DOCSLIB.ORG

The Favorite Game 1St Edition Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Favorite Game 1St Edition Pdf, Epub, Ebook THE FAVORITE GAME 1ST EDITION PDF, EPUB, EBOOK Cohen | 9781400033621 | | | | | The Favorite Game 1st edition PDF Book Feb 03, Stacy LeVine rated it really liked it. Brotherhood is still my favorite of the series. Breavman isn't as interesting a character to me as one of his lady friends, Shell. It wasn't just that the forms were perfect, or that he knew them so well. I tried to record my favourite lines but there was nearly one on every page. Cohen is a master of subtlety, I was most impressed with his description of a masturbation session chapter 19 , without once mentioning the word masturbation or anything blatantly related to it. This game is truly fantastic. Along with all of that, there was the great multiplayer. What will the favorite game turn out to be? Shell Cary Lawrence I still remember how my jaw hit the floor with the game's ending. We do not guarantee that these techniques will work for you. Shadow of Mordor is truly the first next-gen game and will no doubt inspire developers to adopt this revolutionary system. So i can tell only for scenario Jan 15, Kathy rated it really liked it. Looking for something to watch? Sign In Don't have an account? Incest films. Cohen acknowledges that this solipsism affects those around Breavman, but the character keeps falling back into it, unable to break the cycle of thinking he's had since he was a child. In the sheer genius of his style, Cohen redeems his protagonist from his life of arrogance an This book is the reason why I give less than five stars to so many others. I loved it. Breavman by all normal reasons is not the most likeable character; he is selfish, uses people for his own ideals and stuck in his own adolescent immaturity and naivety. Notwithstanding how all fiction is probably at least somewhat autobiographical; it just feels strikingly personal. That provides more variety in your list. It is jelled from isolated vignettes that slowly create an arching narrative of a not very likeable individual who uses his genius as both a cudgel and as a means to isolation. I had a blast playing it and still do. I still remember my reaction to the big reveal in the game. This book felt so very familiar, and I missed it when it wasn't by my side. This article about a Canadian novel is a stub. This was not the kind of quiet she wanted. Thats a pretty ok list, but it seems like its missing a lot of good games that should be on there. Published October 14th by Vintage first published Favourite game , Black Spring P. Cohen placed the book with publishers in England and America who requested a shorter length, so he cut the book in half. Anyone But You by Jennifer Crusie. At times, the book utterly infuriated me. All in all, I thought that this book was amazing. Ok, I only got halfway through this so maybe it's a bit unfair to give it a one-star rating, but I couldn't sustain my interest in this book. Young British. Read Beautiful Losers and get the full Cohen experience - it'll dance you to the end of something or other, that's for sure. The favourite game , Panther. Surrounding all of that is a solid game with excellent combat, stealth, and exploration. The Favorite Game 1st edition Writer It's pretty obvious when reading it, the Cohen is aware that this part of his main character is not a desirable trait in anyone, and the ending of the book finds the protagonist losing because of it. Burned by P. The favorite game: a novel , Vintage. Use the HTML below. Hundreds of hours invested, and that's only for zombies. It's very peculiar, but consistent. I love Batman. Cohen placed the book with publishers in England and America who requested a shorter length, so he cut the book in half. The favorite game , McClelland and Stewart. But thanks to his musical success, there will always be lots of hungry fans like me picking this one up. I can't wait for a sequel. All in all, I thought that this book was amazing. This was before it got tiresome with the sequels. The favourite game , Cape. The sexual repetition got on my nerves but the descriptions are lovely. It's still a great game though. The Globe and Mail compared it to Catcher in the Rye. Read more The Favorite Game by Leonard Cohen. It changes how you approach everything. Bertha Eric Perreault Average rating 3. In book I Cohen depicts the crumbling of a once passionate relationship