Cronaca Di San Cesario Alessandro Tassoni Seniore
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Lipsius En Livius. Klassieke Filologie in De Zestiende Eeuw
149 Lipsius en Livius. Klassieke filologie in de zestiende eeuw Marijke CRAB Abstract Whereasthe Flemish humanist Justus Lipsius has won the highest praise forhis successive commented editions of Tacitus’ Annales and Historiae, hitherto no attention has been paid to his philological and antiquarian study of Livy. By editing, emending and lecturing on Livy’s monumental history of Rome, however, Lipsius not only followed in the footsteps of famous scholars such as Petrarch, Henricus Glareanus and Carolus Sigonius, but also continued a tradition at the Louvain Collegium Trilingue. A close investigation of Lipsius’ Epistolicae Quaestiones, which contain a masterly sample oftextual criticism, enables us to judge Lipsius’ correction of Livy against the emendatio lipsiana applied to Tacitus, thus shedding light on both the methods and achievements of one of the leading classical phi- lologists of the sixteenth century. De figuur van humanist Justus Lipsius (1547-1606) behoeft eigenlijk geen inleiding. Zijn verdiensten op het vlak van pedagogie en filosofie zijn in het verleden uitvoerig behandeld; hier gaat de aandacht uit naar Lipsius’ pres- taties op twee andere domeinen, met name de klassieke filologie en — daar- mee samenhangend — de oude geschiedenis. Lipsius’ filologische interesse leidde tot twee soorten publicaties: enerzijds schreef Lipsius aan het begin van zijn carrière een reeks zuiver tekstkritische werken, anderzijds ver- zorgde hij zijn leven lang edities van klassieke auteurs. Zijn antiquarische belangstelling resulteerde in talloze monografieën over het antieke Rome, met gevarieerde onderwerpen als gladiatorenspelen, het Romeinse leger en antieke bibliotheken. ' Gezien Lipsius’ belangstelling voor klassieke teksten enerzijds en oude geschiedenis anderzijds, is het niet verwonderlijk dat er binnen zijn oeuvre een belangrijke plaats is weggelegd voor de antieke his- toriografen. -
L'oceano Di Alessandro Tassoni
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Filologia e letteratura italiana Tesi di Laurea L’Oceano di Alessandro Tassoni Relatore Ch.ma Prof.ssa Daria Perocco Laureando Elena Zandomeneghi Matricola 832705 Anno Accademico 2015 / 2016 INDICE PREMESSA p. 2 CAPITOLO 1: ALESSANDRO TASSONI Biografia p. 5 Bibliografia ragionata p. 12 Studi critici p. 44 CAPITOLO 2: OCEANO Introduzione p. 49 Lettera scritta ad un amico p. 51 Oceano p. 61 CAPITOLO 3: COMMENTO Genesi dell‟opera p. 112 Struttura p. 124 Osservazioni p. 134 Confronti p. 140 CONCLUSIONI p. 154 BIBLIOGRAFIA p. 156 1 PREMESSA Il fine che questo lavoro di ricerca si propone è molteplice. Primaria sicuramente è l‟intenzione di introdurre ad una lettura ragionata del poema Oceano di Alessandro Tassoni, nell‟ottica di fornire in secondo luogo un ulteriore punto di vista per la comprensione delle tante sfaccettature della personalità tassoniana e per metterla infine in relazione col contesto culturale e col panorama letterario in cui si innestava. Quest‟opera non è stata completata dal suo autore e si arresta improvvisamente a metà della seconda ottava del secondo canto, per un totale di settantasette strofe e mezza composte. Restano ad oggi diversi dubbi sulla data di composizione dell‟opera, sul perché della sua interruzione e sulla scelta del tema poi abbandonato. Oceano, infatti, è un poema che si propone di narrare le gloriose gesta dell‟eroe Cristoforo Colombo e delle sue avventure alla scoperta del nuovo mondo. L‟indagine è stata suddivisa in tre capitoli. Il primo si intitola Alessandro Tassoni ed è a sua volta articolato in tre parti. -
A History of Italian Literature Should Follow and Should Precede Other and Parallel Histories
