Mama Said – Lukas Graham

Total Page：16

File Type：pdf, Size：1020Kb

iSing.pl - Każdy może śpiewać! Mama Said – Lukas Graham When Mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we are good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun ´Cause we were good kids Remember asking both my mom and dad Why we never travelled to exotic lands We only ever really visit friends Nothing to tell when the summer ends We never really went buying clothes Folks were passing on this stuff in plenty loads New shoes once a year and then Out to play ball so we could ruin them When mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we were good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun `Cause we were good kids Don’t get me wrong I didn’t have it bad I got enough loving from my mom and dad But I don’t think they really understood When I said that I wanted the deal in Hollywood I told them I´ll be singing on TV The other kids were calling me a wannabe The older kids they started bugging me But now they all standing right in front of me When mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we were good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun ‘Cause we were good kids I know which place I´m from I know my home When I’m in doubt and struggling That’s where I go An old friend can give advice When new friends only know a half story That’s why I’m always keep them tight And why I´m OK I said I´m OK You know what my mama said? You know what she told me? My mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama said that we were good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun ‘Cause we were good kids Mama said that it was okay Babada babada baba Babada babada baba Babada babada baba Mama said that it was okay Babada babada baba Babada babada baba Babada babada baba When mama said that it was okay Słowa: BROWN CHRISTOPHER STEVEN, FORCHHAMMER LUKAS, FORREST STEFAN, JENSEN MORTEN RISTORP, PILEGAARD MORTEN, CHARNIN MARTIN Muzyka: Lukas Forchhammer Morten Ristorp Stefan Forrest Morten Pilegaard Rok wydania: 2014 Płyta: Lukas Graham.

Copy Link

Recommended publications

Love Someone
Love Someone (Lukas Graham) By David Labrel, Jaramye Daniels, Morten Pilegaard, Morten Ristorp, Lukas Forchhammer, James Ghaleb, Don Stefano Arranged By Tim Middleton Duration: 3:36 String Quartet Violin I Violin II Viola Violoncello © 2018 WB MUSIC CORP., BIG DREAMS APS, HALLA!HALLA! PUBLISHING, MORTEN PILEGAARD PUB DESIGNEE, JARAMYE DANIELS MUSIC, STEFPUBLISHING, DAVID LaBREL PUBLISHING DESIGNEE, MARTIN SHADOWSKI MUSIC GROUP, ANNAMYLOVEMUSIC and MXM All Rights for BIG DREAMS APS, HALLA!HALLA! PUBLISHING, MORTEN PILEGAARD PUB DESIGNEE, JARAMYE DANIELS MUSIC and STEFPUBLISHING Administered by WB MUSIC CORP. All Rights for MARTIN SHADOWSKI MUSIC GROUP, ANNAMYLOVEMUSIC and MXM Administered Worldwide by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission Love Someone As Sung By Lukas Graham By David Labrel, Jaramye Daniels, Morten Pilegaard, Morten Ristorp, Lukas Forchhammer, James Ghaleb, Don Stefano q = 86 Arranged By Tim Middleton ° 4 œœ œ ˙ œœœ œ œ ˙ œœ œ œ ˙ Violin I & 4 Œ Ó ‰™ R œ œ œ œ Œ mp 4 j j j œ œ Violin II & 4 œ ‰ œ ˙ œ ‰ œ ˙ œ ‰ œ ˙ œ ‰ J œ p j j Viola B 4 œ ‰ œ ˙ ‰ œ ‰ œ ˙ ‰ œ 4 J œ œ ˙ J œ œ œ p j Violoncello ? 4 ‰ œ™ œ ‰ œ ˙ ‰ j ‰ j œ ¢ 4 œ œ œ œ J œ œ œ œœ™ œ œ œ p 5 œ ˙ ° œœ œ œ œ œœ œ œ™ œ ˙ œœ ˙ œœ ˙ Vln. I & Œ ™ œœœœ pp j j œ œ ˙ Vln. II ‰ ‰ ‰ ‰ j & œ œ ˙ œ œ ˙ J œ œ œ œœœœ pp j j Vla. B œ ‰ œ ˙ ‰ œ ‰ œ ˙ ‰ œ J œ œ ˙ J œ œ œ pp j Vc.