in to passive aggressive onesupmanship. Notwithstanding how all fiction is probably at least somewhat autobiographical; it just feels strikingly personal. It's frustrating, but it has its rewards. If anything, I yearned to smack his face. I still remember how my jaw hit the floor with the game's ending. I don't like the feeling of arousal during my morning commute, and I never lusted for the narrator. Perhaps it is an accurate depiction of the book, in which case, I am judging a faithful film unfairly. Making decisions has meaning and consequences. Most of the really good ones are at the beginning, when Our Protagonist is a kid, and then to a lesser extent again at the end. This game is amazing. Ok, I only got halfway through this so maybe it's a bit unfair to give it a one-star rating, but I couldn't sustain my interest in this book. Little happens. The Favorite Game 1st edition Reviews Leo's Father Sean Pichette This edition published in by McClelland and Stewart in Toronto. It makes the game frustrating and difficult in the best kind of way. I enjoy Cohen's poems and It isn't often we meet someone who has the same vision of what we might be as we have for ourselves. Just for a on about bodies. It was a certain particular woman who had an address and the features of her family. It was still a great game. The Favourite Game , HarperCollins. I liked the main character and his struggles and I loved the way the book seemed easier to read in the beginning, harder in the middle, and then easy again towards the end, because that speaks volumes about a character's life. This is a semi-autobiographical, coming-of-age novel about Montrealian is that a thing? Plot Keywords. Your Rating:. Since the s he has typically sung in lower registers bass baritone, sometimes bass , with accompaniment from electronic synthesizers and female backing singers. Cohen's earliest songs many of which appeared on the album Songs of Leonard Cohen were rooted in European folk music melodies and instrumentation, sung in a high baritone. It is still my favorite Call of Duty campaign. Previews available in: English. The brevity of life, animal and human. I'm sure you disagree, but this is just my opinion. Though I can't say Cohen's text in this book was incoherent Her thighs are filling up the street. Writers: Leonard Cohen novel , Peter Putka screenplay. The only problem with this work is that the last 30 pages or so seem to be very hastily written - I haven't felt like a conclusion had been drawn, but I also didn't feel like a full open end was before me. Favourite game , Black Spring P. Leonard Cohen is one of my top 5 favorite music list, but I don't like his prose at all. Breavman by all normal reasons is not the most likeable character; he is selfish, uses people for his own ideals and stuck in his own adolescent immaturity and naivety. Not because it's not good, but because there are a lot of novels like this and few enter any kind of canon even one as desperate to bestow canonization as the Canadian canon. Sincerely B. Aug 21, Loren rated it really liked it. In book I Cohen depicts the crumbling of a once passionate relationship in to passive aggressive onesupmanship. So yeah, it'd be hard for a game that came out in this type of year to crack my top 25, let alone the top May 4, Trailers and Videos. This was not the kind of quiet she wanted. The Favorite Game 1st edition Read Online It was still a great game. External Sites. User Reviews. The favorite game: a novel , Vintage. Details if other :. It was first published by Secker and Warburg in the fall of Rating details. Leonard Cohen The Holy or the Broken. Many fans may disagree, but I love this game nonetheless. RBSC copy: Original paperback with illustrated covers. I wanted to underline so many passages but it's a library book. Sincerely B. While writing in a coffee shop, Leo shares a glance with Shell, a graphic designer who divides her time between Montreal and New York. Jul 19, Patrick rated it really liked it. For example, I love the Assassin's Creed games, but I can only put my favorite game from that series on my list. There are some really beautiful passages, and others that scream 'this is my first novel'. Jan 15, Kathy rated it really liked it. It's only number 10, there are 9 other games that I enjoy much more. Making decisions has meaning and consequences. Brochu Vikki Walker Martin's Mother Roxane Roy If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed.
