Kodas Årsberetning 2020 Indhold
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Koda's Cultural Contributions
Annual Report 2018 Koda’s Annual Report 2018 1 vision of increasing the speed of Koda’s distribution rates has found a new form in what we call ‘Instant Distribution’ – an initiative launched in February 2019. Establishing a real sense of connection to the earnings Introducing Instant Distribution has been a fondly held wish for the board for a few years now, because yielded by our work is crucial the time elapsing between the performance of mu- for our members’ confidence sic and the distribution of royalties felt unreasonably in Koda – and for our overall long. It is very pleasing to see that the focused and credibility and visibility visionary efforts made by Koda’s employees has led to a solution that is already causing quite a stir in the wider world. The process of getting from the initial of production and business models pertaining to ideas to a final solution has been commendably quick, different genres and approaches. and the board is very happy with this show of speed. Thank you! Establishing a real sense of connection The Koda Kultur initiative will be crucial to the credibi- to the earnings yielded by our work is crucial for our lity and visibility of our collective management society, members’ confidence in Koda – and for our overall which invests its own funds in supporting new Danish credibility and visibility. music, in raising the visibility of individual artists, and in being a crucial part of the Danish music scene Koda’s board of directors has also been eager to see overall. Niels Mosumgaard, Koda’s business strategy translated into an actual Chairman cultural strategy for Koda’s cultural contributions. -
Bookere/Managements Kontakt Kontaktmail Adresse Postnummer/By Hjemmeside Telefon Note
Bookere/managements Kontakt Kontaktmail Adresse Postnummer/by Hjemmeside Telefon Note Volbeat, L.O.C., Soleima, Thøger 3rd Tsunami Jesper Frydenlund [email protected] Ewaldsgade 9, 1 + 2 2200 København N www.3rd-tsunami.com 35348348 Dixgaard, Lord Siva m.fl. Mek Pek, Anna Spejlæg, Jan Alive Music APS Mek Falk/Adm. Direktør [email protected] Borggade 1, 2. TH. 8000 Aarhus C http://www.alivemusic.dk 70202208 Svarrer m.fl. Peter Sørensen, [email protected] Thomas Helmig, D.A.D., Tina Beatbox Booking Ravnsborggade 2, 1. sal 2200 København N http://beatboxbooking.dk 28810094 Dickow, Trentemøller, Choir Of Hans Emil Hansen [email protected] Young Believers m.fl. Koncertarrangør - primært Mads Sørensen & Xenia Nørrebrogade 52C, 3. http://www. Beatbox Entertainment info@beatboxentertainment 2200 København N koncerter & shows med Grigat TV beatboxentertainment.dk .dk internationale bands i DK Morten Elley [email protected] 70127722 Martin Rintza [email protected] 42365685 MØ, Chinah, Av Av Av, Rasmus http://www.birdseyeagency. Birdseye Sarah Sølvsteen [email protected] Kronprinsensgade 1 1114 København K 70127722 Walter, Phlake, Sekouia, dk Kellermensch, De Eneste To m.fl. Theis Smedegaard [email protected] 70127722 Nicolai Demuth [email protected] 28770677 Oh Land, Savage Rose, Nelson Bullet Booking Jesper Kemp [email protected] Kongelundsvej 88F 2300 København S http://bulletbooking.dk/ 20601145 Can, D/Troit m.fl. Carpark North, Alex Vargas, Anya, Copenhagen Music Rasmus Søby [email protected] Prags Boulevard 47 2300 København S http://cphmusic.dk 40741877 Lukas Graham, Saveus m.fl. Copenhagen Music Jimmi Riise [email protected] Ryesgade 12, 2 8000 Aarhus C Event booking & production rasmus@damsholt. -
