Taking East Lansing by Storm
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Finding Aid to the Historymakers ® Video Oral History with Cullen L
Finding Aid to The HistoryMakers ® Video Oral History with Cullen L. Dubose Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Dubose, Cullen L., 1935- Title: The HistoryMakers® Video Oral History Interview with Cullen L. Dubose, Dates: June 10, 2010 Bulk Dates: 2010 Physical 7 uncompressed MOV digital video files (3:26:24). Description: Abstract: Construction executive Cullen L. Dubose (1935 - ) was the chief operating officer for Painia Development Corporation from 1977 to 2008, and was appointed to the Michigan Economic Growth Authority in 2003 by Governor Jennifer Granholm. Dubose was interviewed by The HistoryMakers® on June 10, 2010, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2010_046 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Construction Executive Cullen L. Dubose was born on July 5, 1935 in Moss Point, Mississippi. Dubose attended Tougaloo College in Jackson, Mississippi and received his B.S. in Civil Engineering from Tri-State University in Angola, Indiana in 1958. Dubose also attended graduate school in housing and finance at Michigan State University. From 1958 to 1969, Dubose worked as a Bridge Design Engineer, Civil Engineer, Structural Draftsman, and Highway Draftsman for the Michigan Department of Structural Draftsman, and Highway Draftsman for the Michigan Department of State Highways and Transportation in Lansing, Michigan. During much of that time, Dubose also worked as a Civil Engineer for the Michigan State Housing Development Authority. From 1977 to 2008, Dubose was the Chief Operating Officer for Painia Development Corporation, a minority-owned company that provides comprehensive site selection advice and evaluates sites along with design builds for corporations looking to locate or relocate their facilities such as distribution centers, call and data centers, warehouses and manufacturing facilities. -
71 Ans De Festival De Cannes Karine VIGNERON
71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal -
Me First and the Gimme Gimmes + Masked Intruder Del 9 Al 11 De Febrero
Me First And The Gimme Gimmes + Masked Intruder del 9 al 11 de Febrero hfmncrew.com Press Kit / Me First And The Gimme Gimmes + Masked Intruder hfmncrew.com Press Kit / Me First And The Gimme Gimmes + Masked Intruder La superbanda de versiones formada en 1995, Me First And The Gimme Gimmes, volverá a nuestra península tras el último petazo hace tres años con nuevo disco bajo el brazo. Jay Bentley (Bad Religion), Joey Cape y Dave Raun (Lagwagon), Scott Shiflett (Face to Face) y Spike Slawson (Swingin' Utters -Uke-Hunt) vendrán a repartir cera a ritmo de punk-rock, no podéis perder esta oportunidad, ya que en su anterior y primera gira colgaron el cartel de "Sold Out" en todas sus fechas. No os durmais, entradas disponibles ya en www.musikaze.com Hablar de ME FIRST AND THE GIMME GIMMES es sinónimo de fiesta. La banda se ha atrevido a versionarlo todo; R&B, clásicos de los 50 y 60, hits del pop, country y seguramente alguna de las canciones preferidas de vuestras madres también! Desde clásicos del rock como Led Zeppelin, cantautores folk como Johnny Cash, clásicos del country como "Goodbye Earl" interpretado por Dixie Chiks, pasando por algunos hits como "Uptown Girl" de Billy Joel o "I Believe I Can Fly" de R.Kelly. Los GIMME GIMMES son, sin lugar a dudas, la mejor banda de versiones que existe. Presenciar a ME FIRST AND THE GIMME GIMMES sobre el escenario es una experiencia única e irrepetible. Are we not men? We are diva! Es su último trabajo, y en esta ocasión, versionan canciones interpretadas por divas. -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
I'm Gonna Keep Growin'