Load more

Recommended publications
  • From Chaos to Art Postmodernism in the Novels of Leonard Cohen
    Ghent University Faculty of Arts and Philosophy From Chaos to Art Postmodernism in the Novels of Leonard Cohen Paper submitted in partial fulfilment of the requirements for the degree of “Master of Arts in Linguistics and Supervisor: Literature: Dutch – English” by Prof. Dr. Sandro Jung August 2011 Dries Vermeulen I followed the course From chaos to art Desire the horse Depression the cart LEONARD COHEN reciting “The Book of Longing” ACKNOWLEDGEMENTS When I was five years old, I felt like I was the only person in the world who could not read. Being able to decipher the unlimited combinations of those twenty-six peculiar signs that filled pages upon pages, was what distinguished the grown-ups from the children. Something had to be done. My mother was my first teacher. She taught me to read, although she likes to remind me that I did it all on my own. I spent the following twelve years of my life thinking I was good at it. And yet I arrived in Ghent an illiterate. Here I learned that there is much more to literature than I imagined. I was taught new and more thorough ways of reading books. I can only hope the following pages succeed to prove that I have paid attention. I wish to thank my supervisor, Prof. Dr. Sandro Jung, for his help, and for allowing me to write a dissertation on two novels hardly anyone in the English Department had even heard of. I know he really preferred William Beckford’s Vathek as a subject. I also wish to thank Prof.
    [Show full text]
  • Cohen's Age of Reason
    COVER June 2006 COHEN'S AGE OF REASON At 71, this revered Canadian artist is back in the spotlight with a new book of poetry, a CD and concert tour – and a new appreciation for the gift of growing older | by Christine Langlois hen I mention that I will be in- Senior statesman of song is just the latest of many in- terviewing Leonard Cohen at his home in Montreal, female carnations for Cohen, who brought out his first book of po- friends – even a few younger than 50 – gasp. Some offer to etry while still a student at McGill University and, in the Wcome along to carry my nonexistent briefcase. My 23- heady burst of Canada Council-fuelled culture of the early year-old son, on the other hand, teases me by growling out ’60s, became an acclaimed poet and novelist before turning “Closing Time” around the house for days. But he’s inter- to songwriting. Published in 1963, his first novel, The ested enough in Cohen’s songs to advise me on which ones Favourite Game, is a semi-autobiographical tale of a young have been covered recently. Jewish poet coming of age in 1950s Montreal. His second, The interest is somewhat astonishing given that Leonard the sexually graphic Beautiful Losers, published in 1966, has Cohen is now 71. He was born a year before Elvis and in- been called the country’s first post-modern novel (and, at troduced us to “Suzanne” and her perfect body back in 1968. the time, by Toronto critic Robert Fulford, “the most re- For 40 years, he has provided a melancholy – and often mor- volting novel ever published in Canada”).
    [Show full text]
  • Leonard Cohen in French Culture: a Song of Love and Hate
    The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart.
    [Show full text]
  • La Tradition Biblique À Travers Les Œuvres De Leonard Cohen
    LCO 6830, Séminaire de recherche: La tradition biblique à travers les œuvres de Leonard Cohen Automne 2017 Horaire : Lundi, 13h00 à 16h00 Professeur: Terry Cochran (substitution/equivalence PLU6061, “Littératures juives de la modernité”) Description: Malgré son succès populaire en tant que chanteur et compositeur, Leonard Cohen était surtout un écrivain, ayant publié deux romans et nombreux recueils de poésie avant d’amorcer sa carrière de musicien. De même qu’il a continué à écrire la poésie pendant toute sa vie, ses chansons se distinguent autant par leurs paroles que par leur composition musicale. Au fond, toute sa production – qu’elle soit romanesque, poétique ou musicale – relève du littéraire et les différences entre ces genres de création demeurent très fluides; le langage des romans possède très souvent une sonorité poétique et les poèmes deviennent plus tard les paroles d’une chanson, tout comme les vers chantés se trouvent dans ses recueils de poésie. Cette production « tricéphale » accompagne la quête spirituelle de Cohen qui l’amène à explorer divers héritages religieux – y compris le bouddhisme et l’hindouisme – en plus de son propre judaïsme. Or dans une optique textuelle, cette quête s’inspire de manière constante de la tradition biblique qui a profondément marqué toute l’œuvre de Cohen ainsi que sa vision et son expérience de la création littéraire. Ce séminaire se concentrera sur les liens étroits entre, d’une part, le Tanakh (la Bible hébraïque) et, dans une moindre mesure, la Bible chrétienne (le Nouveau Testament) et, d’autre part, le projet littéraire et les écrits variés de Leonard Cohen.
