Justa Nother Teenage Rebel’: Space, Memory and Conflict in an Oral History of the Belfast Punk Scene, 1977-1986
1 ‘JUSTA NOTHER TEENAGE REBEL’: SPACE, MEMORY AND CONFLICT IN AN ORAL HISTORY OF THE BELFAST PUNK SCENE, 1977-1986 FEARGHUS BRIAN ROULSTON 2 Well, what the fuck is it about? Like I said, I did it to stand up for Airdrie. I did it because of Memorial Device. I did it because, for a moment, everybody was doing everything, reading, listening, writing, creating, sticking up posters, taking notes, passing out, throwing up, rehearsing, rehearsing, rehearsing in dark windowless rooms at 2pm like the future was just up ahead and we better be ready for it. And now already it’s the rotten past. That’s why I did it, if you want to know the truth. - David Keenan, This is Memorial Device But lucky are we as well / sometimes there are oysters in sleech / - Matt Regan (Little King), Sleech To my parents. 3 ABSTRACT This thesis is an oral history of the punk scene in Belfast between 1977 and 1986. Interrogating the idea that punk was a non-sectarian subculture, it argues that the accounts of my interviewees suggest a more nuanced relationship between the punk scene and Northern Irish society. Through detailed analysis of four interviews, it describes the punk scene as a structure of feeling that allowed Protestant and Catholic teenagers and young people to intervene in the sectarianised space of Belfast in new ways, without transcending the influence of sectarianism entirely. It also suggests that considering the ways in which people remember the punk scene, via the interpretative oral history methodology first developed by Alessandro Portelli and Luisa Passerini, offers an insight into how memories of everyday life are shaped by Northern Irish memory cultures as well as by lived experiences of punk and of the Troubles.
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