[Show full text]
Januar 2019 U 23
hnr. 1 januar 2019 u 23. årgang s | pris 20 kr. | 10 kr. går tilf sælgeren o | køb af sælgere r med synligt b id-kort i Hus Forbis og Lukas GADEN MØDER UNIVERSITETET Grahams single er LASSE & et kæmpe RAPPEREN hit NIKOLINE mange sælgere har køb kun avisen af sælgere med synligt hus forbi- nu mobilepay. id-kort som dette. solution-kort giver ikke indtast 1414 + skriv hjemmel til at sælge hus forbi. hus forbi har intet sælgerens nummer i med projektet solution at gøre. hus forbi-id er tekstfeltet. KOPI din garanti for, at du støtter hjemløse og socialt pris 20 kroner. pris med sms 23 kroner. udsatte. hus forbi må ikke sælges i togene. h u s f o r b i | leder | REDAKTION ANSVARSHAVENDE REDAKTØR Poul Struve Nielsen [email protected] FORSIDEFOTO Langsom afvikling Mette Kramer Kristensen KORREKTUR Simon Malling LAYOUT af velfærdssamfundet Salomet Grafik Er vi på vej mod en langsom afvikling af vores velfærdssamfund i Danmark? KONTAKT REDAKTIONEN Poul Struve Nielsen, redaktør, tlf. 5240 9079 Hvis vi ser samfundet som et træ, er de yderste grene i hvert fald kappet af. Med finans- Peter Andersen, redaktionssekretær, tlf. 5373 0494 loven for i år har regeringen taget 2.000 kroner om måneden fra de allermest udsatte i sam- [email protected] fundet. Det er de mennesker, der er på integrationsydelse. Når vi spørger regeringen til det, SALGSAFDELING vil de sige, som de sagde, da to Hus Forbi-sælgere blev smidt ud af Københavns Kommune Morten Munk Hansen, tlf. 8161 6689, [email protected] Jimmy Rohde, tlf.
[Show full text]
Koda's Cultural Contributions
Annual Report 2018 Koda’s Annual Report 2018 1 vision of increasing the speed of Koda’s distribution rates has found a new form in what we call ‘Instant Distribution’ – an initiative launched in February 2019. Establishing a real sense of connection to the earnings Introducing Instant Distribution has been a fondly held wish for the board for a few years now, because yielded by our work is crucial the time elapsing between the performance of mu- for our members’ confidence sic and the distribution of royalties felt unreasonably in Koda – and for our overall long. It is very pleasing to see that the focused and credibility and visibility visionary efforts made by Koda’s employees has led to a solution that is already causing quite a stir in the wider world. The process of getting from the initial of production and business models pertaining to ideas to a final solution has been commendably quick, different genres and approaches. and the board is very happy with this show of speed. Thank you! Establishing a real sense of connection The Koda Kultur initiative will be crucial to the credibi- to the earnings yielded by our work is crucial for our lity and visibility of our collective management society, members’ confidence in Koda – and for our overall which invests its own funds in supporting new Danish credibility and visibility. music, in raising the visibility of individual artists, and in being a crucial part of the Danish music scene Koda’s board of directors has also been eager to see overall. Niels Mosumgaard, Koda’s business strategy translated into an actual Chairman cultural strategy for Koda’s cultural contributions.