I. i III 2.3 CORNELL UNIVERSITY LIBRARY C U rar,y Ubrary PQ4038 G°2l"l 8t8a iterature 1lwBiiMiiiiiiiifiiliiii ! 3 1924 oim 030 978 245 Date Due M#£ (£i* The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030978245 Short Histories of the Literatures of the World: IV. Edited by Edmund Gosse Short Histories of the Literatures of the World Edited by EDMUND GOSSE Large Crown 8vOj cloth, 6s. each Volume ANCIENT GREEK LITERATURE By Prof. Gilbert Murray, M.A. FRENCH LITERATURE By Prof. Edward Dowden, D.C.L., LL.D. MODERN ENGLISH LITERATURE By the Editor ITALIAN LITERATURE By Richard Garnett, C.B., LL.D. SPANISH LITERATURE By J. Fitzmaurice-Kelly [Shortly JAPANESE LITERATURE By William George Aston, C.M.G. [Shortly MODERN SCANDINAVIAN LITERATURE By George Brandes SANSKRIT LITERATURE By Prof. A. A. Macdonell. HUNGARIAN LITERATURE By Dr. Zoltan Beothy AMERICAN LITERATURE By Professor Moses Coit Tyler GERMAN LITERATURE By Dr. C. H. Herford LATIN LITERATURE By Dr. A. W. Verrall Other volumes will follow LONDON: WILLIAM HEINEMANN \AU rights reserved] A .History of ITALIAN LITERATURE RICHARD GARNETT, C.B., LL.D. Xon&on WILLIAM HEINEMANN MDCCCXCVIII v y. 1 1- fc V- < V ml' 1 , x.?*a»/? Printed by Ballantyne, Hanson &* Co. At the Ballantyne Press *. # / ' ri PREFACE "I think," says Jowett, writing to John Addington Symonds (August 4, 1890), "that you are happy in having unlocked so much of Italian literature, certainly the greatest in the world after Greek, Latin, English. -
The Role of Italy in Milton's Early Poetic Development
Italia Conquistata: The Role of Italy in Milton’s Early Poetic Development Submitted by Paul Slade to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in December 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. Abstract My thesis explores the way in which the Italian language and literary culture contributed to John Milton’s early development as a poet (over the period up to 1639 and the composition of Epitaphium Damonis). I begin by investigating the nature of the cultural relationship between England and Italy in the late medieval and early modern periods. I then examine how Milton’s own engagement with the Italian language and its literature evolved in the context of his family background, his personal contacts with the London Italian community and modern language teaching in the early seventeenth century as he grew to become a ‘multilingual’ poet. My study then turns to his first published collection of verse, Poems 1645. Here, I reconsider the Italian elements in Milton’s early poetry, beginning with the six poems he wrote in Italian, identifying their place and significance in the overall structure of the volume, and their status and place within the Italian Petrarchan verse tradition. -
A Cura Di Giovanna Curcio, Nicola Navone, Sergio Villari
Università della Svizzera italiana Accademia di architettura Archivio del Moderno Studi su Domenico Fontana a cura di Giovanna Curcio, Nicola Navone, Sergio Villari Mendrisio Academy Press 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageI Archivio del Moderno / Saggi 19 Collana diretta da Letizia Tedeschi 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageIII Studi su Domenico Fontana 1543-1607 A cura di Giovanna Curcio, Nicola Navone, Sergio Villari Mendrisio Academy Press / 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageIV Questo volume trae origine dal convegno internazionale di studi «Cosa è architetto». Domenico Fontana tra Melide, Roma e Napoli (1543-1607) (Mendrisio, 13-14 settembre 2007) ed è stato realizzato nell’ambito del progetto di ricerca Domenico Fontana (1543-1607): architettura e ingegneria agli albori del Barocco, diretto da Nicola Navone (Archivio del Moderno, Accademia di architettura, USI, Mendrisio) e Sergio Villari (Facoltà di architettura, Università degli Studi di Napoli “Federico II”), promosso dall’Archivio del Moderno (Accademia di architettura, USI) e dall’Università degli Studi di Napoli “Federico II”. Coordinamento editoriale Tiziano Casartelli Redazione Marta Valdata Impaginazione e gestione immagini Sabine Cortat La pubblicazione ha avuto il sostegno del Comune di Melide In copertina Giovanni Guerra (dis.), Natale Bonifacio (inc.), Disegno, nel quale si rappresenta l’ordine tenuto in alzar la Guglia…, 1586, particolare. Tavola tratta da J. Blaeu, Theatrum civitatum et admirandorum Italiae, pars altera, Amstelaedami 1663. © 2011 Fondazione Archivio del Moderno, Mendrisio 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageV Sommario VII Problemi di architettura 91 Cantieri d’inchiostro. -
