Barbican Hall LSO Platforms: Guildhall Artists Songs by Mendelssohn and Brahms Guildhall School Musicians Welcome / Kathryn McDowell CBE DL Tonight’s Concert The concert on 15 October is preceded by a n these concerts, Bernard Haitink warmth and pastoral charm (although the performance of songs by Mendelssohn and conducts music that spans the composer joked before the premiere that Brahms from postgraduate students at the eras – the Romantic strains of he had ‘never written anything so sad’), Guildhall School. These recitals, which are Mendelssohn’s Violin Concerto; Brahms’ concluding with a joyous burst of energy free to ticket-holders for the LSO concert, Second Symphony; and the sophisticated in the finale. • take place on selected dates throughout Baroque inventions of Couperin, brought the season and provide a platform for the into the present day by Thomas Adès. musicians of the future. François Couperin was one of the most skilled PROGRAMME NOTE WRITERS I hope you enjoy this evening’s performance keyboard composers of his day, and his works and that you will join us again soon. After for harpsichord have influenced composers Paul Griffiths has been a critic for nearly Welcome to the second part of a series of this short series with Bernard Haitink, the through the generations, Thomas Adès 40 years, including for The Times and three LSO concerts, which are conducted by Orchestra returns to the Barbican on 26 among them. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
DOSSIER DE PRESSE 1 Sommaire
DOSSIER DE PRESSE 1 Sommaire Edito 3 Le Festival en chiffres 4 Calendrier 6 Les spectacles et festivités : Festivités du 14 juillet 7 Dansons la carmagnole (etcetera) 8 Concert au kiosque du 15 juillet 13 Russia today - Tchaïkovsky, Chostakovitch 14 Autour de Nina : hommage à Nina Simone 16 Festivités du 21 juillet 22 Festivités et conférences loufoques 23 Werther – J. Massenet 24 A bicyclette le 28 juillet 35 Il Barbiere di Siviglia – G. Rossini 36 Symphonie concertante : Beethoven, Brahms 45 Festival musette du 3 au 5 août 48 Le Pari des Bretelles 49 Tonycello : La migration des tortues 55 Schumann, Haydn, Attahir 58 The rhythm alchemy 62 Bach, Vivaldi, Humel, Dohnanyi 68 Verdi, Trilogia popolare : LaTraviata, Il Trovatore, Rigoletto 72 Tonycello en tournée 78 Concerts au kiosque O.H.V. 79 Ateliers du C.N.C.S. 80 Contacts 81 Partenaires 82 2 EDITO Vichy est une fête ! Au cœur de l’été, au centre de la France, jaillit un nouveau festival aux consonances lyriques, symphoniques, jazz et musiques du monde. A un rythme effréné, tambour battant, du 14 juillet au 15 août, l’Opéra déroule le tapis rouge à un programme pétil- lant, revigorant, où les musiques plurielles s’expriment sans retenue, le savant s’entremêlant avec le traditionnel et le populaire. « Reine des villes d’eaux », « capitale d’été de la musique », Vichy et son opéra se réinventent en puisant aux sources de leur histoire prestigieuse. Fidèle au passé, mais tournée vers l’avenir, la programmation s’adresse au plus grand nombre. Que ce soit dans la prestigieuse salle Art Nouveau de 1400 places, dans les parcs, sous les kiosques, sur les rives du lac d’allier, dans les rues, dans les villages de l’agglomération, la musique surprend, émeut, apaise, transporte… Plus de deux cents artistes s’y produisent en y distillant leur bonne humeur contagieuse, leur passion et leur talent. -
Sample Questions (PDF)