[Show full text]
Kodas Årsberetning 2020 Indhold
Kodas årsberetning 2020 Indhold Koda er en non-profit musikrettighedsorganisation, der sørger for, at komponister, sangskrivere og forlag Formandens beretning 4 får betaling, når deres musik bruges offentligt. Det vil sige i sammenhænge, der rækker ud over privat brug. Indtægterne kommer fra musik spillet på cafeer og restauranter, til koncerter og offentlige events, Direktørens beretning 8 samt på tv, radio og streamingtjenester i Danmark, samt fra brugen af Koda-medlemmers musik i udlandet. Alle indtægterne går til de rettighedshavere, hvis musik har generet indtægterne efter et fradrag på godt 10 procent til administration. Efter fradrag til administration afsættes op til 10 procent af Highlights fra 2020 12 indtægterne til kulturelle midler. Koda Kultur 18 Kønsbalancen 19 Koda Hitlisterne 20 For- og bagsidefoto: Anya Berkut Koda Lautrupsgade 9 2100 København Ø Tlf: 33 30 63 00 [email protected] www.koda.dk 2 Koda Årsberetning 2020 Koda Årsberetning 2020 3 FORMANDENS BERETNING Niels Rønsholdt Formand for Kodas bestyrelse Krise og opbrud har vist styrken i vores sammenhold Meget er blevet sagt om 2020, og ikke Det har skabt en stor nedgang i indtjeningen, meget af det har været pænt. Et veritabelt og det har rystet vores branche med annus horribilis - også for musikken. usikkerhed og overvejelser om fremtiden. Mange har mærket grundlaget smuldre I 2020 var en stor del af arbejdet for under sig. Livemusikken, som er kernen i os i Koda således centreret omkring så mange komponister og sangskriveres konsekvenser og eftervirkninger af indtjening, var lukket det meste af året. coronapandemien. Fra nedlukningens første Det samme gælder mange andre dele af dag har vi arbejdet for at hjælpe medlemmer samfundet, hvor mennesker mødes omkring og kunder gennem krisen - blandt andet musik, og hvor vores musik er med til at gennem intenst politisk og teknisk arbejde Foto: Lars Svankjær skabe værdi på caféer, barer, restauranter og med inddragelse af rettighedsbetaling i i butikker, biografer med videre.
[Show full text]
7 Years, Lyrics.Pdf
7 Years by Lukas Graham Once I was seven years old. My mama told me, "Go make yourself some friends, or you'll be lonely." Once I was seven years old. It was a big, big world, but we thought we were bigger. Pushing each other to the limits, we were learning quicker. By eleven, smoking herb and drinking burning liquor1 Never rich, so we were out to make that steady figure.2 Once I was eleven years old. My daddy told me, "Go get yourself a wife, or you'll be lonely." Once I was eleven years old. I always had that dream like my daddy before me, So I started writing songs; I started writing stories. Something about that glory just always seemed to bore me 'Cause only those I really love will ever really know me. Once I was twenty years old. My story got told Before the morning sun, when life was lonely.3 Once I was twenty years old. I only see my goals; I don't believe in failure 'Cause I know the smallest voices, they can make it major. I got my boys with me, at least those in favor. And if we don't meet before I leave, I hope I'll see you later. Once I was twenty years old. My story got told. I was writing about everything I saw before me. Once I was twenty years old. 1 The songwriter grew up in a community in Denmark where it was not difﬁcult to get drugs and alcohol. 2 We were out to make that steady ﬁgure.
[Show full text]
TRUMP Phones AMIR, Invites Exchanged
SUBSCRIPTION SATURDAY, FEBRUARY 11, 2017 JAMADA ALAWWAL 14, 1438 AH No: 17138 Trump phones Amir, invites exchanged Min 08º 150 Fils Leaders hail deep-rooted relations Max 23º KUWAIT: HH the Amir Sheikh Sabah Al-Ahmad Al-Jaber Al-Sabah received a phone call from US President Donald Trump Thursday evening. The Amir congratulated Trump on his election victory and assumption of the top US post, wishing him full success in his mis- sion, a statement by the Amir Diwan said. During their conversation, the two leaders discussed the deeply-rooted and distinguished rela- tions between the two friendly countries. They expressed eagerness to upgrade bilateral cooperation in various domains, particularly those related to the economy, security and military, to reach new heights to better serve the interests of the two nations. They underlined the importance of continuing mutual consultations over different issues within the framework of the strategic partnership. The two leaders also touched upon sever- al issues of mutual concern and the latest regional and internation- al developments. They stressed the need to boost security and sta- bility in the region and to support joint efforts to counter extrem- ism and terrorism. In this regard, Trump reiterated commitment to the security and stability of Kuwait, and applauded Kuwait’s important humanitarian efforts. Trump also invited HH the Amir to visit the US, and the Amir invited the US president to visit Kuwait, which he accepted, and KUWAIT: Revelers take part in the Hala February 2017 carnival in Salmiya as the annual festival got off to a colorful promised to make this visit in the near future.