Ordinary Things Lukas Forchammer, Mads Emil Nielsen, Lukas Graham Sebastian Fogh, Stefan Forrest
Pop = 96 Kædearrangement Ordinary Things Lukas Forchammer, Mads Emil Nielsen, Lukas Graham Sebastian Fogh, Stefan Forrest Intro Kor synger med på understreget tekst. 7 7 7 7 Samme akkord- Fm G /H Cm Cm rundgang fortsætter You thought that I could change but I´m all the same girl I´m all the same You thought that you could work me out It´s just that all these Kvæd 1. Or - di-na-ry things Or - di-na-ry things seem to haunt you ma-king me wan-na dump you It´s just that all these seems a lot 2 Vers why don´t we just break it of You had me in your hand I don't un - der-stand Why you're trip - pin' cause I ain't splip - pin Ba-by I'm your man you text ex-ces - sive-ly you can't leave me be I don't ask you what you're up to but you keep cal - lin' me Bro You hav' got to stop these things I need some-one with con-fi-dence Con -fi -dence aint buy -ing rings and ask me where I drink my drinks I don't need you to tell me what to do It's all up in your head And I'm just sor-ry that these Bas Fm7 G7/H Cm7 Cm7 Alternativ rytme 3/2 2/3 3/3 Trommer Grundrytme Alternativ rytme Kæder Udarbejd percussion-kæder, blandede kæder eller melodiske kæder ud fra en C-mol pentaton skala: C, Eb, F, G, Bb. -
Turn up the Music and Optimize Your Production!
Turn up the music and optimize your production! An ancient Greenlandic saying goes: “When the soul is filled, we begin to sing.” And that is true – because in a world where we are spending such a huge amount of energy on keeping in shape and eating healthy, we forget about the spiritual dimension that art can bring to us. We are living in an age in which we are bombarded with feelings of guilt in relation to whether we are exercising enough, eating healthy and being sufficiently determined and structured. There is a lot of focus on the individual and on individual goals, while we often forget that our “motor” is functioning at its best when it is driven by desire, a community, a feeling of cohesion, and of making a difference for someone else. ! Music and culture is something we have and share with each other; something that opens up to new potentials and inspires us to listen, to delve into, to experience, and to study more of it all. Today you might consult a coach when you want to inspire and restructure. But instead you could turn to me and my violin for a spiritual and inspiring vitamin injection, e.g. on a day-seminar with many different speakers, or as an independent presentation with focus on passion, creativity, improvisation, and communication For many years I have taught composition and improvisation in several music conservatories. I use this knowledge to put focus on synergy, creativity, being able to listen and feeling impulses, and how to translate these inputs into actual action. -
7 Years Words and Music by Christopher Brown, Lukas Forchhammer, Morten Jensen, Stefan Forrest, Morten Pilegaard and David Labrel