always bugged off of that like he always [imi tated] two people. I liked the way he freaked that. So on "Gimme The Loot" I really wanted to make people think that it was a different person [rhyming with me]. I just wanted to make a hot joint that sounded like two nig gas-a big nigga and a Iii ' nigga. And I know it worked because niggas asked me like, "Yo , who did you do 'Gimme The Loot' wit'?" So I be like, "Yeah, well, my job is done." I just got it from Slick though. And Redman did it too, but he didn't change his voice. What is the illest line that you ever heard? Damn ... I heard some crazy shit, dog. I would have to pick somethin' from my shit, though. 'Cause I know I done said some of the most illest rhymes, you know what I'm sayin'? But mad niggas said different shit, though. I like that shit [Keith] Murray said [on "Sychosymatic"]: "Yo E, this might be my last album son/'Cause niggas tryin' to play us like crumbs/Nobodys/ I'm a fuck around and murder everybody." I love that line. There's shit that G Rap done said. And Meth [on "Protect Ya Neck"]: "The smoke from the lyrical blunt make me ugh." Shit like that. I look for shit like that in rhymes. Niggas can just come up with that one Iii' piece. Like XXL: You've got the number-one spot on me chang in' the song, we just edited it. -
BLUETONES! O L
The Weekly Arts and Entertainment Supplement to the Daily Nexus Are you worried at all about coming to America to try and find success? SM: I think if you go anywhere, you go open-minded just to see what the people are like. You don’t go with preconceptions. I think we’re just waiting. We’re waiting for when there’s a demand and when people do actually want to go and see us. I’m talking about the fans. _ How would you describe your music to someone from California? EC: It’s rock ’n’ roll, really. The Bluetones are a band from Houndslow, England, which, in case your English SM: Melodic guitar rock. Pop music. We’re influenced by a lot of West Coast Ameri geography is not up to par, is near Heathrow Airport in London. This fine quartet, com can stuff from the ’60s— Crosby, Stills & Nash, Buffet, The Byrds, Buffalo Springfield. prised of singer/lyricist Mark Morriss, bassist Scott Morriss, drummer Eds Chesters Do you see yourself as a primarily English band? and guitarist Adam Devlin, gets my vote for the best new pop band out of Britain. SM: We don’t like flying flags in foreign countries or anything. That’s a load of rub They’ve honed their skills on tour with the likes of Supergrass, while the less talented bish. The thing that’s happening is that they’re trying to promote “Britpop” in America scruffs got all the attention. right now. However, in January, the hounds were released in the form of the Bluetones’ first EC: It’s bollocks. -
*5 ¡£ ¡¡¡Bis MCC Lounge 10 P J
mummttmna. p j This Week in Room 1434 Gallery 1434 dishes up yet another serv The small room contains photographs ing for the art-hungry eye. This week’s show and paintings of spaghetti and other types of is titled “Not with my spatula you don’t" and pasta. Two parallel rows o f photographs run features the work of Paco Shima. O f the along the perimeter o f the room. It's a verit Gallery’s two rooms, Shima’s paintings and able photo sh oot fo r noodles w hen shown in photographs are center stage, and each room different sauces and dishes. It seems to play carries a different theme. The large room in off the idea of what my great-grandma used cludes several paintings, each bordered with to say when looking at her prepared meal: different colon of glitter, making them quite “Looks like picture.” It’s an interesting take pretty to look at. It’s this glittery glory that on every student’s staple m eal, and perhaps it catches your eye and forces you take in the will make you think twice before you sit entire piece. That’s when you’ll realize many down to that next plate of noodles. Paco of them also come with their own scents. It’s Shima’s work m il be on view until May 8. a nice touch. The paintings consist mostly of Gallery hours are from 8 a.m. to 3 p.m. organic shapes. They look like tongues and — Tami T . Mnoian liven, or other organs of the body. -
The State, Democracy and Social Movements
The Dynamics of Conflict and Peace in Contemporary South Asia This book engages with the concept, true value, and function of democracy in South Asia against the background of real social conditions for the promotion of peaceful development in the region. In the book, the issue of peaceful social development is defined as the con- ditions under which the maintenance of social order and social development is achieved – not by violent compulsion but through the negotiation of intentions or interests among members of society. The book assesses the issue of peaceful social development and demonstrates that the maintenance of such conditions for long periods is a necessary requirement for the