[Show full text]
Filmkatalog 2021:Katalog 2008
DaBUF FILMKATALOG 2021-2022 DANSKE BØRNE- OG UNGDOMSFILMKLUBBER INDEKS Forord 2021 ....................................................................................................................... 3 De 50 mest bookede film sæson 2020-21 ................................................................ 4 Programpakker ................................................................................................................. 5 Uddrag af almindelige vilkår ......................................................................................... 6 7 years of Lukas Graham ............................................................................................... 7 Blokhavn ............................................................................................................................ 8 Bølle på eventyr ...............................................................................................................9 Calamity Jane – Vestens vilde datter ......................................................................... 10 Croods – En ny tid ........................................................................................................... 11 Da Hitler stjal den lyserøde kanin ................................................................................ 12 Familien Bigfoot .............................................................................................................. 13 Far til fire og vikingerne ................................................................................................
[Show full text]
Ordinary Things Lukas Forchammer, Mads Emil Nielsen, Lukas Graham Sebastian Fogh, Stefan Forrest
Pop = 96 Kædearrangement Ordinary Things Lukas Forchammer, Mads Emil Nielsen, Lukas Graham Sebastian Fogh, Stefan Forrest Intro Kor synger med på understreget tekst. 7 7 7 7 Samme akkord- Fm G /H Cm Cm rundgang fortsætter You thought that I could change but I´m all the same girl I´m all the same You thought that you could work me out It´s just that all these Kvæd 1. Or - di-na-ry things Or - di-na-ry things seem to haunt you ma-king me wan-na dump you It´s just that all these seems a lot 2 Vers why don´t we just break it of You had me in your hand I don't un - der-stand Why you're trip - pin' cause I ain't splip - pin Ba-by I'm your man you text ex-ces - sive-ly you can't leave me be I don't ask you what you're up to but you keep cal - lin' me Bro You hav' got to stop these things I need some-one with con-fi-dence Con -fi -dence aint buy -ing rings and ask me where I drink my drinks I don't need you to tell me what to do It's all up in your head And I'm just sor-ry that these Bas Fm7 G7/H Cm7 Cm7 Alternativ rytme 3/2 2/3 3/3 Trommer Grundrytme Alternativ rytme Kæder Udarbejd percussion-kæder, blandede kæder eller melodiske kæder ud fra en C-mol pentaton skala: C, Eb, F, G, Bb.
[Show full text]
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches
ISSN 2250-7116 ARTÍCULO / ARTIGO / ARTICLE el oído pensante 9.1 (febrero, 2021-agosto, 2021): [111-151] 111 doi: 10.34096/oidopensante.v9n1.8360 Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches Bernhard Steinbrecher " University of Innsbruck, Department of Music, Innsbruck, Austria [email protected] Recepción: septiembre 2020. Aceptación: diciembre 2020. Abstract This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the text elaborates on the particularities of nuances from the perspective of cognitive psychology. Second, it highlights their importance for musical interpretation, characterization, memorization, and melodic nuances and gets into alternative methods to analyze such micro- scopicand valuation. subtleties Third, in the it critically context of reflects musical on hooks. analytical Fourth, approaches analytical to examplesrhythmic examine nuance-related intricacies in song phrases as processes regarding the aesthetic experience of increasing and decreasing intensity, tension, and the broader context of mainstream popular music analysis. motion. Finally, the findings and theoretical considerations are discussed in Keywords: Rhythmic nuances, melodic nuances, process-oriented analysis, aesthetic experience, popular music hooks Los matices musicales y la experiencia estética de los hooks de la música popular: consideraciones teóricas y enfoques analíticos Resumen Este artículo discute el concepto de “matices musicales” desde una per- spectiva procesual, con particular énfasis en la experiencia estética de los Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Esta obra está bajo una Licencia Creative Commons hooks en la música popular occidental.