4 7 YEARS WORDS AND MUSIC BY CHRISTOPHER BROWN, LUKAS FORCHHAMMER, MORTEN JENSEN, STEFAN FORREST, MORTEN PILEGAARD AND DAVID LABREL q 1. 2. = 120 G‹ B¨/F E¨Œ„Š7 F5 3fr 6fr 8fr µ p with Pedal G‹ B¨/F E¨Œ„Š7 3fr 6fr 6 swung vocals 1. Once I was sev - en years old my ma - ma told me, go make your - self some F5 G‹ B¨/F 8fr 3fr 9 friends or you’ll be lone - ly, once I was sev - en years old. © 2015 LATE 80’S MUSIC, THOU ART THE HUNGER, WESTSIDE INDEPENDENT MUSIC PUBLISHING LLC, LUKAS GRAHAM SONGS, HALLA!HALLA! PUBLISHING, STEFPUBLISHING, FUCK YOU DAVE AND MORTEN PILEGAARD PUB DESIGNEE ADMINISTERED BY WB MUSIC CORP WARNER/CHAPPELL NORTH AMERICA LTD ALL RIGHTS RESERVED. 12 TAKE THE WORLD BY STORM WORDS AND MUSIC BY LUKAS FORCHHAMMER, STEFAN FORREST, MORTEN JENSEN, ROSS GOLAN, CHRISTOPHER BROWN, DAVID LABREL AND MORTEN JESPERSEN h = 88 A¨ B¨‹ A¨ B¨‹ A¨/C D¨ A¨/C D¨ 4fr 6fr 4fr 6fr 4fr 4fr f with pedal A¨ B¨‹ A¨ B¨‹ 4fr 6fr 4fr 6fr 9 1. I’ve al - ways dreamt of trav - el, why should we die where we were 2. I don’t have an - y ans - wers, the more I know the more I mf A¨/C D¨ A¨/C D¨ 4fr 4fr 13 born, born? don’t, don’t. © 2015 LUKAS GRAHAM SONGS, THOU ART THE HUNGER, LATE 80’S MUSIC, BACK IN DJIBOUTI, HALLA!HALLA! PUBLISHING, STEFPUBLISHING, FUCK YOU DAVE, THEN WE TAKE THE WORLD, WESTSIDE INDEPENDENT MUSIC PUBLISHING LLC, WB MUSIC CORP, WARNER-TAMERLANE PUBLISHING CO AND MORTEN PILEGAARD PUB DESIGNEE WARNER/CHAPPELL NORTH AMERICA LTD AND MORTEN PILEGAARD PUB DESIGNEE ALL RIGHTS RESERVED. -
SONG LIST Song Title No
GV Smart Song Pack Vol.008 GV Smart Song Pack Vol.008 SONG LIST Song Title No. Popularized By Composer/Lyricist Billie Joe Armstrong, Green 86 16310 GREEN DAY Day (JUST LIKE) STARTING OVER 16360 JOHN LENNON John Lennon (YOU'RE SO SQUARE) BABY I DON'T CARE 16309 ELVIS PRESLEY Jerry Leiber, Mike Stoller 10,000 PROMISES 16284 BACKSTREET BOYS Martin Max A. Pignagnoli / Annerley Gordon 2 TIMES 16285 ANN LEE / Daniela Galli / Paul Sears A FOOL SUCH AS I 16318 ELVIS PRESLEY TRADER WILLIAM MARVIN A KIND OF MAGIC 16311 QUEEN Roger Taylor A POOR MAN'S ROSES 16316 VICTOR WOOD Milton Delugg, Bob Hilliard Bobby Scott and Ric A TASTE OF HONEY 16313 THE BEATLES Marlow A WOMAN'S LOVE 596 ALAN JACKSON Alan Jackson ABOUT A GIRL 16307 NIRVANA Kurt Cobain ABRAHAM, MARTIN AND JOHN 16308 DION Dick Holler Sarah Blanchard / Alan Walker / Rick ALAN WALKER FEAT. NOAH Boardman / Pablo Bowman / Anders ALL FALLS DOWN 16341 CYRUS, DIGITAL FARM ANIMALS Froen / Nick Gale ALL I CAN BE (IS A SWEET MEMORY) 16299 COLLIN RAYE Howard ANGELS AMONG US 16356 ALABAMA Don Goodman / Becky Hobbs ANSWER 16279 SARAH MCLACHLAN McLachlan ARISE MY LOVE 16357 NEWSONG BAD COMPANY 16312 BAD COMPANY Paul Rodgers, Simon Kirke BALANG ARAW 4364 JULIAN TRONO Johann Garcia & Thyro Alfaro Jacob Kasher Hindlin; Charlie Puth; Ammar Malik; Steve Mac; Aaron BEDROOM FLOOR 16295 LIAM PAYNE Jennings; Noel Zancanella FREDRIKSSON ROBIN LENNART / LARSSON MATTIAS PER / REYNOLDS DANIEL COULTER / MCKEE BENJAMIN ARTHUR / PLATZMAN DANIEL JAMES / BELIEVER 16278 IMAGINE DRAGONS SERMON DANIEL WAYNE / TRANTER JUSTIN DREW BREATHE 16303 TAYLOR SWIFT Caillat / Swift CABARET 16306 LIZA MINNELLI John Kander, Fred Ebb Jimmy Van Heusen, Sammy CALL ME IRRESPONSIBLE 16280 JACK JONES Cahn CALLING 16297 GERI HALLIWELL Geri Halliwell CAN I HAVE THIS DANCE 16281 HSM 3 Adam Anders, Nikki Hassman CANDY 597 PAOLO NUTINI Paolo Nutini CANDY PAINT 16289 POST MALONE Austin Post, Louis Bell PERETTI HUGO E / CREATORE CAN'T GIVE YOU ANYTHING 16319 THE STYLISTICS LUIGI / WEISS GEORGE DAVID Rachel Keen / Andrew Jackson / Ellie HAILEE STEINFELD FEAT. -
Musikselskaber 2012 – Tal Og Perspektiver?