Question Question The Amati Quartet is an extremely rare set of four musical The following are all official mottos from Canadian universities. instruments owned by the University of Saskatchewan—the only Which one is the motto for the University of Saskatchewan? set of its kind in Canada and one of few in the world. The oldest of these instruments is a viola. When was it made? a) For God and Country b) Whatsoever Things are True a) 1607 c) I Will Lift up my Eyes b) 1707 d) By Work all Things Increase and Grow c) 1807 d) 1907 Answer Answer a) The University of Saskatchewan motto, in Latin, is Deo et Patriae, translated as For God and Country. Motto b) is University a) The viola dates to 1607, and was commissioned by Pope Paul V. of Alberta, c) is University of Calgary, d) is McGill University. The two violins date to 1627 and 1637, while the cello is comparatively "new", built in 1690. They were made by the famous Amati family of northern Italy, who supplied finely crafted musical instruments to royalty and the wealthy. The tone Question of these rare masterpieces is considered beyond compare. They were brought to Saskatchewan by Stephen Kolbinson, a Which of the following famous writers said that the University of Kindersley area farmer, Saskatchewan was "apparently half a century ahead of musician and avid Cambridge in Science and of Oxford in common sense"? musical instrument collector. In 1959, he a) W.O. Mitchell sold the set to the b) Farley Mowat university for a c) Norman Mailer nominal fee, making d) George Bernard Shaw the music from these instruments more Answer accessible to the people of Saskatchewan. -
20Th-Century Repertory
Mikrokosmos List 575. - 2 - June 2013 ....20TH-CENTURY REPERTORY 1 Ahrens, Joseph: Das heilige Jahr - comp.organ S 3 x MUSICA VIV MV 601114 A 20 2 Anrooy, Peter van: Piet Hein/ H.Andriessen: Kuhnau Variations/ J.Wagenaar: FONTANA 6530044 A 10 Cyrano & De getemde feeks Overtures - Residentie Orkest, cond.Dorati, Otterloo (Dutch pressing) S 3 Arndt, Rudi: Burleske for Trompet & Orch/Hattwig: Carpe diem/Rosenfeld: Scherzo NOVA 885008 A 10 for Vln & Orch/Arenz: Sommer/Bruchmann: Toccata S 4 Auric: Trio/ M.Constant: Trio/ Canteloube: Rustiques/ Lesur: Suite - Monte Carlo REM 11029 A 12 Wind Trio (gatefold) 1987 S 5 Balanchivadze: Piano Concerto 3, Ritsa Lake Intermezzo, On the Tbilisi Sea Waltz - MELODIYA D 3916 A 60 CP1 L.Oborin, cond.Khaikin, Dimitriadi 10" OLD 6 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: RCA RL 25184 A 10 Idyll for Small Orch - cond.Del Mar (UK) S 7 Bartok: Cantata Profana, 5 Hungarian Folk Songs, Village scenes, 7 Choruses - HUNGAROT SLPX 11510 A 10 cond.Dorati, Ferencsik, Korodi (Complete Edition) S 8 Bartok: Kossuth Sym Poem; Scherzo for Pno; Scherzo from Sym in E flat - E.Tusa, HUNGAROT SLPX 11517 A 10 cond.Lehel S 9 Bartok: Miraculous Mandarin ballet, Dance Suite, Hungarian Peasant Songs - HUNGAROT SLPX 11319 A 10 Budapest PO, cond.J.Sandor (Complete Edition) S 10 Bartok: Sonata for 2 Pnos & Perc; Solo Sonata for Vln - Kocsis, Ranki, Petz, Marton, HUNGAROT SLPX 11479 A 10 D.Kovacs (Complete Edition) S 11 Bartok: Suite 2, Rumanian Folk Dances, Transylvanian Dances, Hungarian Sketches -
ONYX4081.Pdf
ROBERT SCHUMANN (1810–1856) CD 1 50.10 String Quartet no.1 in A minor op.41 no.1 Streichquartett Nr. 1 a-moll · Quatuor à cordes no1 en la mineur 1 I Introduzione: Andante espressivo – Allegro 10.18 2 II Scherzo: Presto – Intermezzo 4.09 3 III Adagio 5.33 4 IV Allegro molto vivace 6.05 String Quartet no.2 in F op.41 no.2 Streichquartett Nr. 2 F-dur · Quatuor à cordes no2 en fa majeur 5 I Allegro vivace 6.00 6 II Andante, quasi variazioni 7.53 7 III Scherzo: Presto 2.57 8 IV Allegro molto vivace 7.09 CD 2 57.58 String Quartet no.3 in A op.41 no.3 Streichquartett Nr. 3 A-dur · Quatuor à cordes no3 en la majeur 1 I Andante espressivo – Allegro molto moderato 7.30 2 II Assai agitato – Un poco adagio – Tempo risoluto 6.42 3 III Adagio molto 8.01 4 IV Finale: Allegro molto vivace 6.49 Piano Quintet in E flat op.44 Klavierquintett E-dur · Quintette pour piano et cordes en mi bémol majeur 5 I Allegro brillante 8.26 6 II In modo d’una marcia. Un poco largamente 8.30 7 III Scherzo: Molto vivace 4.47 8 IV Allegro ma non troppo 7.07 Total timing: 1:48.08 Gringolts Quartet Ilya Gringolts · Anahit Kurtikyan violins Silvia Simionescu viola · Claudius Herrmann cello Peter Laul piano Schumann: String Quartets · Piano Quintet Schumann’s habit of immersing himself in one genre at a time began with 23 works for solo piano, written during a ten-year period. -