    [Show full text]
  • BEAUTIFUL LOSERS All the Polarities
    BEAUTIFUL LOSERS All the Polarities Linda Hutcheon BEAUTIFUL LOSERS has been called everything from obscene and revolting to gorgeous and brave. For a Canadian work it has received con­ siderable international attention, yet few literary critics have dared take it seriously. Along with The Energy of Slaves, which shares its themes and imagery, this novel stands as a culminating point in Cohen's development. It may also be the most challenging and perceptive novel about Canada and her people yet written. Cohen plays with the novel structure but the essential unity of the work lies outside the temporal and spatial confines of plot and character, in the integrity of the images. The first book, "The History of Them All," is the tortured con­ fession of a nameless historian-narrator whose prose is as diarrhetic as his body is constipated. "A Long Letter from F.," written from an asylum for the criminally insane by the brilliant, erratic revolutionary-tyrant, presents us with the narrator's teacher and his "system," seen from the perspective of failure. The final fantasy of F.'s escape leads into "Beautiful Losers: an epilogue in the third person". In formal novelistic terms this is the most traditional part, yet even here characters and temporal sequences merge and we are finally addressed by yet another narrative voice. Whatever plot there is here, its interest is minimal. If the characters enlist our attention at all it is due to their articulate natures. There is little doubt that, if not obscene - whatever that word might mean - the language of this novel is sexual and sensual.
    [Show full text]
  • The Worlds of Leonard Cohen : a Study of His Poetry
    THE WORLDS OF LEONARD COREN: A STUDY OF HIS POETRY by Roy Allan B, A,, University of British Columbia, 1967 A THESIS SUBEITTED IN PARTIAL FULk'ILLMZNT OF THE REQUIREI4ENTS FOR THE DEGREE OF FASTER OF ARTS in the Department of Engli sh @ ROY ALLAN, 1970 SIMON FRASER UNIVERSITY June, 1970 Approval Name: Roy Allan Degree: Master of Arts Title of Thesis: The Worlds of Leonard Cohen: A Study of His Poetry Examining Committee: ' Dr. Sandra Djwa Senior Supervisor Dr. Bruce Xesbitt Examining Committee Professor Lionel Kearns Examining Committee Dr. William Ijew Associate Professor of English University of British Columbia Vancouver 8, 13. C. I I Date Approved : ,:,./ /4'7[ Dedicated to Mauryne who gave me help, encouragement and love when I needed them most. iii Abstract The creation of interior escape worlds is a major pre- ' occupation in the poetry of Leonard Cohen. A study of this preoccupation provides an insight to the world view and basic philosophy of the poet and gives meaning to what on the sur- face appears to be an aimless wandering through life. This study also increases the relevance of Cohenls art-+$. explkca- -----1 ' ting -the m-my .themes that relate to the struggle of modern , man in a violent and dehumanizing society. r'\ \ /--'-- ./' ../" ->I \ The for s _wo_rld.aiew-b'eginsin Let Us /' ----- -'I \Compare Flytholoqies wy&f his inn-Raps naive --.-- ----.. - - -- gies upon which man bases7 his -> osophies. TGSconclusion i /' /' Cohen.. stioning is initially an acceptance of the "elaborate lieu that rationalizes the violence of life and death. There is, however, the growing desire on the poet's part to escape this violence.