MUSIK- SELSKABER 2012 tal og perspektiver Musikselskaber 2012 - tal og perspektiver s. 2 FOTO: sophie bech FORORD Det danske musikmarked er i rivende ud- Det betyder ikke, at alle udfordringer er for- vikling. Det viser tallene for 2012 tydeligere svundet som dug for solen, og at vi nu skal end et stjerneskud på en mørk nattehim- læne os selvtilfredse tilbage i stolen. Vi har mel. For første gang nogensinde er den digi- stadig en vigtig opgave med at skabe trans- tale omsætning for salg af indspillet musik parens, så de massive mængder data, digi- større end den fysiske. Og selvom vi også i taliseringen fører med sig, giver mening for 2012 oplevede et mindre fald i den samlede verden omkring os. Og så skal vi fortsætte omsætning, er det med blot 3 % tale om den med den progressive forbrugerorienterede mindste nedgang siden årtusindeskiftet. tilgang til det digitale marked, der er på vej til at bringe os ud af tusmørket og ind i en Hvad der imidlertid er endnu mere inte- ny spændende virkelighed. ressant, er de digitale vækstkurver, vi har set i det forgangne år. Indtægterne fra Vi er der ikke helt endnu, men målet er streamingtjenester som Spotify, WiMP og klart. Vi vil være med til at forme en bære- Play er næsten fordoblet i 2012, og de udgør dygtig fremtid hvor det, at vi forbruger og allerede nu en fjerdedel af musikselskaber- deler musik med hinanden, er positivt for nes samlede omsætning. Og vi er først lige både danske musikelskere, danske musik- begyndt. Samtidig fortsætter danskerne selskaber og danske musikere. -
Publisher of the Year
PUBLISHER OF THE YEAR "679" Fetty Wap "CHEAP THRILLS""679" GregFetty Kurstin,Wap Sia Furler "CLOSER" Andrew"CHEAP Taggart, THRILLS" Frederic Greg Kennett, Kurstin, Isaac Sia Furler Slade, Joseph King "CLOSER" Andrew"DON'T Taggart, LET MEFrederic DOWN" Kennett, Andrew Isaac Taggart Slade, Joseph King "DON'T"EX'S LET AND ME OH'S"DOWN" Dave Andrew Bassett Taggart "EX'S"GOLD" AND DavidOH'S" Singer-Vine Dave Bassett "GOLD""HELLO" David Greg Singer-Vine Kurstin "HIDE"HELLO" AWAY" GregBrett KurstinMcLaughlin "I HATE"HIDE U I LOVE AWAY" U" Brett Gnash, Mc LOliviaaughlin O'Brien "I HATE"I TOOK U IA LOVE PILL U"IN IBIZA"Gnash, Mike Olivia Posner O'Brien "LET ME"I TOOK LOVE A YOU" PILL LouisIN IBIZA" Bell, Mike Lumidee Posner Cedeno "LET ME LOVE"ME, YOU" MYSELF Louis & Bell, I" G-Eazy Lumidee Cedeno "NEEDED"ME, MYSELF ME" Adam & I" King G-Eazy Feeney "NEVER"NEEDED FORGET ME" Adam YOU" King Arron Feeney Davey "ONE"NEVER CALL FORGET AWAY" YOU" Maureen Arron McDonald Davey "ONE"ONE CALL DANCE" AWAY" PaulMaureen Jefferies McDonald "PILLOWTALK""ONE Anthony DANCE" Hannides, Paul Jefferies Michael Hannides "PILLOWTALK""ROSES" Anthony Andrew Hannides, Taggart Michael Hannides "SAME OLD "ROSES"LOVE" Mikkel Andrew Eriksen, Taggart Tor Hermansen "SHUT UP"SAME AND OLDDANCE" LOVE" Eli MikkelMaiman, Eriksen, Kevin Ray,Tor Hermansen Nicholas Petricca, "SHUT UP AND DANCE" SEliean Maiman, Waugaman Kevin Ray, Nicholas Petricca, "THIS IS WHATS YOUean Waugaman CAME FOR" Calvin Harris "WORK""THIS Monte IS WHAT Moir, YOUAllen CAME Ritter, FOR"Boi-1da, Calvin Rupert Harris Thomas "WORK" Monte Moir, Allen Ritter, Boi-1da, Rupert Thomas MARTIN BANDIER AND EVERYONE MARTINAT SONY/ATV BANDIER MUSIC AND PUBLISHING EVERYONE CONGRATULATEAT SONY/ATV MUSIC ALL OF PUBLISHING OUR AWARD- CONGRATULATEWINNING ASCAP ALL SONGWRITERS OF OUR AWARD- WINNING ASCAP SONGWRITERS MOST PERFORMED SONGS 679 FETTY WAP FT. -