political, economic, and cultural development of a society and state. Chapters argue that, through the post-colo- nial historical trajectory of South Asia, it has become commonly understood that democracy is the better, if not the best, political system and value for that purpose. Additionally, the book claims that, while democratization and the deepening of democracy have been broadly discussed in the region, the peace that democracy is supposed to promote has been in serious danger, especially in the 21st century. A timely survey and re-evaluation of democracy and peaceful development in South Asia, this book will be of interest to academics in the field of South Asian Studies, Peace and Conflict Studies and Asian Politics and Security. Minoru Mio is a professor and the director of the Department of Globalization and Humanities at the National Museum of Ethnology, Japan. He is one of the series editors of the Routledge New Horizons in South Asian Studies and has co-edited Cities in South Asia (with Crispin Bates, 2015), Human and International Security in India (with Crispin Bates and Akio Tanabe, 2015) and Rethinking Social Exclusion in India (with Abhijit Dasgupta, 2017), also pub- lished by Routledge. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
In Ingham County, Bert C
S.pringport Bindery SDringport, Mich. tWSi Vol. 105 No. 53 December 30, 1964 2 Sections, 22 Pages lO~ Per Copy Goodbye Millions !WillI Pour and Into Roqd Proiects Mason wUl soon be surrounded with several million dollars a grade separation at Covert Rd. worth of state road work, and US-127 near Mason, esti Hello The projects w111 be part of mated cost, $568,000, to be put the plan to put US-127 to full under contract in October. freeway status, Here is the latest Already under contract are 2 other jobs, the Columbia road Old Man 1964 bows out Thursday night midst schedule of cantract lettings, for the project. overpass and the Cedar street all the celebrating which usually goes along with Constructlon of a grade separ interchange, They were placed under contract along with inter atlon at US-127 and College Rd., the cutting of the ties of the past and start of a changes at Bellevue road at Les new year. estimated cost, $125,000, tp be put under contract in April, lie and Territorial road on the Ingharn-Jackson county line. The old one has been a blinger. It was Construction of 3,7 mlles of Biggest part of the project wlll US-127 Freeway from Mason marked with progress for Mason in almost every be the 3, 7 miles of new 4-lane field of endeavor. north to Holt Rd., estimated cost, construction between the Mason $2.5 m1llion, To be put uhder Voters gave the go ahead to school operating contract in June. -
2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm
The Brighton Film Festival ADVENTURES IN 13-29 NOV 2015 WORLD CINEMA www.cine-city.co.uk Duke OF YORK’S The Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT FRI 13 NOV / 8:30PM DIR: TODD Haynes. ADVENTURES IN WITH: Cate BLanchett, ROOney MARA, KYLE CHANDLER. WORLD CINEMA UK / USA 2015. 118 MINS. A stirring and stunningly realised adaptation of Patricia Highsmith’s TH novel The Price of Salt, set in Welcome TO THE 13 EDITION OF CINECITY 1950s’ New York. Therese (Rooney Mara) is an aspiring photographer, working in a Manhattan department CINECITY presents the very best store where she first encounters (15) in world cinema with a global mix of Appropriately for our 13th edition, a strong coming-of- Ben Wheatley’s High Rise – both based on acclaimed Carol (Cate Blanchett), an alluring age theme runs right through this year’s selection with novels and with long and complicated paths to the older woman whose marriage is premieres and previews, treasures many titles featuring a young protagonist at their heart, screen - we have produced an updated version of ‘Not breaking down. There is an Carol from the archive, artists’ cinema, navigating their way in the world. Showing at this Cinema’, our programme of unrealised immediate connection between a showcase of films made in this British Cinema, which will be available at venues them but as their connection city and a programme of talks and Highlighted by the screenings of throughout the festival. deepens, a spiralling emotional The Forbidden Room, Hitchcock / intensity has seismic and far-reaching education events.