Vita Di Alessandro Tassoni
1 ' 1 i VITA DI ALESSANDRO TASSONI. ni i imi ——mun , ALESSANDRO TASSONI Scrina dal Signor Propago Lodovico Antonio Muratori BIBLIOTECARIO DELL' ALTEZZA SERENISSIMA D I FRANCESCO III. D'ESTE , Mirandola ec. Duca di Modena , Reggio E DEDICATA AL SERENISSIMO SIGNOR PRINCIPE EREDITARIO DI MODE NJ^ I N MODE N 4 t Duetti*^;* * Peìi Baholomuo Soli ani Stampato* tON LICENZA DJ' ;UP£UO«I- Sereniflfima Altezza. LLy4 pubblica prima editorie 7 della Vita del celebre /- 5 i /0/Ó/0 &<?#d c$<? tino- ' maio Poeta, AIejfandrò TaJJòni Patrizio Modene- fe , ufcita dallafelic'tjfima * 3 pinna Muratoriana penna , ap- poggio pìà convenevole , e tutela o pìà rifpettabile o piò lum'mofa io non fapreì d altronde mai procctira- re y che dallafignorìlprote- zione della veneratifjlma perfona di Voftr Altezza SerenìJJtma . Sol tanto dunque che El- laJmitandò T a pigufto glo- rio/o e[empio del Sereni/fi- mo Padre, dementiamo noflro Sovrano 3 ed emù- landò f indolegenerofa de] Serenìjjìmi fuoi Antena- Protettori ti , benefici mai loro del- fempre né dominj y le Arti e difcipline [denti- fiche^delpari che de Lette- rati degni con 3 fi , ficcome tutto ì ofjequìo ardi/co di fuppìicameìa , di accoglie- re benignamente quefia umil mia Dedica : la Vita Tajjoni del- del ? che mercè le flampe io fonoper divol- gare.potrà benpròmetterfi * 4 [otto \ fono gli fiplendìdi Serenif- fimi fuoi aujpi^j dt e//ere , gra^iofiameme favorita e poffentemente protetta. Bramofo intanto il mio i fpirito di vedere esaudita \ quefta riveremijjìma fup- ' plica , mi porta altresì col- la pià perfetta [omme(filo- ne ad umiliarmi. -
St Gallicano Hospital Rome
N$ THE CURIA II{FORMS ffi ,IN THE FURNACE OF CHARITY" #s.Flrt{}A f--E I S-G,6- LTCA"Id .$f. Poul of the Cross ond the Venerob le tohn Eopffsf sf fhe Hospifcl of Ssn GEIIrcsno, Rome Fr. Lowrence Rr/wolt, C.P. (PAUL) The Hospitol ol Son Gollicono, Rome ur General Constitutions, at No. 3, state extraordinary dimensions, enriched by annual con- that: "We wish to share in the distress of all, tributions, for people abandoned and rejected by all especially those who are poor and neglect- because they sufferfrom prurigo, leprosy, scabies of ed; we seek to offir them comfort and to relieve the the head, for their necessary treatment and in order burden of their sorrow". Long before this version of to save them from the risk of premature death". It the Rule and Constitutions was written, Paul of the was in this setting, which St. Paul of the Cross would Cross and his brother, John Baptist, found themselves later describe as a "fumace of charity", that he and in an environment which was to offer them a hands- his brother, John Baptist, would begin their first min- on opportunity to minister to the poor and abandoned isterial experience in the city of Rome. It would not who were physically and spiritually distressed. The only be an opportunity for them to further clarifi, the year was 1725, the Holy Year, and the opporhrnity charism of this new institute that Paul was inspired to was a new venture of Pope Benedict XIII: a hospital found, but it would be a stepping stone toward their for those afflicted with diseases of the skin - the priestly ordination and their introduction into the Institute of San Gallicano in the Trastevere section of world of Rome and the Vatican. -
Libri, Autografi E Stampe