[Show full text]
7 Years Words and Music by Christopher Brown, Lukas Forchhammer, Morten Jensen, Stefan Forrest, Morten Pilegaard and David Labrel
4 7 YEARS WORDS AND MUSIC BY CHRISTOPHER BROWN, LUKAS FORCHHAMMER, MORTEN JENSEN, STEFAN FORREST, MORTEN PILEGAARD AND DAVID LABREL q 1. 2. = 120 G‹ B¨/F E¨Œ„Š7 F5 3fr 6fr 8fr µ p with Pedal G‹ B¨/F E¨Œ„Š7 3fr 6fr 6 swung vocals 1. Once I was sev - en years old my ma - ma told me, go make your - self some F5 G‹ B¨/F 8fr 3fr 9 friends or you’ll be lone - ly, once I was sev - en years old. © 2015 LATE 80’S MUSIC, THOU ART THE HUNGER, WESTSIDE INDEPENDENT MUSIC PUBLISHING LLC, LUKAS GRAHAM SONGS, HALLA!HALLA! PUBLISHING, STEFPUBLISHING, FUCK YOU DAVE AND MORTEN PILEGAARD PUB DESIGNEE ADMINISTERED BY WB MUSIC CORP WARNER/CHAPPELL NORTH AMERICA LTD ALL RIGHTS RESERVED. 12 TAKE THE WORLD BY STORM WORDS AND MUSIC BY LUKAS FORCHHAMMER, STEFAN FORREST, MORTEN JENSEN, ROSS GOLAN, CHRISTOPHER BROWN, DAVID LABREL AND MORTEN JESPERSEN h = 88 A¨ B¨‹ A¨ B¨‹ A¨/C D¨ A¨/C D¨ 4fr 6fr 4fr 6fr 4fr 4fr f with pedal A¨ B¨‹ A¨ B¨‹ 4fr 6fr 4fr 6fr 9 1. I’ve al - ways dreamt of trav - el, why should we die where we were 2. I don’t have an - y ans - wers, the more I know the more I mf A¨/C D¨ A¨/C D¨ 4fr 4fr 13 born, born? don’t, don’t. © 2015 LUKAS GRAHAM SONGS, THOU ART THE HUNGER, LATE 80’S MUSIC, BACK IN DJIBOUTI, HALLA!HALLA! PUBLISHING, STEFPUBLISHING, FUCK YOU DAVE, THEN WE TAKE THE WORLD, WESTSIDE INDEPENDENT MUSIC PUBLISHING LLC, WB MUSIC CORP, WARNER-TAMERLANE PUBLISHING CO AND MORTEN PILEGAARD PUB DESIGNEE WARNER/CHAPPELL NORTH AMERICA LTD AND MORTEN PILEGAARD PUB DESIGNEE ALL RIGHTS RESERVED.