Mama Said – Lukas Graham
iSing.pl - Każdy może śpiewać! Mama Said – Lukas Graham When Mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we are good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun ´Cause we were good kids Remember asking both my mom and dad Why we never travelled to exotic lands We only ever really visit friends Nothing to tell when the summer ends We never really went buying clothes Folks were passing on this stuff in plenty loads New shoes once a year and then Out to play ball so we could ruin them When mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we were good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun `Cause we were good kids Don’t get me wrong I didn’t have it bad I got enough loving from my mom and dad But I don’t think they really understood When I said that I wanted the deal in Hollywood I told them I´ll be singing on TV The other kids were calling me a wannabe The older kids they started bugging me But now they all standing right in front of me When mama said that it was OK Mama said that it was quite alright Our kind of people had a bed for the night And it was OK Mama told us we were good kids And daddy told us never listen to the ones Pointing nasty fingers and making fun ‘Cause we were good kids I know which place I´m from I know my home When I’m in doubt and struggling That’s where I go -
Ankerstjerne Kommer Til VEGA Med Sit Imponerende Bagkatalog
2017-09-18 10:00 CEST Ankerstjerne kommer til VEGA med sit imponerende bagkatalog VEGA præsenterer Ankerstjerne kommer til VEGA med sit imponerende bagkatalog Han har flere år i streg været den mest spillede komponist i dansk radio, og blevet hædret med flere DMA statuetter. Fredag d. 7. marts kan du opleve den populære sangskriver, når han fylder Lille VEGA med en blanding af hip hop, skarpe tekster, stærke pop numre og historiefortælling. Ankerstjerne har siden sit gennembrud givet os hits som "Mit Navn I Lys", "Lille Hjerte", "Vent Og Se", "Tag Hvad Du Vil", "Nattog og 1000 år". I september sidste år udgav Ankerstjerne ep’en Rapper, der indeholder seks skarpskårede sange. Den blev nomineret til GAFFA Prisen, og fik bl.a. 4 stjerner af selvsamme blad. Ep´en er en hyldest til den hiphop som sangeren har elsket siden han var helt lille, og som har formet ham som kunstner. Ankerstjerne er en fremragende historiefortæller, der formår at gøre sine tekster både personlige og vedkommende, alt imens han pakker dem ind i bundsolidt musikalsk håndværk. Således har han imponeret anmeldere og publikum i årevis. Foruden sin egen karriere, har Ankerstjerne haft stor succes med, at skrive sange sammen med flere af hans gode venner, her i blandt Rasmus Seebach og Burhan G. Han er på vej med ny musik, glæd jer til både det og koncerten her i VEGA. Fakta om koncerten Ankerstjerne (DK) Fredag den 7. marts kl. 21.00 Lille VEGA, Enghavevej 40, 1674 København V Billetpris 175 kr. + gebyr Billetsalget starter i dag via VEGA.dk og ticketmaster.dk Læs mere og køb billet til koncerten med Ankerstjerne Se video på YouTube her VEGA er et regionalt spillested med cirka 330 koncerter årligt på de tre scener: Store VEGA, Lille VEGA og Ideal Bar Live. -