MINERVA AUCTIONS LIBRI, AUTOGRAFI E STAMPE GIOVEDÌ 15 GIUGNO 2017 MINERVA AUCTIONS Palazzo Odescalchi Piazza SS. Apostoli 80 - 00187 Roma Tel: +39 06 679 1107 - Fax: +39 06 699 23 077 [email protected] www.minervaauctions.com FOLLOW US ON: Facebook Twitter Instagram LIBRI, AUTOGRAFI E STAMPE GIOIELLI, OROLOGI E ARGENTI Fabio Massimo Bertolo Fabio Nussenblatt Auction Manager & Capo Reparto Capo Reparto Silvia Ferrini Vittoria Tomasini Office Manager & Esperto Amministratore DIPINTI E DISEGNI ANTICHI FOTOGRAFIA Valentina Ciancio Marica Rossetti Capo Reparto Specialist Adele Coggiola Junior Specialist & Amministratore Business Development Muriel Marinuzzi Ronconi Andrea Morisco Amministrazione Viola Marzoli Amministratore Client Service Marzia Flamini Magazzino e spedizioni Claudio Vennarini ARTE DEL XIX SECOLO Luca Santori Capo Reparto ARTE MODERNA E CONTEMPORANEA Georgia Bava Capo Reparto Photo Studio Compagnucci Fotografi Silvia Possanza Layout Marco Macchioni Junior Specialist & Amministratore Print STR Press, Pomezia MINERVA AUCTIONS ROMA 141 LIBRI, AUTOGRAFI E STAMPE GIOVEDÌ 15 GIUGNO 2017 ROMA, PALAZZO ODESCALCHI Piazza SS. Apostoli 80 PRIMA TORNATA - ORE 10.30 (LOTTI 1 - 282) SECONDA TORNATA - ORE 15.30 (LOTTI 283 - 674) Per partecipare a questa asta online: ESPERTI / SPECIALISTS www.liveauctioneers.com Fabio Massimo Bertolo www.invaluable.com [email protected] Silvia Ferrini [email protected] REPARTO / DEPARTMENT Per visionare i nostri cataloghi visitate il sito: Andrea Morisco www.minervaauctions.com -
The Rape of the Bucket
LA S E C CH I A RA PI T A ; T HE RA PE O F T HE B UCKET O - I P M A N HER I COM CA L OE , W LV O I N T E E CANT S . TRA N SLA TED FROM THE I TA LI A N OF LE A SSANDRO TASSONI . WI TH N OTES . B Y J A M S A T KI N O E S N , ES Q . W V T O O LUMES . O . V L. I LONDON J . M. RI CH RD ON CO N A S , R HI LL. 1 82 5 . LON DON I B OT S‘ O N A N D PA LME R PR I N R A V Y RE RA N D , T E S , S O ST ET, ST . P R A E E F C . A L DR N I a u th r La Secchia ESSAN O TASSO , the o of R a ita n a n d n l p , was the descen dan t of a n an cie t ob e n fa m il a n d n on 28 th S m Mode ese y, bor the of epte ber, a n d n 1 565 . For the acquirem en t of the Greek Lati n n n la guages, he was placed u der the tuitio of Lazzaro La b a din i a n d n w m , his educatio was after ards co pleted un der em in en t scholars at Bologn a a n d Ferrara . -
Dynasty and Diplomacy in the Court of Savoy: Political Culture and the Thirty Years’ War Toby Osborne Excerpt More Information
Cambridge University Press 978-0-521-03791-4 - Dynasty and Diplomacy in the Court of Savoy: Political Culture and the Thirty Years’ War Toby Osborne Excerpt More information INTRODUCTION In September 1999 the National Gallery in London proudly announced the acquisition of the magnificent full-length portrait of Abate Alessandro Cesare Scaglia (1592–1641), ‘without question one of Van Dyck’s great- est achievements’.1 Felicitously, the ‘Camrose’ portrait came into the National Gallery’s permanent collection in the same year that marked the four-hundredth anniversary of Anthony van Dyck’s (1599–1641) birth, adding to the gallery’s other portrait of Abate Scaglia by Van Dyck in devotion to the Virgin and Child, and establishing the abate not only as a major patron of Van Dyck but also as a figure of exceptional importance in the history of collecting. Scaglia was indeed positioned at the heart of an international network of courtiers, collectors, artists and writers who gave seventeenth-century Europe a distinctive charac- ter, among them the artists Peter Paul Rubens (1577–1640) and Jacob Jordaens (1593–1678), the collector Cassiano dal Pozzo (1588–1657), the duke of Buckingham (1592–1628), Balthasar Gerbier (1592–1663) and Endymion Porter (1587–1649), and the writers Emanuele Tesauro (1592–1675), Virgilio Malvezzi (1595–1654), Fulvio Testi (1593–1646) and Alessandro Tassoni (1565–1635). This was a remarkably wide-ranging cultural network. However, it would be wrong simply to view the abate in the reflected glory of such un- deniably renowned names as VanDyck or Rubens alone, divorcing artistic patronage from its early modern social and political context. -