[Show full text]
SONG LIST Song Title No
GV Smart Song Pack Vol.008 GV Smart Song Pack Vol.008 SONG LIST Song Title No. Popularized By Composer/Lyricist Billie Joe Armstrong, Green 86 16310 GREEN DAY Day (JUST LIKE) STARTING OVER 16360 JOHN LENNON John Lennon (YOU'RE SO SQUARE) BABY I DON'T CARE 16309 ELVIS PRESLEY Jerry Leiber, Mike Stoller 10,000 PROMISES 16284 BACKSTREET BOYS Martin Max A. Pignagnoli / Annerley Gordon 2 TIMES 16285 ANN LEE / Daniela Galli / Paul Sears A FOOL SUCH AS I 16318 ELVIS PRESLEY TRADER WILLIAM MARVIN A KIND OF MAGIC 16311 QUEEN Roger Taylor A POOR MAN'S ROSES 16316 VICTOR WOOD Milton Delugg, Bob Hilliard Bobby Scott and Ric A TASTE OF HONEY 16313 THE BEATLES Marlow A WOMAN'S LOVE 596 ALAN JACKSON Alan Jackson ABOUT A GIRL 16307 NIRVANA Kurt Cobain ABRAHAM, MARTIN AND JOHN 16308 DION Dick Holler Sarah Blanchard / Alan Walker / Rick ALAN WALKER FEAT. NOAH Boardman / Pablo Bowman / Anders ALL FALLS DOWN 16341 CYRUS, DIGITAL FARM ANIMALS Froen / Nick Gale ALL I CAN BE (IS A SWEET MEMORY) 16299 COLLIN RAYE Howard ANGELS AMONG US 16356 ALABAMA Don Goodman / Becky Hobbs ANSWER 16279 SARAH MCLACHLAN McLachlan ARISE MY LOVE 16357 NEWSONG BAD COMPANY 16312 BAD COMPANY Paul Rodgers, Simon Kirke BALANG ARAW 4364 JULIAN TRONO Johann Garcia & Thyro Alfaro Jacob Kasher Hindlin; Charlie Puth; Ammar Malik; Steve Mac; Aaron BEDROOM FLOOR 16295 LIAM PAYNE Jennings; Noel Zancanella FREDRIKSSON ROBIN LENNART / LARSSON MATTIAS PER / REYNOLDS DANIEL COULTER / MCKEE BENJAMIN ARTHUR / PLATZMAN DANIEL JAMES / BELIEVER 16278 IMAGINE DRAGONS SERMON DANIEL WAYNE / TRANTER JUSTIN DREW BREATHE 16303 TAYLOR SWIFT Caillat / Swift CABARET 16306 LIZA MINNELLI John Kander, Fred Ebb Jimmy Van Heusen, Sammy CALL ME IRRESPONSIBLE 16280 JACK JONES Cahn CALLING 16297 GERI HALLIWELL Geri Halliwell CAN I HAVE THIS DANCE 16281 HSM 3 Adam Anders, Nikki Hassman CANDY 597 PAOLO NUTINI Paolo Nutini CANDY PAINT 16289 POST MALONE Austin Post, Louis Bell PERETTI HUGO E / CREATORE CAN'T GIVE YOU ANYTHING 16319 THE STYLISTICS LUIGI / WEISS GEORGE DAVID Rachel Keen / Andrew Jackson / Ellie HAILEE STEINFELD FEAT.
[Show full text]
Royal Arena Copenhagen Welcomes Over 1 Million Fans in Only 20 Months
ROYAL ARENA COPENHAGEN WELCOMES OVER 1 MILLION FANS IN ONLY 20 MONTHS COPENHAGEN (17 Sept, 2018) – Live NAtion-operAted RoyAl ArenA in CopenhAgen hAs welcomed its one millionth visitor just 20 months After opening. This landmArk milestone wAs reAched during a sold-out Jeff Lynne ELO concert lAst night. The 16,500-capacity Arena has had an incredible year with international stars like Depeche Mode, Kendrick Lamar, Sam Smith, Justin Timberlake, U2, Bon Iver and Paul McCartney on the bill. The venue opened with a trilogy of sold-out Metallica shows and events have continued ever since. Dan Hammer, CEO of Royal Arena, says: “The numbers speak for themselves. However, the credit should go to the extremely talented Danish organisers, who work hard each day to attract musical mega stars and major sporting events to Copenhagen and Royal Arena. Their efforts are world-class. “The Ice Hockey World Championship in May was a unique, profitable experience for both the city and the arena, but such events do not come to Denmark by themselves. I am sure that the event will serve as a positive example of the fact that it pays to invest resources and finances in attracting experience-driven customers. “One of the keys to our success is an extremely varied programme with many different music genres, traditional sports, e-sports, stand-up and amazing shows. I am particularly pleased that we have attracted highly coveted Danish names such as Nephew, Anden and Lukas Graham on the programme.” The Danish business community has also given the arena a warm welcome, with a total of 125 companies currently members of the Audi Club, which is Royal Arena’s commercial network.
[Show full text]