University Diversity
ON CAMPUS NEWS news.usask.ca FEB. 14, 2020 Volume 27, Issue 6 UNIVERSITY DIVERSITY From Black History Month to Indigenous Achievement Week, international student success and the upcoming One Day for Students fundraiser, we tell some of the stories of University of Saskatchewan students and staff with diverse backgrounds, coming from across the province and around the world. USask’s diversity enhances the university’s vibrant campus culture, while educating students for the opportunities of tomorrow. SEE PAGES 4-5, 8-9, 13-14. — 3 — — 6 — — 14 — GIVE PEAS A CHANCE CLIMATE CHANGE ONE DAY FOR STUDENTS Publication Mail Agreement #40065156 Pediatric residency program begins in Regina KRISTEN MCEWEN Saskatchewan now has its first degree before applying to medical Regina-based pediatrics residency school, which is a four-year program. On Campus News is published 12 times program. Once students have completed per year by University of Saskatchewan In July, two pediatric residents medical school, they are required Marketing and Communications. It is started their training at the Univer- to complete residency programs, distributed to all USask faculty, staff, graduate students and members of sity of Saskatchewan (USask) College which can be between two and seven governing bodies, as well as to others of Medicine Regina campus, where years depending on the specialty. in the university community, related roughly 30 per cent of all USask While residents have always organizations, some Saskatchewan medical students train each year. travelled between the cities and to government officials and news media. “We’re excited to have residents sites across the province for their Subscriptions are available for $24 based here,” said Dr. -
Terry Rileybiography and W Orks
Biography and Works Riley Terry G. Schirmer and Associated Music Publishers Composer and performer Terry Riley is one of the ing of his epic five-quartet cycle, Salome Dances for founders of music’s Minimalist movement. His early Peace was selected as the Classical album of the year Biography works, notably In C (1964), pioneered a form in by "USA Today" and was nominated for a Grammy. Western music based on structured interlocking repet- Riley Terry itive patterns. The influence of Riley’s hypnotic, multi- The Palmian Chord Ryddle, a concerto, was premiered layered, polymetric, brightly orchestrated Eastern-fla- in May 2012 by electric violinist Tracy Silverman and vored improvisations and compositions is heard The Nashville Symphony led by conductor Giancarlo across the span of contemporary and popular music. Guerrero. A subsequent performance occurred at Carnegie Hall. Recent works include Transylvanian Performers who have commissioned and/or played his Horn Courtship (2008) for string quartet doubling on works include: Kronos Quartet, Rova Saxophone Stroh instruments, Universal Bridge (2008) for pipe Quartet, ARTE Quartet, Array Music, Zeitgeist, organ, and the violin concerto Zephir (2009). Steven Scott Bowed Piano Ensemble, John Zorn, Sarah Cahill, California E.A.R. Unit, guitarist David Past commissions include: the orchestral Jade Palace Tanenbaum, electric violinist Tracy Silverman, drum- (1991) for Carnegie Hall’s centennial celebration, pre- mer George Marsh, bassist Bill Douglass, the Assad miered there by the Saint Louis Symphony