Il Manoscrito Inedito Delle None Rime Di Laura Terracina
TESIS DOCTORAL DOCTORADO EN ESTUDIOS FILOLÓGICOS UNIVERSIDAD DE SEVILLA – UNIVERSITÀ DI ROMA TOR VERGATA IL MANOSCRITO INEDITO DELLE NONE RIME DI LAURA TERRACINA Doctoranda: Valeria Puccini Directoras de Tesis: Dra. Mercedes Arriaga Flórez y Dra. Florinda Nardi Sevilla, 2018 Per correr miglior acque alza le vele omai la navicella del mio ingegno, che lascia dietro a sé mar sì crudele Dante, Purg., I, 1-3 2 INDICE Introduzione pag. 4 Capitolo I: La lirica nel Cinquecento: il contesto pag. 8 Capitolo II: L’ambiente intellettuale del Regno di Napoli nel XVI secolo pag. 36 Capitolo III: L’educazione femminile in Italia tra XV e XVI secolo pag. 70 Capitolo IV: La lirica femminile nel Regno di Napoli nel XVI secolo pag. 93 Capitolo V: Laura Terracina: la vita e la produzione poetica pag. 110 Capitolo VI: Il manoscritto inedito delle None Rime di Laura Terracina pag. 165 Conclusioni pag. 180 Criteri di edizione pag. 183 Testo pag. 188 Tavola metrica pag. 509 Componimenti di altri autori per Laura Terracina presenti nel codice pag. 512 Indice alfabetico dei capoversi pag. 514 Bibliografia pag. 527 3 Introduzione L’obiettivo della mia ricerca è stato la realizzazione di un’edizione critica del manoscritto inedito delle None rime di Laura Terracina, una tra le poetesse più prolifiche del Rinascimento italiano, definita da Virginia Cox «the most published poet of the century XVI»1, la quale conobbe, ai suoi tempi, un grande successo editoriale e di pubblico. Dal 1548, data di pubblicazione della sua prima raccolta di Rime presso il prestigioso editore Giolito de’ Ferrari a Venezia, ella pubblicò infatti ben otto successivi volumi di poesia, ristampati più volte da editori diversi, senza contare il manoscritto delle None Rime rimasto inedito, attualmente disponibile in un’unica copia presso la Biblioteca Nazionale di Firenze, che ho avuto il privilegio di visionare e studiare nell’ambito di questo dottorato. -
Giacomo Zabarella, the Author of a Dedication to King Stephen Báthory
https://doi.org/10.15633/fhc.3736 Zbigniew Liana https://orcid.org/0000-0001-7452-8770 Pontifical University of John Paul II, Faculty of Philosophy Giacomo Zabarella, the Author of a Dedication to King Stephen Báthory Giacomo Zabarella1 (1533–1589) is known primarily as an outstanding logician and natural philosopher in the spirit of Paduan Aristotelianism. In line with the humanist idea of return to literary sources, Zabarella strove to extract Aristotle’s original thought from the confines of mediaeval scholasticism.2 Al- ready in his lifetime, he gained renown as an unequalled interpreter of Aris- totle’s works, and this acclaim only grew after his death. In 1577, King Stephen Báthory invited him to Krakow to lecture on philosophy at a newly planned university. the dedication presented below is a response to the invitation. In the 17th and 18th centuries, a multitude of biographical entries were written about Zabarella’s life. All of them are short and each is based on 1. Latin: Jacobus or Iacobus Zabarella, Italian: Giacomo or Iacopo Zabarella. On the in- consistent spelling of his first name in Italian, see section D below. In contempo- rary Italian dictionaries his name appears as Giacomo Zabarella; see three different biographical entries Zabarella, Giacomo accessible on Treccani website [online]. Note: all links to websites containing texts which are available only online or which are unavailable in Poland in printed versions but they have their official online ver- sions are listed in a separate section of Bibliography and omitted in footnotes. 2. On Zabarella’s Aristotelianism, see J.M.