59Th Press List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 59th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2015 through September 30, 2016 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. 1. HELLO Adele Greg Kurstin, producer; Julian Burg, Tom Elmhirst, Greg Kurstin, Liam Nolan & Alex Pasco, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers Track from: 25 [XL Recordings/Columbia Records] 2. FORMATION Beyoncé Beyoncé Knowles, Mike Will Made-It & Pluss, producers; Jaycen Joshua & Stuart White, engineers/mixers; Dave Kutch, mastering engineer Track from: Lemonade [Parkwood Entertainment/Columbia Records] 3. 7 YEARS Lukas Graham Future Animals & Pilo, producers; Delbert Bowers, Sebastian Fogh, Stefan Forrest & David LaBrel, engineers/mixers; Tom Coyne, mastering engineer Track from: Lukas Graham [Warner Bros. Records] 4. WORK Rihanna Featuring Drake Boi-1da, producer; Noel "Gadget" Campbell, Kuk Harrell, Manny Marroquin, Noah "40" Shebib & Marcos Tovar, engineers/mixers; Chris Gehringer, mastering engineer [Westbury Road Entertainment] 5. STRESSED OUT Twenty One Pilots Mike Elizondo & Tyler Joseph, producers; Neal Avron & Adam Hawkins, engineers/mixers; Chris Gehringer, mastering engineer Track from: Blurryface [Fueled By Ramen] © The Recording Academy 2016 - all rights reserved 1 Not for copy or distribution 59th Finals - Press List General Field Category 2 4. VIEWS Album Of The Year Drake Award to the Artist(s) and to the Album Producer(s), Recording dvsn, Future, Kyla, PartyNextDoor, Rihanna & Wizkid, Engineer(s) and/or Mixer(s) & Mastering Engineer(s), if other than featured artists; Brian Alexander-Morgan, Axlfoliethc, Beat the artist. -
Annual Report 2019 ANNUAL REPORT 2019 ANNUAL REPORT 2019
eretning Annual Report 2019 ANNUAL REPORT 2019 ANNUAL REPORT 2019 Content The Chairman's Report 4 The CEO's Report 8 Highlights from 2019 12 The Charts 18 Photo on front and back: Daniel Tafjord Koda Lautrupsgade 9 2100 København Ø Denmark Phone: +45 33 30 63 00 [email protected] www.koda.dk 2 Koda Annual Report 2019 Koda Annual Report 2019 3 THE CHAIRMAN’S REPORT THE CHAIRMAN’S REPORT Koda: Stepping into the 2019 was another eventful year in Koda distributed at all if no one had been around and a fantastic year for Koda’s revenues to to manage the rights. False, because the Future on rightsholders. Once again, we passed the revenues weren’t really generated by Koda, magic one-billion kroner turnover mark, but by the composers and songwriters who which is very impressive in a global market created the music. for music rights characterised by fierce competition and constant changes and In Denmark we have a strong, rich and Strong challenges. diverse music culture, which helps to ensure the high revenues generated here. Speaking about `Koda's revenues’ is both Few places can match the high music true and false. True, because most of the consumption rates we see in Denmark. But a Legs revenues would not be collected and strong music culture doesn’t simply happen. Photo: Lars Svankjær Koda Annual Report 2019 5 THE CHAIRMAN’S REPORT THE CHAIRMAN’S REPORT On the one hand, it requires the possibility of music scene in the future. That’s what we do emerged even stronger with a new man at out and reorganisation of the two schemes making money from music: creating music when we reinvest in music culture.