    [Show full text]
  • Proquest Dissertations
    UNIVERSITY OF CALGARY He'll: Parody in the Canadian Poetic Novel by Nathan Russel Dueck A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA NOVEMBER, 2009 © Nathan Russel Dueck 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-64097-5 Our file Notre reference ISBN: 978-0-494-64097-5 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • “Who Is the Lord of the World?” Leonard Cohen’S Beautiful Losers and the Total Vision
    Medrie Purdham “Who is the Lord of the World?” Leonard Cohen’s Beautiful Losers and the Total Vision Here is my big book. I hope you don’t think it’s too big. I want it to be the very opposite of a slim volume. I hope I’ve made some contribution to the study of the totalitarian spirit and I needed a lot of space and forms to make my try. —Leonard Cohen, in a letter to Miss Claire Pratt of McClelland & Stewart about Flowers for Hitler, 19641 When Leonard Cohen wrote to his publisher in 1964 about the size of his book of poetry, Flowers for Hitler, he described an almost inevitable formal identification of the “big book” with its subject, “the totalitarian spirit.” With customary humility, Cohen suggests that the work is big not because it is authoritative but rather because it is tentative. An artist must be an uneasy kind of world-maker and certainly an uneasy kind of experimentalist where his writing engages totalitarian themes. Totalitarianism itself has often been explored for its analogy to art; Walter Benjamin viewed totalitarianism as the aestheticization of politics2 and Hannah Arendt explored, similarly, its perverse idealism.3 Further, Arendt’s influential critique of totalitarianism, which I will draw on centrally, emphasizes its essential unworldliness and foregrounds its novelty, dubbing it “a novel form of government” (Origins 593). An unworldly creativity animates Cohen’s Beautiful Losers (1966), a book that is bigger and more wildly inclusive than its predecessor. This novel touches on totalitarian themes, themes that readers might find uncomfortably reflected in Cohen’s own apparent search for a total vision.
    [Show full text]
  • Leonard Cohen's Experimental 1966 Novel, Beautiful Losers, Is His
    Benadé 1 Systems and Self: Understanding the Posthuman in Beautiful Losers Richard Benadé English 499 November 16, 2009 Benadé 2 Leonard Cohen‟s experimental 1966 novel, Beautiful Losers, is his second foray into the novel form. Cohen uses the text to balance his conflicting views of technology as neither the great liberator of humanity nor the bane of that which signals human identity. The human condition arises shakily from the dialectic formed between these two extremes. Cohen demonstrates that Western society has entered an age whereupon it relies on technology to a dangerous degree. The reliance humans have upon technology endangers identity, yet through this obsessive relationship, humans may find a means of transcendence. Katherine Hayles‟ book, How We Became Posthuman, similarly addresses the implications of the changing relationship between human beings and machines. The novel yields well to posthuman analysis for two reasons: On the level of content the text‟s references to technology and media are highly suggestive of the concerns to be found within posthuman discourse. Perhaps of greater interest, is the means by which the text, as a form, reflects the concepts posited by posthuman theorists. Cohen shows, with both anxiety and desire, the West‟s transformation into a posthuman society. While posthumanism endangers identity at the level of content—producing an identity crisis for the characters of the text—Beautiful Losers ultimately relies on the posthuman discourse that it anticipates in order to inform its structure. The novel centres on the spiral into madness that the nameless protagonist (conventionally named “I” in literary criticism) undergoes as he tries desperately to cling to a sense of individuality.
    [Show full text]
  • Leonard Cohen's New Jews: a Consideration of Western Mysticisms in Beautiful Losers Alexander Lombardo Claremont Mckenna College
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2017 Leonard Cohen's New Jews: a Consideration of Western Mysticisms in Beautiful Losers Alexander Lombardo Claremont McKenna College Recommended Citation Lombardo, Alexander, "Leonard Cohen's New Jews: a Consideration of Western Mysticisms in Beautiful Losers" (2017). CMC Senior Theses. 1539. http://scholarship.claremont.edu/cmc_theses/1539 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Leonard Cohen’s New Jews: a consideration of Western mysticisms in Beautiful Losers submitted to Professor Robert Faggen and Dean Peter Uvin by Alex Lombardo for Senior Thesis 2016-2017 24 April 2017 Lombardo 2 Lombardo 3 Abstract This study examines the influence of various Western mystical traditions on Leonard Cohen’s second novel, Beautiful Losers. It begins with a discussion of Cohen’s public remarks concerning religion and mysticism followed by an assessment of twentieth century Canadian criticism on Beautiful Losers. Three thematic chapters comprise the majority of the study, each concerning a different mystical tradition—Kabbalism, Gnosticism, and Christian mysticism, respectively. The author considers Beautiful Losers in relation to these systems, concluding that the novel effectively depicts the pursuit of God, or knowledge, through mystic practice and doctrine. This study will interest scholars seeking a careful exploration of Cohen’s use of religious themes in his work. Lombardo 4 This thesis is dedicated to the memory of Leonard Norman Cohen. Lombardo 5 Table of Contents 1.
    [Show full text]
  • Fillmore-Handlon Phd S2019
    Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada Charlotte Jane Fillmore-Handlon A Thesis In the Humanities Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Humanities) at Concordia University Montreal, Quebec, Canada October 2018 © Charlotte Jane Fillmore-Handlon, 2018 Charlotte Jane Fillmore-Handlon Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada (Humanities) Dr. Monika Gagnon Dr. Line Grenier Dr. Bart Simon Dr. Valérie deCourville Nicol Dr. Charles Acland Dr. Darren Wershler Dr. Erin Manning December 10, 2018 Dr. André Roy, Faculty of Arts and Science ABSTRACT Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada Charlotte Jane Fillmore-Handlon, PhD Concordia University, 2018 The history of Leonard Cohen’s career over the last sixty years is also a reflection of the development of contemporary celebrity culture in Canada. One of the main conditions that allowed this culture to emerge is the Royal Commission on National Development in the Arts, Letters and Sciences (1949-51). As a result, the Canadian government strengthened cultural policy and developed the Canada Council for the Arts to support cultural production. In 1958, Cohen was a recipient of the new Canada Council Junior Arts Fellowships. Using the celebrity phenomenon of Cohen as my object of research, this dissertation asks: How is the discourse of celebrity constructed in Canada from the mid-twentieth century to the early decades of the twenty-first century? Developing a discursive analysis, I illuminate how we talk about celebrity in Canada at certain socio-historical moments and portray Canada as a nation ambivalent about celebrity.
    [Show full text]
  • Leonard Cohen: a Crack in Everything the Jewish Museum April 12 – September 8, 2019
    Leonard Cohen: A Crack in Everything The Jewish Museum April 12 – September 8, 2019 Exhibition Wall Texts LEONARD COHEN: MOMENTS COMPILED BY CHANTAL RINGUET Topos_JM_LC_WallTexts_24p.indd 1 4/4/19 12:34 PM SEPTEMBER 21, 1934 BIRTH OF LEONARD NORMAN COHEN IN WESTMOUNT Born into a Westmount Jewish family that was part of Montreal’s Anglo elite, Leonard Norman Cohen was the second child of Masha Klinitsky- Klein and Nathan Bernard Cohen. Lyon Cohen, Leonard’s paternal grandfather, a well- known businessman and philanthropist, was an important figure in the Jewish community. He started the Freedman Company, one of the largest clothing manufacturers in Montreal, and cofounded the Canadian Jewish Times (1897), the first English- language Jewish newspaper in Canada. Lyon Cohen was also president of several organizations, including the Canadian Jewish Congress and Congregation Shaar Hashomayim. He helped Jewish immigrants from the Russian Empire settle in Canada—among them, from Lithuania, the learned Rabbi Solomon Klinitsky- Klein and his family. Lyon’s son, Nathan Cohen, a lieutenant in the Canadian army and World War I veteran, later ran the family business. From his father, the young Leonard inherited a love of suits; from his mother, Masha, who trained as a nurse, he received his charisma and his love of songs. Cohen’s well- to- do family was quite different from the Jewish masses who arrived in Montreal in the early twentieth century. Many of these immigrants spoke Yiddish as their native language and worked in garment factories. Despite his extensive travels and his residence in Los Angeles, Cohen always returned to Montreal to “renew his neurotic affiliations,” as he often repeated in interviews.
    [Show full text]